Contemporary Paintings

Bernard Nacion Untitled (Waiting By The Phone), Late 20th Century Acrylic and mixed media on artist board Image: 10 x 12 in. Mat: 12 x 14 in. Signed ver...

Italian Landscape with Signals (Original Title: Paesaggio all’italiana con segnali) is an original Contemporary artwork realized in 1984 by the italian artist Leo Guida (1992 - 2017)...

Stanley Boxer devoted nearly five decades to the development of an expressive, abstract practice, encompassing drawing, sculpture, and printmaking. “In the manufacture of my art, I u...

A highly abstracted figure playing saxophone in this contemporary cubist painting by Michael William Eggleston (American, 20th c.). A bright and colorful palette of pastel purple, p...

Artist: Peter Keil Title: Couple Size: 21 1/2 × 25 1/2 Inches (Framed: 24 1/2 × 28 1/2 Inches) Medium: Acrylic on Board Edition: Original Year: 1969 Notes: Hand Signed and Da...

Born in Paris in 1946 and raised in the heart of an idyllic French countryside near the Loire Valley, Jacques Lamy began painting at a very early age. Jacques completed his formal artistic training at the prestigious Ecole Nationale Superieur des Arts Decoratifs (Paris) in 1971. While there, he received the highest peer recognition in European Arts; the coveted Prix de Rome award for painting. Jacques Lamy’s career as an artist, designer and art teacher took him from his native France to life abroad in Spain, Africa, and the United States. His broad artistic interests and his classic training in art and design have enabled him to enjoy a wide variety of artistic experiences from designing furniture, lamps, tapestries, and elegant garden statuary to creating large scale murals for public viewing and enjoyment. in addition to his renowned mural work, Jacques received international recognition for his decorative fresco paintings. Jacques personal artistic style is very much a melding of old and new – a merging of a classically trained artist with a modern artistic vision. The medium is multi-media and the composition has a modern, abstract quality but the Old World training in design and composition lends the whole an air of classical grace. Examples can be seen in his studio-gallery in Dallas, Texas. ​Art Education Ecole National Superieure des Arts Decoratifs – Paris Art Teaching Casa de Velasquez – Madrid, Spain. National Institute of Art, Dakar, Senegal. Has taught art in France, Spain, and Africa Art Awards Prix de Rome de Peinture – Casa de Velasquez - 1971 Silver Medal for Industrial Creation - 1981 ​Museums Musee D'Art Roger Quillot, Clermont-Ferrand, France Jesuit Art Museum – Dallas, TX Exhibits 2012-current Represented by Wall Gallery – Dallas, TX, USA 2004 Jesuit Art Museum – Dallas, TX, USA ​ 2001-current Galerie Fine Art – Nantes, France 2000 City Hall, Chamalieres – France 1998 Ivanffy – Uhler Gallery – Dallas, TX 1994-1996 Jacques Lamy Fine Art Gallery 1995 Neiman Marcus- Dallas and Atlanta 1981-1984 Gallery Frederic Mechiche...

Vibrant figurative of abstracted fish in coral reef by John Stenvall (American, 1907- 1998), circa 1990. Signed left edge. Presented in gilt-toned frame ...

Artist Unknown Venice Oil on canvas 12 x 9.5 inches, 20.5 x 18.5 (framed)

This is part of a series of Californian and Europe oil landscapes, painted by the late American artist Herb Kornfeld. This piece is called "The Lovers" because the artist was painti...

"Evening Before Haircut--Self-Portrait" is an original acrylic and enamel painting on paper by Reginald K. Gee. The artist signed the piece lower right. It depicts the artist in blac...

Artist/Designer; Manufacturer: Jack Youngerman (1926-2020) Marking(s); notes: signed; 1972-73 Country of origin; materials: American; canvas on shaped wood frame Dimensions (H, W, D)...

Aaron Fink (American, b. 1955) "Cherry" Signed and dated "Aaron Fink 1980" lower right. framed. there is a label that was on the board on back from Obelisk gallery. it is currently not attached. it is unframed. Floated against a foam core backing so that the edges of the sheet are visible. The two tiny tears are probably at site of old tack holes, where the tacks pulled through the paper due to the weight. Born in Boston, Fink received his BFA from the Maryland Institute College of Art and his MFA from the Yale University School of Art. His work has been exhibited widely throughout the U.S., Europe, Japan and Australia. He has been the subject of solo exhibitions at the Massachusetts Institute of Technology, the Muskegon Museum of Art, Michigan, the Rockford Art Museum, Illinois, and Colorado State University, Fort Collins. In 2002 a monograph on Fink’s work, Out of the Ordinary, was published, with text by Eleanor Heartney. In 1983 Fink met the collector John Powers, who remained a strong supporter of his work until his death in 1999. Fink’s work is represented in the collections of the Art Institute of Chicago, the Hara Museum, Tokyo, the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York and the National Gallery of Art, Washington, DC, among many others. Fink currently divides his time between Boston and Rockport, Massachusetts. S E L E C T E D C O L L E C T I O N S Art Institute of Chicago Bank of America Boston Public Library Bouwfonds Netherlandse Gemeenten, The Netherlands Brooklyn Museum of Art Castelli Collection, New York Chase Manhattan Bank Chemical Bank Childrens Hospital, Chicago Choate Rosemary Hall...

Boldly colored geometric abstract expressionist painting by California artist Michael Mercado (American, 20th Century). Signed lower right "M. Mercado '90" and Michael Mercado on ve...

Artist: Nathan Wasserberger, Polish/American (1928 - 2012) Title: Blonde Nude Year: circa 1960 Medium: Oil on Canvas, signed l.l. Image: 36 in. x 24 in. (...

Fenêtre transparente is a unique contemporary modern sculpture painting panel by French-Dutch artist Olivier Julia. The panel effectively is a flat woode...

Oil on cardboard realized by Sirio Pellegrini in 1965. Hand signed lower right. Good condition. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestrano), s...

Unique expressionist nude figure by Michael Eggleston (American, 20th Century). From a collection of his works. Unframed. Measures 40"H x 30"W. Eggleston is a San Francisco Abstract...

Wolf Kahn Ocean Cove, 1996 Pastel on paper painting Hand signed and dated by Wolf Kahn on the lower right Frame included: matted and framed in a wood frame with UV plexiglass This u...

Vibrant oil on canvas abstracted coastline landscape by California artist Virginia Sevier Rogers (American, 1917-2015), 1995. Signed, dated, and titled "Coast V.R. 5/95" upper right....

Three ibex 1972., paper, tempera, 12.5x12.3 cm Atis Ievins (1946) The exhibition by artist Atis Ieviņš reminds the very origins of serigraphy technique in Latvian art in the time o...

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

JERRY BERNECHE Small Town No. 18 Watercolor on Arches 21.5 x 29.25 inches

Tony Scherman (1950-2023) is one of the most collected and cherished Canadian artists. He is renowned internationally for his work in encaustic (a mix of wax and oil, one of the most...

The artwork is signed, dated and titled verso. The artist says herself about her art "My focus has always been on abstract art. I'm attracted to its reduction of the "real", its es...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. ...

JERRY BERNECHE Small Town No. 20 Watercolor on Arches 21.5 x 29.25 inches

A painting by Jae Kon Park. This untitled, abstract painting is executed in a lush and deep palette primarily in oranges, reds, yellows and green and depicts abstracted tribal patter...

Les Ruines Des Plus Beaux Monuments De La Grece both 22 3/4" x 34" (sight) oil with arabesque artist identified on label verso. #27, Earthquake II, From 1992 show; Night Paintings, ...

Acrylic on canvas painting by Washington DC artist Joe Shannon (b.1933). The painting is titled "In Bad Spirits" and dated 1969. The painting was exhibit...

Soldiers and Rabbits from the Waiting with Walls series John Hardy, American (1923–2014) Date: 1971 Oil on Canvas, signed lower left Size: 59 x 60 in. (149...

Les Ruines Des Plus Beaux Monuments De La Grece both 22 3/4" x 34" (sight) oil with arabesque artist identified on label verso. #27, Earthquake III, From 1992 show; Night Paintings,...

Morning Breakfast Fruits Muhammad Amanov Date: 1995 Oil on Canvas, signed Size: 40 x 31.5 in. (101.6 x 80.01 cm) Frame Size: 47 x 39 inches

Fred Parker Sonoma Mountain, 1996 Signed, dated, and titled on the reverse Acrylic, pastel, and pencil on board 21 1/2 x 29 1/2 inches

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Kathleen (or Kweyetwemp in her Eastern Anmatyerre tongue) Petyarre was born c. 1940 at Atnangkere on Utopia Station, 270km north east of Alice Springs. She first encountered white ma...

This is an early work from Sue Coe's oeuvre. Prior to being a fine art artist Coe was an illustrator . Signed lower right. Inscribed on lower margin, "The Money Maze To Dawn Love ...

I like the idea that a painting can present itself directly to any number of viewers, in various cultural settings, and on a variety of levels. Nice to think that the shared visual l...

A painting by Michael Knigin from around 1980. A multi-media collage mixing traditional Japanese illustrations with contemporary urban photographic imagery. Signed and numbered in pencil, framed in dark wood frame. Artist: Michael Knigin, American (1942 - 2011) Title: Woman with Umbrella...

Evocative, contemporary portrait of a woman wearing a hat by celebrated, twentieth-century California landscape painter, Ronald Shap. Washes of thin, gold-colored paint, which we bel...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. Pierre Obando completed his MFA at Hunter College and completed his undergraduate studies at New World School of the Arts, Miami, Fl. His work was featured in the Queens International Biennial in 2004, and 2006 at the Queens Museum of Art. His work has been in group exhibitions at Angela Hanley Gallery, Los Angeles, CA; Rockland Center for the Arts, West Nyack, NY; Rush Arts Gallery, New York, NY; MACO Mexico Art Fair in Mexico City; Nina Freudenheim Gallery, Buffalo, NY; Royale Projects, Indian Wells, CA; The Painting Center, New York, NY; and Dean Project, New York, NY. In 2008, he had a solo exhibition at Heskin Contemporary, New York, NY and in 2009, at project space show at Rush Arts Gallery, New York, NY. He has participated in the Atlantic Center for the Arts Artists-in-Residence Program. In the fall of 2012, he participated in the group show Caribe Now, at the Nathan Cumming Foundation, which was organized by El Museo del Barrio, New York, NY. Contemporary Pattern and Decoration piece, The original movement was championed by the gallery owner Holly Solomon. The P&D movement wanted to revive an interest in minor forms such as patterning which at that point was equated with triviality. The prevailing negative view of decoration was one not generally shared by non-Western cultures, The Pattern and Decoration movement was influenced by sources outside of what was considered to be fine art. Blurring the line between art and design, many P&D works mimic patterns like those on wallpapers, printed fabrics, and quilts. There is a close connection between the Pattern and Decoration movement and the Feminist art movement. The P&D movement arose in opposition to the Minimalist and Conceptualist movements. Mary Grigoriadis, Valerie Jaudon, Joyce Kozloff, Miriam Schapiro, Robert Zakanitch were early proponents of this style. The artist lives and works in New York City. Education: 2001 MFA, Painting, Hunter College, New York, NY 2000 Study Abroad, Slade School, UCL, London, United Kingdom 1997 BFA, Painting, New World School of The Arts, Miami, FL Solo Exhibitions: 2015 ‘Like New’, Thierry Goldberg Gallery, New York, NY 2009 ‘Nowhere’, Rush Arts, New York, NY 2008 ‘Noise’, Heskin Contemporary, New York, NY Group Exhibitions: 2018 ‘Revival: Contemporary Pattern and Decoration’, El Museo at Hostos, Bronx, NY Including artists: Abelardo Cruz Santiago Pierre Obando Antonio Pulgarín Keisha Scarville Mickalene Thomas and others. 2017 Locust Projects Contemporary in Miami benefit auction including artists Dara Friedman, Trenton Doyle Hancock, Larry Bell, and more 2017 ‘Browsing Chamber’, Torch Gallery, Amsterdam, Netherlands 2015 ‘#BemisPainters, 1982-2015’, Bemis Center, Omaha, NE 2015 ‘Spat Spell’, Thierry Goldberg Gallery, New York, NY 2013 ‘Un-Natural Constellations’, Newman Popiashvili Gallery, New York, NY 2012 ‘Caribe Now’, Nathan Cummings Foundation/El Museo del Barrio, New York, NY 2012 ‘Lucid Fence’, Dean Project, New York, NY 2012 ‘Abstract Gambol’, Heskin Contemporary, New York, NY 2012 ‘Reenacting Sense’, Yace Gallery, Long Island City, NY 2010 ‘Continuing Color Abstraction’, The Painting Center, New York, NY 2009 ‘West/East’, Royale Projects, Indian Wells, CA 2009 ‘Alternative Abstraction’, Nina Freudenheim Gallery, Buffalo, NY Including works by Stephen Antonakos, Warren Isensee, Gary Lang, Melissa Meyer and Katherine Sehr...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Oil Painting on Canvas 40x30 in. Original custom made wood frame Signed This is an oil painting of a beach pier structure along Southern California's famous beaches. Kornfeld had California as his inspiration, capturing the iconic landscape, structures or the unexpected but quintessential. A mid-century California modernist, "Kornfeld's paintings came to help define the California modernist movement, as graphic landscapes with surreal colors and electric interpretations of everyday scenery" - LA Mag...

Oil on wooden panel realized by Sirio Pellegrini in 1960s. Hand signe. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestrano), spent his childhood years i...

Oil on wooden panel realized by Sirio Pellegrini in 1960s. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestrano), spent his childhood years in Rome, in th...

Oil on wooden panel realized by Sirio Pellegrini in 1960s. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestrano), spent his childhood years in Rome, in th...

Oil on cardboard realized by Sirio Pellegrini in 1960s. Hand signed. Includes a wooden frame realized by the Artist. cm. 44x34. Sirio Pellegrini, born in Rome on March 1, 1922, of...

Oil on wooden panel realized by Sirio Pellegrini in 1960s. Hand signed. Includes a wooden frame realized by the Artist. cm. 44 x 34. Sirio Pellegrini, born in Rome on March 1, 192...

Oil on wooden panel realized by Sirio Pellegrini in 1969. Hand signed and dated. On recto: The Cliff. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestra...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. Pierre Obando completed his MFA at Hunter College and completed his undergraduate studies at New World School of the Arts, Miami, Fl. His work was featured in the Queens International Biennial in 2004, and 2006 at the Queens Museum of Art. His work has been in group exhibitions at Angela Hanley Gallery, Los Angeles, CA; Rockland Center for the Arts, West Nyack, NY; Rush Arts Gallery, New York, NY; MACO Mexico Art Fair in Mexico City; Nina Freudenheim Gallery, Buffalo, NY; Royale Projects, Indian Wells, CA; The Painting Center, New York, NY; and Dean Project, New York, NY. In 2008, he had a solo exhibition at Heskin Contemporary, New York, NY and in 2009, at project space show at Rush Arts Gallery, New York, NY. He has participated in the Atlantic Center for the Arts Artists-in-Residence Program. In the fall of 2012, he participated in the group show Caribe Now, at the Nathan Cumming Foundation, which was organized by El Museo del Barrio, New York, NY. Contemporary Pattern and Decoration piece, The original movement was championed by the gallery owner Holly Solomon. The P&D movement wanted to revive an interest in minor forms such as patterning which at that point was equated with triviality. The prevailing negative view of decoration was one not generally shared by non-Western cultures, The Pattern and Decoration movement was influenced by sources outside of what was considered to be fine art. Blurring the line between art and design, many P&D works mimic patterns like those on wallpapers, printed fabrics, and quilts. There is a close connection between the Pattern and Decoration movement and the Feminist art movement. The P&D movement arose in opposition to the Minimalist and Conceptualist movements. Mary Grigoriadis, Valerie Jaudon, Joyce Kozloff, Miriam Schapiro, Robert Zakanitch were early proponents of this style. The artist lives and works in New York City. Education: 2001 MFA, Painting, Hunter College, New York, NY 2000 Study Abroad, Slade School, UCL, London, United Kingdom 1997 BFA, Painting, New World School of The Arts, Miami, FL Solo Exhibitions: 2015 ‘Like New’, Thierry Goldberg Gallery, New York, NY 2009 ‘Nowhere’, Rush Arts, New York, NY 2008 ‘Noise’, Heskin Contemporary, New York, NY Group Exhibitions: 2018 ‘Revival: Contemporary Pattern and Decoration’, El Museo at Hostos, Bronx, NY Including artists: Abelardo Cruz Santiago Pierre Obando Antonio Pulgarín Keisha Scarville Mickalene Thomas and others. 2017 Locust Projects Contemporary in Miami benefit auction including artists Dara Friedman, Trenton Doyle Hancock, Larry Bell, and more 2017 ‘Browsing Chamber’, Torch Gallery, Amsterdam, Netherlands 2015 ‘#BemisPainters, 1982-2015’, Bemis Center, Omaha, NE 2015 ‘Spat Spell’, Thierry Goldberg Gallery, New York, NY 2013 ‘Un-Natural Constellations’, Newman Popiashvili Gallery, New York, NY 2012 ‘Caribe Now’, Nathan Cummings Foundation/El Museo del Barrio, New York, NY 2012 ‘Lucid Fence’, Dean Project, New York, NY 2012 ‘Abstract Gambol’, Heskin Contemporary, New York, NY 2012 ‘Reenacting Sense’, Yace Gallery, Long Island City, NY 2010 ‘Continuing Color Abstraction’, The Painting Center, New York, NY 2009 ‘West/East’, Royale Projects, Indian Wells, CA 2009 ‘Alternative Abstraction’, Nina Freudenheim Gallery, Buffalo, NY Including works by Stephen Antonakos, Warren Isensee, Gary Lang, Melissa Meyer and Katherine Sehr...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. Pierre Obando completed his MFA at Hunter College and completed his undergraduate studies at New World School of the Arts, Miami, Fl. His work was featured in the Queens International Biennial in 2004, and 2006 at the Queens Museum of Art. His work has been in group exhibitions at Angela Hanley Gallery, Los Angeles, CA; Rockland Center for the Arts, West Nyack, NY; Rush Arts Gallery, New York, NY; MACO Mexico Art Fair in Mexico City; Nina Freudenheim Gallery, Buffalo, NY; Royale Projects, Indian Wells, CA; The Painting Center, New York, NY; and Dean Project, New York, NY. In 2008, he had a solo exhibition at Heskin Contemporary, New York, NY and in 2009, at project space show at Rush Arts Gallery, New York, NY. He has participated in the Atlantic Center for the Arts Artists-in-Residence Program. In the fall of 2012, he participated in the group show Caribe Now, at the Nathan Cumming Foundation, which was organized by El Museo del Barrio, New York, NY. Contemporary Pattern and Decoration piece, The original movement was championed by the gallery owner Holly Solomon. The P&D movement wanted to revive an interest in minor forms such as patterning which at that point was equated with triviality. The prevailing negative view of decoration was one not generally shared by non-Western cultures, The Pattern and Decoration movement was influenced by sources outside of what was considered to be fine art. Blurring the line between art and design, many P&D works mimic patterns like those on wallpapers, printed fabrics, and quilts. There is a close connection between the Pattern and Decoration movement and the Feminist art movement. The P&D movement arose in opposition to the Minimalist and Conceptualist movements. Mary Grigoriadis, Valerie Jaudon, Joyce Kozloff, Miriam Schapiro, Robert Zakanitch were early proponents of this style. The artist lives and works in New York City. Education: 2001 MFA, Painting, Hunter College, New York, NY 2000 Study Abroad, Slade School, UCL, London, United Kingdom 1997 BFA, Painting, New World School of The Arts, Miami, FL Solo Exhibitions: 2015 ‘Like New’, Thierry Goldberg Gallery, New York, NY 2009 ‘Nowhere’, Rush Arts, New York, NY 2008 ‘Noise’, Heskin Contemporary, New York, NY Group Exhibitions: 2018 ‘Revival: Contemporary Pattern and Decoration’, El Museo at Hostos, Bronx, NY Including artists: Abelardo Cruz Santiago Pierre Obando Antonio Pulgarín Keisha Scarville Mickalene Thomas and others. 2017 Locust Projects Contemporary in Miami benefit auction including artists Dara Friedman, Trenton Doyle Hancock, Larry Bell, and more 2017 ‘Browsing Chamber’, Torch Gallery, Amsterdam, Netherlands 2015 ‘#BemisPainters, 1982-2015’, Bemis Center, Omaha, NE 2015 ‘Spat Spell’, Thierry Goldberg Gallery, New York, NY 2013 ‘Un-Natural Constellations’, Newman Popiashvili Gallery, New York, NY 2012 ‘Caribe Now’, Nathan Cummings Foundation/El Museo del Barrio, New York, NY 2012 ‘Lucid Fence’, Dean Project, New York, NY 2012 ‘Abstract Gambol’, Heskin Contemporary, New York, NY 2012 ‘Reenacting Sense’, Yace Gallery, Long Island City, NY 2010 ‘Continuing Color Abstraction’, The Painting Center, New York, NY 2009 ‘West/East’, Royale Projects, Indian Wells, CA 2009 ‘Alternative Abstraction’, Nina Freudenheim Gallery, Buffalo, NY Including works by Stephen Antonakos, Warren Isensee, Gary Lang, Melissa Meyer and Katherine Sehr...

This two panel stretched and dyed rubber piece was created by American contemporary artist John Drummer in the early 2000's. This work was featured in the exhibition "Jack Drummer" organized by BT&C Gallery and which coincided with the Burchfield Penney Art Center's exhibition "The Effects of Time". This is currently the only work available for acquisition. The Burchfield Penney exhibition that featured these rare pieces was voted one of the best 10 exhibitions that year in ArtForum's 2016 Top Ten by Matthew Higgs, who would later curate an exhibition of Drummers work for White Columns gallery that was reviewed by Art in America in 2017. John E. (aka “Jack”) Drummer (1935-2013) was an itinerant and mercurial figure. Self-taught as an artist, his earliest works from the late 1950s and early 1960s were included in several key exhibitions in Buffalo and New York City, including the first of Allan Kaprow’s legendary ‘New Forms, New Media’ exhibitions that he curated for Martha Jackson’s gallery in 1960. Drummer’s 1962 solo exhibition at the Gordon Gallery, New York received a rapturous review from critic Brian O’Doherty in The New York Times, who praised Drummer for his ability to “make something out of nothing”, describing his work from this time as “screens for the imagination,” a notion that could equally be applied to his later works on view at White Columns in a 2017 solo exhibition. Despite this early success, Drummer would soon leave New York City, returning initially to Buffalo, before moving to New Orleans and then California, before eventually settling in Hawaii. Very little of Drummer’s early work has survived, including almost none of the 300-odd, often large-scale, styrofoam-based sculptures he produced in Hawaii. On returning to his home-town of Buffalo in the early 1980s, Drummer would embark on an extraordinary body of work that would preoccupy him for the next two decades. Drummer’s late work is clearly related to, and expands upon, the histories of minimal, post-minimal and process-orientated art. His approach is empathetic with that of the Italian Arte Povera artists, sharing their interest and investment in ‘poor’ and quotidian materials. Working almost exclusively with ‘found’ materials, and specifically materials that had previously been employed and subsequently discarded in industrial and manufacturing processes, Drummer’s work of the 1980s-early 2000s was largely overlooked and unexhibited during his lifetime. Drummer’s late works employ the rubber ‘blankets’ – used in offset printing to remove excess ink during the printing process – as supports. These ‘ready-made’ supports often revealed aspects of their ‘histories’: their surfaces are typically marked with ghostly images and texts resulting from the printing process. Drummer would then work directly onto and into these ‘pre-prepared’ supports. Drummer’s late works often incorporate impressions taken directly from the surfaces of walls, floors, and fencing, etc. – ‘images’ created by laying the rubber sheets face down onto a desired surface, and then applying pressure from the back of the sheet to create a subsequent negative impression or image of that surface, likely a physically demanding process, akin to making a ‘brass rubbing...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. Pierre Obando completed his MFA at Hunter College and completed his undergraduate studies at New World School of the Arts, Miami, Fl. His work was featured in the Queens International Biennial in 2004, and 2006 at the Queens Museum of Art. His work has been in group exhibitions at Angela Hanley Gallery, Los Angeles, CA; Rockland Center for the Arts, West Nyack, NY; Rush Arts Gallery, New York, NY; MACO Mexico Art Fair in Mexico City; Nina Freudenheim Gallery, Buffalo, NY; Royale Projects, Indian Wells, CA; The Painting Center, New York, NY; and Dean Project, New York, NY. In 2008, he had a solo exhibition at Heskin Contemporary, New York, NY and in 2009, at project space show at Rush Arts Gallery, New York, NY. He has participated in the Atlantic Center for the Arts Artists-in-Residence Program. In the fall of 2012, he participated in the group show Caribe Now, at the Nathan Cumming Foundation, which was organized by El Museo del Barrio, New York, NY. Contemporary Pattern and Decoration piece, The original movement was championed by the gallery owner Holly Solomon. The P&D movement wanted to revive an interest in minor forms such as patterning which at that point was equated with triviality. The prevailing negative view of decoration was one not generally shared by non-Western cultures, The Pattern and Decoration movement was influenced by sources outside of what was considered to be fine art. Blurring the line between art and design, many P&D works mimic patterns like those on wallpapers, printed fabrics, and quilts. There is a close connection between the Pattern and Decoration movement and the Feminist art movement. The P&D movement arose in opposition to the Minimalist and Conceptualist movements. Mary Grigoriadis, Valerie Jaudon, Joyce Kozloff, Miriam Schapiro, Robert Zakanitch were early proponents of this style. The artist lives and works in New York City. Education: 2001 MFA, Painting, Hunter College, New York, NY 2000 Study Abroad, Slade School, UCL, London, United Kingdom 1997 BFA, Painting, New World School of The Arts, Miami, FL Solo Exhibitions: 2015 ‘Like New’, Thierry Goldberg Gallery, New York, NY 2009 ‘Nowhere’, Rush Arts, New York, NY 2008 ‘Noise’, Heskin Contemporary, New York, NY Group Exhibitions: 2018 ‘Revival: Contemporary Pattern and Decoration’, El Museo at Hostos, Bronx, NY Including artists: Abelardo Cruz Santiago Pierre Obando Antonio Pulgarín Keisha Scarville Mickalene Thomas and others. 2017 Locust Projects Contemporary in Miami benefit auction including artists Dara Friedman, Trenton Doyle Hancock, Larry Bell, and more 2017 ‘Browsing Chamber’, Torch Gallery, Amsterdam, Netherlands 2015 ‘#BemisPainters, 1982-2015’, Bemis Center, Omaha, NE 2015 ‘Spat Spell’, Thierry Goldberg Gallery, New York, NY 2013 ‘Un-Natural Constellations’, Newman Popiashvili Gallery, New York, NY 2012 ‘Caribe Now’, Nathan Cummings Foundation/El Museo del Barrio, New York, NY 2012 ‘Lucid Fence’, Dean Project, New York, NY 2012 ‘Abstract Gambol’, Heskin Contemporary, New York, NY 2012 ‘Reenacting Sense’, Yace Gallery, Long Island City, NY 2010 ‘Continuing Color Abstraction’, The Painting Center, New York, NY 2009 ‘West/East’, Royale Projects, Indian Wells, CA 2009 ‘Alternative Abstraction’, Nina Freudenheim Gallery, Buffalo, NY Including works by Stephen Antonakos, Warren Isensee, Gary Lang, Melissa Meyer and Katherine Sehr...

Sunset seascape with red-sailed boat and glowing sky over ocean swells - Vintage Oil by British Artist, David James. Dramatic skies and beautiful reflections are a feature of this la...

"Senza titolo" is an oil painting on canvas mounted on a wooden frame created by the artist Salvatore Travascio in 1991. This painting is part of a series of works in which the hum...

Artist: Dan May (American, 1955-) Title: "Devil Drive" *Signed and dated by May upper right Year: 1998 Medium: Original Acrylic Painting on heavy wove paper Sheet size: 28.13" x 21.6...

Martin Fuller was born in 1943 in Royal Leamington Spa and his initial studies were at the local Mid–Warwickshire College of Art, from 1960–62. ‘Mid–Warwickshire College was very good’, he says; ‘they taught drawing, and I was a natural image maker, but I wasn’t necessarily a natural drawer. They made me draw objectively. In a way it’s quite beautiful to have gone through that rigour and not to have one’s creativity made dead’. He moved to London in 1962 to attend Hornsey College of Art, where he became ‘more sybaritically cultured’, then was awarded the Guggenheim–McKinley Scholarship to Italy in 1964. He was in Positano for just under a year and says that it changed his life: in those days there was a thriving artists and writers community, long before the tourist invasion: ‘Although it was the beginning of the supposed swinging sixties, London was still fairly dour, so then I went to Italy with its food culture and more emotional openness…I remember watching a traffic policeman in white jodhpurs and a white hat pinching a girl’s bottom. It was a wonderful revelation of a different way of life’. The Italian light, which was ‘very different from Camden Town’, also influenced his art. When he returned from Italy he took a job at Hornsey, painted portraits, and then in 1968 had his first one–man show at the Arnolfini gallery in Bristol, which he reckons at that time was probably the best provincial art gallery in Britain. He continued to exhibit widely throughout the 1970s and ’80s. 3cIn 1991 he spent a year as Artist in Residence at Santa Fe in New Mexico. Five years later he won the Discerning Eye Modern Painters Prize and also won first prize in the Hunting Art...

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas by Korean artist Jae Kon Park. The artwork is signed in the lower left, "Jae Kon Park, 93". Born in South Korea, Park Jae Kon (1937 – 1993) attended Seoul National University of Fine Art. Not long after graduating, Park Jae Kon left Korea with his wife and two daughters. He and his family traveled widely, eventually settling in Argentina. He spent the rest of his life in South America, traveling to various regions and using the landscape and cultural history as inspiration for his artworks. As an artist, his output spanned various media, styles, and subject matter, producing work that ranged from gestural abstract expressionism...

Polyak Alexander Emelyanovich - soviet and ukrainian painter. Was born in Chernigov in 1944. In 1971 he graduated from the Moscow University of Arts named after N. K. Krupskaya, spec...