Impressionist Paintings

This watercolor painting features the majestic Mount Ararat, viewed from the valley where the artist resided. It exemplifies the distinctive style of Martiros Saryan, showcasing his ...

Mid century portrait of a red-haired boy with freckles by Jon Blanchette (American, 1908-1987). Rendered his signature style, this portrait is clean and vibrant. The subject is looki...

Gorgeous early 20th Century still life with classic autumnal fruit persimmons and a brown jug by A. Thompson (American 19th/20th Century), circa 1900. Signe...

An exceptional impressionistic painting titled 'The Difficult Passage' depicting an afternoon along the River with Figures throughout by Jules René Hervé. Here the scene is set on a ...

A lovely portrait oil painting by British listed artist Tom Mostyn ROI. Painted circa 1910 it depicts a beautiful smiling young woman in a pink dress holding an umbrella. A glorious ...

Arthur Clifton Goodwin Park Street, Boston Signed lower right Oil on canvas 25 x 30 inches A painter especially known for street and waterfront scenes of Boston, Arthur Clifton Goo...

Fishing Schooners and Sailboats at a dock, "Fischerschoner und Segelboote an einem Dock" by Rudolph Guba (German/American, 1884-1950) Impasto work which depicts several sailing vesse...

Mid Century Autumn Landscape, Showers Beneath San Gabriel Hills by Aletha Martin Vibrant autumn landscape of a crystal clear stream under the San Gabriel Mountains by California art...

Peaceful landscape of sand dunes along a California beach with seagulls drifting overhead in a soft gray-blue sky, by a California artist. Signed "Noland" lower right. Presented in a...

The Provencal Landscape by Michel Kritz (French 1925-1994) oil on canvas, unframed canvas: 24 x 32 inches provenance: private collection, France condition: very good and sound condi...

Very nicely painted antique American impressionist beach scene painting. Oil on board. Signed. Handsomely framed in a giltwood impressionist molding. Ready to hang excellent cond...

This is an Original Large signed Oil painting on canvas depicting two ships battling for glory. It is an unusual maritime scene that makes this painting very spectacular. Bright ...

Mathias Alten (German/American 1871-1938) Signed: M. Alten (Lower, Right) " Autumn Landscape with Country Road ", c. 1934 26" x 32" Oil on Canvas Housed in a 3 1/4" Frame Over...

Frameless. Joaquim Terruella Matilla (1891 - 1957) Joaquim Terruella Matilla, nephew and disciple of Segundo Matilla. Specialist in landscape painting and gender. Barcelona, Madri...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 20 x 24 Frame: 30 x 34 Medium: Oil On Canvas "Gathering Strays" Hereford Cattle...

William Mason (1906-2002) was a painter born in Newport, Wales, who studied at Newport College of Art and the Royal College of Art. Aside from painting he also taught at Scarborough...

Joaquín Asensio Mariné (1890-1961) - Landscape - Oil on canvas Oil measures 33x41 cm. Frame measures 60x68 cm. Asensio Mariné (Barcelona, 1890-1961) was a painter who specialized in...

Up for sale is an original large antique oil painting on canvas, depicting a picturesque European landscape, featuring a grand countryside house with red-tiled roofs and stone walls,...

Title: French Impressionist Oil Painting of Market Day in the Village with Figures By Fanch Lel (French b. 1930) Size: 6 x 8 inches (height x width...

Bold mid century impasto landscape of Mt. Rose in oil by Nancy Coe (American, 1932-1998), c.1968. This piece has evocative, heavy textures from the artist's use of a palette knife. Signed in pen in the lower right corner. Gallery sticker on back of frame. Presented in a copper-colored frame. Image size: 27.25"H x 28.38"W Nancy Patricia Coe (American, 1932-1998), was born in San Jose, California to Henry Surtcliff Coe and spent most of her life on Rancho San Felipe in a two-story, brick colonial residence, originally built by her father, on a commercial cattle ranch. With its weeping willow trees and picturesque red barn, it made for a happy home nestled in the heart of San Felipe Valley. Henry Coe State Park is named after her Grandfather Henry Willard Coe. She studied art at Stanford University and graduated in the 1950's. While there, she met S. Gainer Pillsbury, MD, a fellow alumnus, whom she married on June 19, 1956. While an accomplished user of charcoals and Conte crayons, Ms. Coe painted in primarily in oils, showing and winning awards in Reno, Nevada in the early 1960's. Her works, including landscapes and portraits, have been featured in numerous newspaper articles in the Reno Gazette-Journal. Her palette-knife painting of Salvador and Virginia Prado, two ranch hands, was featured on the cover of a Mexican-American history textbook, A Guide to the Study of the Mexican-American by Feliciano Rivera (1969) and published at San Jose State University. Her paintings of Sada S. Coe (her aunt) and Henry “Harry” W. Coe, Jr. are featured in the museum at Henry Coe State Park in Morgan Hill...

Provence signed by Fanch Lel (French b. 1930) Dated 99 Size: 13.5 x 16 inches Oil painting on board, unframed Inscribed verso ' Provence' Condition: The painting is in good condition...

This quietly atmospheric painting by Jon Loman captures a group of four hooded crows in a snow-covered winter landscape. Three of the birds perch on a rustic wooden fence, while the ...

Charming mid century figurative landscape of Aptos Village Apple Shed and Market by listed California artist Jon Blanchette (American, 1908-1987). Aptos is just south of Santa Cruz,...

Robert Azensky Fine Art is proud to present Early 20th Century Oil Painting Palo Alto, California Foothills Landscape Painting circle of Bruce ...

Impressive early American impressionist still life oil painting by Harriette Bowdoin (1880 - 1947). Framed. Oil on board. Signed. Image size, 18H by 22L.

This artwork titled "Paisaje, Godella (Valencia) Espana" is an oil on canvas by noted Spanish artist Jose Salvador Rodriguez Bronchu, 1913-1999. It is signed at the lower left corner...

This lovely Belgian Impressionist figurative oil painting is by noted artist Henri Moreau. Although Belgian by birth, Moreau spent many years in France, moving to Paris in 1920 and o...

Beautiful mid century watercolor of a little store in Aptos, California by listed artist Jon Blanchette (American, 1908-1987). Signed "Jon Blanchette" lower right. Presented in a new...

Early 20th Century romantic oil on canvas of the banks of the river Seine around Paris presented in a carved period gilt frame. In all likelihood painted 'en plein air' in autumn or winter the painting has the feeling of some of the impressionists of the late 19th century. See Claude Monet and his 'Les Bords de la Seine à Argenteuil', Alfred Sisley's views of the Seine from the 1870's or Gustave...

Technical Sheet - Title: Santa Creu d'Olorda - Artist: Rosendo González Carbonell - Technique: Oil on panel - Dimensions without frame: 8.3 x 10.2 in - Dimensions with frame: 13 x 15 in - Date: November 22, 1981 - Condition: Excellent - Signature: Signed in the lower left corner - Location: Depicts the church and landscape of Santa Creu d'Olorda, Catalonia Description This artwork captures the bucolic essence of *Santa Creu d'Olorda*, a picturesque spot nestled in the Collserola hills of Catalonia. The painting, bathed in earthy greens and ochres, highlights Rosendo González Carbonell's mastery in rendering Mediterranean light and the interplay of shadows across the rolling hills and architectural features. His loose, textured brushstrokes evoke a warm, serene atmosphere, transporting the viewer to a tranquil rural scene where nature and architecture harmonize beautifully. The classic frame enhances the piece's artistic quality, making it an excellent choice for both seasoned collectors and lovers of Catalan tradition. Artist Bio Rosendo González Carbonell was a Catalan painter renowned for his landscapes of the Catalonia region and its surroundings. Inspired by nature and local architectural heritage, Carbonell developed a style that balances meticulous detail with an impressionistic brushstroke, bringing his compositions to life. His works often feature depictions of small villages, rural churches, and peaceful landscapes. Carbonell's artistry reflects the tradition of Catalan painters such as Joaquim Mir and Santiago Rusiñol, while also drawing inspiration from great Impressionist masters like Claude Monet and Camille Pissarro. Similar Artists If you find this piece captivating, you might also enjoy works by: - Joaquim Mir: Known for his luminous interpretations of the Catalan landscape - Santiago Rusiñol: Celebrated for his delicate depictions of rural scenes and local architecture - Josep...

An original oil on board painting measuring 11 x 14 inches by Polish/American artist Leonard Rodowicz, signed lower left.

Portrait of a Gentleman European artist, mid 20th century oil on canvas, framed framed: 35.5 x 30.5 inches canvas: 30 x 25 inches provenance: private collection, England condition: o...

Edward Lee Reichert (1919-2011) Texas Artist Image Size: 24 x 30 Frame Size: 33 x 39 Medium: Oil Dated 1990 "Market at San Miguel" Biography Edward Lee Reichert (1919-2011) Edward Re...

Pedro Lazcano (1909-1970) San Antonio Artist Image Size: 8 x 10 Frame Size: 15.75 x 17.75 Medium: Oil "Bluebonnet Hills" Pedro Lazcano (1909-1970) I was always curious about Pedro La...

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 27 x 33 Frame Size: 35 x 41 Medium: Oil On Canvas Late 1940s-Early 1950s "Bluebonnet Time" Texas Hill Country Landscape Biography Porfirio Salinas (1910-1973) Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields that grow there in the springtime. Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as landscape painter, Robert Wood. Wood is said to have paid Salinas five dollars a picture to paint bluebonnets because "he hated to paint bluebonnets". Salinas served in the military from 1943 to 1945. Although he was assigned to Fort Sam Houston, he was allowed to live at home. At the fort, Colonel Telesphor Gottchalk assigned him to paint murals for the officer's lounge and various other projects, and Salinas continued to be able to paint during his entire conscripted period. Even before he achieved notoriety among galleries, dealers, and museums, Salinas was widely followed and appreciated by many Texans, including former President Lyndon B. Johnson, who may be considered responsible for launching Salinas popularity beyond the boundaries of Texas. In 1973, Texas capital, Austin, honored Salinas for having "done much to bring the culture of Mexico and Texas closer together with his paintings". Salinas died in April 1973 in San Antonio, Texas. From the years of the Great Depression through President Lyndon Johnson's Great Society of the 1960s, Texan Porfirio Salinas (1910-1973) remained one of the Lone Star State's most popular artists. Today, his works remain popular with Texas collectors and those who love landscapes of the beautiful "Hill Country" that lies in the center of the state. One of the first Mexican-American painters to become widely recognized for his art, Salinas was a favorite of President Lyndon Johnson and his wife, Lady Bird Johnson, as well as of Sam Rayburn, the longest-serving Speaker of the House of Representatives, and Texas Governor John Connelly. In fact, President Johnson was so enamored with his Salinas paintings that the artist will forever be associated with America's first Texas-born President. Works by Porfirio Salinas are in a number of museum collections, grace the halls of the Texas State Capitol and the Governor's Mansion in Austin, and are included in virtually every major private collection of Early Texas Art. Porfirio Salinas was born on November 6, 1910 near the small town of Bastrop, Texas, about thirty miles from Austin. His father, Porfirio G. Salinas (1881-1967), and his mother, Clara G. Chavez, struggled to make a hardscrabble living as tenant farmers, but eventually were forced to give up farming. The family moved to San Antonio, where Salinas' father was able to get a job working as a laborer for the railroad, but the scenic area around Bastrop, with its pine trees and the wide expanse of the Rio Grande River, would forever remain a touchstone for the artist. For the rest of his life, Salinas and his brothers went back frequently to visit their grandmother in her little farmhouse. When in Bastrop, Porfirio painted on the banks of the Rio Grande or in the groves of pine trees. The Salinas family was close-knit and Porfirio was the middle child of five children, so he had an older brother and sister as well as a younger brother and sister. His mother was a native of Mexico, so throughout his childhood the family made the long drive to Mexico to visit Clara Salinas' family. As a child growing up in the bi-lingual section of San Antonio, Salinas drew and painted incessantly and by the time he was ten, he was already producing work that was mature enough to sell to his schoolteachers. Many years later in an article in the New York Times he was described as a "boy whose textbooks were seldom opened and whose sketchbook was never closed." Instead of studying, the young artist spent his spare time watching artists paint in and around San Antonio. As an aspiring painter, Salinas was fortunate to grow up in the historic city, which had the most active art scene in Texas. It was his exposure to older, professional painters that encouraged the precocious young painter to leave school early in order to help his family and pursue a career as a professional artist, despite his father's inability to see art as a career with any future for his son. When Salinas was about fifteen he came to know the artist Robert W. Wood (1889-1979). He met Wood while he was employed in an art supply store and he soon began to work as an assistant to the English-born painter, who had moved from Portland to San Antonio in 1924. Although the diminutive Englishman was already an established professional artist, he did not have a great deal of formal art training and so he was then studying with the academically trained Spanish painter Jose Arpa (1858-1952) in order to augment his knowledge and give his work a more polished look. Salinas was an eager young man, and while working in Wood's downtown San Antonio studio he learned to stretch canvases, frame paintings and to sketch in larger compositions from small plein-air studies for the English artist. He began to accompany Wood and Arpa to the hills outside San Antonio, where they painted small Plein-air studies of fields of blue lupin - the state flower, the famous "Bluebonnets" of Texas - in the springtime and scenes of the gnarled Red Oaks as they changed color in the fall. He was soon assisting Wood in the tedious work of painting the tiny blue flowers that collectors wanted to see in the landscapes they purchased of central Texas. According to a 1972 newspaper story, "Legend has it that one day in the 1920s artist Robert Wood decided he could not bear to paint another bluebonnet in one of his landscapes. He hired young Porfirio Salinas to paint them in for him at five dollars a painting." Whether this story is accurate or apocryphal isn't clear, but the ambitious and independent young Salinas wasn't destined to be anyone's assistant for very long. The formative event of Porfirio Salinas' teenage years was the Texas Wildflower Competitive Exhibitions, a Roaring-Twenties dream of the eccentric oilman Edgar B. Davis (1873-1951). These competitive shows of paintings of wildflowers and Texas life were mounted in San Antonio from 1927 to 1929. Held at the newly opened Witte Museum each spring, the exhibition featured large cash prizes donated by the philanthropic Davis, which were an inducement for artists to travel from all over the United States to paint in the Hill Country of Texas. The "Davis Competitions," as they were known, helped to cement San Antonio's reputation as an art center, a legacy that remains with the "River City" today. The shows generated a great deal of excitement in the area, helping to make celebrities of the some of the artists who had already settled there and encouraging others to make San Antonio their home. Over the three years that the wildflower competitions were held, more than 300 paintings were exhibited, and many thousands of viewers saw the paintings at the Witte Museum and on tours throughout the state and in New York. Each year Davis would generously purchase the winning paintings and then donate them to the San Antonio Art League. Young Porfirio Salinas would have been able to not only watch his two mentors - Robert W. Wood and Jose Arpa - paint the works that they entered in the Davis Competitions, he would have been able to see Arpa take several of the major prizes, receiving the judge's accolades for "Verbena," "Cactus Flower" and "Picking Cotton," works that are still on view at the San Antonio Art League Museum today. Unfortunately, Davis eventually put his donations to work in other charitable endeavors, bringing to an end the wildflower events, but only after they inspired Salinas and other young painters and had helped to make wildflower paintings the most sought-after subject for traditionalist Texas collectors. In 1930, when he was only twenty, Salinas hung out a shingle and began to paint professionally, augmenting the sales of his easel paintings with what little business he could garner by painting signs for local concerns. It was a struggle for the young artist to make a living, as the effects of the Great Depression were settling in. His early works are very similar to those of Robert Wood's, both in subject matter and treatment. Salinas did small paintings of Bluebonnets for the tourists who visited San Antonio to see the famous Alamo as well as paintings of the Texas missions. While a few of his early works have a soft, tonalist quality, with subtle gradations of sunset colors, most were painted in a style that fits well within the currents of the late American Impressionist style, with solid drawing and a warm, chromatic palette. Like Robert Wood's works of the 1930s, the paintings Salinas produced as a young man were usually well composed and detailed views of the spring wildflowers in full bloom in the Texas countryside. In contrast to Wood's work, however, early Salinas compositions were usually pure landscapes without the pioneer farms or dilapidated fences that Wood often used to add visual interest to his wildflower scenes, and he also painted scenes of San Antonio itself as his mentor Jose Arpa had done. To residents of the Hill Country, Salinas was especially adept at accurately capturing the palette of the region and its unique atmosphere. In 1939 Salinas began working with Dewey Bradford (1896-1985), one of the great characters of Texas art. Bradford was a second-generation dealer whose family operated the Bradford Paint Company in Austin, where they sold art supplies, framed artwork, restored paintings and exhibited paintings by Texas artists. Salinas was struggling when he met Bradford, but the older man took the young artist under his wing and began to sell his work reliably, even though the prices that people would pay for a painting were still low due to the lingering effects of the Great Depression. Bradford was a born salesman with a gift for storytelling, and truth be told, a bit of embroidery. The relationship between Bradford and Salinas was often rocky, but it was to last the rest of the artist's life and give him a modest sense of loyalty and security, things which are all too rare in the art world. While Bradford could be critical of his work, Salinas knew that he had a dealer who encouraged him, believed in him and was not shy about singing his praises to anyone who entered Bradford's store on Guadalupe Street. During the early years of World War II Salinas met a pretty Mexican woman from Guadalajara named Maria Bonillas, who was working as a secretary for the Mexican National Railways office in San Antonio. While he was walking downtown with a painting of a bullfighter under his arm, he started a conversation with the young woman, and things progressed rapidly. The couple were married on February 15, 1942 and settled into life in bi-lingual San Antonio and they eventually purchased a tidy stone home on Buena Vista street that had a detached studio in back. By the time the United States entered World War II, Salinas was starting to make a decent living selling his art and beginning to garner recognition across Texas. However, in 1943, like millions of other young men, he was drafted into the service of his country. Fortunately, as an older Army draftee with special talents, after his training he was assigned to Fort Sam Houston, right in San Antonio, allowing him to remain at home while still completing his obligation to "Uncle Sam." Because of his artistic abilities, Salinas was asked to do paintings for the Army as well as a mural for the Officer's Club, which has been re-discovered in recent years. In his spare time he kept working on landscapes and when the war ended in 1945, he was not faced with the same rocky transition from military to civilian life as many veterans. That same year, Salinas became a father as he and Maria celebrated the birth of his only child, Christina Maria Salinas. Like most landscape artists of the era, Salinas was an avid Plein-air painter, and he took his easel and paint box with him on trips throughout Texas and into Mexico. He and his wife traveled deep into her native country, where the artist painted the majestic volcanic peaks of Iztaccihuatl (known as the "Sleeping Woman" because of its unique shape) and Popocatepetl (called the "smoking mountain" because the volcano is still active), south of Mexico City. Salinas also painted studies of rustic villages and their residents. While his most popular paintings were always the scenes of the Texas Bluebonnets and other wildflowers that bloom all over the Hill Country in the spring, he also painted scenes of the twisted Texas oak trees of central Texas, the more arid landscapes of the Texas panhandle and West Texas, and the historic Texas missions; he even sold rapidly executed scenes of bullfights and cockfights for Mexican-American collectors. By the late 1940s, the American economy was finally growing again and wealthier Texans began to collect Salinas paintings, purchasing them from galleries in San Antonio and Dallas and at Dewey Bradford's County Store Gallery in Austin. Salinas also sold work to the Atlanta dealer Dr. Carlton Palmer, who represented Robert W. Wood for many years. In 1948 Palmer sold two large Salinas paintings to the Citizen National Bank in Abilene, Texas. Because Austin was the state capitol, Bradford counted many of the state's elite among his patrons, and due to his interest in history and literature, he played a large role in the cultural history of central Texas. Bradford introduced a number of the major Texas political figures to Salinas' work, including Lyndon Baines Johnson (1908-1973), who was then in the House of Representatives and on his way to winning a controversial election that vaulted him in the United States Senate. Johnson became an enthusiastic collector, as did his political mentor, the legendary House Speaker Sam Rayburn (1882-1961). Johnson decorated his Washington offices with Salinas paintings and he brought a number of them home to his vast LBJ Ranch, near Johnson City, Texas. In spite of his important patrons, Salinas went through a fallow and difficult period in the late 1950s. He had a volatile temperament, which made relationships difficult, and it took great patience for his wife to help him manage his career. As Salinas entered middle age his work began to sell steadily, but except for tourists who purchased his paintings in San Antonio, he was known primarily only to Texas art collectors. All that changed in 1961 with the election of John F. Kennedy (1917-1963) to the Presidency of the United States and his running mate Lyndon Johnson to the Vice Presidency. Johnson was an expansive, larger-than-life character and his status as a long, tall Texan in a cowboy hat was a large part of his imposing political image. During his storied career in the House of Representatives and the United States Senate, Johnson and Lady Bird Johnson (1912-2007) spent their time in Washington in a modest house on the edge of Rock Creek Park, but this home would not do for a Vice President. So, in 1961, the Johnsons purchased a French chateau-styled home in the Spring Valley section of the Capitol. Obtained from the famed socialite and ambassador Perle Mesta (1889-1975), the house came with a fine collection of French furniture and tapestries, and the designer Genevieve Hendricks was hired to meld the French look with objects from the Johnsons' overseas travels and paintings of the flora and fauna of their native Texas. Featured prominently in the foyer were the paintings of Porfirio Salinas. Because of the Johnsons' patronage, his work was mentioned in Time Magazine and other national publications. Lady Bird Johnson loved her landscapes of the Texas Hill Country and told reporters that, "I want to see them when ever I open the door, to remind me where I come from." After President Kennedy's death thrust Lyndon Johnson into the Presidency, he brought his Salinas paintings into the historic halls of the White House, further enhaning the Texas painter's national reputation. At the time of the President Kennedy's assassination, Salinas had completed a scene of a horse drinking titled "Rocky Creek" that was to have been presented to Kennedy during his ill-fated visit to Dallas. Instead, in an effort to memorialize the fallen President, Salinas painted a symbolic work of a lone horse depicted against foreboding clouds. During his tenure in the White House, President Johnson presented a Salinas landscape as a state gift to the President of Mexico, Gustavo Diaz Ordaz (1911-1979). During the 1960s, Salinas paintings sold briskly and, thanks to Presidential patronage, for escalating prices. In an interview with a writer from the New York Times, President Johnson enthused about the work of "his favorite artist" and said that, "his work reminds me of the country around the ranch." Salinas was invited to the LBJ Ranch frequently during the Johnson administration and his paintings were hung throughout the ranch, in the President's offices and even in the private quarters of the White House. The connection to President Johnson was a great boon to sales of Salinas paintings, and in 1964, when the demand was at its height, Texas Governor John Connelly (1917-1993) was told that all Salinas'work was sold and that he would have to wait for a painting. In 1960, a half century after his birth, Salinas was honored by his home town of Bastrop, a celebration that touched the modest artist. In 1962 Salinas was given a solo exhibition at the Witte Museum in San Antonio that featured more than twenty of his works. By the early 1960s, sales of reproductions of the artist's landscapes by the New York Graphic Society and other publishers grew rapidly, enlarging his audience throughout the United States. In 1967, Dewey Bradford helped to organize the production of a book of Texas stories titled "Bluebonnets and Cactus" (Austin: Pemberton Press: 1967), which was profusely illustrated with paintings by Salinas. His works were still popular when Salinas died after a brief illness in April of 1973, just a few months after former President Johnson's passing. He was memorialized in the City of Austin by Porfirio Salinas Day, which honored him for having "done much to bring the culture of Mexico and Texas together with his paintings." Bastrop, Texas, the city of the artist's birth, has been holding a Salinas Art Exhibition annually since 1981. He painted hundreds of scenes of the wildflowers, including the various varieties of Blue Lupin, the state flower, as well as other flowering flora. These show the influence of his artistic mentors Robert W. Wood and Jose Arpa Y Perea. Salinas also painted a number of scenes of Prickly Pear Cactus that show the influence of the English painter Dawson Dawson-Watson (1864-1939), who painted many such works during his tenure in Texas. He painted the more arid Texas landscape infrequently and these works are very rare today and sought after by collectors from the Texas Panhandle and West Texas. Salinas also painted many river landscapes along the Guadalupe, Rio Frio, the San Antonio and the Rio Grande. On trips to his wife's homeland of Mexico, he painted a number of scenes of the volcanic peaks as well as scenes of peasant villages and villagers. Figurative paintings are rare among Salinas' works and these scenes of bullfights, fandangos and cock fights are probably the least sought after of his paintings. There are also a small number of modest marines, painted on trips to the Texas and California coast. Salinas paintings are highly prized by collectors of early Texas art, with the paintings of wildflowers in greatest demand. Works by Porfirio Salinas can be found in a number of public collections, including the Panhandle Plains Historical Museum in Canyon, Texas; the Texas State Capitol; the Texas Governor's Mansion; the Lyndon Baines Johnson Ranch; the Sam Rayburn Library and Museum in Bonham, Texas; Amarillo High School; the Witte Museum in San Antonio; the historic Joan and Price Daniel House in San Antonio; the Stark Museum in Orange, Texas; the R.W. Norton Art Gallery in Shreveport, Louisiana; the Sangre de Cristo Arts Center in Pueblo, Colorado; Texas A & M University and the Modern Art Museum of Fort Worth. Salinas has been featured in a number of reference works as well as anthologies devoted to American Western Art...

Wonderfully painted antique American impressionist western landscape painting; Oil on canvas. Signed. Handsomely framed and ready to hang.

Joan Palet (1911 - 1996) - Nude - Oil on canvas Oil measures 81x65 cm. Frameless. Joan Palet was born in Barcelona on March 28, 1911 in a family of sculptors and wood carvers. He b...

Dwight Holmes (1900-1986) Fort Worth, San Angelo Artist Image Size: 22 x 28 Frame Size: 30 x 36 Medium: Oil "Bluebonnet #10 of Comfort,Tex'' Biography Dwight Holmes (1900-1986) Dwight C. Holmes, known for ornamental architectural sculpting as well as painting and etching, was born in Albany, Oregon, 1900. He began formal art training in Galveston high school; studied five years in Texas Christian University, serving also as student assistant and art editor for College annual. He received his Certificate of Art and Bachelor of Arts Degree and became a faculty member in the Art Department. He left teaching to serve a five-year apprenticeship to achieve membership in Modelers and Sculptors of America. He studied with George Franz of Germany and Michael Lengyl of Austria. He has done ornamental architectural sculpturing over forty years and enjoys a broad art horizon that includes sculpting, painting, designing, ceramics, carving, gold-leafing, restoration, etc. He paints in any medium and any subject matter, but prefers oils and landscapes. He studied at Texas Christian University with Mary Sue Darter Coleman, Mrs. R. E. Cockerell, Sam P. Ziegler, and others. In California, he studied with George Flowers, at the Pasadena Art Institute, and in workshops with Lee McCarthy, Leonard Boreman, and etching with Bernard Wall. He has held membership in Painters' Club and Fort Worth Art Association; American Federation of Art; River Art Group and Coppini Academy of Fine Arts in San Antonio; Southwest Ceramic Society; San Angelo Art Club and Arts Council, and others. Dwight Holmes began winning art awards at age 13, and has continued receiving numerous honors and awards over the years. He has held art exhibits all over the Southwest, from Florida to California. His works have been shown in Boston, Cleveland, New York, Kansas City, Columbia, Mo. and elsewhere. He has painted along the Gulf, East and West Coasts; throughout Texas; in Mexico, New Mexico, Arizona, Utah, Colorado, California, Tennessee, Georgia, in the Great Smokies, Yellowstone, Grand Tetons, Red Rock Country, Hawaii, etc. He maintains a studio at 2401 Sherwood Way, San Angelo, Texas, but enjoys doing much of his painting out on locations, His interests include: juror for shows; giving criticisms and appraisals, and conducting art workshops and art colonies. In addition to museums works by Dwight C. Holmes may be seen in many private collections including: Mr. Levi Cole, banker, Canyon, Texas; Dr. A. McChesney, M.D., Columbia, Mo.; S. Herbert Hare, former President Nat'l Association Landscapes Architects; Mr. Scott, Quaker Oats...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 24 x 30 Frame Size: 33 x 39 Medium: Oil Dated 1970 "A Winter Stop-Over" Stageco...

Artist: Fermin Santos Alcade Title: Catedral de Toledo, Espana II Year: Circa 1960 Medium: Oil on canvas board Canvas board size: 28.5 x 21.25 inches...

Signed figurative oil on canvas circa 1915 by French neo-impressionist painter Achille Lauge. The piece depicts a view of a farmer sowing seeds in field on a bright spring day. Sign...

Still Life of Flowers French Impressionist, circa 1900's oil on canvas, unframed canvas: 20 x 25.5 inches Provenance: private collection, Paris Condition: very good condition For m...

Lilac, garden, flowers, violet,Ukraine Very important work Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 1937: he was born in Dneprodzerzinsk, Ucraina. 1949...

This is a beautiful large oil painting on canvas depicting a picturesque European coastal town with a bustling waterfront scene. The artist employs a rich, textured impasto technique...

"Giverny" C.Dumontier (French 20th century artist) signed oil on canvas, framed inscribed verso framed: 23 x 27.5 inches canvas: 18 x 22 inches provenance: private collection conditi...

Antique American impressionist landscape oil painting. Oil on canvas. Framed. No signature found.

A truly stunning jewel and pertinent example of Berthelsen's charming New York City winter scenes depicting Madison Square Park on 5th Avenue and 23rd Street. An iconic scene that so...

Signed lower left, 'Mogens Hertz' (Danish, 1909-1999) and painted circa 1935. This notable Impressionist first studied with the classically-trained Academician, Laurits Ring and, su...

Experience the breathtaking beauty of Mt. Evans, Colorado, through this stunning original oil painting by renowned artist Ferdinand Kaufmann (1864–1942). Created circa 1920–1940, thi...

Title: French Impressionist Oil Painting of Windy Walk along the Coastal Path By Fanch Lel (French b. 1930) Size: 10.75 x 8.75 inches (height x width) Signed: Yes Oil painting on boa...

The Belle Epoque Lady French School, signed and dated 1907 oil painting on canvas: 24 x 19.5 inches antique original gilt frame: 29 x 24 inches condition:...

Richard E. Miller 1875-1943 American Young Woman in Interior Signed "Miller" (lower right) Oil on canvas Richard E. Miller's Young Woman in Interior exemplifies the artist's exce...

Free US CONTINENTAL shipping, incl Europe and Asia. Jean Pierre Dubord was born in Rouen in 1949, and after spending years in the French countryside, he returned to his hometown to ...

Gorgeous seascape of Pacific Grove, California just north of Carmel by Marie Duncan (American, 20th Century), c. 1990. Signed lower right corner. Excelle...

A prominent American Impressionist, Emile Gruppé was celebrated for his plein-air painting, often working outdoors to capture the fleeting light and atmosphere of his surroundings. I...

Title: Isla Cristina, Spain Artist: Michel de Alvis Year: c.1960 Technique: Oil on canvas Dimensions: 9.45 x 16.14 inches (24 x 41 cm) Subject: Seascape Condition: Excellent Provenan...

Nicely painted early American impressionist landscape oil painting. Framed. Oil on board. Signed.

LARGE OLD MASTER STYLE Signed L S Lowry " OIL PAINTING 20th CENTURY NEW COLLECTION Of RARE PIECES OF OLD HISTORY Here we have a unique and rare piece of Art signed Good Detail one...