Post-Impressionist Paintings

Jadviga Žilvinska (1918-2010) was born in Tallinn. She grew up in Liepāja, where her great interest in art began and strengthened, which led the young artist to study at the Art Aca...

A country road surroundings of Barbizon and the forest of Fontainebleau that invites you to walk in the universe of Patrice Marchal, a painter who draws from his memory to translate ...

Oil on Canvas, 1935 by Dietz Edzard ( German/French 1893-1963 ) Height: 17.99 in ( 45,7 cm ), Width: 12.99 in ( 33 cm ) With the artist's signature stamp at lower left. Framed. Prope...

Jeon leon jansen is an armenian painter born in 1920. beautiful oil on canvas.

"Weekend at the seaside". Oil on panel. Post-Impressionist beach landscape. Small format. Dimension art: 18 x 27 x 0.5 cm. / 7.09 x 10.63 x 0.2 inches Dimension framed: 37 x 45 x 4 c...

"Trompe L’Oeil of Two Ducks" by Clesse Louis Brussels 1889 – 1961, Belgian Painter Dimensions: Image size 55 x 45 cm, frame size 62 x 52 cm Signature: Signed bottom right Medium: Oil on panel Biography: Clesse Louis Liévin Théophile was born on June 15 in 1889 in Ixelles (Brussels). He was a Belgian Post-Impressionist and Realist painter of landscapes, seascapes, still lifes and portraits. He studied at the Academy of Fine Arts in Brussels. He received advice and encouragement from master teachers and artists Alfred Bastien...

Oil on canvas, signed lower left. Carlos Abascal est un peintre orientaliste et illustrateur espagnol né à Madrid en 1878. Il a peint à l’huile et à l’aquarelle des scènes de genre ...

Goodbye, Girl, 1969,Realisme,Russian art Nice example of realisme Russian painting 1969 EVSEY RESHIN (Bukhara, 1916 – Moscow, 1978) Evsey Reshin is an exponent of the Schoo...

Huile sur toile de Joelle Gainon, encadré 70cm x82 cm

"The place where I vacationed in May 2024 is located in a very beautiful, quiet area of ​​Los Angeles with private dollhouses and beautiful gardens in front of them," said Anna Shest...

This painting was created outdoors in June 2023. It shows a wonderful corner of the old Swiss town of Werdenberg. Colors of the rainbow shine and give a feeling of joy and happiness ...

"Yesterday I was still admiring the paintings of the great impressionist Claude Monet, and today I am fascinated by the freshly fallen snow." said Anna Shesterikova about this artwor...

Where can young sprouts find the strength and the confidence to grow upward, to believe it is safe—and that this path will lead them to the fulfillment of their potential? It's a dif...

River Landscape Clesse Louis Brussels 1889 – 1961 Belgian Painter Signature: Signed bottom left Dimensions: Image size 31 x 40 cm, frame size 47 x 56 cm Medium: Oil on panel Biography: Clesse Louis Liévin Théophile was born on June 15 in 1889 in Ixelles (Brussels). He was a Belgian Post-Impressionist and Realist painter of landscapes, seascapes, still lifes and portraits. He studied at the Academy of Fine Arts in Brussels. He received advice and encouragement from master teachers and artists Alfred Bastien...

Maurice Asselin (1882-1947) A bunch of flowers in a vase Signed upper left, numbered and dated 1942 on the back Oil on canvas 35 x 27 cm In good c...

Oil painting on panel representing a boat in the sea. Framed André Petroff naquit à Saint-Petersbourg en 1894, il étudia avec Bilibine et Roerich. Par la...

Work on canvas

Oil painting, Venise landscape by the french painter Bret, Ecole de Nice. Silvered wood frame

This pointillism painting is not made in dots, but in points set up one by one with a small paintbrush. This unique style is named by the artist as 'conical pointillism' and with ove...

Roger Marcel Limouse Collo, Algeria 1894 – 1989 Paris French Painter 'Interior with Flowers – Nature Morte' The painting "Interior with Flowers - Nature Morte," created by Roger Ma...

Karl Stohner (1894 Mannheim - 1957 Paris), Ballerina in the dressing room, 1924. Pastel on painting cardboard, 65 x 45 cm, 77,5 x 59,5 (frame), signed lower left "Stohner" and dated "[19]24". Behind glass in gold stucco frame of the time. - Painting cardboard slightly warped, in the lower area minimally stained, frame with age patina and traces of abrasion. - The Naturalness of Artificiality - We see a ballerina putting on her right ballet shoe while the left one is still lying on the floor in front of her. It is precisely the casualness of the scene that gives it its intimacy: the blonde young woman is completely absorbed in the activity of getting ready for the dance, oblivious to us, while we are positioned right in front of her in the dressing room, inaccessible to the audience, watching her dress. Even though she does not yet perform a dance step, there is a graceful elegance in the action shown that seems quite natural in contrast to the rehearsed art form of dance. The young woman is not presenting herself to an audience in a perfectly formed movement, but is performing an everyday action, unaware that she is being watched. Concentrated, almost devotional, she pulls the ballet slipper over the verses, not noticing that one of the straps of the tutu has slipped off her shoulder, reinforcing the erotic moment of the scene. Inspired by Edgar Degas, Karl Stohner has painted the scene in strong pastel tones. The dominant blues and turquoises give the scene a magical, mysterious quality and, like the pink of the stockings and ballet slippers, are borrowed from Degas's dancers. Degas's colors, however, are cooler tempered, which is particularly evident in the light impasto applied incarnate. This is where the vividness of Auguste Renoir comes into play, making the dancer seem entirely flesh and blood. Karl Stohner, who has studied the pastels of Degas and Renoir intensively, combines the two artists here to create his own pictorial language. He has laid out the background in broad layers of strokes, ranging in color from white to turquoise to dark blue. The result is a dynamic, pattern-like structure that contrasts with the woman's calm, inward-looking posture. The fund anticipates the dynamics of the choreography of the dance for which the ballerina is preparing. At the same time, the broad pastel line in the background is an adequate means of painting to depict the soft, flowing elegance of the dancer. About the artist Against the wishes of his wealthy parents, Karl Stohner decided to become a painter. His talent was discovered by the director of the Mannheim Art Gallery, Fritz Wichert, who supported him from then on, including financing study trips to Paris. There he discovered the art of Degas, Cézanne and Renoir, which inspired his work. GERMAN VERSION Karl Stohner (1894 Mannheim - 1957 Paris), Ballerina im Ankleideraum, 1924. Pastell auf Malkarton, 65 x 45 cm, 77,5 x 59,5 (Rahmen), unten links mit „Stohner“ signiert und auf „[19]24“ datiert. Hinter Glas im Goldstuckrahmen der Zeit. - Malkarton leicht verzogen, im unteren Bereich minimal fleckig, Rahmen mit Alterspatina und Abriebspuren - Die Natürlichkeit der Kunstform - Wir sehen eine Ballerina, die sich den rechten Ballettschuh anzieht, während der linke noch vor ihr auf dem Boden liegt. Gerade aus der Beiläufigkeit der Szenerie speist sich ihre Intimität: Die blonde...

Armand Félix Abel Seguin Still life oil on canvas 45x60 cm, with frame 95x110 Signed: F. Seguint he signature could be resolved with Armand Félix Abel Seguin. Armand Félix Abel Segui...

Very fascinating painting with tones of red and gold by the russian painter Andrej Smirnoff, born in 1960 and still living. Not framed.

il dipinto (olio su tela 44.5 x 35 cm; with cornice in legno 64 x 54,5) è firmato Maccari in basso a sinistra e titolato "L'insidia" e datato 1956 a penna sul retro. La scena raffigu...

This pointillism painting is not made in dots, but in points set up one by one with a small paintbrush. This unique style is named by the artist as 'conical pointillism' and with ove...

This pointillism painting is not made in dots, but in points set up one by one with a small paintbrush. This unique style is named by the artist as 'conical pointillism' and with ove...

FRANCISCO BORES Spanish, 1898 - 1972 SANS TITRE signed and dated "Borès 42" (lower left) oil on panel 13-3/4 x 10-5/8 inches (35 x 27 cm.) framed: 19 x 15-3/4 inches (48 x 40 cm.) BIBLIOGRAPHY: Francisco Bores, Reasoned Catalogue, Volume I - Painting 1917-1944, Museo Nacional Centro de Arte Reina Sofía, Madrid, 2003, nº 1942 / 63, reproduced in p. 494 PROVENANCE Carmen Bores Collection, Francisco Bores daughter Private Collection, Madrid Francisco Bores López (Madrid, May 5, 1898 - Paris, May 10, 1972) was a Spanish painter of the so-called New School of Paris. His artistic training originated both in the Cecilio Pla painting academy, where he met Pancho Cossío, Manuel Ángeles Ortiz or Joaquín Peinado, and in the literary gatherings in Madrid related to ultraism. At this time he made engravings and woodcuts for a large number of magazines such as Horizonte, Cruz y Raya, Index, Revista de Occidente. In 1922 he participated in the National Exhibition of Fine Arts. In 1925 he participated in the first exhibition of the Iberian Artists Society. The limited success of this exhibition pushes him to go to Paris. In this city he shared a studio with the Spanish painter Pancho Cossío and also met Picasso and Juan Gris. In 1927 he held his first solo exhibition in Paris. From this moment on, Bores integrates himself into the Parisian artistic environment where he will live practically his entire life. In 1928, his first exhibition in a gallery in the United States, in 1930 he exhibited again, within a group exhibition at the Museum of Modern Art in New York. In the following years, he continued exhibiting in different galleries in Paris, such as the Georges Petit Gallery, the Bernheim Gallery and the Vavin Raspail Gallery. He also participates in several group exhibitions, highlighting the Exhibition of Contemporary Spanish Art...

EUGENE BEGARAT (Nice 1943) "Farmyard with characters" Oil on canvas signed low right Framed with wood frame Dim canvas : 65 X 54 cm Dim frame : ...

AMEGLIO Merio (1897-1970) Marine French Riviera Martigues Harbour Oil on panel signed lower right Framed by Gault (Paris) Dim wood panel : 33 X 41 cm...

BARBIER André Georges (1883-1970) Paris, bridge over the Seine river Oil on canvas signed low left Frame gilded with leaves Dim canvas : 47 X 58 cm Dim frame : 65 X 76 cm BARBIER An...

Oil paint on canvas in the style of french pointilism, 1951. By Stan Reszka ( 1924 Poland - died in Paris ). Signed lower right. Framed. Measurements: Height: 23.62 in ( 60 cm ), Wi...

Benvenuto Benvenuti (Livorno 1881 - 1959), The hut - Old sheepfold Mixed media on board 25 x 35 cm signed at lower left, on the back is the signature and title and an old label with...

Huile sur toile. Dimensions avec cadre: 71x63 cm. Isaac Antcher est un peintre moldave né le 21 janvier 1899 à Peresecina et mort à Malakoff le 21 av...

DUPRAT Albert Ferdinand (1882-1974) Venice with red and yellow sails Oil on wood panel signed low right Frame gilded with gold leaves Dim canv...

BERTIN Roger (1915 - 2003) Paris Montmartre lively street scene Oil on canvas signed low right Framed by Gault (Paris) Dim canvas : 54 X 65 cm Dim Frame: 76 X 87 cm BERTIN Roger (...

Lionello Balestrieri (Cetona 1872 - 1958), The works of the subway in Paris Oil painting on canvas 65 x 93 cm signed lower right, label from Galleria Pesaro, Milan, on the back. Ex...

RIVA Giovanni (1890-1973) Isola San Giorgio, Venice Oil on canvas signed low right New Golden Frame Dim canvas : 60 X 120 cm Dim frame : 84 X 144 cm RIVA Giovanni (1890-1973) Italia...

Arbre de Vie is a colorful painting made by Evelyne Ballestra, a French contemporary artist. The artist uses bright colors in this expressionist painting ...

RIVES Antony (19th Century) Landscapes with characters in pair Two Oils on wood panels signed lowright and left Annotation on the back : " Banks of the Aude River near Carcassonne in August 1904" Stamp from Senelier, famous hardware dealer settled in Paris Framed by Gault (Paris) DIm wood panel (each) : 24 X 33 cm Dim frame : 38 X 47 cm RIVES Antony (19th Century) French 19th Century born in Carcassonne Painter of Landscape Antony Rives was a pupil of Jean Jalabert and Adolphe Yvon...

MIRO LLEO Gaspar (1859-1930) Venice Views in Pair Oils on canvas signed low right Old frames gilded with leaves Dim canvas : 65 X 50 cm (each) D...

MADELAIN Gustave (1867 - 1944) Carnival Day at the Place de la Republique in Paris with Characters Oil on canvas signed low left and dated 1927 Original ...

PRINS Pierre Ernest (1838-1913) Pastel on card signed low right and dated 1912 Luxury frame gilded with gold leaves with protective glass cover Card Size ...

TERLOW Kees (1890-1948) Lively Landscape with fisherman by the River Oil on canvas signed low right Old Frame gilded with gold leaves Dim canvas : 54 X 73 ...

Frame size 78x87 cm. Rafael Griera Calderón was born incidentally in Las Palmas de Gran Canaria in 1934. After residing in Olot from 1942 to 19...

An important oil on canvas village landscape, probably Gassin in the South of France, by noted Dutch painter Willem Anthonie 'Wim' Oepts. The painting carries the atelier stamp botto...

CELSO LAGAR Spanish, 1891 - 1966 THE CLOWN signed and dated "Lagar 52" (lower right) gouache on cardboard 10-5/8 x 8 inches (27 x 20.5 cm.) PROVENANCE Private French Collector Cel...

EDOUARD LÉON CORTÈS French 1882 - 1969 PLACE DE LA RÉPUBLIQUE signed "EDOUARD CORTÈS." (lower right) oil on canvas 19-3/4 x 25-1/2 inches (50 x 64.5 cm.) framed: 27-3/4 x 33-3/8 inches (70 x 84.5 cm.) PROVENANCE Private Collector, Madrid An elegant night view of the Parisian Republic Square, with amazing light effects that catch us. This work executed based on brushstrokes of long and safe strokes that make the forms vibrate with vivid color. Parisian nightlife is trapped in this corner of Paris. The monumental sculpture that symbolizes freedom and that presides over the square serves as a reference behind the tram between a light chiaroscuro. Meanwhile, the effervecent and lively life of the cafes that surround it vibrate strongly with its bright lights. Èdouard León Cortés (1882–1969) was a French post-impressionist artist of French and Spanish ancestry. He is known as "Le Poète Parisien de la Peinture" or "the Parisian Poet of Painting" because of his diverse Paris cityscapes in a variety of weather and night settings. Cortes was born on August 6, 1882, in Lagny-sur-Marne, about twenty miles east of Paris. His father, Antonio Cortés, had been a painter for the Spanish Royal...