Surrealist Paintings

Gustavo Úbeda (1930-1994) - Picasso Cubism - Acrylic panel Acrylic measurements 81x100 cm. Frameless. The painting by Gustavo Úbeda Romero (Herencia, 1930 – Sao Paulo, 1994) comes f...

Yves Bady AL-Dahdah (Lebanese, 1942) Lady of the Vines • Oil or Acrylic on heavy fibre board ca. 46 x 38 cm x 0.5 cm • Signed and dated lower left (19)81 •...

The Mountaintop, 1997 Oil on canvas 54 x 68 in. (137.2 x 172.7 cm) Signed, titled, and dated, verso At the heart of Bousfield's work lies a lyrical celebration of color and tactile ...

Lovescape, 1999 Acrylic on canvas 46 x 64 in. (116.8 x 162.6 cm) Signed, titled, and dated, verso At the heart of Bousfield's work lies a lyrical celebration of color and tactile se...

Gustavo Úbeda (1930-1994) - Orixa - Acrylic on panel Acrylic measurements 61x91 cm. Frameless. The painting by Gustavo Úbeda Romero (Herencia, 1930 – Sao Paulo, 1994) comes from a f...

Bearing the Light, 1994 Oil on linen 46 x 48 in. (116.8 x 121.9 cm) Signed, titled, and dated, verso At the heart of Bousfield's work lies a lyrical celebration of color and tactile...

Yves Bady AL-Dahdah (Lebanese, 1942) Lady of the Moon • Oil or Acrylic on heavy fiber board ca. 46 x 38 cm x 0.5 cm • Signed and dated lower left (19)81 • ...

Sueño Original Magical Surrealism Mixed media paper painting. virtual frame Cándido Ballester is a contemporary Mallorcan painter who was born in 1926. As a child he had to emigrate...

Ferdinand Burgdorff (American, 1881-1975) Pantheum Moonlight, 1916 Oil on canvas Signed and dated lower right 16 x 24 inches 21.5 x 29.5 inches, framed Born in Cleveland, Ohio, Ferd...

Gustavo Úbeda (1930-1994) - Carnival - Acrylic on panel Acrylic measurements 61x91 cm. Frameless. The painting by Gustavo Úbeda Romero (Herencia, 1930 – Sao Paulo, 1994) comes from ...

Gustavo Úbeda (1930-1994) - Surrealist scene, Brazil - Acrylic on panel Oil measures 60x42 cm. Frameless. The painting by Gustavo Úbeda Romero (Herencia, 1930 – Sao Paulo, 1994) com...

Gustavo Úbeda (1930-1994) - Murdered doll - Acrylic panel Acrylic measurements 61x91 cm. Frameless. The painting by Gustavo Úbeda Romero (Herencia, 1930 – Sao Paulo, 1994) comes fro...

Surrealist Landscape Oil on canvas 'R. Lee Glenn' verso 30 x 24.25 inches 31.75 x 26.75 inches, framed Surrealism aims to revolutionize human experience. It balances a rational visi...

Yankel (Jacob) Ginzburg (Russian/American, Born 1945). An original Surrealist acrylic painting on canvas. Titled "DC On The Grow". A colorful work featuring a roaring tiger, among sh...

Hank Laventhol (1927–2001) was an American painter and master print maker. He worked in painting, graphics, sculpture and photography. Associated with ...

Gustavo Úbeda (1930-1994) - cubist composition - Oil panel Oil measurements 50x42 cm. Frame measurements 58x50 cm. The painting by Gustavo Úbeda Romero (Herencia, 1930 – Sao Paulo, ...

A scene that played out every night on our street in Chicago. :: Painting :: Surrealism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready...

Late 20th century mixed media surrealist painting by Yuri Ilyich Kononenko. Titled 'Ne Nastupit Bui!' (Wouldn't Come!). Signed with artists symbol bottom left. Fully signed, dated an...

Paisaje original surrealist acrilic painting GENOVART LLOPIS, Jaume (Barcelona, 1941-1994). Basically self - taught painter, was released in 1972. Grandson of typesetter and booksel...

Maris Bishofs was born in 1939 in Rujiena, Latvia. In 1965 he became the first artist to graduate from the Latvian Art Academy with an interior design diploma. In 1972 he emigrated t...

Luces original surrealist acrylic painting. GENOVART LLOPIS, Jaume (Barcelona, 1941-1994). Basically self - taught painter, was released in 1972. Grandson of typesetter and booksell...

Original illustration was done by Renna for the novel "Journey to the Center of the Earth" by Jules Verne, published in 1963. What makes this work special is how brilliantly the subj...

Oil on canvas. Image size, 24H x 30L. Signed verso.

Luces original surrealist acrylic painting. GENOVART LLOPIS, Jaume (Barcelona, 1941-1994). Basically self - taught painter, was released in 1972. Grandson of typesetter and booksell...

Large late 20th century oil on canvas of animals at the watering hole by British artist Derek Carruthers. Signed to the bottom right. A magical, highly colourful and energetic paint...

Jean Pierre Serrier (French, 1934-1989) Oil on canvas painting depicting four figures Hand signed lower right. Measures (frame) 26.5" x 30" wide, and (sight) 18.25." x 22.25" wide. Jean Pierre Serrier (1934 – 1989) was a French painter known for surrealism and absurdist art. Jean-Pierre Serrier was born in Montparnasse, Paris and attended the Académie des Beaux-Arts in Paris. the son of Louis and Solange Serrier. His father fought in World War II and became a prisoner of war. In 1940, as a six-year-old, he and his mother fled Paris for Corrèze in southwest France. Childhood memories of close escapes from German bombardments would later influence his absurdist philosophy of life. Passionate about drawing, in 1951 he applied and was admitted to the École nationale supérieure des arts appliqués et des métiers d'art in Paris. He shared an attic apartment in the 16th arrondissement with fellow student Jean-Baptiste Valadié. For income, he decorated shop windows. A trip to Spain provided motifs for early works. His student work might be characterized as art naïf (Naive art). While still a student, he sold a ceramic artwork to the poet and publisher Pierre Seghers, who would later commission drawings from him. He frequented jazz clubs in Saint-Germain des Près, and while listening to Sidney Bechet at the Vieux Colombier, he met his wife, Yvette.One of the last French Surrealist and follower of Nietzsche. His art conveyed the message to all of mankind that we are only human. The other Surrealist to center his art in philosophy was Rene Magritte whose paintings reflect his understanding of Sigmund Freud. He had his first exhibition in 1955, before being sent to Algeria to complete his military service. After graduating in 1955, he was drafted for military service, spent time in Germany and Morocco, and was sent to the front lines of the Algerian War. In 1959 he exhibited works at two Parisian galleries and at Juan-les-Pins on the Côte d'Azur. From 1961, he exhibited annually at the Salon des Artistes Français. In 1962, the City of Paris purchased his painting Un dimanche In 1961, Serrier made his first visit to the United States to exhibit at a New York gallery. In 1975 and 1979, he had successful exhibitions in New Orleans, and his work was included in art and news magazines, including Time and Newsweek. Beginning in the 1950s, his works included stylized portraits similar in some ways to the "big eyes" art of Margaret Keane, though it is uncertain that either artist influenced the other. Keane painted children, and so did Serrier, sometimes from life, but Serrier’s models are usually somewhat older, though uniformly slender and with androgynous features. A gallery owner introduced Serrier to American collectors Edgar Garbisch and his wife, Bernice Chrysler (daughter of Chrysler founder Walter P. Chrysler), who had a particular interest in naïve art; they commissioned a series of portraits from Serrier. At the same time, he met Reine Ausset in Paris, who in 1961 invited him to New York to take part in an exhibition at Galerie Norval on 57th Street. The show also included work by Moïse Kisling, and the exhibition program explicitly linked the two artists, saying that Serrier, who considered Moise Kisling "the Master," had found his own technique, but "the same vision joins the grand Kisling to the young Serrier: plenitude of shapes, sureness of palette, precision in outlines." In the 1960s he began painting slender, young, androgynous figures in groups, set in sparse landscapes with suggestions of the surreal and sometimes wearing costumes of the Commedia dell'arte. In some of these paintings the eyes of the figures are completely black, a motif that would continue in his later work. In 1965, he exhibited at Forest and Reed Gallery in London. Also in 1965, he discovered the small town of Martel, and with his old roommate Jean-Baptiste Valadié purchased a house that they opened as the gallery La Licorne (The Unicorn) in 1967. Responding to the political upheavals of May 1968 in France, and following the advice of Geneva gallery owner Roger Ferrero, Serrier's work became increasingly complex, idiosyncratic, and surreal. Imagery included the Tower of Babel, bodies suspended in space, and crowds of people all dressed alike, with identical features and entirely black eyes. Mannequins, playing cards, nudes, and levitating orbs also figured in the work. In a nod to Magritte, his men sometimes wear bowler hats. Another influence may have been the works of the Franco-Belgian surrealist Gaston Bogaert (1918-2008). Serrier's first major exhibit of these works, in Geneva in 1971, was titled Le Réalisme Fantastique. (Magic Realism) In 1972, he was made a member of the Société du Salon d'Automne, under whose auspices he was invited by the Polish government to exhibit in Warsaw in 1973, as part of a cultural exchange across the Iron Curtain. In 1976, he served on the jury of the Salon d'Automne. In 1975, New Orleans gallery owner Kurt E. Schon brought his work to several cities in the United States. A copiously illustrated monograph in English, Surrealism and the Absurd: Jean Pierre Serrier, was published in 1977. Author Thomas M. Bayer wrote: Serrier's world is one where—to use Friedrich Nietzche's term—the "human herd animal" is being confronted with the overwhelming task of coping with the world, his solitude, and at times, his resignation in the face of its monstrous size and duration. It is a world where the characterless, "blind" man faces the institutions, rules and symbols that made him into the being he now is…But Serrier does not lose himself in this world he portrays. He never forgets the old French tradition, the "black" humor, à la Molière. This classical humor at times is more felt than seen, in a manner that can be terribly funny, because it is horrifying, laughable, poignant and always true. Serrier told a friend, "In each of my paintings there's a message of hope amid the crowd of stereotypical figures. It could be an escaping dirigible, or a nymphet who flees like a deer under the red and blue trees of paradise...

Very large scale late 20th century oil on canvas of Noah's Ark and the Animals by British artist Derek Carruthers. Signed to the bottom right. A magical, highly colourful and energe...

Antique American modernist surreal interior scene watercolor painting. Framed. Signed. Amazing detail here!!

Josep Vergés Grau (1925-1989) - Night fishing - Oil on panel Oil measurements 73x92 cm. Frame measurements 77x96 cm.

Artwork size: 102,5x98 cm Frame size: 110x105 cm This artwork is accompanied by a certificate of authenticity signed by Alisée Matta. Provenance: Artist Jean-Pierre Jouffroy, Paris. The estate of the artist Jean-Pierre Jouffroy, Paris. “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén...

David Hare Summer Land, 1970 Acrylic or oil paint and collage on board Dimensions: 26 X 36 inches. Framed measuring 29 x 38 inches. Hand signed, dated and titled on tape to verso 'Summer Land 1970 Hare'. Provenance: Hamilton Gallery of Contemporary Art, New York David Hare (1917 – 1992) was an American artist, associated with the Surrealist movement. He is primarily known for his sculpture, though he also worked extensively in photography and oil painting. The VVV Surrealism Magazine was first published and edited by Hare in 1942. Born March 10, 1917 in New York City, New York to father Meredith Hare, a lawyer and mother Elizabeth Sage Goodwin, an art collector. In the 1920s the family moved first to Santa Fe, New Mexico and later to Colorado Springs, Colorado, in hope that the fresh air would help heal Meredith Hare's tuberculosis. His mother founded the Fountain Valley School, where David attended high school. After high school Hare married and moved to Roxbury, Connecticut where he worked as a color photographer. He attended Bard College in Annandale-on-Hudson from 1936 to 1937, studying biology and chemistry. In the late 1930s, with no previous artistic training, he began to experiment with color photography. Using his previous education in chemistry Hare developed an automatist technique called "heatage" in which he heated the unfixed negative from an 8 by 10-inch plate, causing the image to ripple and distort. Hare's Surrealist experiments in photography were only one of his many projects. In 1938 he met Susanna Winslow Wilson and the couple soon married. Both David and Susanna pursued their interests in Surrealism and regularly attended Surrealist gatherings in New York Larre French restaurant on 56th street and at Breton's Greenwich Village apartment. In 1940 he received a commission from the American Museum of Natural History to document the Pueblo Indians of the American Southwest, for which he eventually produced 20 prints developed using Eastman Kodak's then-new dye transfer process (a time-consuming and complicated technique). In the same year, he also opened his own commercial photography studio in New York City and exhibited his photographs in a solo show at the Julien Levy Gallery. In the next few years, through his cousin the painter Kay Sage, he came into contact with a number of Surrealist artists who had fled their native Europe because of World War II. Hare became closely involved with the émigré Surrealist movement and collaborated closely with them on projects such as the Surrealist journal VVV, which he co founded and edited from 1941 to 1944 with André Breton, Max Ernst, and Marcel Duchamp. With numerous illustrations by Breton, Leonora Carrington, Marc Chagall, Roberto Matta, Giorgio de Chirico, MarcelDuchamp, Max Ernst, Andre Masson, Joan Miro, Enrico Donati, Dorothea Tanning, and others. Published in only four issues between 1942-44, VVV was an experimental New York-based magazine devoted to the dissemination of Surrealism. Edited by David Hare, the short-lived magazine featured contributions from some of the leading avant-garde artists of the period. David and Susanna divorce in 1945 and Breton’s wife Jacqueline Lamba...

Tlaloc and the Tiger (1939) Oil on panel 16" x 12" 23 ¾" x 18 ¾"x 2 ½" framed Signed and dated (and inscribed) "de Diego 39" lower left. Provenance: The artist; private collection Ch...

Mary Spain (American, 1934-1983) The Happy Couple Oil on canvas Signed middle right, signed and titled verso 22 x 26 inches Set in a realm of fantasy, Mary Spain’s work exhibits oddly distorted figures in a child-like manner with an underlying sense of absurdity. Through her toylike and primitive style, Spain created surrealistic dramas that puzzle and entrance the viewer. Born in Raleigh, North Carolina, Mary Spain studied art at Syracuse University and moved to Ohio in the 1960s to teach art at Chagrin Falls...

Jimmy Ernst Personal Equation, 1950 Signed and dated lower right Oil on canvas 41 x 39 1/2 inches Provenance: Laurel Gallery, New York Grace Borgenicht Gallery, New York Collection ...

Signed lower right, "O Connor" and painted circa 1945. A panoramic view of an autumn landscape with leafless trees in front of a mountain lake and an olive green sky scattered with ...

Timothy Berry (b.1948). Savage Garden, 1996. Oil on canvas, 34 x 32 inches. Sigh on verso. Original gallery label affixed on verso. Canvas stretched over...

Gustavo Úbeda (1930-1994) - Surrealist Harlequin - Oil panel Oil measurements 41x50 cm. Frame measurements 44x53 cm. The painting by Gustavo Úbeda Romer...

Gustavo Úbeda (1930-1994) - Picasian scene - Oil panel Oil measurements 50x41 cm. Frameless. The painting by Gustavo Úbeda Romero (Herencia, 1930 – Sao ...

The work is unsigned. Provenance: Given directly by the artist to the present owner who was a friend of the model. Condition: Good condition apart from some scratches and pressure ...

Oil on canvas. Signed Aress. Oil mesures 33x24 cm. Frame mesures 48x39 cm.

An oil on canvas painted by Jack Sassoon which was certainly a premonition of what was to come. Entitled Death of the Young Men and dated 1938, it depicts men in gas masks and a woma...

Gustavo Úbeda (1930-1994) - Picasian scene - Oil panel Oil measurements 41x50 cm. Frameless. The painting by Gustavo Úbeda Romero (Herencia, 1930 – Sao ...

Abstract Composition by Jack Penouel (French 1936-2018) oil on canvas, framed canvas : 18 x 18 inches provenance: the artists estate, France condition: ve...

Angelic boy with a devil figure. Gary Hansmann (1947-2008) was active/lived in California. He is known for abstract, Surrealism figure painting. Gary William Hansmann was born Dec. 4, 1940, in San Diego to Ethel May Williams and Lester Hughes Hansmann. He grew up in Encinitas and served in the Army in the early 1960s. Gary Hansmann, San Diego artist, teacher and gallery owner, was known for his Surrealist drawings and graphics. He spent time working in Paris and exhibiting his art throughout Europe, but San Diego was home until he moved to Washington state. His life partner was fellow artist, Jill Hosmer. Mr. Hansmann, a respected printmaker and prolific artist, created thousands of drawings, prints and paintings as well as hundreds of poems. His interest in bullfighting led to a book of poetry and illustrations on the subject, “La Corrida, The Run”, a collection of poetry & artwork written as he was preparing for his first bullfight. Prologue written by famous Mexican Matador Antonio Lomelin. The book is written in English and translated into Spanish on opposing pages and was published in 1983. Mr. Hansmann taught intaglio and monotype at the Academy of Fine Arts in San Diego from 1977 to 1980 and at the San Diego Museum of Art in 1980. He also gave lectures and demonstrations throughout the art community, including at the San Diego Art Guild in Del Mar and Artist Equity in San Diego. Although he attended Palomar College in San Marcos and studied lithography at the San Diego Academy of Fine Arts, Mr. Hansmann was mostly self-taught and self-educated. Mr. Hansmann had shows in several art-world capitals, including Paris; Lisbon, Portugal; Cologne, Germany; Brussels, Belgium; and New York. he had one-person exhibits at the Loft Gallery in Clarkston, the Lewis-Clark State College Center of Arts & History, the Carnegie Art Center in Walla Walla and the Valley Art Center in Clarkston. During his long, distinguished career as an artist he had numerous one-person exhibits all over the world and the United States. His group shows are too numerous to mention, but his one-person exhibits were in Koln, Germany; Bruxelles, Belgium; Paris, France; Viana do Castelo, Portugal; Lisbon, Portugal; Tecate, Mexico; and British Columbia, Canada; and many states at home. Palomar College, San Marcos, Calif. San Diego Academy of Fine Arts Brooklyn Museum, Brooklyn, N.Y. University of Southern California, Idyllwild (ISOMATA) University of San Diego San Diego Museum of Art James Copley Library, La Jolla, Calif. Biblioteca Nazionale Marciana, Venice, Italy Centre de Arte Moderna Gulbenkian Foundation, Lisbon, Portugal Museo Taurino de la Communidad de Madrid, Madrid, Spain Atelier Lacouriere et Frelaut, Paris, France Gordon Gilkey Collection Portland Art Museum, Portland, Or. Coos Art Museum, Coos Bay...

Italian illustrator Gianni Benvenuti paints a charming fantasy scene. It's of an extreme closeup of a tiny crowned and winged Prince and Princess They are standing upright in a dand...

Joséphine Beaudouin (1909-2005) Poetry of the Bird, surrealist painting, 1948 Oil on canvas Signed "Joséphine Beaudouin" and dated "1948" lower left 13,7 x 10,6 inch Born in Albi in 1909, Josephine Beaudouin (née Cals) showed an early interest in drawing. At the age of twelve, she moved to Paris where her mother, Jeanne Ramel-Cals, ran a literary salon that was frequented by art world figures such as Ambroise Vollard. In 1925, while her first drawings appeared in the magazine Crapouillot, the young artist entered the School of Decorative Arts where she studied fresco painting. She married the architect Eugène Beaudouin in 1928, with whom she traveled throughout Europe. Beaudouin, a member of the Académie des Beaux-Arts, designed a series of buildings that were precursors of modern architecture in France (Clichy, Maison du Peuple; Antony, Résidence universitaire Jean Zay). Josephine Beaudouin exhibited at the Salon des Indépendants, the Salon des Tuileries, the Salon d'Automne and the Salon des Artistes Décorateurs. The work of the one that Jean Cocteau described as "bewitching" is full of mystery. Her work bears the stamp of an extraordinary personality. Indeed, Josephine Beaudouin developed a penchant for dreams at a very early age and took refuge in the works illustrated by Gustave Doré. Her technical virtuosity and overflowing imagination were praised by the critics of her time who unanimously greeted her Marmorées (ill.1). Named by René Barotte, these are paintings made on marble slabs from 1955. The artist exploits the infinite resources of the veins of this support which inspires him poetic compositions with unusual subjects. Marked by surrealism, she returns to the fantastic by delivering a prodigious creation of the mind made of dreamed cities and trompe-l'oeil. The 1948 painting that we propose probably represents a red-billed chough. The bird is a recurring theme in the work of Josephine Beaudouin, as in her life. An avid ornithologist, she kept an aviary in her Parisian home where many island birds were kept. She also built up a collection of stuffed birds. Still on this theme, the writer Claude Aveline (1901-1992), author of the poem L'Oiseau-Qui-N'Existe-Pas, invited several visual artists to freely interpret what this bird could be. The first series of works was produced between 1956 and 1963. In 1957, Joséphine Beaudouin delivered a work with a pen of great finesse, now preserved at the Centre Pompidou (ill.2). Several renowned artists also responded to the invitation of the poet such as Jean Cocteau and Ossip Zadkine. The precision of the graphics of our painting testifies to an attentive observation of the anatomy of the birds. The artist paints with great delicacy: the technique is impeccable, the drawing is careful, the material is smooth, the details are represented with great finesse and mastery. Bibliography : Fernand Pouillon...

"Still Life" by Geneviève Zondervan (French 1922-2013) oil painting on board, stamped verso board: 15 x 18 inches Original oil painting on board by the French artist, Geneviève Zon...

Gustavo Úbeda (1930-1994) - Picasian scene - Oil panel Oil measurements 41x50 cm. Frameless. The painting by Gustavo Úbeda Romero (Herencia, 1930 – Sao ...

Provenance: Estate of the artist, his estate executor Harriette Tanin, New York collector Never afraid of trying new styles, curious and opinionated, constantly engaged with the wo...

Surrealist, figurative large scale pastel of a deconstructed head and other elements by Gordon Muir. With original exhibition title label. Presented in fine silvered wood and fabric custom frame, under glass. A magnificent and truly monumental work of a 'deconstructed' head and three other triptych elements. Influenced by the paintings of Francis Bacon and Salvador Dali the work is intriguing and arresting at the same time. We can see how Muir gained such success later for his sculptural pieces as he is even in this work thinking in three dimensions. On closer inspection the details reveal themselves, the eyeball reminiscent of the shell of a horse chestnut, the furry surface to the tongue all in soft pastel shades. The three upper elements, in monochrome revealing the development of man. A really intriguing and strong painting that would grace any interior and be the talking point of any collection. It is very unusual to find a pastel of these proportions. The medium itself gives the work a softness creating an intriguing juxtaposition to the subject itself. Sculptor, born in Hawick, Gordon Muir was educated at art colleges in London, Scotland and the University of New Mexico, after which he spent time working with woodblock artists in Japan. He has more recently concentrated his artistic endeavours on sculpture, much of this in collaboration with the Paul Hogarth...

Abstract Composition by Jack Penouel (French 1936-2018) oil on canvas, framed framed: 32 x 26 inches canvas : 31 x 25 inches provenance: the artists esta...

William Samuel Schwartz (Russian/American, 1896-1977) Signed: William S Schwartz (Lower, Left) " Elements ", c. 1928-29 (Date based Upon 8 Pl...

Milia Laufer, born Romania. From 1951 lived and worked in Safed. Together with her husband opened one of the earliest galleries in Israel, in Tiberias. Worked in watercolors and oils...

Tristan Fabris 1970's French Surrealist artist Abstract Surrealist Figurative study signed oil on canvas, framed framed: 26.5 x 22.5 inches canvas: 25.5 x 21.5 inches inscribed vers...

Abstract Composition signed by Jack Penouel (French 1936-2018) dated 01' oil on canvas, framed framed: 16 x 16 inches canvas : 15.75 x 15.75 inches proven...

"The Sadness of Mr. lapin After the Artist Left" Gary Hansmann (1947-2008) was active/lived in California. He is known for abstract, Surrealism figure painting. Gary William Hansmann was born Dec. 4, 1940, in San Diego to Ethel May Williams and Lester Hughes Hansmann. He grew up in Encinitas and served in the Army in the early 1960s. Gary Hansmann, San Diego artist, teacher and gallery owner, was known for his Surrealist nude and animal drawings and graphics. He spent time working in Paris and exhibiting his art throughout Europe, but San Diego was home until he moved to Washington state. His life partner was fellow artist, Jill Hosmer. Mr. Hansmann, a respected printmaker and prolific artist, created thousands of drawings, prints and paintings as well as hundreds of poems. His interest in bullfighting led to a book of poetry and illustrations on the subject, “La Corrida, The Run”, a collection of poetry & artwork written as he was preparing for his first bullfight. Prologue written by famous Mexican Matador Antonio Lomelin. The book is written in English and translated into Spanish on opposing pages and was published in 1983. Mr. Hansmann taught intaglio and monotype at the Academy of Fine Arts in San Diego from 1977 to 1980 and at the San Diego Museum of Art in 1980. He also gave lectures and demonstrations throughout the art community, including at the San Diego Art Guild in Del Mar and Artist Equity in San Diego. Although he attended Palomar College in San Marcos and studied lithography at the San Diego Academy of Fine Arts, Mr. Hansmann was mostly self-taught and self-educated. Mr. Hansmann had shows in several art-world capitals, including Paris; Lisbon, Portugal; Cologne, Germany; Brussels, Belgium; and New York. he had one-person exhibits at the Loft Gallery in Clarkston, the Lewis-Clark State College Center of Arts & History, the Carnegie Art Center in Walla Walla and the Valley Art Center in Clarkston. During his long, distinguished career as an artist he had numerous one-person exhibits all over the world and the United States. His group shows are too numerous to mention, but his one-person exhibits were in Koln, Germany; Bruxelles, Belgium; Paris, France; Viana do Castelo, Portugal; Lisbon, Portugal; Tecate, Mexico; and British Columbia, Canada; and many states at home. Palomar College, San Marcos, Calif. San Diego Academy of Fine Arts Brooklyn Museum, Brooklyn, N.Y. University of Southern California, Idyllwild (ISOMATA) University of San Diego San Diego Museum of Art James Copley Library, La Jolla, Calif. Biblioteca Nazionale Marciana, Venice, Italy Centre de Arte Moderna Gulbenkian Foundation, Lisbon, Portugal Museo Taurino de la Communidad de Madrid, Madrid, Spain Atelier Lacouriere et Frelaut, Paris, France Gordon Gilkey Collection Portland Art Museum, Portland, Or. Coos Art Museum, Coos Bay...

A beautiful 1960's oil on canvas by Graham Clarke depicting a surrealist landscape with rainbow and gilt framed painting on a wall. A stunning and unusual painting presented in a bes...

A superb, detailed and meticulous egg tempera oil on panel from around 1960 by Stuart Maxwell Armfield. The painting depicts a flock of seagulls in a bold, strong and surreal colouri...