Baby Paintings

One of a kind, big dimension, Oil on canvas black and white painting showing some surprisingly colorful details that makes a great contrast. The search of the light takes the artist...

Signed Lower Left.

Cartoons, blockbuster movies, and a cheeky religiosity fill this painting with deep symbolistic treasure. Bringing together memories and colors from his childhood in Puerto Rico with...

2008, Unique Artwork Oil on Canvas 59 1/10 × 59 1/10 in - 150 × 150 cm The artwork is dated and signed by the Artist & stamped with the logo of the Artist's studio on verso of the ca...

Acrylic paint on canvas Hand-signed lower right by the artist Unique work Discover the new works on canvas by the French emerging and talented artist Julien Calot in his personal ex...

RUTH OWENS is a figurative painter and video artist whose work mines the intersection of honoring the Black archive and expanding the narrative around personal identity. She was born...

Medium: Gouache and Pencil on Paperboard Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, August 26, 1961. The Post described, “The Post desc...

M. CHAT Untitled Painting mounted on canvas Signed Dimensions : 120 x 120 cm including frame Framed painting Avec certificat Discreet and unobtrusive, Monsieur Chat or M. Chat has been working on the streets since he was 15. His anonymity was broken in 2007 when he was caught painting his famous symbol – the cat. The man behind the mask was revealed to be Thoma Vuille, but he didn’t allow himself to be disturbed by this. Instead, he continued to exacerbate the already crystallized curiosity around the urban graphics of his increasingly present symbol. The shadow of his anonymous existence dispersed upon being shined on, but in the end, he realized that he and his alter ego are one and the same person, so he learned to drop the mask and raise his name alongside the signature of his alter ego. Believing in the idea and repeating it continuously over time, the artist got to the point where he was able to shape those around him in a way that, ultimately, the image he projects outwards is reflected back at him at times when he starts to entertain his own doubts about it. Throughout the World Born in Boudry, in the canton of Neuchâtel, Switzerland, Chat began roaming the streets around 1987. He studied at the Institute of visual Arts of Orléans, graduating in 2001. In 1997, during one of the workshops, the grinning cat was born. In his, now omnipresent symbol, the culture of the neighborhood meets the never-ending optimism of the artist, making a combination that is easily recognizable and widely famous. His dream of uniting human beings, different as they might be, is now possible. That single unifying subject has been found, and he’s ever since on a mission of spreading that subject throughout the world. It was this kind of contagious optimism that nudged the film-maker Chris Marker into approaching the artist, and eventually making a documentary about him in 2004. Reflecting on France’s state after the 9/11, Marker used the phenomenon of the Chat’s cat to explore the sad feelings of the people, but to share some optimism as well. The attention was not focused on the artist, for once, as we do not need to know his personal history to be able to feel something upon seeing his work. In fact, the state of mind, or an attitude, or a philosophical aspiration, is represented through an image. Behind that image lies all the simplicity of a smile painted on a wall, and all the power that comes with it. Vuille keeps the drawing simple and the line clear. On the first sight, the cat looks like a logo. However, it can’t be reduced to a logo, as it’s so much more than that. Belonging to street art, it’s a character with a strong identity and many variations. A character that achieves a symbolic dimension through its simplicity. A Dispute with RATP – Let Art Be Free Street art is highly unpredictable – where one sees inspirational pieces, others see the destruction of property. The artist had been previously arrested on brush in hand by the Police Municipal of Orléans in 2007. The Régie autonome des transports Parisian demanded 1,800 euros in damages, stating that Vuille had, without prior authorization, drawn inscriptions, signs or drawings, in the case of Cat Heads on the walls of the Châtelet-Les Halles station during its renovation in May 2014. Due to some contradictories, Vuille’s lawyer raised the invalidity of the notice of the artist, stating that he and his client were not completely sure what they were accused of. The court found the nullity of the summons, and the RATP finally asked one euro in damages, an amount incomparable to their previous requests. The whole thing turned out to be nothing more than a bad memory for Monsieur Chat, stating that he was not a criminal, but an artist. He also explained that his intention was to humanize a transit corridor, which was gray. All he did was putting some color on it, sharing happy feelings with all who passed nearby. Discreet and unobtrusive, Monsieur Chat or M. Chat has been working on the streets since he was 15. His anonymity was broken in 2007 when he was caught painting his famous symbol – the cat. The man behind the mask was revealed to be Thoma Vuille, but he didn’t allow himself to be disturbed by this. Instead, he continued to exacerbate the already crystallized curiosity around the urban graphics of his increasingly present symbol. The shadow of his anonymous existence dispersed upon being shined on, but in the end, he realized that he and his alter ego are one and the same person, so he learned to drop the mask and raise his name alongside the signature of his alter ego. Believing in the idea and repeating it continuously over time, the artist got to the point where he was able to shape those around him in a way that, ultimately, the image he projects outwards is reflected back at him at times when he starts to entertain his own doubts about it. city english cookies video Monsieur Chat – Siesta à Paris, 2016 (Left) / Sky With Dufy, 2016 (Right), image courtesy of Galerie Brugier-Rigail Throughout the World Born in Boudry, in the canton of Neuchâtel, Switzerland, Chat began roaming the streets around 1987. He studied at the Institute of visual Arts of Orléans, graduating in 2001. In 1997, during one of the workshops, the grinning cat was born. In his, now omnipresent symbol, the culture of the neighborhood meets the never-ending optimism of the artist, making a combination that is easily recognizable and widely famous. His dream of uniting human beings, different as they might be, is now possible. That single unifying subject has been found, and he’s ever since on a mission of spreading that subject throughout the world. It was this kind of contagious optimism that nudged the film-maker Chris Marker into approaching the artist, and eventually making a documentary about him in 2004. Reflecting on France’s state after the 9/11, Marker used the phenomenon of the Chat’s cat to explore the sad feelings of the people, but to share some optimism as well. The attention was not focused on the artist, for once, as we do not need to know his personal history to be able to feel something upon seeing his work. In fact, the state of mind, or an attitude, or a philosophical aspiration, is represented through an image. Behind that image lies all the simplicity of a smile painted on a wall, and all the power that comes with it. Vuille keeps the drawing simple and the line clear. On the first sight, the cat looks like a logo. However, it can’t be reduced to a logo, as it’s so much more than that. Belonging to street art, it’s a character with a strong identity and many variations. A character that achieves a symbolic dimension through its simplicity. The simplicity of the smile painted on a wall represents the state of mind page france french Monsieur Chat – Le Masque...

Oil paint, pastel and charcoal on paper Signed and dated by the artist lower right

An energetic abstract by Nicolas Todd (1969) and Damien Fitch (1964), a duo of French artists, that have been working together since the beginning of ...

Gurucharan Singh - The Community of Abundance-II, 22 x 30 inches ( Unframed Size ) Acrylic on Fabriano Paper Born 1949 Exhibitions : Selected Solo Exhibitions 2012 'Twilight Tales', The Viewing Room, Mumbai 2008 Jehangir Art Gallery, Mumbai 1989,86 Gallery 7...

It is a work that captures the melancholy and inevitable transience of nature. The tree's branches evoke a feeling of desolation and decay. Also, it suggests a reflection on the cycl...

"Flora #14" is one in a series of surreal paintings of the female figure featuring intricate patterning and hues of blue, black, green, white and yellow. Guy Robinson is inspired by ...

A unique painting and woodburning by self-taught American artist Paula Towne (1948-2019). Towne embraced the beauty of Northern New York where she lived an...

Kennismaking Introduction Naive Acryl Painting on Canvas Fat Lady In Stock Ada Breedveld was born in Dordrecht at the start of the Dutch “Hunger winter” in 1944. Together with Ada’s ...

“And Why Not?: Lil and Sandy Warm Up Their Imagination,” original cover for Liberty magazine, published April 7, 1928 As Mr. and Mrs. Morse leave for a date night at the local lodge, Lil and Sandy spend an evening in front of the fireplace at the Morse home. Sandy turns on sentimental music, gathers marshmallows and a toasting fork, and lights the logs in his father-in-law’s fireplace. The fireplace’s golden glow becomes a picture frame for the couple’s dreams of their future son. Sandy excitedly imagines their baby going to college and being the “head of every class, scholarships galore, and captain of basketball, hockey, crew, and football.” Little Sandy is also imagined to be a brave soldier and even serve as future president of the United States. “Dreams of their son…red embers on the hearth…Their fireplace fantasy!” (Liberty magazine, April 7, 1928) “For the Love o’ Lil: The Picture Story of an American Family” In 1926, under his long-term contract to produce a cover per week for Liberty magazine, Leslie Thrasher introduced a signature cast of characters that appeared each week, telling a serialized story through his illustrations. Liberty touted its new cover serial as “something no magazine has ever done before…Heretofore, all magazine cover...

One of a kind, big dimension, Oil on canvas black and white painting showing some surprisingly colorful details that makes a great contrast. The search of the light takes the artist...

Jeffery’s journey into the realm of collage was sparked by an enlightening visit to his tailor. Upon seeing the remnants of fabric destined for waste, he envisioned their potential a...

This is a framed, hand painted thangka of Jambhala or Kubera on canvas with 24 carat gold. Jambhala is seated in easy pose with one hand holding a jewel and another a mongoose. Jambhala is also known as Kubera or Vaishravana, the deity of wealth. He has a protruding belly who wears five lobed crown and serpent jewelry...

A portrait of Pinocchio from Pinocchio, Disney, 1940 Are there any more recognizable stories about the difficulties that can accompany lying than that of Pinocchio? For the puppet-...

Jiban Biswas - Nandi-1 - 24 x 24 inches (unframed size) Acrylic on Canvas, 2022 Style : According to him, “ The Mud colour are changing its shade, The sh...

Jiban Biswas - Nandi-2 - 24 x 30 inches (unframed size) Acrylic on Canvas, 2022 Style : According to him, “ The Mud colour are changing its shade, The sh...

After: Jan Veth’s “Portrait of Cornelia, Clara, and Johanna Veth” from 1885. ADAM MYSOCK was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a...

Acrylic paint on paper Signed lower right by the artist

Elsie Palmer Payne was an American Female artist who, in her youth, made several trips to Europe. This French market scene is characterized by a Fau...

Acrylic paint on canvas Hand-signed lower right by the artist THE IMAGINARY LAND OF ZAHRA ZEINALI “Over time Zahra Zeinali develops her universe, which evolves slowly according to ...

2011, Unique Artwork Oil on Canvas 55 1/10 × 44 1/10 in - 140 × 112 cm The artwork is dated and signed by the Artist & stamped with the logo of the Artist's studio on verso of the ca...

Story illustration for “Frantic Frontier” by Mosser Mauger for The American Magazine, published February 1956, pages 32-33. The “Frantic Frontier” story, promoted with the tagline "...

Jessica Pliez, artist in the poetic and infantile world, which reminds one of the filmmaker Tim Burton, loves the surprising supports. 2020 Drawing / Pencil on cardboard 32 x 29 cm ...

Original cover for Liberty magazine, published July 14, 1928. Lil worries about the effect of the summer heat on their sleeping newborn baby as Sandy crawls onto their apartment’s f...

original Coffee on paper Image size: H:42 cm x W:59 cm Complete Size of Unframed Work: H:42 cm x W:59 cm x D:42cm Sold Unframed Please note that insitu images are purely an indi...

No personnal just business 2018 Mixed media: stencil, aerosol spray, Posca Support: 33 rpm vinyl Diameter: 30 cm Signed artwork, with certificate of the artist

Walkowitz creates a powerful composition with the tightly cropped nude figure pushed up-close to the viewer and occupying half of the picture plane. Smaller figures lead the eye back...

Prakash Karmakar - Beach Series - 16 x 23 inches (unframed size) Mixed Media on Paper , 2004 Style : Legendary master artist Lt. Prokash Karmakar from Bengal was solely responsible ...

Prakash Karmakar - Beach Series - 16 x 23 inches (unframed size) Mixed Media on Paper , 2004 Style : Legendary master artist Lt. Prokash Karmakar from Bengal was solely responsible ...

Medium: Pen, Ink, and Wash Details over Printed Background Signature: Printed Signature in Image, Right. Opening page for the July 1897 isssue of The Inland Printer...

2009, Unique Artwork Oil on Canvas 78 7/10 × 55 1/10 × 1 1/5 in - 200 × 142 cm The artwork is signed by the Artist on verso of the canvas & stamped with the logo of the Artist's Stud...

Artist: Muffinhead, American (1975 - ) Title: Mrs. Year: 2006 Medium: Acrylic on Canvas, signed, titled and dated verso Size: 18 x 24 inches Frame: 19 x 25 inches

8" x 10" Unframed Original Acrylic on Canvas Hand Signed by Jim Keifer

Acrylic paint on canvas Hand-signed lower right by the artist THE IMAGINARY LAND OF ZAHRA ZEINALI “Over time Zahra Zeinali develops her universe, which evolves slowly according to ...

8" x 10" Unframed Original Acrylic on Canvas Hand Signed by Jim Keifer

Story illustration for “Smoke Bellew” by Jack London for Cosmopolitan magazine, published January 1912, page 200. The full caption reads: “With much awkwardness and angry haste, the...

Artist: Mark Beam Title: Red head Year: 2001 Medium: Painting on Hand-carved wood Panel [Signed and dated, verso] Framed Size: 31 x 26.5 inches

"Dancing Around the Lines," an abstract painting from the "Tourlicoulis Series," showcases lines that direct the composition as deftly as a maestro leads an orchestra. The canvas com...

Subrata Biswas - Untitled - 12 x 9 Inches ( unframed size ) Charcoal on Paper , 2020 ( Unframed All in Delivered Price ) Style : The motive of a child in its most basic form appears...

This is a one of a kind original oil and acrylic neoclassical painting depicting the famous Creation of Adam by Southern California artist, Gina Palmerin. Its dimensions are 30x30. I...

Pragnesh Patel - Untitled - 22 x 55 inches Oil & Acrylic on Canvas with Fiber Glass Inclusive of shipment in Stretched Form This work cannot be rolled ...

The painting is 2 cm deep and can be hung without an additional frame, also all picture sides are painted. The painting is signed on front and on the back. A signed Certificate...

Acrylic paint on canvas Hand-signed lower right by the artist THE IMAGINARY LAND OF ZAHRA ZEINALI “Over time Zahra Zeinali develops her universe, which evolves slowly according to ...

Jessica Pliez, artist in the poetic and infantile world, which reminds one of the filmmaker Tim Burton, loves the surprising supports. 2020 Drawing / pencil on cardboard 25 x 19 cm ...

Oil on canvas Image size: 12 3/4 x 9 1/2 inches (32.5 x 24.25 cm) Here, we see a sleeping putti lying underneath a set of trees, holding a ribbon. The text that can be seen on the scroll is from the Song of Solomon, chapter five, verse two; ' I sleep, but my heart waketh: it is the voice of my beloved that knocketh, saying, Open to me, my sister, my love, my dove, my undefiled: for my head is filled with dew, and my locks with the drops of the night'. This work was created after a well-known painting by the Spanish artist Alonso Cano...

Sukanta Das - Untitled - 12 x 12 inches (unframed size) Mixed Media on Canvas Inclusive of shipment in roll form. Style : Juxtaposing the mundane with the exotic, Das’ work is usua...

FaNu was born in France in 1961. After studying Political Science and International Relations, FaNu dedicated his life to business and proved professionally successful. It was not un...

FaNu was born in France in 1961. After studying Political Science and International Relations, FaNu dedicated his life to business and proved professionally successful. It was not un...

This painting is a dance of spheres, A whimsical rendition of Ping-Pong. This artwork holds deep resonance for me, grounded in my passion for table tennis. At a glance, the protagoni...

Farhad Hussain - Marilyn Monroe with Friends - 36 x 48 inches (unframed size) Acrylic on Canvas, 2020 Inclusive of shipment in roll form. Style: Farhad Hussain's colourful work that includes drawings and watercolours besides paintings on canvas, features day to day visual experiences of middle-class urban India. He endows his narrative with iconography and personality through his figuration, their posturing, dress and the surrounding imagery. The drama of subtle complexities of human relationships and social environment are grounded with a sense of satire mixed with pathos. Farhad’s colours help enhance the brightness and aura of his paintings while he also partakes elements from traditions such as the formulaic textile patterns of Indian miniatures. His compositions are often set in a familiar drawing room or a social space, playing out with humour and sarcasm, the narrative psychologies of human life and encounters at various levels. This young artist who has also experimented with sculpture has already carved a niche and an instantly recognizable individualistic style befitting his aesthetics and concerns. Farhad has chosen to use tempera on cloth for his works, the media allowing him to achieve the desired vibrancy of colours. A slow build-up of images and spontaneous flow of colour while balancing colour and composition simultaneously follow structured formatting. This meticulous planning in the composition and layout is the beginning of a process from where onwards it is very spontaneous and intuitive. Another technique used throughout Farhad’s work is the method of applying the colour: dot-by-dot till the entire area is completely covered. Various elements from miniature paintings, Kalighat paintings, Japanese prints and images from mass media are scrutinized, transformed and transferred on to the surface through the artists own style of expression. About the Artist and his works : Born: 1975 in Jamshedpur, Jharkhand. Education : 2003: B.F.A. in painting from Kala Bhavan, Visva Bharati University, Shantiniketan, 2005: M.F.A. in painting from M.S. University, Baroda. Solo Exhibitions : 2009 : Presented by Pundole Art Gallery at Museum Gallery, Mumbai 2008 : ‘After the Theatre of Absurdity’, Vadehra Art Gallery, New Delhi 2007 : Art and Soul, Bombay 2006 : Sarjan Art Gallery, Vadodara & ‘Recent Paintings’, organized by Chatterjee and Lal at Jehangir Nicholson Gallery, National Centre for the Performing Arts (NCPA), Mumbai. Group Exhibitions : 2011: 'Between Seasons', Gallery Beyond, Mumbai; Gallery Sumukha, Chennai; 'Melange', The Harrington Street Arts Centre, Kolkata; 'The Narrator, Protagonist and the Other', Indigo Blue Art, Singapore & 'New Documents: New Directions in Documentary Photography', presented by Art Konsult at Alliance Francaise de, Delhi. 2010: 'Holy Now', presented by Religare Arts Initiative, New Delhi at Gallery 27, London; 'Snow', The Palette Art Gallery, New Delhi in collaboration with Tao Art Gallery, Mumbai & 'Symbols and Metaphors', Centre of International Modern Art (CIMA), Kolkata. 2009: 'Vicissitudes of the Constructed Image', Tangerine Art Space, Bangalore; 'The Urbane Records', The Viewing Room, Mumbai; 'With the Best Intentions', presented by Anant Art at Shridharni Gallery, New Delhi & 1x1 Art Gallery, Dubai 2008: 'Review', Centre for International Modern Art (CIMA), Kolkata & 'Baroda: A Tale of Two Cities', (Part II), Sarjan Art Gallery, Vadodara 2006 ‘Concern’, The Charity Auction Exhibition, Gallery Sumukha, Bangalore; Gallery Sumukha, Bangalore and Hong Kong; Art World, Chennai and Singapore; ‘New Paradigms’, Gallery Threshold, New Delhi & ‘Baroda’s Most Wanted’, The Artist’s Studio, Vadodara 2004: Sarjan Art Gallery, Vadodara; Maharaja Sayajirao University of Baroda & Camlin Exhibition, Mumbai Honours and Awards : 2006: ‘Most Promising Artist’, Runner up, India Habitat Centre, New Delhi 2004: Nasreen Mohamedi...

Bratin Khan - Conversation Tempera on Canvas, 30 x 24 inches, 2020 The anecdotes and narratives of Krishna's life are generally titled as Krishna Leela. He is a central character in...

Medium: Oil on Canvas Dimensions: 28.00" x 28.00" Signature: Signed Lower Right

Elan Cheziyan S - Habitat - 36 x 28 inches (unframed size) Ink on Board.

Acrylic paint on canvas Signed lower right