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Bracelet Paintings

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Art Subject: Bracelet
Where Do I Go From Here - 21st Century Contemporary, Figurative, Men, Earth Tone
Located in Ibadan, Oyo
Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity. (Issues b...
Category

21st Century and Contemporary Contemporary Figurative Paintings

Materials

Canvas, Oil, Acrylic

"Gummy Bears Love" Contemporary Photorealistic Still Life Framed Oil on Canvas
Located in Baltimore, MD
"Gummy Bears Love" is a framed oil painting on canvas by Alexander Sheversky, depicting highly detailed gummy bears arranged in a heart shape against a cream background. This piece...
Category

2010s Photorealist Paintings

Materials

Canvas, Paint, Oil

Oval brush strokes - figurative pop wall sculpture
Located in New York, NY
This beautiful 3D wall sculpture by David Gerstein consist of 3 layers of laser cut pieces that are assembled on the wall. As all of Gerstein's pieces, it is very colorful, dynamic a...
Category

Early 2000s Contemporary Figurative Paintings

Materials

Metal

Oil Painting by William Richard Waters "Portrait of a Lady"
Located in Mere, GB
Oil Painting by William Richard Waters "Portrait of a Lady" flourished 1813 - 1880 Painter of Portraits, still-life as coastal genre scenes. Worked in Paris before settling in Dover....
Category

19th Century Portrait Paintings

Materials

Oil

Original Parisian Vintage Jewelry Design Art by Van Cleef & Boucheron Designer
Located in Cirencester, Gloucestershire
Red, Green and White Gemstone ring Jewelry Design circa mid 20th century by Paul Touzet (French b. 1917) original gouache painting, with pencil on tracing paper unframed overall pape...
Category

Mid-20th Century French School Still-life Drawings and Watercolors

Materials

Watercolor, Gouache, Pencil

Original Parisian Vintage Jewelry Design Art by Van Cleef & Boucheron Designer
Located in Cirencester, Gloucestershire
Interwoven Elegance Dual-Tone Leaf Motif Band Ring Jewelry Design circa mid 20th century by Paul Touzet (French b. 1917) original gouache painting, with pencil on tracing paper unfra...
Category

Mid-20th Century French School Still-life Drawings and Watercolors

Materials

Watercolor, Gouache, Pencil

Purity
Located in Ibadan, Oyo
"Purity" is a mesmerizing artwork that encapsulates the strength, grace, and inherent beauty of a black African woman. Through her direct gaze, the white dove, and the vibrant colors, the painting invites contemplation about the purity of the human spirit, the harmonious connection between humanity and nature, and the celebration of diversity and individuality. Shipping Procedure Ships in a well-protected tube from Nigeria. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bakare Babatunde...
Category

21st Century and Contemporary Expressionist Portrait Paintings

Materials

Canvas, Oil

Unbroken
Located in Ibadan, Oyo
Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...
Category

21st Century and Contemporary Conceptual Portrait Paintings

Materials

Canvas, Oil

A Quarter to Three, Oil Painting
Located in San Francisco, CA

Artist Comments
Artist Johansen Newman paints a contemporary portrait of a tattooed man smoking and drinking by the bar. "I imagined the voice ...

Category

21st Century and Contemporary Outsider Art Figurative Paintings

Materials

Oil

Girl with a rooster. 2020. Oil on canvas, 70x65 cm
Located in Riga, LV
Girl with a rooster. 2020. Oil on canvas, 70x65 cm Colorful bright artwork girl with a rooster Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso. Works of artistic stone He worked also with stone, cornelian and onyx. But his soul gravitated to bright and blustery color, and so he has became engaged in painting. At first his paintings were quiet, with muted tonal gamma. The color image was built on the play of hues and halftones. Such a careful elaboration of color educates the taste, sharpness and delicacy of vision. Gradually, the painter became more experienced, and his paintings acquired assurance and power of maturity, blooming in colorful brilliancy. Nugzar's color preferences The color of Nugzar’s paintings is deep and multi-layered. It is woven of infinite number of hues and filled with light. At first sight it may be difficult to recognize the shapes in the play of flickering color dabs. The figures appear gradually, they draw the first breath just before our eyes, crystallizing from the color heap. The painter is attracted by major tonality and motives that years ago could be called “the gallant feasts” - repasts, assiduities, music parties, and airings. After somewhat daemonic, infernal imagery of early paintings, it has appeared the theme of “Le joie de vivre,” the joy of life. Source of inspiration Born in the ancient Kolkhida, he keeps the blissful pagan feel of entirety and completeness of being. It is embodied almost literally in his favorite personage auroral gorgeous-bodied beauty of a girl. He grants these forms even to Olympian inhabitants - Aphrodite, Athene, Arthemide, let alone the Bacchants. I remember unwittingly that Niko Pirosmani similarly painted on his impoverished buckrams the luxurious prince repasts and languid, elephantine beauties. Working style But his style is not bounded by grotesque parody, as well as the irony is not the only aspect of his world outlook. In his landscapes we can catch the ecstatic admiration with Nature. In contradistinction to his favorite impressionists, he never paints from nature and never bears in mind the particular place. It is just a blooming Earth, studied very closely, so that the trees are cut by the edges of the painting, and at the same time it is a bird’s eye view revealing infinite, boundless spaces. Nougzar says that the landscape for him is first of all a color ensemble. He can just leaf through the illustrated journal, nourishing his eye with color in various combinations, and so get the impulse to create a ‘physical’ landscape image. Probably, his landscapes are no less fantastical than his figure compositions, but such is his talent, his mission - to make the world more beautiful and gentle than it is in reality. Exhibitions Nugzar Kakhiani...
Category

2010s Contemporary Portrait Paintings

Materials

Canvas, Oil

Danseuse
Located in Sheffield, MA
Jules Marie Auguste Leroux French, 1871-1954 Danseuse Oil on canvas 19 ¾ by 24 ⅛ in, w/ frame 27 ¾ by 32 ⅛ in Signed lower left Leroux rec...
Category

Early 20th Century Impressionist Portrait Paintings

Materials

Oil

Apéro Vermeil
Located in Paris, FR
Paint oil on canvas. Apéro vermeille 50 cm x 73 cm 2016
Category

2010s Contemporary Figurative Paintings

Materials

Canvas, Oil

Metromover, Painting, Acrylic on Canvas
Located in Yardley, PA
Portrait of a Miami Local, surrounded by graffiti and the scenery of the city Brickell. This painting is done using acrylic paint, with a very thin layer applied. The background is i...
Category

2010s Contemporary Figurative Paintings

Materials

Acrylic

Girl with Glasses, Painting, Oil on Canvas
Located in Yardley, PA
My wife, Cheryl holding two water glasses. :: Painting :: Realism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signe...
Category

2010s Realist Paintings

Materials

Oil

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Projet de Tissus - Fauvist Flowers Watercolor & Gouache by Raoul Dufy
Located in Marlow, Buckinghamshire
Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red, blue and green. This work was executed by Dufy as a fabric design. Dimensions: Framed: 19.5"x19.5" Unframed: 12"x12" Provenance: Private collection of works by Raoul Dufy for Bianchini Ferier Bianchini Ferrier Collection - Christie's London - July 2001 SF Fall Show Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...
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