Dog Paintings

Oil on canvas Helen Uter is an established Franco-American painter born in 1955 who lives and works in Donnery, near Orléans, France. Heavily influenced by Edward Hopper, she creat...

John Nost Sartorius (London 1759-1828) A Huntsman with Dogs and Pony Signed 'JN Sartorius pin.' lower right Oil on canvas Canvas Size 26 3/4 x 37 in Framed Size - 31 x 41 in John No...

In fact, I like today's youth. And if I slightly troll this audience, it’s out of great sympathy. I love their extravagance, their quirks, their language of self-expression and se...

Acrylic on canvas Carlos Sablòn Perez is a Cuban artist born in 1981 who lives & works in Châlons-en-Champagne, France. His talent is quickly recognized in the four corners of the C...

Oil on linen Helen Uter is an established Franco-American painter born in 1955 who lives and works in Donnery, near Orléans, France. Heavily influenced by Edward Hopper, she creat...

Original Holiday Greeting Card Christmas Illustration featuring a snowy scene with dogs chasing a horse-drawn sleigh Medium: Egg Tempera on Illustration Board Signature: Unsigned Charlotte Joan Sternberg was born in Meriden, Connecticut in 1920. Early on, she became interested in art, and her parents encouraged her efforts. She attended public schools in the area, as well as taking art classes at the technical school. Afterwards, she attended the Yale School of Art. Her fellow classmates included Rudolph Zallinger, who executed the dinosaur mural at the Peabody Museum in New Haven; Jean Day Zallinger, renowned book illustrator; and Edward Paier, founder of the Paier College of Art. It was there that she became interested in egg tempera, and most of her well-known artwork was done in this medium. She was one of a number of Yale artists who revived this medium.(She did not work professionally in oils, although she sometimes used gouache or watercolor.) She went on to a long career in commercial illustration. She worked extensively for J.Walter Thompson, doing advertising art for such companies as Esso (later Exxon), Textron, and Lederle pharmaceuticals. While she did a variety of subjects, she was best known for her Americana themes, particularly snow scenes of historic New England. Many of these pieces were published as Christmas cards for American Artists Group. She also taught for many years at the Paier College of Art. She also did a number of limited edition prints for Greenwich Workshop. Her art is used on such items as tapestry pillows, puzzles, and decorative flags. She was commissioned to do several portraits, including those of Gov.John Lodge...

-THE FEATURED ARTWORK was created using professional grade artist paints on gallery wrapped canvas with a 1.5" profile.  -THE ARTWORK IS SIGNED on the front and will include a Ce...

The Heartbeat, oil on canvas An impressive abstract oil on canvas large painting of horses by the contemporary artist Igor Bogojevic ( Montenegro Born in 1980 ). The painting features two horses forming a shape of a heart in earthy light blue and brown/ beige colors. Perfect addition to an aficionado and lover of horses collection. About the artist : Igor Bogojevic was born in 1980 in Podgorica, Montenegro. In 2009, Igor received The Medaille d’Or First Place Award for painting in the Salon Internationale Academie de la Loire, at Chateaux Beauregard in France. He has exhibited in Montenegro, Athens, and Paris, both at solo and group exhibitions including at Melina Merkouri Athens Cultural Center in 2006, and at the Galerie Museum in Paris in 2009 and 2010. Since 2011, Igor exhibited at several galleries and events, including The Broadway Gallery in Soho in 2011 and The Four Seasons Restaurant...

Oil on canvas Canvas size: 16 x 12 inches each Framed size: 24.25 x 20 inches each Signed lower left

Mabel Rollins Harris was among other things an illustrator who specialized Children's art. Looking at her work today her pictures take on an almost surreal quality. She posed ...

This item is located in our New York City warehouse and can be viewed by appointment. A self-taught artist, Dermot Seymour was born in Belfast in 1956. Like many of his contempora...

Oil on panel Panel size: 11.75 x 18 inches Signed lower right

Signature: Signed Lower Left

Medium: Oil on Panel Dimensions: 20.00" x 40.00" This was used in magazine advertisements Exhibited: The Triumph of Winter, National Arts Club, New York, December 16, 2013- Ja...

Original painting signed by the Artist on the lower left.

Original painting signed by the Artist on the lower left.

In highly developed nations today there is a widespread alienation and loneliness that engenders fear and distrust, a restrictive self-righteousness of thought, and a dread of what-c...

Date: 1938 Medium: Oil on Canvas Dimensions: 22.00" x 24.00" Signature: Signed Lower Left Calendar painting, image of young ice skater with his dog. Exhibited: The Triumph o...

South Korean artist Jong-Kie Jeong alters the concept of the portrait by focusing on the top of his subject's hair. The intricate hairstyle is co...

Young girl writing in her diary while sitting on a tree branch looking at a picture of a young boy. Cover art for the August/September 1961 issue of Calling All Girls magazine

Island 1995

Signature: Signed Lower Left

Medium: Oil on Panel Size: 20.00" x 40.00" This illustration "Route 1, Bridgewater Conn." by American artist John Ford Clymer (1907-1989) was used in magazine advertisements. John Clymer was born in Ellensburg, Washington. His art education was acquired at the Vancouver School of Fine Art, the Ontario College of Art in Port Hope...

Medium: Oil on Canvas Signature: Signed Lower Left Image of young boy kissing girl through a hole in a fence.

Men on a horse and buggy going down the snow covered road. Signed lower left. E. Everett Henry was an advertising artist during much of his career, which he began in the ‘twenti...

Date: 2000 Medium: Acrylic on Plywood Dimensions: 26.50" x 17.50" Signature: Signed and Dated Lower Right

One of a kind, original oil painting on canvas by Sarah Woods. Signed lower right. Framed Dimensions: 23 X 35

British Painter (dated 1899) - Dogs chasing a mouse. 51 x 76.5 cm without frame, 68 x 93.5 cm with frame. Old painting, oil on canvas, in a gilded wooden frame. - Work signed and ...

Medium: Oil on Canvas on Board Signature: Signed Lower Left Elks Magazine Cover, November 1927 Provenance: From the Estate of Charles Martignette

Woman in an apron sitting on a stool looking through a cookbook.

In this pastoral scene, the sky is portrayed with twisting clouds, suggesting the onset of a summer storm. On the right-hand side of the painting, dotted across a field sheep and the...

Gerard Ter Borch Interior with a Lady in Grey Washing her Hand 1617 - 1681 Oil on Canvas Image Size: 20 1/2 x 26 1/2 inches (52 x 67.5 cm) Contemporary Dutch ripple frame In this genre painting by Ter Borch, the central woman is composed facing the viewer in a grey satin dress...

This work is accompanied by a certificate of authenticity from Noe Willer dated July 16, 2002 Louis Robert Carrier-Belleuse French, 1848-1913 Soldat, Elegante et son Chien dans un Pa...

'A Gallant Salute' is an extremely impressive work by Samual Edmond Waller, signed and dated 1894. Figurative 19th Century painting of three great noble royalty members dressed in p...

Signed by Artist Lower Right Maxwell House Coffee Illustration Few artists have ever pulled on our nation's heartstrings, particularly in reference to family and generations, as adeptly as Norman Rockwell. From his earliest advertisements to his patriotic World War II subjects, Rockwell's virtuoso was in his ability to capture the essence of American culture and a view of a more innocent time in our country's history. Rockwell states: "I was showing the America I knew and observed to others who might not have noticed. And perhaps, therefore, this is one function of the illustrator. He can show what has become so familiar that it is no longer noticed. The illustrator thus becomes a chronicler of his time." (as quoted in Norman Rockwell: A Definitive Catalogue, Stockbridge, Massachusetts, 1986, p. xii) Recognizing the need for reminiscence from young and old alike, Rockwell effectively captures a timeless scene: Here, two old friends gingerly and jovially play a game of chess, sipping coffee as they wait for their furry friend to make the next move. The work is executed in Rockwell's signature descriptive style of finely drawn, clear realism with a wealth of fascinating detail. In discussing his career, Rockwell commented, "I was showing the America I knew and observed to others who might not have noticed. And perhaps, therefore, this is one function of the illustrator. He can show what has become so familiar that it is no longer noticed. The illustrator thus becomes a chronicler of his time." (as quoted in Norman Rockwell: A Definitive Catalogue, Stockbridge, Massachusetts, 1986, p. xii) Rockwell seemingly utilizes one of his favorite models in the present work-James K. Van Brunt. The artist recalled his initial meeting with Van Brunt in 1924 in New Rochelle, New York: "I remember it was June and it was terribly hot. I was working in my underwear and not getting along too well because my brushes were slippery with perspiration. Suddenly the downstairs door banged and I heard someone come up the stairs treading on each step with a loud, deliberate thump...A tiny old man with a knobby nose, an immense, drooping mustache, and round, heavy-lidded eyes stamped bellicosely into the studio. 'James K. Van Brunt, sir,' he said, saluting me and bowing all at once. 'Five feet two inches tall, sir. The exact height of Napoleon Bonaparte!' And he pushed out his thin little chest, which was encased in a fawn colored vest. 'I have fought the Confederate Army at Antietam, Fredericksburg, and in the Wilderness,' he said. 'I have battled the nations of the Sioux under Dull Knife, Crazy Horse and Sitting Bull. I have fought the Spaniards, sir, in Cuba.' And he rapped his cane on the floor and looked at me very belligerently. Then, having ascertained that I wasn't going to contradict him, he took off his gloves and his wide brimmed hat, laid them on a chair, and patted his mustache. 'This mustache, sir,' he said, 'is eight full inches wide from tip to tip. The ladies, sir, make much of it.' And he winked at me and walked over to my mirror to stare at his mustache." (My Adventures as an Illustrator, New York, 1994, p. 206) Van Brunt was a consummate professional as a model, carefully practicing his poses in the mirror in advance of a session and, at times, inspiring the idea for the cover illustration. Rockwell stated that he used to suggest a cover almost every time they saw one another and referred to the day when Van Brunt first showed up at his studio as "one of the luckiest days of my life." (My Adventures as an Illustrator, p. 206) James K. Van Brunt appeared in ten Post covers by Rockwell, as well as countless other paintings used as advertisements, such as the present work. Given Van Brunt's distinctive visage with his mustache, the editor at the Post, George Horace Lorimer, complained. "Rockwell recalled, 'Mr. Lorimer said to me, 'I think you're using that man too much. Everybody's beginning to notice it. Maybe you'd better stop for a while. That mustache of his is too identifiable.' Rockwell informed Van Brunt of the problem, 'If you take off your mustache I can use you again...Otherwise I just can't.' Two weeks later Van...

Elizabeth Waggett Replacing Parts With Pretty Things, 2019 Signed by artist 24 karat gold, rose gold, champagne gold, platinum, ink, graphite on cotton paper 26 x 26 inches, framed T...

Floyd Strickland Represent, 2023 Signed by the artist Oil on canvas, framed 30 x 30 inches This piece is unique Currently on display at Art Angels Los Angeles

Elizabeth Waggett L is for Lioness II 2022 Oil on linen with 22k gold 30" x 45” Unique

Oil, xerox transfer, and blue and gold leaf on wood panel Pet portrait, golden retriever, dog painting, miniature oil painting Framing available Certifi...

This exquisite pair of 19th century painting by John W. Morris (1865-1924) features dogs in a British Green landscape after a days hunti...

This "Dog" painting vibrantly pops with hyperrealistic color. It depicts a highly detailed dog standing in a bare room, its floor and wall awash in the same catoonish purple wallpaper...

“Everything that surrounds me affects me. Memories, politics, nature, people, a dry leaf on the ground, music and books.” Corvengi’s works explore his version of a lost paradise, an...

“Everything that surrounds me affects me. Memories, politics, nature, people, a dry leaf on the ground, music and books.” Corvengi’s works explore his version of a lost paradise, an...

This work is a playful rendering of a placid homestead scene. The warm and reserved color palette encourages a laid-back atmosphere, which also serves to complement the aloofness o...

Study of a dog Oil on paper laid down on panel, 17.5 x 25.5 cm Provenance Private collection, the Netherlands Note: We are grateful to Mr Fred Meijer for his attribution to Ludolf de Jongh Ludolf de Jongh was the son of a shoemaker. When his father moved to Rotterdam, the young Ludolf decided to learn art rather than shoemaking and became a pupil of Cornelis Saftleven. Later he studied under Anthony Palamedes in Delft and still later with Jan van Bijlert in Utrecht. In 1635 he travelled to France with Francis Bacon. Seven years later, in 1642, he returned to the Netherlands when he heard that his mother had fallen ill. He set up a shop in Rotterdam, and his earliest signed paintings date from that year. According to Houbraken, his travels had caused him to speak French so fluently, that his parents had to learn French in order to speak with him. De Jongh’s work shows a strong influence from the Utrecht school of Caravaggio admirers, especially Jacob Duck...

Premiering for the first time in three decades, the original paintings of American artist Maurice Green. Born in 1908 in Latvia, Maurice Green studied with prominent artists of th...

oil on linen on panel

oil on linen on panel

oil on linen on panel

Micao Kono was born in Japan, moving to work in Paris in the 1920's. His style, a mixture of Japanese watercolor and figurative Art Deco. He often mixed egg tempera into his oils to ...