Furniture Paintings

Pierre Jaggi was born in Geneva on February 25, 1957, where he spent his childhood and completed his secondary studies. At 18 he decided to travel the wide world. He left for Asia, for a 9-month journey that took him to India and Nepal after crossing part of Afghanistan on horseback. He takes a keen interest in indigenous ways of life and various local crafts. Subsequently, he crossed the Sahara, which he will cross again on various occasions. Driven by a thirst for adventure, he embarks on a pirogue and descends the Niger River with other companions. This experience on the borders of our civilizations will earn him the knowledge of the essential and the relative. At the age of 20 he worked on a cargo ship bound for Togo and continued his journey through West Africa. After a short stay in Switzerland, he returned to Africa for two years during which he learned to shape the earth and produced various murals. Then it is the meeting with South America, the Andean populations and their pre-Columbian history, the crossing of the Amazon on the Amazon river. This is the period of his first travel photos. In Brazil, he manufactures sets and jewelry, and embarks from Rio as a crew member on a sailboat to cross the Atlantic. This 45-day crossing to Cape Town will remain a milestone in its existence. Back in Geneva in 1982 he met the one who would become his companion. With her, he will navigate in the movement of the School of Fine Arts, after returning to Africa to learn about traditional techniques of lost wax casting. In Bobo-Dioulasso he meets the master founder who will pass on his knowledge to him. With friends, he built earthen huts in a bush village, and it was there that they held bronze workshops in 1984 and 1985 for students from the Geneva School of Fine Arts. He will return each winter to this African village to deepen his knowledge of bronze casting and continue his plastic research. He also photographs the natives during customary festivals. At the same time, he presents his first sculptures in a gallery in Geneva. In 1988, he went to Uruguay for a year with his partner Arlette, it was there that their daughter Alizée was born. He set up a foundry workshop and made several sculptures which he exhibited in Buenos-Aires, Montevideo, and Punta del Este. He fell in love with the old cars that crisscrossed the roads of Uruguay and bought a Ford A 1929 pickup truck, in which he would later carry out a photographic report. Back in Europe, he settled in France with his family, restored an old farmhouse, set up a workshop and executed the sculpture “Corps et Graphie” inaugurated in Geneva in May 1991. He exhibited in various galleries in Switzerland and France. His son Valentin was born in 1994. In 1996 he returned to Uruguay to make a report on “cachilas” (popular name given to old cars in Uruguay). That same year, he led a bronze internship during the Borne ceramic meetings. He incorporates other materials in his sculptures, such as wood, iron and stone, and works the earth again. His works, anthropomorphic in character, tend to purify lines and volumes and orient themselves towards stylized figuration and abstraction. In 1998 he won the “Year 2000” competition organized by the municipality of Gd-Saconnex in Geneva, and exhibited at the Shakan gallery in Lausanne. Inspired by nature, he presented his first outdoor installations during the Open Doors Workshops in the Cher in 1999, and became a member of the Center Céramique de la Borne. In 2000, he participated in the first Contemporary Art Fair in Bourges and exhibited at the Voutat gallery in Geneva. At the beginning of 2001, he returned to Uruguay in order to prepare the publication of a photo book for the “Ides et Calendes” editions, which would be released in September of that same year under the name “Cachilas, a story of jacks in Uruguay. In 2002, he exhibited at the Diorama gallery in Geneva, at the Shakan gallery in Lausanne, at the Contemporary Art Fair in Bourges, and created the North / South installation on the Esplanade Montbenon in Lausanne. At the same time, he took over the presidency of the Artipousse association which runs plastic arts workshops in rural areas in the Cher department. In 2003, he became a member of the Association of Sculptors of Geneva, he won the competition for the review Accrochage, and exhibited at the Beaujon space in Paris, invited by the City Hall of the 8th Arrondissement. In 2004, he exhibited as a guest artist at the Center de Création Céramique de La Borne on the theme of the pebble, and presented at the third Contemporary Art Fair the work "Triptych" which will be acquired by the city of Bourges. In 2005, commissioned by the city of Onex, he produced “Rencontre”, an artistic intervention on a sequoia in Brot Park in Geneva, a sculpture from which a tray will be extracted which will become a palaver table for the inhabitants of the district, place du 150ème. . In 2006, he mounted a solo exhibition at the Ferme de la Chapelle gallery in Geneva, then inaugurated the work Triptyque at the 3rd Biennale of Contemporary Art in Bourges. He then participated in the Lancy Quadrennial in Geneva, as well as the 8th edition of Quid Novi? in Gaillard. He also presents his work at the Simple gallery in Gstaad. In 2007, he was one of the winners of the 1% Artistic Competition at the Collège d'Isneauville in Rouen and presented the “Growing Up” project there. Then, he exhibited at the Galerie du Théâtre Mac-Nab in Vierzon where the city acquired the sculpture “Colossus”. Then he took part in the “Art in all its States” event in Limay where he carried out an in situ intervention on chestnut trees. He also exhibits at the United Nations Palace in Geneva. As part of a call for tenders, he inaugurates a Wall Signage Sculpture that he produced for the Sports Complex of Belleville-sur-Loire. In 2008, he participated in the Rencontres des Arts in Mers-sur-Indre, as well as in the 17th International Ice Sculpture Competition in Valloire. In 2009, he was invited to the workshop of the International Snow and Ice Sculptures in Hovden, Norway. He took part in the “Featherweight” exhibition at the Ferme de la Chapelle gallery in Geneva, then produced a fish for the “O'Fish Parade” event which took place as part of the Loire Festival in Orléans, and presented one of his new sculptures for the 11th edition of Quid Novi? In Gaillard. In 2010, he won the 19th International Ice Sculpture Competition in Valloire, and exhibits its terracotta pebbles during the “Territories in Movement” of Contemporary Ceramics Japan / France in Paris. In 2011, he won the 20th International Ice Sculpture Competition in Valloire, and exhibited his sculptures during the “A painter & a ceramicist” Opus I meetings, at the Center Céramique Contemporaine La Borne. In 2012, he exhibited new pieces for Opus II of the CCCLB. It presents wood and pebble sculptures...

Jean Arcelin is a French and Swiss painter born in Paris in June 1962. He studied at Charpentier, a licensed art history school at the Sorbonne, where he developed an interest in sev...

Date: 1930 Medium: Oil on Canvas Dimensions: 28.00" x 30.00" Signature: Signed Lower Left Story illustration: “The Dead Ride Hard”, McCall’s Magazine, ca. 1930;

Most likely for a Magazine like Redbook, Cosmopolitan and Good Housekeeping, Ladies Home Journal or Woman's day Lorraine Fox is Hall of Fame member of the Society of Illustrators She...

Story illustration, image of man on couch, woman in chair writing Charles Edward Chambers was born in Ottumwa, Iowa, studied at the Chicago Art Institute, and later the Art Students League in New York with George Bridgman. His illustrations were extremely skillful, marked by subtlety of value and color. He early learned to adapt his method of painting for the best possible reproduction, and to insure fidelity of printing, he often followed the assignments through to the hands of the engraver who made the plates. Chambers divided his time almost equally between editorial and advertising assignments. Among his advertising commissions was an outstanding series of portraits of musicians for Steinway & Sons. His distinctive illustrations for billboards, notably for Chesterfield and Palmolive Soap...

Medium: Oil on Board Signature: Signed Lower Right Story featured in The Saturday Evening Post, 1945 “Remembered Anger” by Martha Albrand Story illustration: Man in showgirl's dres...

Approximate Date: 1915 Medium: Pen and Ink on Board Signature: Signed Lower Left Dimensions: 22.00" x 20.00" Story Illustration- Life Magazine ca. ...

“Good artists borrow. Great artists steal.” A quote oft attributed to various sources that was never actually uttered by any of them. Though Mark Twain elaborated on the sentiment: “Ninety-nine parts of all things that proceed from the intellect are plagiarisms.” In the Framed Series, I use my 1% contribution to combine issues of consumption with my autobiography. I paint copies of copies of paintings within paintings to reference the appropriation, commodification, and altered continuum of art. My paintings of paintings are based on photographs of originals to perpetuate the continual distillation of form, given the ease with which images are presently exchanged and modified. Further, by reducing historically significant paintings to framed objects...

Date: 1917 Medium: Gouache on Board Dimensions: 30.00" x 22.00" Signature: Signed Lower Right Hearst's Magazine Story Illustration, 1917

Medium: Oil on Canvas Signature: Signed Lower Right Sight Size 29.00" x 21.00", Framed 35.00" x 27.00" Collier's Magazine Cover, October 20, 1923

Date: 1911 Medium: Oil on Canvas Laid on Wooden Board Dimensions: 22.00" x 18.00" Signature: Signed and Dated Lower Center

Warm and inviting Mid-Century oil painting on board with a peaceful approach to what must have been the artist's humble slant front desk where he sketched. One of six Robert Blanchar...

Nasce a Piacenza nel 1968, vive e lavora in Italia e Portogallo.

« Saget Pop Portrait » Technique: Acrylic paint on canvas Dimensions : 100 x 100 cm Year of creation : 2020 Signature at the bottom of the canvas, on the left description : Fantastic comic characters are installed in front of a large screen, which they look at. On the screen is projected a satirical image of WARHOL. A large open mouth, insects and doodles flutter around without disturbing the calm of the disturbing warriors. In the middle of the scene: a well-known character wonders what he is doing there; he embodies the banality so dear to Andy WARHOL. References used for this painting : The ghost of WARHOL : after Ron ENGLISH Warriors : after Whilce PORTACIO Homer SIMPSON...

ARTIST STATEMENT: My work delicately renders familiar domestic comforts that we use to feel secure. Examining the identities of heirloom textiles and childhood nostalgia summons conf...

When creating his artworks, Éric Lamontagne begins by painting a landscape scene, often with a body of water or cliffs. He then carefully cuts, folds, rips, and slashes the canvas bo...

BILLE Karl. (1815-1898). « Portrait d’un brick danois ». Toile signée et datée 1855. H.48 L.71.

ALASTAIR GORDON Feather, Levitating , 2019 Acrylic on OSB board Diameter: 40 cm Diameter: 15.7 in. (AGo020) Gordon is a London based artist, currently...

Date: 1939 Medium: Oil on Canvas Dimensions: 33.00" x 27.00" Signature: Signed Lower Right Cover of Liberty Magazine, January 14, 1939

Woman in an apron sitting on a stool looking through a cookbook.

Maxwell Doig was born in Huddersfield. He graduated from Manchester School of Art in 1988 with a BA in Fine Art and went on to pursue his postgraduate stu...

Marc Chalmé was born in Lorient, a seaside town in Brittany in France. He studied at prestigious art schools in the cities of Nantes and Rennes in France. Afterwards, he studied unde...

Emilie Duval’s paintings focus on the delicate tension between nostalgia and technological transformation, where the imagery of utopian mid-century modernity collides with the fragme...

Solitaire (It’s 3am) Nicholas Maravell, American Date: 1992 Oil on Canvas, signed, titled and dated in marker on verso Size: 78 x 54.5 in. (198.12 x 138.43 cm)

Created by Christopher Stott, this 4 foot by 8 foot painting encompasses all the elements the artist is known for in his composition.

Major George Washington Littlefield died in 1920. He commissioned E. Martin Hennings around 1910 to do six large paintings of scenes from his 235,000-acre ( part of the XIT ) ranch to hang in his bank in Austin. I am not sure, but the bank possibly went under sometime in the 197s-1980s. All of the art and antiques were stored, and they had a sale. We have 3 of the six murals that were commissioned by Littlefield. I have about 40 pages of info on Littlefield and the murals. Too much to enter now but I will be scanning that info later this week. The Littlefield mansion is still in Downtown Austin. At one time he was the richest man in the state. He was UT's biggest donor for several years prior to his death. The paintings are 34 x 130 35 x 144 35 x 119 Two are hanging in my friend's ranch house. The other is of a large herd of Hereford Cattle. It is actually pictured on the cover of the Biography of George Washing Littlefield. Littlefield, George Washington (1842–1920). George Washington Littlefield, cattleman, banker, and member of the Board of Regents of the University of Texas, son of Fleming and Mildred Terrell (Satterwhite) White Littlefield, was born in Panola County, Mississippi, on June 21, 1842. The family moved to Texas in 1850 after a confrontation between Fleming Littlefield and his wife's family. In marrying Fleming, her overseer, after the death of her first husband, Mildred in her family's eyes had married beneath her station, an action to which her family objected. George grew to young manhood on the family plantation near Belmont, Gonzales County, helping his mother to manage the place after Fleming's death in 1853. George received a basic education in Gonzales College and Baylor University, 1853–55 and 1857. With the outbreak of the Civil War in 1861 George enlisted in Company I, Eighth Texas Cavalry (Terry's Texas Rangers), which fought in the Army of Tennessee. Before his military career was ended at Mossy Creek, Tennessee, on December 26, 1863, by an exploding cannon shell, George rose to the rank of company commander, the youngest in his regiment, and fought at Shiloh, Perryville, and Chickamauga. At Mossy Creek he was promoted to major, a title by which he was addressed after the mid 1880s. Back in Texas after being discharged in 1864, he took control of a plantation belonging to himself and his brother, and "went to work to make the best, as he thought, of a miserable life, having to carry his crutches everywhere." During the war, on January 14, 1863, George married Alice Payne Tillar, with whom he had two children, both of whom died in infancy. In his business ventures thereafter, George Littlefield, who had a highly developed sense of family, utilized nephews and the husbands of nieces as managers. George's first year's farming after the war ended in disaster caused by three years of worm infestation and flood. Even the road-side store he opened, which prospered because George accepted barter, in particular cattle, could not make up for the losses. In 1871 he gathered a herd of cattle, half of which were his and the rest belonging to his brother, bought more, and drove the herd to Abilene, Kansas, where he sold the animals for enough to discharge all of his debts and leave him with $3,600 "to begin business." Over the next several years entrepreneur Littlefield opened a dry goods store in partnership with J. C. Dilworth in Gonzales, bought and trailed cattle, bought ranches in Caldwell and Hays counties, and developed his plantations. In the trailing business, Littlefield commonly bought his cattle, rather than, as most trailing contractors did, trailing them for a fee. He took the greater risk but reaped the greater reward in their sale. In 1877 Littlefield bought water rights along the Canadian River near Tascosa and established the XIT Ranch which he sold in 1881 for $248,000. Littlefield rejoiced that he had obtained "far more money than he had ever expected to have" and thought of retiring at thirty-nine years of age. But he did not retire, as "he learned. . .that the more money a man makes, the more he has to make, that a man's world opens up a little bit wider with each deal and demands become heavier." In 1882 Littlefield followed the advice of his principal ranch manager, half-nephew J. Phelps White, and purchased water interests sufficient to control some four million acres of land in New Mexico east of the Pecos River between Fort Sumner and Roswell, on which he established the Bosque Grande Ranch. In 1883 he bought the site of the first windmill on the New Mexico plains at the Four Lakes north of Tatum and developed the Four Lakes Ranch with windmills and barbed wire to control access to water and permit upgrading of stock. His cattle after 1882 carried his LFD brand on their right side. In 1887 Littlefield began acquiring land in Mason County, which soon spread over some 120,000 acres in adjacent Kimble and Menard counties, a ranch he put under management of half-nephew John Will White. In the 1890s Littlefield assembled acreage that came to be known as the LFD Farm in Roswell, New Mexico, on which he established an apple grove, grew forage for cattle, recruited his horses prior to the spring round-up, and maintained the pure-bred bulls that he used to upgrade his herds. Littlefield climaxed his ranching operation in 1901 with the purchase for two dollars per acre of 235,858 acres of the Yellow House (southern) Division of the XIT Ranch in Lamb and Hockley counties. To reach the prevailing wind above the escarpment at the ranch headquarters, Littlefield put up a windmill 130 feet tall to the top of the fan, claimed at the time to be the world's tallest windmill. In 1912 he established the Littlefield Lands Company under Arthur Pope...

Map Room at the Public Library, Bryant Park, NYC Born in New York City in 1959, Max Ferguson started as a filmmaker, making award-winning animated films as a teenager. But it was wh...

Emilie Arnoux hails from Normandy, France. From a young age, she became fascinated by the ocean and the laid back lifestyle surf-culture engenders. Her work captures the divine energ...

'Chaise dans un Jardin Fleuri' 20th Century Colourful Garden, flower landscape. A beautiful array of colours in the foreground with a fabulous Provence ...

Currently on display at Art Angels Michael Callas Bedroom Pink Blue Contemporary Interior Painting

Acosta 2021 Acrylic Painting 51.2x35 $7,500 Every picture is a collage that Beatriz pieces together to rebuild an everyday scene of her life in the past. What has survived in memory...

Medium: Oil on Canvas Signature: Inscribed: "My best wishes to/my friend Judy Bedell/sincerely/Norman Rockwell Included with the painting, the dress that the model wore for this pai...

All my life I have worked on three levels of consciousness: Portraits, Social Injustice & Metaphysics. In my work I strive to heal, uplift and inspire viewers and collectors to find perfection in their own being. - Artis Lane "Statue of Liberty" is a painting by the Canadian, Ms. Lane, who has adopted the United States as her home country. She has used a cool blue tone to give the statue a more sculptural aspect in paint. The Statue of Liberty is an American Icon...

acrylic and oil paint on board

acrylic and oil paint on board

Painted in a highly realistic manner, Linda's sharp-edged compositions of domestic arenas are nevertheless surreal images that confound careful scrutiny. Depictions of visionary home...

Painted in a highly realistic manner, Linda's sharp-edged compositions of domestic arenas are nevertheless surreal images that confound careful scrutiny. Depictions of visionary home...

Painted in a highly realistic manner, Linda's sharp-edged compositions of domestic arenas are nevertheless surreal images that confound careful scrutiny. Depictions of visionary home...

Certificate of authenticity from the Agustin Fernandez Foundation is included.

The Princess and the Pea - illustration naive art, made in pink, brown, blue, yellow colors. Elena Narkevich deliberately chooses naive art, like ...

acrylic and oil paint on board

Delphin Enjolras "In the Boudoir" Oil on Canvas Signed Lower Left Canvas: approx 29 x 22 inches Framed: approx. 37 x 30 inches Renowned as a portraitist of the upper echelons of s...

Hans Hamza (Austrian 1879-1945) In the Study Oil on Panel Signed Site Size: approx. 8 x 6 inches Framed Size: approx. 14 x 12 inches

oil on linen over panel

oil on linen over panel

oil on linen over panel

oil on canvas

oil on canvas

acrylic and oil on board

acrylic and oil paint on board

acrylic and oil on board

acrylic and oil on board

LESSER URY 1861-1931 Międzychód, Poland 1861 - 1931 Berlin (German) Title: The Sculptor’s Studio Das Bildhauer Atelier, 1883 Technique: Hand Signed and Dated Oil on Canvas Pape...

Pierre Bergian (born 1965, Bruges, Belgium) studied Art History and Archaeology, and combined with his fascination for architecture his paintings explore space and structure and make...

The themes in Tran Huy Hoan’s work are contradictions within themselves. His work is both innocent and erotic. Each subject is attractive yet affecting. Hoan’s precise technical styl...

oil & acrylic on masonite

oil & acrylic on masonite

oil & acrylic on masonite