Landscape Paintings

A large oil painting of a California coastline. After painting many sketches in his home state, Dalessio went to his studio and blew up the images he captured while on site. Aside bl...

By A. D. Greer 24" x 36" Oil on Canvas Painting A luminous landscape depicting the essence of wilderness: a breath-taking mountain vista bathed in golden sunlight and swathed in m...

Madaket Marsh, Nantucket

Spectacle, Oil on Canvas Painting by Dennis Ekstedt, 2021 Additional information: Medium: Oil on canvas Dimension: 52 × 56 in (132.1 × 142.2 cm) About artist: Dennis Ekstedt (Canad...

Oil on linen

A painting by Mary Deneale Morgan. "Twin Cypress" is a modern American landscape painting, gouache on paper in an earth-tone palette by femal...

Signed lower right: L.W.Prentice.

Joseph Orr (Japanese, American, b. 1949) River Access Signed Lower Right 30 x 30 inches 39.5 x 39.5 inches with frame BORN in Tokyo, Japan, Oct 31,1949, Joseph lived his first years in an orphanage sponsored by American Armed Forces. He was adopted April,1954 and came to the US at age 5 where he became an American citizen. As the Orr’s traveled for the US military Joseph enjoyed a childhood rich in experiences from Germany and back to California where he attended High School and started College. Following his parents to Missouri In 1971 he took a job with Hallmark Cards as machine operator in the cardboard fold dept. It sparked an interest in art, so after a few months he sought out some of the Hallmark artists at their work for private lessons. He learned basic drawing and watercolor from Anthony Allison and, “Probably before I was ready”, he admits, Joseph was entering local art shows and even winning prizes. At that time Joseph also enrolled for art instruction under John Coleman at Longview Community College. He spent one semester there. By the end of 1972 Joseph had quit his day job to become a full time painter, joining an art show tour group called Word Of Art, which was a new concept: culture meets promotion. Booking weekly art exhibits in the new indoor shopping malls across America, The idea transformed part of the art world by bringing art to the masses. For Joe and many other artists in the early 1970’s, it created the chance to paint full time and sell their work to an otherwise unobtainable audience. During this time of continuous self study and painting Joseph transitioned from watercolor to the newer acrylic painting medium. Believing that acrylic, as a fine art painting medium, can be as viable as oil, Orr has always promoted it as the modern medium that it is. In 1990 Joseph, along with his wife, Rita and two other artists, founded the National Oil & Acrylic Painter’s Society. The Orr’s brainchild, they were aided in founding NOAPS organization by local art patrons, Wm & Martha Mitchell and fellow artists Pete Peterson and Dennis T. Yates. While traveling with the World of Art Tour Joseph had met Rita Mathews, an aspiring artist, in Columbia, MO. They were married in June 1974 and stayed in Missouri, traveling and exhibiting their art together. Orr had a brief encounter with printmaking in 1977. He took private instruction in stone lithography and copper plate etching from Frank Stack, professor of art at the Univ of MO, Columbia, but painting remained his principal devotion. By 1999 Joseph had become proficient enough to have obtained Gallery representation with several Fine Art Galleries across the US. Joseph Orr currently resides in Osage Beach, Missouri, but travels to paint and visit his gallery representatives and Exhibit Openings. PHILOSOPHY: For me the idea is that painting should follow some form of illustration and truth telling. Basically, the premise of my painting philosophy, is to build layers of narrative into my paintings. A place or landscape scene is never defined satisfactorily without it’s relationship to color and composition. It is important to balance fact with imagination. “ART REFLECTS THE SOUL OF SOCIETY. A JUDGMENT CAN BE MADE FOR THE ATTITUDE OR CONDITION OF SOCIETY BY INSPECTING THE POPULAR ‘IDEAS’ OF ART OR, IN SOME INSTANCES, THE LACK OF ART.” (JOSEPH C. ORR) NOTED SOLO EXHIBITS : *BIRGER SANDZEN MEMORIAL, LINDSBORG, KS; *HARWELL ART MUSEUM, POPLAR BLUFF, MO; *ASHBY-HODGE GALLERY OF AMERICAN FINE ART, FAYETTE, MO; *NORFOLK ART CENTER, NORFOLK, NE; *KODNER GALLERIES...

"Dante", oil painting of a tree by Peter Hoffer. Peter Hoffer is a Canadian artist who has enjoyed a successful career in Northern America. Peter Hoffer portrays trees. He invites t...

"Loch Tay" by F. E. Jamieson (British 1895-1950) signed, lower corner with pseudonym "W. Richards" titled verso to canvas oil painting on canvas, unframed canvas: 16 x 24 inches Fine quality antique oil painting by the much admired and celebrated British artist F. E. Jamieson (1895-1950). The painting is signed by Jamieson to the lower right corner with his favoured pseudonym, "W. Richards". The painting captures this brooding Highland landscape and the deep and dark waters of Loch Tay, one of the most stunning lochs in Scotland. Loch Tay is a magnificent dark stretch of water, 15 miles (24 km) long and around 508 ft deep. It’s the largest loch in Perthshire and one of the deepest in Scotland. To the north, the loch is flanked by the impressive bulk of the Ben Lawers mountain range, much of which is designated as a National Nature Reserve. The main A827 road runs high above the loch, west from Kenmore. The contours are gentler on the southern shore and Sustrans Cycle Route Number 7 runs along a quiet unclassified road. It's hard to believe that ancient settlers once lived on Loch Tay, inhabiting artificially created islands known as crannogs. There are eighteen crannogs on Loch Tay, most are now submerged but a large crannog near the northern shore at Kenmore can be clearly seen. This was the ancient burial place of Queen Sybilla, wife of Alexander King...

In this vivid blend of acrylics and oils, I've captured nature's serene and dynamic essence. Infused with expressionism and impressionism, my strokes convey the wild spirit of the fo...

Signed lower left: Blakelock

Edt Austria, Original Contemporary Impressionist Landscape Painting, 2014 16" x 20" x 1.5" (HxWxD) Acrylic on Canvas A quaint depiction of the Austrian countryside, this impressionist landscape painting by artist Ingrid Dohm...

Painting Lake. Swans: a rich palette of green, white swans on the lake, the reflection of the sky in the water, clouds, evoke a feeling of love and gratitude to nature. The picture h...

Spring landscape with trees, painted by oil on canvas. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to ...

Modern contemporary impressionism. Alpine landscape oil painting on cotton canvas. A holiday to the French and Italian Alps has inspired a collection of mountain paintings. ...

“The quality of light in nature is the definition of the spectrum itself. This painting recalls the importance of light in the singular context and attempts to make photonic inform...

“Just as an Oreo cookie has the most succulent taste in the middle this painting is a sandwich of nature, with the most potent elements of mountain air a...

Landscape oil on canvas studio painting done after the plain air on the location. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed...

Levi Wells Prentice paints a rock-ringed pool surrounded by dense trees beginning to display autumn color in his oil painting, “Autumn Brook.”

Mark Harrison’s "Passing Through" is a panoramic oil painting that captures the majesty and solitude of the natural world. Completed in 2024, this original, handmade work transports ...

"Blois" realist plein air landscape oil painting of French village from field. Framed Dimensions: 40 x 50 inches Marc Dalessio was born in 1972 in Los Angeles, California. Even in ...

original en plein air Colorado landscape paint in contemporary impressionism style :: Painting :: Impressionist :: This piece comes with an official...

Sunset on Empire City, Original Impressionist Painting Original urban landscape painting​ 48 x 36 x 1.5 inches Oil on canvas Original artwork signed by the artist Artwork is unframed Sunset view of the Manhattan Skyline including One World and the Jenga building from Orchard Street in the Bowery. This piece was created using only palette knives. Ann Marie Coolick...

Landscape of Auvergne, in the very heart of France. View of the Loire river. Before being this majestic river bordered by the most beautiful castles of France, near its source the Lo...

"Meditation" opens up a peaceful field for inner peace, where time loses its meaning among the eternity of nature. The sky and the meadow intertwine in a holistic harmony of blue and...

A small scale plein-air painting of Venice, Italy, painted from across a body of water. A small but charming landscape painting. Framed in a gold, handmade Italian frame. Framed dim...

"Autumn landscape" is a landscape painting, by Maestro Nelli Kirman About the artwork: TECHNIQUE: oil painting STYLE: Impressionist, Contemporary Editi...

This contemporary landscape painting of a tree was created by Peter Hoffer, respected in the international art world as a fine contemporary artist for his ethereal, atmospheric landscapes. Reminiscent of the great romanticists of the 19th century, Peter Hoffer’s landscapes are a blend of realism and impressionism. His series of tree ‘portraits’ imbues each tree with a distinct ‘personality’ accentuated by his process. Hoffer uses scratches, markings, paint drippings, and thick coats of resin to add character to each mixed media piece. The result is thoroughly modern. This horizontal landscape offers a commanding view of the surrounding countryside-verdant green fields and a turquoise blue sky. The viewer’s eye is drawn to the lone tree in the middle of the canvas captured at the height of the season in bright pinks. “A landscape is continually evolving. Its topography consists of repetitive gestures of surfacing, resurfacing, and erosion. Exposed to the elements, scarred by the wind and shifting soils, the landscape reveals its own narrative.” Peter Hoffer They are profound works from an artist with a clear vision.” Peter Simpson...

Artist/ School: English School, mid 19th century, circle of David Cox (1783-1859) Title: A View of Borrowdale (Lake District, Cumbria). There is a plaque with this title to the fram...

Title: Sunflower Field Medium: Oil on canvas Size: 19 x 27 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pai...

'Stillwater' - oil on canvas is 12 x 36 inches, meticulously painted by Brooks Anderson. Canvas edges are painted dark in artist's signature style. Lovely to behold from every angle....

Landscape at sunset. Grassy field, hills, goldenrod. Abstracted realism. :: Painting :: Photorealism :: This piece comes with an official certificate of authenticity signed by the a...

This classic Post cover combines the vastness of the American West landscape with the intimacy of iconic Americana: two kids swimming in a rura...

Edvard Axel Rosenberg (Swedish School, 1858-1934) In many ways Edvard Rosenberg was the archetypal Swedish painte...

Mountain Lake Landscape in Oil on Canvas Serene mountain landscape by notable architect and artist Masao Kinoshita (Japanese-American, 1925-2003). The viewer stands at the edge of a...

A French River Landscape

This original, impressionistic landscape painting is stretched on a 1.5" deep gallery wrap canvas. Only the finest professional quality acrylic paints were used in the creation of t...

Spring mountain landscape with flowers, painted by oil on canvas. :: Painting :: Impressionist :: This piece comes with an official certific...

The career of William Stanley Haseltine spans the entire second half of the nineteenth century. During these years he witnessed the growth and decline of American landscape painting, the new concept of plein-air painting practiced by the Barbizon artists, and the revolutionary techniques of the French Impressionists, all of which had profound effects on the development of painting in the western world. Haseltine remained open to these new developments, selecting aspects of each and assimilating them into his work. What remained constant was his love of nature and his skill at rendering exactly what he saw. His views, at once precise and poetic, are, in effect, portraits of the many places he visited and the landscapes he loved. Haseltine was born in Philadelphia, the son of a prosperous businessman. In 1850, at the age of fifteen, he began his art studies with Paul Weber, a German artist who had settled in Philadelphia two years earlier. From Weber, Haseltine learned about Romanticism and the meticulous draftsmanship that characterized the German School. At the same time, Haseltine enrolled at the University of Pennsylvania, and took sketching trips around the Pennsylvania countryside, exploring areas along the Delaware and Susquehanna rivers. Following his sophomore year, Haseltine transferred to Harvard University. After graduating from Harvard in 1854, Haseltine returned to Philadelphia and resumed his studies with Weber. Although Weber encouraged Haseltine to continue his training in Europe, the elder Haseltine was reluctant to encourage his son to pursue a career as an artist. During the next year, Haseltine took various sketching trips along the Hudson River and produced a number of pictures, some of which were exhibited at the Pennsylvania Academy of the Fine Arts in the spring of 1855. Ultimately, having convinced his father that he should be allowed to study in Europe, Haseltine accompanied Weber to Düsseldorf. The Düsseldorf Academy was, during the 1850s, at the peak of its popularity among American artists. The Academy’s strict course of study emphasized the importance of accurate draftsmanship and a strong sense of professionalism. Landscape painting was the dominant department at the Düsseldorf Academy during this period, and the most famous landscape painter there was Andreas Achenbach, under whom Haseltine studied. Achenbach’s realistic style stressed close observation of form and detail, and reinforced much of what Haseltine had already learned. His Düsseldorf training remained an important influence on him for the rest of his life. At Düsseldorf, Haseltine became friendly with other American artists studying there, especially Emanuel Leutze, Worthington Whittredge, and Albert Bierstadt. They were constant companions, and in the spring and summer months took sketching trips together. In the summer of 1856 the group took a tour of the Rhine, Ahr, and Nahe valleys, continuing through the Swiss alps and over the Saint Gotthard Pass into northern Italy. The following summer Haseltine, Whittredge, and the painter John Irving returned to Switzerland and Italy, and this time continued on to Rome. Rome was a fertile ground for artists at mid-century. When Haseltine arrived in the fall of 1857, the American sculptors Harriet Hosmer, Chauncey B. Ives, Joseph Mozier, William Henry Rinehart...

Signed lower right Lori Zummo Biography American, b. 1962 Contemporary artist Lori Zummo paints in a style evocative of the American Barbizon School. She received her BFA from Syra...

The majestic vista of the mountains of the South Island Range in New Zealand. View from the walking path that leads down into the deep valley at the foot of this incredible sight. ...

""Seven Rila Lakes" is an impressionist painting by Maestro Elena Georgieva. The painting is unframed. Her paintings bring emotion of happiness, love, energy and beauty represented...

Oil on canvas Dondi Schwartz is an Israeli artist born in Canada in 1961 who lives and works in the Kibbutz Beeri, Negev, Israel. Schwartz studied art at the Avni School of Arts in...

Born in Valencia but with German and Mediterranean roots, his artistic work has been focused on exhibitions around the idea of ​​"landscape", within a formal pictorial and drawing po...

A charming study of Patching Pond in Clapham, London on a sunny day. Signed to the lower left. Titled and dated '21st September 1966' to the reverse. On board.

Autumn River Landscape European School, second half 20th century signed oil on canvas, framed framed: 23 x 33 inches canvas: 20 x 30 inches provenance: private collection, UK conditi...

An oil painting of a landscape in Tuscany. Rolling hills, a winding dirt-road, Cyprus trees, and a small farm-house cottage, underneath a pale blue sky. Rows of vines descend the hil...

Original Oil painting signed by the Artist in the lower left corner.

Early evening light bathes a sailing boat in Northern California's Tomales Bay with rolling foothills in the distance, in this serene and calming painting ...

Painted Plein air in the moor, I was lucky, I met the hard-working moor sheep, and I was able to watch them and admire their endurance and diligence. :: Painting :: Impressionist ::...

In creating this piece, I was captivated by the raw and majestic beauty of nature. Using oil paints, I sought to blend the expressive strokes of Impressionism with the detailed beauty of Realism. Each brushstroke carries the crisp chill of the mountain air...

Landscape painting with sunny fields and rainy clouds in the background. Studio painting done after the plain air on the location. :: Painting :: Impressionist :: This piece comes wi...

Signed lower right: J.R. Brevoort.

‘Having first pursued my interest in landscape through photography and urban design, I have turned to landscape painting. This has led me to become a more analytical observer of the ...

original en plein air oil on panel paint in New Mexico :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to ...

Uphill No. 2 is an grassy landscape painting by California artist Ferdinanda Florence. It is acrylic on wood. It is 8.5 x 11.75 x 2. It is filled with blues, green and browns. A...

Nicholas Berger Biography American, b. 1949 Nicholas Berger’s career as an artist spans three decades and has brought him national and international acclaim for his paintings. A lis...

Though small in scale, Timothy James Standring’s oils and watercolors pierce the assumed poetics both media aspire to express. Over the past decade, Standring has brought a gimlet-ey...