Photography Paintings

Original painting representing a female nude in afternoon light . Female nude seen by a female artist - female gaze. Painted on oval canvas. Size is 65 x46 cm / 25.5 x18in. Ready fo...

Provnance Acquired by the gallery directly from the artist. Description Three Miao sisters from the Guizhou Province of China, accompanied by their dog, descend on a mountain trail ...

Edouard Julien. French ( b.1883 - d.1966 ). Self Portrait, 1932. Oil On Panel. Image size 17.7 inches x 14.6 inches ( 45cm x 37cm ). Frame size 20.9 inches x 17.7 inches ( 53cm x 45cm ). Edouard Julien was an accomplished French painter and lithographer, and long-term curator of the Toulouse-Lautrec Museum in Albi. As a scholar of Toulouse-Lautrec he became an art writer who was sought after by publishers all over the world. Julien was born in Albi, in the Occitanie region of France in 1883. He had an uncle who was a painter and his parents ran a printing house which specialised in art editions and the printing of lithographs. This would have given the young Edouard a taste for art and a sound understanding of artistic techniques. At 17 he entered the Ecole des Beaux-Arts in Toulouse and studied there throughout 1900 and 1901. He then returned to Albi and took care of the family business, although he also pursued his love of art by working as an artist. By 1903 he was at the Academy in Albi, founded by Bernard-Joseph Artigue, where he became friends with the artist Henri Gourc. In 1928 Julien left Albi again for Paris where he enrolled in the Julian Academy, but he was quickly told that he was an artist, not a student and that they had nothing to teach him about the technique of painting. He therefore rented a studio and worked hard, making friends and exhibiting his works with success. As an artist Julien loved working in the open air, and his works showed extreme sensitivity. He travelled widely within France to work, and particularly loved the Basque Country, where he met his wife. He also travelled to paint the magical landscapes of Spain, Flanders and North Africa. At some point Julien returned to Albi, which was also the birthplace of another now more famous French artist whom he admired, namely Henri de Toulouse-Lautrec. This artist was to feature most prominently in the professional life of Edouard Julien. In 1922 the Toulouse-Lautrec Museum was inaugurated in the prestigious setting of the Palais de la Berbie in Albi. This 13th century building was originally the Bishop’s Palace of Albi Cathedral, next to which it stands. It is dedicated mainly to the work of Henri de Toulouse-Lautrec and, thanks to a bequest from his parents, houses the largest public collection in the world devoted to this artist. Many visitors do not appreciate that this collection owes much of its success to the devotion of Edouard Julien. In 1934 Charles...

Louise Marie-Jeanne HERSENT, born MAUDUIT (Paris, 1784 – Paris, 1862) A young woman reading a letter. Study figure Oil on canvas Signed and dated in the middle on the right 100 x 8...

Three White / Orange / Hallow Butterflies on Metallic Gold Silver Surface

Still Life is an artwork realized by an unknown artist in the late 19th Century. Oil on Canvas Mounted on Board. Original wooden frame. 18 x 13 cm. Good conditions

"Brothers" by Ademola Ajayi encapsulates the enduring bond shared between siblings with heartfelt authenticity. Inspired by the poignant sentiment expres...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Portrait of "H.C" aged 44 years old French artist, indistinctly signed dated 1896 oil on canvas, unframed canvas: 24 x 20 inches provenance: private collection, France condition: old...

Maurice Evans Original Mixed Media Portrait 20th Century Outstanding original portrait Acrylics and Oil on Paper Dimensions 15.5" wide x 23.5" high T...

Johann Berthelsen (1883-1972) was an American Impressionist painter, as well as having a career as a professional singer and voice teacher. Essentially self-taught as an artist, he ...

Deer Dance, painting by Tonita Pena, Santa Fe, Cochiti, Pueblo, male, female Tonita Peña (born 1893 in San Ildefonso, died 1949 in Kewa Pueblo, New Mexico) was born as Quah Ah (meaning white coral beads) but also used the name Tonita Vigil Peña and María Antonia Tonita Peña. Peña was a renowned Pueblo artist, specializing in pen and ink on paper embellished with watercolor. She was a well-known and influential Native American artist and art teacher of the early 1920s and 1930s. Tonita Peña was born on May 10, 1893, at San Ildefonso Pueblo, to Ascensión Vigil Peña and Natividad Peña of San Ildefonso Pueblo, New Mexico. When she was 12, her mother and younger sister died, as a result of complications due to the flu. Her father was unable to care for her and she was taken to Cochití Pueblo and was brought up by her aunt Martina Vigil Montoya, a prominent Cochití Pueblo potter. Peña attended St. Catherine Indian School in Santa Fe. Edgar Lee Hewett, an anthropologist involved in supervising the nearby Frijoles Canyon excavations (now Bandelier National Monument) was instrumental in developing the careers of several San Ildefonso “self-taught” artists including Tonita Peña. Hewett purchased Peña's paintings for the Museum of New Mexico and supplied her with quality paint and paper. Peña began gaining more notoriety by the end of the 1910s selling an increasing amount of her work to collectors and the La Fonda Hotel. Much of this early work was done of Pueblo cultural subject matter, in a style inspired by historic Native American works, however, her use of an artist's easel and Western painting mediums gained her acceptance among her European-American contemporaries in the art world. At the age of 25, she exhibited her work at museums and galleries in the Santa Fe and Albuquerque area. In the early 1920s, Tonita did not know how much her painting sold for at the Museum of New Mexico, so she wrote letters to the administrators because a local farmer was worried that she got paid too little. In the 1930s Peña was an instructor at the Santa Fe Indian School and at the Albuquerque Indian School and the only woman painter of the San Ildefonso Self-Taught Group, which included such noted artists as Alfonso Roybal, Julian Martinez, Abel Sánchez (Oqwa Pi), Crecencio Martinez, and Encarnación Peña. As children, these artists attended San Ildefonso day school which was part of the institution of the Dawes Act of 1887, designed to indoctrinate and assimilate Native American children into mainstream American society. In 1931, Tonita Peña exhibited at the Exposition of Indian Tribal Arts which was presented at the Grand Central Art Galleries in New York City. Works from this exhibition were shown at the 1932 Venice Biennial. That year is the only time Native American artists have shown in the official United States pavilion at that biennial, and Tonita Peña's paintings were part of that exhibition.[1 Her painting Basket Dance, that had shown in the Venice Biennial was acquired by the Whitney Museum of American Art in New York for $225. This was the highest price paid up to this time for a Pueblo painting...

Suzy Smith's "Scarlet" is an original, handmade oil painting that depicts a portrait of a feminine figure, in a red gown with a red background. About the Artist: Suzy Smith is a Wy...

In German, there is a word called "Sommefrische" , meaning summer freshness, which describes this painting perfectly. Looking at this Swiss mountain and lake is like a perfect, restf...

Sara Scribner's (US based) "Katie" is an original, handmade oil painting that depicts a realistic portrait of a blonde feminine figure in profile clutchi...

David Pryor Adickes born January 1927, Huntsville, Texas) is a modernist sculptor and painter. His most famous work is the 67-foot tall A Tribute ...

'The Red Headdress', pastel on art paper, by W. Worms (circa 1960s). A beautiful woman with contemplative expression and tender eyes is exquisitely portrayed by the artist. The treat...

Diego Glazer's "Antonia" is an original, handmade oil painting that is framed and ready to hang. The framed measurements are 30 in H x 38 in W. About th...

Bernard Pothast (1882-1966) Although born in Belgium in 1882, Bernard Pothast was the...

John William Godward 1861-1922 British A Pompeian Lady Signed and dated "J.W. Godward 1904" (lower right, partially covered by frame) Oil on canvas One of the last and greatest Victorian neoclassical painters, John William Godward is celebrated for his flawlessly executed images of graceful women posed in idealized ancient settings. In this work, entitled A Pompeian Lady, a classical beauty is caught idling in a moment of quiet, solitary reflection. Godward's elegant subjects are depicted with a degree of technical mastery that remains unsurpassed, and the work's dramatic palette, luxurious fabrics and classical vision are all characteristics of his unique take on the neoclassical style. Godward was unmatched in terms of his technical skill and attention to detail. A master of contrasting textures, he paints a diaphanous gown draping against the model’s smooth, milky white skin, which sits against the painstakingly rendered individual hairs of a tiger’s pel. Scintillating color permeates the canvas as well, energizing the otherwise static scene. Each element is given careful attention, and the overall effect is one of both immaculate technique and sensual tactility. Along with his contemporary and mentor, Sir Lawrence Alma-Tadema, Godward set the tone for the Victorian neoclassicist movement. He built his career upon creating images of idealized feminine beauty infused with a Greco-Roman-inspired style. Though greatly influenced by Alma-Tadema, Godward distinguished himself through his predilection for the solitary female figure. His fame rose dramatically in the first few years of the 20th century, when the present work was completed, due to the burgeoning strength of the British Empire and the Victorian society’s preoccupation with ancient Rome. To many of the newly affluent, Roman society was, as Iain Gale writes, “a flawless mirror of their own immaculate world.” The sensuality and mystery of Godward’s maidens, combined with his impressive antique backdrops...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) The "Timeless Friends" painting symbolizes the timeless nature of friendship and human connection that transcends changing fashions and societal norms. Just as the bond between the men in the painting remains steadfast and unchanging, the values of friendship and mutual support continue to hold importance in African cultures, even amidst shifting fashion trends and societal transformations. As we contemplate this scene, we are reminded of a valuable lesson passed down through generations: that true friendship knows no bounds of time or fashion. It is a bond that endures through changing tides, rooted in authenticity and shared experiences. The painting serves as a gentle reminder to cherish the connections we forge, for they are the true treasures that enrich our lives and stand the test of time. About Artist Oluwaseun Ojebiyi is a promising young Nigerian visual artist who was born in the year 1996 into a family in Oyo state richly endowed with a unique artistic inclination. He is gifted with unusual energy and a future that sparkles with excellence. His works are at once artistic and realistic and laced with active energy with the characteristic of curiosity in figure study. He delivers his works through drawing and painting with mastery usage of charcoal, pastel, Oil paint, and acrylic. His expressive works bring back fond memories of childhood experiences. His works reveal the bond, teamwork, genuine love...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) The painting depicts an old-fashioned barber shop, The background showcases the classic decor of the barber shop, including Vintage posters flaunting the hairstyles of yesteryear, showcasing the timeless Afro, the tailored flat-tops, and the meticulous parts — each style a statement of identity and pride. Off in the corner stands a vintage radio, the spiritual storyteller of the room, murmuring Jazz and Afrobeat rhythms — a harmonious time capsule that echoes the beat of African culture as much as the progression of its fashion. "Vintage Vibe" is a celebration of a proud heritage, marking the intersection of traditional grooming rituals and the timeless aesthetic of the African fashion legacy. It salutes the continuity of style, the evolution of self-care from the foundations laid out by ancestors to the modern interpretations we see today. In this room, history intertwines with the present, evoking a sense of nostalgia and the inclination to preserve the unique cultural threads woven through time. About Artist Oluwaseun Ojebiyi...

Frame size 98x117 cm. Ramon Aguilar i Moré (Barcelona, ​​1924-Barcelona, ​​September 23, 2015) was a Spanish painter. His work was influenced by the expressionist movement, although...

Up for sale is an original antique 1864 oil painting on canvas by Famous American Artist John O'Brien Inman (1828-1896), depicting a portrait of a seated baby. Signature on verso "Painted by Jho. O'B Inman Portlana Jan 18th 64" The painting is in good/antique condition, minor stable craquelures. Presented in an ornate vintage gilded frame. Please see the photos, the photos are part of the description. Measures with the frame 41" X 34.5", painting 30" x 25". Free insured shipping. Free delivery in 200 miles from Boston. Please read some interesting information about Artist...

This beautiful minimalist round figurative painting by Ana is from her latest body of works. It is acrylic on canvas, 60 cm in diameter and comes signed dated along with a certificat...

ARTIST: Arthur Wardle R.I. P.S. (1864-1949) British TITLE: "Tangled Ground" SIGNED: gallery label verso for Abbott Holder London MEDIUM: oil on card SIZE: 75cm x 58cm inc frame C...

Victorian 19th-century portrait of a seated English Flower Seller. This is a very pretty classic English Victorian Genre painting. The style ...

Melvyn Goode is an English Impressionist landscape painter. His work is highly collected throughout the world and he has had many single artist exhibitions of his work in various g...

Oval Still Life is an artwork realized by an unknown in the mid-20th centry. Oil on canvas mounted on board. 37 x 49 cm ; 53 x 65 cm with frame. Good conditions!

Date: 1950 Medium: Oil on Canvas Dimensions: 36.00" x 28.00" Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity.

Portrait of a Man French artist, circa 1800's period oil on wood panel, unframed panel: 23 x 18 inches provenance: private collection, Honfleur, Normandy, France condition: some sur...

Julien-Adolphe Duvocelle (1873 - 1961) Woman with eyes closed Oil on canvas 41,5 x 33 cm (16.1 x 12.9 inch) Signed on lower left: J Duvocelle Julien Duvocelle is an artist who neve...

Portrait of a young girl in a lilac dress with a black bow. Circa 1860. Signature below right, partially visible. Size with frame 59cm x 49cm Size without frame 33cm x 24cm The portrait depicts a young girl with an elegant hairstyle, her hair carefully tied back. Dressed in the fashion of the 1860s, her light lilac dress reflects the synthetic aniline colors, a novelty in fashion at the time. A black bow at the neck and slightly black straps accentuate her attire. Represented at mid-length, with a mysterious and melancholic gaze, suggesting a mourning endured over a year ago. The portrait, executed in pastels, chalks, and charcoals on paper, highlights the mastery and speed of the artist's execution. Framed in a vintage oval frame...

The Horse Race French artist, circa 1960's signed oil on canvas, framed framed: 23 x 28.5 inches canvas: 20 x 26 inches provenance: private collection, Paris condition: very good and...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Josue M...

This is a hand cut and hand painted artwork by Italian artist Riffblast. It’s signed on the back as an original work of art ready to hang with frame.

Pietro Sansalvadore was active during the early to middle of the 20th century. He painted in an Impressionist manner and on a small scale. Acquiring a late 19th-century Impressionist painting of Hammersmith Bridge by the Italian painter Pietro Sansalvadore is an opportunity to own a captivating piece of art that transcends both time and cultural boundaries. Sansalvadore's unique perspective, influenced by the Impressionist movement, infuses this painting with a luminous quality that captures the atmospheric essence of Hammersmith Bridge in a way that only a skilled artist with an international perspective could achieve. This masterpiece not only showcases the artist's mastery in capturing light and movement but also represents a harmonious fusion of Italian artistic sensibilities with the iconic English landmark. The play of colors and the subtle brushstrokes transport the viewer to the late 19th century, offering a glimpse into the allure and dynamism of that period. Owning this painting is not just acquiring a visual delight; it's investing in a historical and cultural artifact...

Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of Fine Arts in Gdańsk (1999-2004). Diploma with special recognition in painting in 2004. The cycle of ‘Final Fantasy...

Giovan Battista dell'Acqua (Milan, 1790-1845) Navy with fortress, 1833 Oil on canvas, 12 x 12 cm Picture frame, 21 x 21 cm Signed and dated on the back Bibliography: Thieme-Beck...

Portrait Blue Miles Davis Portrait of the famous Miles Davis Technique: oil, acrylics and ink on canvas 73x60cm ■■ 28,7x23,6inch ⏩》R E A D Y -- T O -- H A N G《⏪ 🟢 → Original ...

Title: British Impressionist Watercolor of Riders on Country Path at Sunset by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15...

Oil Painting by David James "A Cornish Coastal View" 1835 -1904. Leading painter of waves and oceans swell. Regularly exhibitor at the Royal Academy and found in many museums includi...

Title: Around winter Medium: Oil on canvas Size: 23 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paint...

Portrait of Dave Winfield Edward Avedisian 20 x 14 inches, acrylic on stretched canvas Armenian-American artist, Avedisian was best known for his work made in New York City during the 1960s: brilliantly colored, boldly composed canvases that combined Minimalism’s rigor, Pop’s exuberance and the saturated tones of Color Field painting. He was largely recognized for a series of Beach Ball paintings that emerged in the early 1960's and into the later 1960's the artist began painting larger horizontal paintings, featuring vertically intersecting beacon-like stripes that highlighted characteristics from both the Post-Painterly and Color Field movements. In this portrait, Avedisian using his signature use of color, combining bright rusty reds and oranges against a metallic green gold backdrop. A major work from Avedesian's color-stripe series was featured on the cover of Artforum's January 1969 issue (pictured here). Also pictured are photographs of the artist c. 1970 in his studio in New York City and catalog pages from Avedisian's inclusion in the American Painting Now Expo at the Institute of Contemporary Art in Boston, MA in Dec 1967 - Jan 1968. The exhibition, organized by art critic Alan Solomon, featured one of Avedisian's signature Beach Ball paintings alongside large works by Robert Motherwell and Jim Rosenquist. About the subject: Dave Winifield is American former Major League Baseball right fielder born in 1951 and who played for six teams (San Diego Padres, New York Yankees, California Angels, Toronto Blue Jays, Minnesota Twins, and Cleveland Indians) during his 22 year long career. He had the winning hit in the 1992 World Series with the Blue Jays over the Atlanta Braves. Winfield retired in 1996 and was elected to the Baseball Hall of Fame in 2001, in his first year of eligibility. About the Artist: In the 1960’s, Edward Avedisian was one of the youngest of those luminaries producing a grand new abstract painting. Shown first at Ivan Karp and Dick Bellamy’s Hansa Gallery and then at Robert Elkon, Avedisian’s insouciant mix of pop playfulness, color field cool and high formalist style put his art in a unique, and at the time generously rewarded, position. Paintings made it onto the cover of Artforum, were purchased by all the major museums, were among the few abstract works shown as representative of America’s post-war achievement at Expo 67 in Montreal and comprised a cornerstone in histories of the period written by Barbara Rose, among others. The artist was largely influenced by his Color-Field predecessors, Mark Rothko and Barnett Newman. Throughout the 1960's and into the mid 1970's the artist was celebrated in the Manhattan art scene, contributing to the Post-Painterly Abstraction movements with contemporaries Helen Frankenthaler, Andy Warhol, Jules Olitski, and Larry Poons. Museum Collections: Albright-Knox Art Gallery, Buffalo, New York Brooklyn Museum, New York Chrysler Art Museum, Norfolk, Virginia Denver Art Museum, Colorado Flint Institute of Arts, Michigan Jack S. Blanton Museum of Art, Austin, Texas The Larry Aldrich Museum, Ridgefield, Connecticut Metropolitan Museum of Art, New York Minneapolis Institute of Arts Minneapolis Society of Fine Arts Neuberger Museum of Art, State University of New York, Purchase Los Angeles County Museum, California Neuberger Museum, SUNY, Purchase, New York Parrish Art Museum, Water Mill, New York Solomon R. Guggenheim Museum *above description text is supported by Alexandra C. Anderson's article on Edward Avedesian in Artforum's January 1969 issue. NY Times Obituary, published Aug 23, 2007 by Roberta Smith: Mr. Avedisian was best known for his work in the 1960s: brilliantly colored, boldly composed canvases that combined Minimalism’s rigor, Pop’s exuberance and the saturated tones of Color Field painting. A frequent motif was a cluster of bright seedlike orbs corralled at the center of a vibrant monochrome field by larger rings of color, creating an image that could resemble a buoyant cross-section of some unknown fruit. Mr. Avedisian was born in Lowell, Mass., in 1936 and studied art at the Boston Museum School. By the late 1950s he was living in New York, part of a generation of promising young painters that included Frank Stella, Larry Poons and Darby Bannard. From 1958 to 1963 Mr. Avedisian had six solo shows in New York galleries, including two at the Robert Elkon Gallery, where he continued to show almost every year until 1975. By the early 1960s Mr. Avedisian was a rising star. During that decade, his work appeared on the cover of Artforum, in “The Responsive Eye” exhibition of Op Art at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought by collectors and acquired by major museums in New York and elsewhere. In the mid-1970s Mr. Avedisian moved to Hudson and became less visible. His paintings soon began shifting toward representation; he took to calling his abstract paintings “a period style.” But he continued to be well served by his feeling for color, scale and surface. His landscapes described his surroundings in blunt, flat shapes and singing hues reminiscent of those of Marsden Hartley and Paula Modersohn...

Bimbo is a painting by Chima Theophilus, depicting a young lady with a pink dress and afro hair. Abimbola (a diminutive form of Bimbo) is a Yoruba given name meaning BORN WITH WEALTH. Chima dived into the world of black skin of the black race to present to you a stunningly beautiful young lady of Africa. Her dark glowing skin portrays the rich cultural heritage of the Africans, which indeed is their beauty. Her afro hair is her pride which gives her the indescribable beauty of a Lady of virtue. Chima embellished this painting with a splash of radiant colors which makes this piece of work unique and appealing. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About the Artist. Theophilus Chima...

Artist: Slonem, Hunt Title: Toad Hall Date: 2023 Medium: Oil on Panel Unframed Dimensions: 10" x 8" Framed Dimensions: 16" x 14" Signature: Signed Verso Edition: Unique Proven...

A very fine portrait of a gentleman thought to be of the name 'Riddell'. Possibly related to the Clan Riddell, local to Edinburgh the family were wealthy merchants. This well-dressed...

Ecce Homo is a superb, striking and emotive Old Master in oil on copper after the renowned Italian Baroque artist Carlo Dolci. The "Ecce Homo" shows the figure of Christ before His c...

Artist Self-Portrait. Unsigned. (Provenance: Studio Sale, George Weissbort). On board.

"Her Gaze II" is a reflection of an African hair comb, which Yoruba called ‘Illarun’. In her gaze hold a thousand stories and depths that whisper sec...

'Portrait of Boy' by Luigi Corbellini (circa 1930s). The artist painted this endearing young boy whose name remains unknown. Perhaps the slightly timid expre...

The Village Lane British artist, early 20th century oil on board, framed framed: 7 x 8.5 inches board: 6 x 7.5 inches provenance: private collection, England condition: very good an...

Work on canvas AZ monogram

Ryan Morse's "Emerging" is an original, handmade oil painting that depicts a feminine figure in a bikini floating in water. Ryan Morse is a Denver based freelance artist who receiv...

Génia Minache (1907–1972) was a painter born in Russia. She later moved to Constantinople, passed through Prague, and eventually settled in Paris. Strongly influenced by the artistic...

Jean Marie Constantin Joseph (Jan) VAN BEERS Oil on Panel Panel Size: 32 x 24" (81 x 62cm) Outside frame Size: 38 x 33" (97 x 83cm) Van Beers (1852 ...