1860s Art

An exceptional 19th-century French Barbizon School landscape by Léon Germain Pelouse (1838–1891), on wood panel, signed in the lower right corner and housed in a highly ornate French...

The painting is unsigned on the front. An old handwritten inscription on the upper stretcher identifies the artist as Steinbach and appears to include the words “in München” (Munich). The artist’s precise identity remains to be established, and the work is therefore catalogued conservatively under the name Steinbach. This atmospheric 19th-century painting depicts two roe deer fleeing across a wintry landscape, closely followed by a hound. The movement of the animals brings a vivid narrative quality to the scene: a young buck, recognizable by his small antlers, turns alertly as he runs beside a second deer, while the pursuing dog emerges from the snowy terrain behind them. The artist combines careful observation of wildlife with a sensitive treatment of the surrounding landscape. Snow lightly covers the uneven ground and branches of the tall fir trees, while the distant woodland gradually dissolves into the misty horizon. Above, a softly illuminated sky in subtle shades of grey, pale gold and rose creates a striking contrast with the darker forest. Characteristic of 19th-century Romantic and Naturalist animal painting, the work combines dramatic movement with an evocative vision of nature. The restrained winter palette, atmospheric depth and animated wildlife give the composition both decorative appeal and a compelling sense of narrative. 19th century wildlife painting, roe deer painting, deer and hound painting, hound chasing deer, hunting scene painting, deer hunt painting, winter hunting scene, winter landscape painting, snowy forest painting, roe buck painting, European wildlife painting, Romantic landscape painting, Romantic wildlife art, Naturalist painting, antique animal painting...

Etching and drypoint on paper, realized in 1867/68 and published in 1869. 3rs state on 3, printed by Salmon and published in 1869, with the addition of lettering. Ref. Harris 59; G...

This beautiful mid-19th-century landscape by British artist John Syer RI (1815-1885) depicts a group of travellers gathered beside a timber cart amid the mountains of North Wales. It...

Floral Still Life with Roses, 19th Century Spanish Oil Painting Artist: José María Murillo Bracho Birth / death: Seville, 1827 – Málaga, 1882 Title: Floral Still Life Technique: Oil on canvas Artwork size: 34 × 45 cm / 13.4 × 17.7 in Framed size: 56 × 67 cm / 22 × 26.4 in Signature: Signed lower left Frame: Yes, ornate gilded frame included Condition: Good overall condition, with normal signs of age and conservation consistent with a 19th-century painting. The frame shows wear consistent with age. Subject: Floral still life Style: 19th-century Spanish painting, floral realism, Andalusian school Description Elegant 19th-century floral still life painted in oil on canvas by José María Murillo Bracho, a Spanish artist from Seville especially known for his refined flower paintings, fruit compositions and still lifes. The work presents a horizontal bouquet of flowers arranged on a neutral surface, with white roses, vivid red blossoms, mauve flowers, golden yellow accents and deep green leaves. The composition combines naturalistic precision, delicate color and a carefully balanced sense of light, creating a serene and highly decorative image. The contrast between the luminous white flowers at the center, the intense red blooms and the sober blue-grey background gives the painting great visual richness. The brushwork is detailed and sensitive, particularly in the petals and foliage, where the artist’s almost botanical attention to form and texture can be clearly appreciated. This painting is especially attractive within Murillo Bracho’s production because floral still life was one of the genres most closely associated with his work. The piece also retains an ornate gilded frame, enhancing its classical presence and making it highly suitable for a refined interior. A charming antique Spanish flower painting, ideal for collectors of 19th-century Spanish art, floral still lifes, academic realism, Andalusian painting and decorative European oil paintings. A bouquet that does not fade, which is already more than can be said for most modern enthusiasm. Artist Biography José María Murillo Bracho was a Spanish painter born in Seville in 1827 and died in Málaga in 1882. He is also sometimes referenced as José María Murillo y Bracho or José María Bracho Murillo. He trained at the Academy of Fine Arts of Santa Isabel de Hungría in Seville, one of the most important artistic institutions in Andalusia during the 19th century. His work developed within the Spanish academic tradition, with a particular focus on still lifes, flowers and fruit compositions. Murillo Bracho was connected to both Seville and Málaga, and his painting reflects the refined bourgeois taste of 19th-century Andalusia. His works are appreciated for their careful realism, elegant composition, delicate chromatic range and meticulous treatment of floral subjects. Floral still lifes are among the most representative and desirable aspects of his production, combining decorative beauty with technical precision and a distinctly classical Spanish sensibility. Artistic Inspiration This painting belongs to the long European tradition of floral still life, connecting 19th-century Spanish academic painting with the broader history of flower painting. It may appeal to collectors interested in artists and traditions associated with Henri Fantin-Latour, Jan Brueghel the Elder, Rachel Ruysch, Juan de Arellano and classical European botanical painting. With its serene composition, precise floral detail and elegant color harmony, the work is well suited for collectors of antique still lifes, Spanish School paintings, Andalusian art, academic realism and refined decorative interiors. Spanish 19th Century Painting, Floral Still Life, Antique Flower Painting...

Artist: John Hutchins (English, 1698-1773) Title: "Southwest View of Sherborne Abbey Church" (Plate 15) Portfolio: The History and Antiquities of the County of Dorset Year: 1861-1870...

Utagawa Kunisada (Tokoyuni III), 'Tokaido', color woodblock, 1863. Signed in the cartouche, lower right. A fine impression, with rich, fresh colors and pronounced woodgrain, the full...

Antique Dog Painting of a Hunting Dog Jules Chardigny (1849-1892) Circa 1870 Oil on paper. 8 x 6 (18 1/2 x 15 1/4 frame) inches In Jules Chardigny's signature style, a beloved compa...

Antique Dog Painting of a Terrier: “The Shah” George Earl (England, 1824-1908) Circa 1870 Oil on canvas. 12 ¾ x 12 ¾ (21 x 21 frame) inches. Orig...

Ferdinand Fagerlin (1825-1907) Sweden Portrait of Alice Ritter, The Artists Wife oil on canvas signed with monogram painted 1862 canvas size 27.95...

Attributed to William McGregor Paxton Hay (William M. Hay) Portrait of Two Young Girls English, circa 1860 Oil on canvas Unsigned ⸻ A sensitive and quietly compelling Victorian ge...

Edwin Loder – son of famous artist James Loder – originally enlisted in the 62nd Regiment of Foot in 1846 at the age of 19, serving mainly in India. After 20 years in the Forces, Ed...

A stunning 19th century English Antique oil landscape with cows resting by a river. Alfred Vickers was a painter of marine subjects and landscapes. He exhibited extensively througho...

Pietro Chiapparelli (Italian, 19th Century) Sleeping Ariadne, c. 1865 Bronze on marble base Inscribed 'P. Chiapparelli F.I. Roma' 22 x 24 x 10.5 inches 136 lb. (34 lb. bottom marble,...

An incredibly rich albumen silver print mounted to a two-toned board with a typeset title underneath the image.

This beautiful mid-19th-century oil painting by German artist Max Kaltenmoser (1842-1887) depicts a young woman sewing by an open window. Kaltenmoser was an academy-trained master of...

Oil on canvas, framed with a coeval gilded wooden frame. Hand signed and dated lower right. This monumental history painting, signed and dated "F. Hersent 1868", represents an ambi...

Environs de Rome is a black and White etching realized by Camille Corot in the 1860s.  Titled in the lower. Image size: 31 x 22. Very good impression with wide margins and a very ...

George Turner 1843 – 1910 Titled on the reverse 'A Lane near Weston-on-Trent, Derbyshire' Signed and dated 1886 A Lane near Weston-on-Trent, Derbyshire Picture Size: 20 x 30" (50 x...

Correccion is an original artwork realized by Francisco Goya and published for the first time in 1799. Etching on wove paper. This artwork belongs to the Third Edition published in...

Etching and drypoint on paper. Beautiful proof of 2nd state on 2, probably from the second Cadart edition of 1874. Signed in the plate on top right. Two holes in the center on top...

William Baptist Baird 1847-1911 “Twilight Seine River with Le Concierge and Louvre” 8.5 inches x 12.5 inches sight 11.5 inches x 15.5 inches overall Signed lower left oil on board Ho...

Gustave Dore, After by George C. Finden, French (1832 - 1883) - The Joyous Sprites, Portfolio: Guinevere, Year: 1867, Medium: Engraving, Image Size: 9.5 x 7.25 inches, Size: 16...

Curarlos y a otra is an original artwork realized by the great Spanish artist Francisco Goya in 1810. Original etching on paper. The artwork belongs to the famous print collection L...

Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of P. G. Hamerton's "Etching and Etchers". Plate size: 3 1/4 x 4 1/4 i...

The Monument is a  lithograph realized in 1864. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the universe, or History of the government,...

One wonderful thing about this painting is its light. It’s pitch-perfect: if it were a tad darker, it would be gloomy; a tad lighter, and it there would be less to discover. The joy ...

Lithograph on paper, hand colored. Lithograph on paper, hand colored. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the governm...

🎨 Original 1864 Oil Painting by Adolf Jossifowitsch Charlemagne – Russian Imperial Artist – Carriage Scene on Metal Up for sale is a 19th-century original oil painting on metal pan...

This sweet little boy sits quietly like a well brought up child, but you can see in his eyes how much he likes to run and play. In this sensitive portrait painted in circa 1860 by Fé...

An important oil on canvas painting by the celebrated equestrian artist, Harry Hall (1814-1882), of the racehorse "Lord Lyon", 1866. Hall was the most important equestrian artist of ...

Original oil painting, signed by Robert Alexander and dated indistinctly, lower right. Fine painting of a mare and two foals in pastoral landscape setting, this work is presented in...

Drawing of Fontainebleau Forest Barbizon, France Pierre Auguste Brunet Houard (1829 - 1922) 19th century Pencil, colored pencil, gouache, paper 8 x 4 1/2 (16 3/8 x 12 1/4 frame) inc...

Remarkably, this painting tells its own story on the verso. To save your eyesight, here's what it reveals: James McDougal Hart (1828-1901) Landscape, animal, and portrait painter. A ...

Victorian Arrangement, 1864 Oil on canvas 27 x 20 inches (68.6 x 50.8 cm) Framed dimensions: 32 x 24 3/4 inches Signed and dated lower right: G.H. Hall / 1864 Provenance Private col...

Lithograph on paper realized in 1862. Hand colored. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, of the laws, o...

Etching and aquatint on cream laid, watermarked Rives paper. 6 5/8 x 5 inches (167 x 126 mm). Sixth and final state, a posthumous impression. A fine, inky impression with full margin...

Le Port de Monaco is an artwork realized by Appian. Etching, realized in 1874. Sheet 158 x 237 mm.. Curtis and Prouté 36. Meeting of a very beautiful proof on white laid paper, f...

Alfred BENNETT Picture Size: 20 x 30" (50 x 76cm) Framed Size: 27 x 37" (69 x 95) Signed and dated 1865 Titled Staffordshire A wonderful example by the highly collected artist Alf...

19th century English landscape with trees, a Harvest Field during Summertime. A wonderful classic English landscape dating from the middle of the 19th century. This style of paintin...

Walter Goodall (1830–1889) England A Village Celebration, 1862 signed and dated Walter Goodall 1862 lower right watercolour on paper visible image 42.5 × 75.5 cm (16.7 × 29.7 in) f...

JEAN-BAPTISTE CAMILLE COROT (1876 - 1875) PAYSAGE D’ ITALIE 1866 (Melot 7 iii/iii) Etching, plate 6 ¼ x 9 inches, Third state after the removal of the text but before the random scr...

Louis BENTABOLE An artist whose work is quite rare but whose talent is undeniable. His work stands out amongst many of the paintings in the Musée d'Orsay in Paris. An opportunity to...

A very attractive mid-19th century oil on canvas Romantic Realist landscape portrait of a beautiful young woman, signed and dated 1860, Haynes King (Barbados 1831-London-1904). Hayn...

Artist: (after) John James Audubon (American, 1785-1851) Title: "Belted Kingfisher" (Plate 255, no 5-3) Portfolio: The Birds of America (Bien Edition) Year: 1860 Medium: Original Chr...

About this work: Painted in 1863, the same year Gabriel Davioud’s fountain in the square was completed, this remarkably early view of Place Pigalle captures this important artist's n...

This is from a series of Andreae's sketches of European tourist destinations from the 1860s, to see some others, scroll down to "More from this Seller" and below it click on "See all from this Seller." Oscar Andreae (fl.1860-1880) Isola Pescatori, Italy 1862 Pencil drawing Sheet 12 x 16.5cm Andreae spent much of the 1860s exploring Europe - the invention of the railways having made undertaking a Grand Tour rather easier than it had been half a century earlier - and recorded the places he visited. Here, visiting the Lago Maggiore...

Toyokuni III A Modern Shuihuzhuan / Kinsei Suiko Den 近世水滸伝 夏目子僧新助 Tattoo Size: Oban 36 x 25 cm 文久2年（1862） 　

Medium: original etching. This impression on laid paper printed in 1868 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Plate size: 3 1/2 x 6 7/8 inches (88 x 175 mm...

This Mercury by Montagne has lovely patina and surface and is a pleasingly different depiction of Winged speed as he is seated! It is an arresting pose and elegant and covers all fa...

A rare and museum-quality 19th-century Russian Orthodox icon depicting Saint Abraham of Galich (Chukhloma) surrounded by narrative border scenes (Zhitiye) from his spiritual life. Th...

Pietro Bazzanti (1842-1881) specialized in allegorical and genre subjects as well as copies of Antique and Renaissance sculpture. Regarded as one of the most talented sculptors of h...

A fine impressionist landscape by the 19th century French painter Loouis Boulanger (1806-1867). Oil on canvas 15"x21,3/4" 38cmx 55cm The original giltwood frame: 22"x28" , 56cmx 72cm. A fine plein air study of a stoney outcrop on the edge of a French village circa 1860. Boulanger was famous during his lifetime for his portraits of the intelligentsia of Paris society during the 19th century including Victor Hugo. He was also a great follower of the early impressionist landscape painters this being a fine example of his work. A well balanced composition and an intense study of afternoon light in a French landscape. Signed lower right. Provenance : Estate collection, Paris Good condition. Higher resolution images available on request. Viewing welcome . Worldwide shipping available. Louis Boulanger (11 March 1806, Vercelli, Piedmont - 5 March 1867, Dijon) was a French Romantic painter, lithographer and illustrator. Life He enrolled in 1821 at the École des beaux-arts where he attended the workshop of Guillaume Guillon Lethière and received a solid classical training. Next he made a présentation for the prix de Rome, in 1824, in which he finished logiste. He became the companion of Eugène Devéria...

Uses and Customs - Ancient Romans is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: "History of the go...

Edouard Manet Le Chat et les Fleurs (from "Les Chats par Champfleury") 1869 Etching and aquatint on Rives paper Image: 6.25 x 5.125 (17.3 × 13 cm) Plate: 8 x 6 inches (20.3 x 15.2 c...

French School, circa 1860-1880 Study of a Bearded Man Gazing Upward Oil on canvas, 18 ¼ x 15 ⅛ in. (46.5 x 38.5 cm). Framed: 20 ½ x 17 ¼ in. (52 x 44 cm) A fine academic study of...

Chemin des Roches is a black and White etching realized by Appian in the 1860s.  Titled in the lower Image Size: 34x23 Very good impression. Realized for the "Société des Aquafor...

Costume of the Greeks is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, o...

The Spring by Albert-Ernest CARRIER-BELLEUSE (1824-1887) Sculpture made in white Carrara marble signed on the base "A. Carrier " presented on its red marble base France circa 1860...

Oil on panel, realized around 1860s. Signed lower right "Reati". A charming and atmospheric Venetian view by Italian painter Alessandro Reati, known for his lively depictions of th...