1860s Art

Portrait of a Horse Wouterus Verschuur Jr. (1841–1936) Oil on canvas Signed lower left 9 1/4 x 7 1/4 (13 1/2 x 11 1/2 frame) inches Wouterus Verschuur Jr. was a Dutch painter renowned for his specialization in horse and dog paintings...

A finely rendered 19th century Hudson River School landscape depicting cattle grazing within an expansive open field, set beneath a softly illuminated sky. The composition is anchore...

Artist: John Hutchins (English, 1698-1773) Title: "Southwest View of Sherborne Abbey Church" (Plate 15) Portfolio: The History and Antiquities of the County of Dorset Year: 1861-1870...

Two Terrier Puppies in the Kitchen w/Carrots Vincent De Vos (Belgium 1829-1875) Oil on wood panel Signed and date "10 12 62" lower right 13 x 17 1/2 (18 1/2 x 23 1/2 inches A charming study of a Dutch...

Edouard MANET The Absinthe Drinker, 1860 Original etching Printed signature in the plate On Japan paper 45 x 40 cm (c. 18 x 16 inch) REFERENCES : Catalog raisonnes Guerin n°9 and F...

Up for sale is an amazing original antique oil painting on canvas by Famous American Artist Henry Peters Gray (1819-1877), depicting a portrait of a W.P. Wright Esq. Some of his paintings are exhibited in the Metropolitan Museum of Art, in New York. The painting has a commemorative inscription on the verso: "For W.P. Wright Esq. Portrait from Henry Peter Gray. Painted at Pittsfield MA August 1860. Please read some interesting information about this Artist from Wikipedia. Henry Peters Gray was born in New York City he was a pupil of Daniel Huntington...

This calm and reflective mid-19th-century German oil painting depicts a woman reclining, her hand on a zither, before moonlit Alpine scenery. Gazing outwards across the rooftops and...

Antique Horse Bronze  "Horse  in the Stable Playing with a Dog (The Good Companions)" Jument à l'écurie jouant avec un chien Pierre-Jules Mene (French, 1810-1879) Bronze 19 x 10 inc...

An charming 19th century dog painting depicting a mother dogue and her exuberant topsy turvy pups by the farmhouse barns or cowsheds , with a young child given them a fuss! Dating from ca 1860-70, the oil on canvas is unsigned, but bears on the verso a rather special stamp from colour and artists supplies merchant Paul Durand-Ruel (1831-1922). Paul Durand-Ruel is known as the legendary art dealer who launched, almost single handedly, the Impressionist movement. He represented Monet, Pissarro, Sisley, Renoir in his Paris, London and New York Galleries. Like his father Jean Marie Durand, Durand Ruel had started as both a merchant of art supplies, and dealer. Often, these two activities overlapped, as he would supply cash strapped artists who left paintings as security. Paul Durand Ruel was one of the first to discover Barbizon artist...

Johann Till II (Austrian, 1827-1894) Plethora, c. 1860 Oil on canvas Signed lower right 47.5 x 35.5 inches 54.5 x 43 inches, framed Johann Till the Younger trained in Vienna under h...

Pietro Chiapparelli (Italian, 19th Century) Sleeping Ariadne, c. 1865 Bronze on marble base Inscribed 'P. Chiapparelli F.I. Roma' 22 x 24 x 10.5 inches 136 lb. (34 lb. bottom marble,...

Edwin Loder – son of famous artist James Loder – originally enlisted in the 62nd Regiment of Foot in 1846 at the age of 19, serving mainly in India. After 20 years in the Forces, Ed...

Antique Bronze Dog Portrait “La Levrette au Papillon” or “Whippet (Greyhound) with a Butterfly”   Arthur Waagen (Germany, France 1833-1898) Circa 1860’s 11 x 8 x 4  inches (1 of 2. ...

‘The Oaks of Cranbourne Chase, Windsor Great Park’ by Andrew MacCallum (1821-1902). The exceptional detail and draftsmanship in the painting is nothing less than extraordinary and ...

Original 1861 Late Romantic Naturalist Landscape Painting This piece features a small countryside cottage and two figures, with the dramatic backdrop of layered mountains and low cl...

Lithograph on paper realized in 1862. Hand colored. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, of the laws, o...

LESLIE E.B. SMYTHE 19th-century English rural landscapes, with goats by a river and people. Smythe was an English painter who was active in paintings in both Scotland and England. ...

Antique Dog Painting of a Terrier: “The Shah” George Earl (England, 1824-1908) Circa 1870 Oil on canvas. 12 ¾ x 12 ¾ (21 x 21 frame) inches. Orig...

William Calcott Knell 1830 - 1879 A Bristol and London painter of coastal marines, he exhibited at the Royal Society and British Institution. In several public collections such as P...

Mid 19th century pastel drawing view of the Chapel Bridge and river Reuss in Lucerne, Switzerland by Hercules Brabazon Brabazon. The work...

Medium: etching (etched by Philip Gilbert Hamerton after Adriaen van Ostade). This impression on laid paper was printed in London in 1868 for the rare first volume of Philip Gilbert ...

Les Contes Drolatiques is an original modern rare book written by Honoré de Balzac (1799 – 1850) and illustrated by Gustave Doré (Strasbourg, 1832 – 23 January 1883) in 1861. Publis...

A stunning 19th century English Antique oil landscape with cows resting by a river. Alfred Vickers was a painter of marine subjects and landscapes. He exhibited extensively througho...

This authentic 19th-century oil portrait depicts a young European woman in traditional attire, painted with refined academic realism and quiet emotional restraint. The sitter is shown in three-quarter view, wearing a straw hat with a blue ribbon, a lace-trimmed blouse, and a dark bodice, delicately holding a small basket of flowers. The soft transitions of light across the face, gentle blush tones, and composed expression reflect mid-19th-century European portrait traditions, closely aligned with Biedermeier and early Realist aesthetics. The background is intentionally subdued, allowing full focus on the sitter’s character and presence. Brushwork is controlled and confident, with careful modeling of facial features and textiles. The composition suggests a formal studio portrait rather than a genre scene, typical of European academic painting of the period. 📏 Measurements: Painting approx. 19.5" × 24"; Framed approx. 30" × 26" 🎨 Medium: Oil on canvas 🖋️ Artist: Signed and dated 1868 in the lower right (signature partially legible) 🖼️ Frame: Original period gilt wood frame; minor wear, losses, and age-related surface imperfections ✔️ Condition: Stable age-related craquelure throughout. Frame shows minor historical damage consistent with age. This is a genuine antique European oil painting...

This expansive mid-19th-century oil painting by Italian artist Giulio Cecchin (b. 1832) depicts a tranquil pastoral landscape with a lake, mountains and figure. In the foreground, a...

Etching on laid paper Sheet size: approx. 65 × 50 cm Signed in plate lower left: F. Bracquemond Published by Cadart & Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blinds...

This elegant English 19th-century portrait of a young boy dressed in a Cavalier costume, painted circa 1860, is a striking example of Victorian portraiture that seamlessly combines h...

Uses and Customs - Boxers is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the governmen...

Persian Cloth in 19th Century is a Hand-colored lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History...

Uses and Customs - The Catacombs in Naples is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History...

Modesto Faustini (1839-1891), "Portrait of elegant," oil on canvas in gilt frame signed lower right "M. Faustini - Rome." This splendid portrait belongs to one of the most flourishi...

This sweet little boy sits quietly like a well brought up child, but you can see in his eyes how much he likes to run and play. In this sensitive portrait painted in circa 1860 by Fé...

Medium: original etching. This impression on laid paper printed in 1868 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Plate size: 3 1/2 x 6 7/8 inches (88 x 175 mm...

An important oil on canvas painting by the celebrated equestrian artist, Harry Hall (1814-1882), of the racehorse "Lord Lyon", 1866. Hall was the most important equestrian artist of ...

The Spring by Albert-Ernest CARRIER-BELLEUSE (1824-1887) Sculpture made in white Carrara marble signed on the base "A. Carrier " presented on its red marble base France circa 1860...

Oil on canvas 135,2 x 95 cm (169 x 129 cm with frame) Signed and dated lower right

Ferdinand Fagerlin (1825-1907) Sweden Portrait of Alice Ritter, The Artists Wife oil on canvas signed with monogram painted 1862 canvas size 27.95...

Mid 19th Century oil on canvas portrait of an Italian brigand, unsigned, in painted wood and gilt frame. The painting is a fine and fascinating rendition with plenty of wonderful character and detail to the costume, accessories, landscape and seascape. Very atmospheric and imposing much like the character it portrays. There is a trade stamp to the back of the canvas for the Paris firm of Susse Freres. The canvas is on a fine quality stretcher with 'keys'. There is an artist's name or title written on the top of the rear stretcher (see photo). Bands of brigands who populated the hills of southern Italy were steady fodder for the Romantic imagination, and their exploits were reported both factually, fancifully and artistically The painting dates from a period when France, under its then leader Napoleon III, was involved in the conflicts in the Italian states and the unification and eventual creation of the nation of Italy. An earlier and similar portrait exists of the infamous brigand Mazzocchi by Achille-Etna Michallony . Léon Cogniet...

Carl Frederik Aagaard, Sunset over Dyrehaven. Signed C.F. Aagaard. Oil on canvas laid on card box panel. 22×32 cm without frame. A tergo written:...

Etching printed in brownish black on light tan Chine collé, 1861. Image measures 6 x 5 inches, displayed in a 15.5 x 12.5 inch frame. Etched signature and date lower left. A very goo...

Remarkably, this painting tells its own story on the verso. To save your eyesight, here's what it reveals: James McDougal Hart (1828-1901) Landscape, animal, and portrait painter. A ...

Portrait of Girl with her pets is signed and dated 1861 and exhibited in 1862, by Gourlay Steell, (1819-1894) RSA, appointed as Animal Painter for Scotland to Queen Victoria’s Court ...

Artist: (after) Joseph William Mallord Turner (English, 1775-1851) Title: "Ancient Rome" Portfolio: The Turner Gallery: A Series of Sixty Engravings From The Principal Works of Josep...

Alexander Charles Stuart The Attack of the Merrimac Signed lower left Oil on artist board 13 3/4 x 23 1/4 inches Alexander Charles Stuart, a Scottish-born painter of ships and marin...

One wonderful thing about this painting is its light. It’s pitch-perfect: if it were a tad darker, it would be gloomy; a tad lighter, and it there would be less to discover. The joy ...

UNIDENTIFIED "ABSTRACT FIGURE" OIL ON CANVAS, UNSIGNED AMERICAN, C.1960S 27.5 X 35 INCHES Fine Condition

Louis Charles Auguste Couder (1789-1873) Portrait of a young man signed on the right border Pastel on paper 28.5 x 21 cm In good condition In a modern frame : 48 x 40.5 cm Augu...

Marc BRUYAS Lyon, 1821 - 1896 Oil on canvas 32 x 23 cm (42 x 33 cm with frame) Signed and dated lower left “Bruyas / December 1863” Beautiful carved and gilded wooden frame from the...

Francisco Goya, Que Guerrero! Etching and Aquatint, from the Series "Los Proverbios, realized in 1815 and printed in 1877. This copy belongs to the edition of "L'Art", 1877. With th...

Anton Mauve (Dutch, 1838-1888) Oil on Canvas, 'Shepherd Watering His Flock' Canvas 18" X 24" Frame Size: H 32.5" W 37.5" Signed lower right. Depicting a shepherd guiding his flo...

A wonderful & whimsical 19th century oil on panel painting of puppies in a farm stable, by the celebrated artist George Armfield (1820-1893), the painting circa 1860. This lovely oil...

Medium: original etching. This impression on laid paper was published in London in 1868 for P. G. Hamerton's "Etching and Etchers". Plate size: 7 1/2 x 5 1/4 inches; 190 x 132mm. Sig...

Le Chene des Roches (Oak tree growing among Rocks) Etching, 1861 Signed in the plate lower right (see photo) Printed by Delatre, Paris, on chine applique Final state iii/III, as pub...

Jean Baptiste Camille Corot was a French landscape and portrait painter as well as a printmaker in etching. His prolific works simultaneously referenced the Neo-Classical tradition a...

Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of Philip Gilbert Hamerton's "Etching and Etchers". Image size: 3 3/8 ...

Attributed to William McGregor Paxton Hay (William M. Hay) Portrait of Two Young Girls English, circa 1860 Oil on canvas Unsigned ⸻ A sensitive and quietly compelling Victorian ge...

This atmospheric antique oil painting, signed and dated 1869 by E. Dahlberg, captures a picturesque mountain landscape, likely in the Alps. The composition focuses on a quiet narrati...

Les Métamorphoses du Jour is an original modern rare book written by Various Authors and illustrated by Jean Jacques Grandville (Nancy, 1803 – ...

Une Bergerie is a black and White etching realized by Albert Brendel in 1862.  Titled in the lower Image Size: 23x32 Very good impression. Realized by Cadart for the "Société des...

An important mid-19th century American oil on canvas portrait depicting a seated child, dated October 18, 1864 and attributed to John O’Brien Inman (1828–1896). The work embodies the refined sensibility of period portraiture, where technical discipline and emotional subtlety converge. The composition is elegantly arranged, with the child set against a rich drapery backdrop rendered in deep, warm tones that enhance the luminous modeling of the figure. The artist demonstrates a confident academic hand—visible in the delicate transitions of flesh tones, the softness of expression, and the controlled handling of light. The direct yet gentle gaze captures a fleeting moment of childhood with remarkable intimacy. Executed within the tradition of American portrait painting of the mid-19th century, the work reflects the cultural importance of commissioned portraiture as a means of preserving family legacy. The quality of execution, combined with the presence of a fully written inscription on the reverse in a manner consistent with 19th-century hand, strongly supports the attribution. The painting is presented in an ornate gilt frame that complements its period character. Ready to hang. 📏 Measurements: Framed 41 x 34.5 inches; Painting 30 x 25 inches 🎨 Artist: Attributed to John O’Brien Inman (1828–1896), American School ✍️ Signature: Verso inscription reading “Painted by Jno. O. Inman, Portland, Oct 18th 1864,” executed in period hand 🧾 Condition: Good condition with light age-appropriate surface wear and stable craquelure consistent with age 📦 Shipping: Same day safe packaging from Florida Please read some interesting information about Artist...