18th Century Art
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Period: 18th Century
Recognized Seller Listings
The Martyrdom of Saint Agatha
Located in Fairlawn, OH
The Martyrdom of Saint Agatha
after the painting by his father, Giovanni Battista Tiepolo (see photo)
Etching, c. 1780
Signature: unsigned
Watermark: Let...
Category
Baroque 18th Century Art
Materials
Etching
Animal drawing of magpie bird of blue and white by enlighted british painter
Located in Milan, IT
Peter Paillou (c.1720 – c.1790) was a British artist best known for his paintings of birds, many of which were used as book illustrations. He gained repute in the 18th century as a natural history painter and illustrator. He was employed by two leading naturalists and antiquarians of the time, Taylor White (1701-1772) and Thomas Pennant (1726-1798). He illustrated the latter's British Zoology and decorated the hall at Downing, Pennant's house in Flintshire, with several pictures of birds...
Category
Realist 18th Century Art
Materials
Tempera, Watercolor
Wildlife drawing of jay bird of light blue by enlightened british painter
Located in Milan, IT
Peter Paillou (c.1720 – c.1790) was a British artist best known for his paintings of birds, many of which were used as book illustrations. He gained repute in the 18th century as a natural history painter and illustrator. He was employed by two leading naturalists and antiquarians of the time, Taylor White (1701-1772) and Thomas Pennant (1726-1798). He illustrated the latter's British Zoology and decorated the hall at Downing, Pennant's house in Flintshire, with several pictures of birds...
Category
Realist 18th Century Art
Materials
Tempera, Watercolor
Wildlife painting of black and white tufted duck by enlightened british painter
Located in Milan, IT
Peter Paillou (c.1720 – c.1790) was a British artist best known for his paintings of birds, many of which were used as book illustrations. He gained repute in the 18th century as a natural history painter and illustrator. He was employed by two leading naturalists and antiquarians of the time, Taylor White (1701-1772) and Thomas Pennant (1726-1798). He illustrated the latter's British Zoology and decorated the hall at Downing, Pennant's house in Flintshire, with several pictures of birds...
Category
Realist 18th Century Art
Materials
Tempera, Watercolor
Wildlife painting of black bird sitting by enlightened british painter
Located in Milan, IT
Peter Paillou (c.1720 – c.1790) was a British artist best known for his paintings of birds, many of which were used as book illustrations. He gained repute in the 18th century as a natural history painter and illustrator. He was employed by two leading naturalists and antiquarians of the time, Taylor White (1701-1772) and Thomas Pennant (1726-1798). He illustrated the latter's British Zoology and decorated the hall at Downing, Pennant's house in Flintshire, with several pictures of birds...
Category
Realist 18th Century Art
Materials
Tempera, Watercolor
Bird painting of woodpecker of black and red by enlightened painter
Located in Milan, IT
Peter Paillou (c.1720 – c.1790) was a British artist best known for his paintings of birds, many of which were used as book illustrations. He gained repute in the 18th century as a natural history painter and illustrator. He was employed by two leading naturalists and antiquarians of the time, Taylor White (1701-1772) and Thomas Pennant (1726-1798). He illustrated the latter's British Zoology and decorated the hall at Downing, Pennant's house in Flintshire, with several pictures of birds...
Category
Realist 18th Century Art
Materials
Tempera, Watercolor
A Cart Race
Located in Fairlawn, OH
A Cart Race
Hand colored etching & aquatint, 1788
Signed in the plate (see photo)
Published by William Hollande, London
Inscribed in the plate with title, artist's name and publication line 'Rowlandson. 1788./ London. Pubd 1789 by Wm Holland No 50. Oxford Street.'
Reference: M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', VI, 1938)
British Museum Satires 7607
Grego, 'Rowlandson', i. 260, Grego II.392
Provenance: Chris Beetles Ltd., London (label), 2003
Jeffrey M. Kaplan, Washington, D.C. (label)
Condition: Excellent
Archival framing by Chris Beetles Ltd., London
Note: The British Museum has two impressions, one trimmed the other full sheet as this example. Accession Number: 1868,0711.35
The Metropolitan Museum has an impression: Accession number 59.533.314
Fitzwilliam Museum: Accession number: 34.14-286
Cleveland Museum of Art accession number: 1958.10
Image description per BM: Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the church...
Note: The British Museum has two impressions, one trimmed the other full sheet as this example. Accession Number: 1868,0711.35
The Metropolitan Museum has an impression: Accession number 59.533.314
Fitzwilliam Museum: Accession number: 34.14-286
Cleveland Museum of Art accession number: 1958.10
Image description per BM: Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the clouds of dust which they have raised, with a row of gabled houses (right) inscribed 'St Giles', terminating in a church spire (left), and probably representing Broad St. Giles. The occupants of the carts are Irish costermongers typical of St. Giles. The foremost horse gallops, urged on by the shouts of a standing man brandishing a club. The other occupants, two women and a man, cheer derisively the next cart, whose horse has fallen, one woman falling from it head-first, another lies on the ground. The driver lashes the horse furiously. The third cart, of heavier construction, is starting. The horses are partly obscured by the clouds of dust, but denizens watch from casement windows and a door. Two ragged urchins (right) cheer the race; a dog barks.
"It was said that the amount of copper Thomas Rowlandson etched would sheathe the British Navy. An inveterate gambler, for much of his life Rowlandson had to produce a flood of his comic prints to stay ahead of financial losses.A wealthy uncle and aunt raised Rowlandson after his textile-merchant father went bankrupt. His career developed quickly. He entered London's Royal Academy Schools in 1772, visited Paris in 1774, exhibited at the Royal Academy in 1775, and won a silver medal in 1777. He left school in 1778 to set up in business. Rowlandson's depictions of life in Georgian England exposed human foibles and vanity with sympathy and rollicking humor. During the 1780s he consolidated the delicate style he used for his coarse subjects. He worked mainly in ink and watercolor, his rhythmic compositions, flowing line, and relaxed elegance inspired by French Rococo art...
Category
Romantic 18th Century Art
Materials
Aquatint
Lingbi - One Hole Scholar's Rock, China, Late Qing Dynasty
Located in Palm Desert, CA
"Lingbi - One Hole Scholar's Rock"' is a sculpture, stone on wood base from the Late Qing Dynasty, China.
Category
Tribal 18th Century Art
Materials
Stone
View of Piazzo San Marco in Venice
Located in New York, NY
Engraving of Veduta della Piazza di S. Marco, verso L'Horologio by Pierre van der Aa. Printed in 1722. Unsigned. Unframed. Image size, 11 x 13 5/8 in. Has the original center crease.
Category
18th Century Art
Materials
Paper
Figure of a Beauty, Japan, Edo Period
Located in Palm Desert, CA
A Japanese embroidery from the Edo Period. “Figure of a Beauty” is a portrait embroidery, silk and gold thread in golds and grays.
Provenance:
Priv...
Category
Edo 18th Century Art
Materials
Silk
Bengal Monitor and Iguana Engraving
Located in New York, NY
Seba, Albertus.
Locupletissimi rerum naturalium thesauri accurata descriptio, et iconibus artificiossimis expressio, per universam physices historiam.
Amsterdam, Wetsten, Smith, Jans...
Category
18th Century Art
Materials
Laid Paper
Butterflies, Moths and Caterpillars Engraving
Located in New York, NY
Seba, Albertus.
Locupletissimi rerum naturalium thesauri accurata descriptio, et iconibus artificiossimis expressio, per universam physices historiam.
Amsterdam, Wetsten, Smith, Jans...
Category
18th Century Art
Materials
Laid Paper
OBSEQUIO á el MAESTRO (‘A gift for the master’)
Located in Santa Monica, CA
FRANCISCO de GOYA y LUCIENTES (1746 -1828)
OBSEQUIO á el MAESTRO (‘A gift for the master’) Plate 47 from the 1st edition of Los Caprichos (Blas, ...
Category
Old Masters 18th Century Art
Materials
Etching, Aquatint
(PHILOSOPHER READING)
By Ferdinand Bol
Located in Santa Monica, CA
Circle of or a follower of Ferdinand Bol - (1616-1680)
(PHILOSOPHER READING) ca 1700
Etching on thin laid paper attached to support sheet at the top sh...
Category
Old Masters 18th Century Art
Materials
Etching
Beetle Engraving
Located in New York, NY
Seba, Albertus.
Locupletissimi rerum naturalium thesauri accurata descriptio, et iconibus artificiossimis expressio, per universam physices historiam.
Amsterdam, Wetsten, Smith, Jans...
Category
18th Century Art
Materials
Laid Paper
Map of Biblical Jerusalem
Located in New York, NY
Original copper engraving hand-colored at the time of publication. Nuremberg, 1720.
Category
18th Century Art
Materials
Paper
Mr. Garrick in the Character of Richard the 3rd - FINE IMPRESSION
Located in Santa Monica, CA
WILLIAM HOGRTH (1697 - 1764)
MR. GARRICK IN THE CHARACTER OF RICHARD THE 3RD (Shakespear Act 5 Scene 7)
(Paulson 1970.165 ii/ii; Paulson 1989.165 ii/ii;, Dobson and Armstrong p. 20...
Category
Old Masters 18th Century Art
Materials
Etching, Engraving
El Vergponzoso (The Shamefaced One)
Located in Fairlawn, OH
El Vergponzoso (The Shamefaced One)
etching & aquatint, 1799
Unsigned (as are all Goya etchings)
From: Los Caprichos, Plate 54
From the First Edition, pri...
Category
Old Masters 18th Century Art
Materials
Aquatint
View of Piazzo San Marco in Venice
Located in New York, NY
Engraving of Veduta della Piazza di S. Marco, versoil Canale by Pierre van der Aa. Printed in 1722. Unsigned. Unframed. Image size, 11 x 13 5/8 in. Has the original center crease.
Category
18th Century Art
Materials
Paper
Adoration of the Shepherds
By Peter Paul Rubens
Located in New York, NY
Adoration of the Shepherds after Peter Paul Rubens (Flemish, 1577-1640), engraved by Pierre-Franois Basan (French, 1723-1797), engraving, c. 1750, in black on ivory laid paper, 282 x 200 mm., with small margins. In very good condition.
A fine proof impression, before letters. A draft printing of letters is visible, lower left, below image: “P P Rubens inv.”; lower right: “F. Basan excudit”.
Basan’s engraving after Rubens may be modeled after another engraving of the Adoration after Rubens by Theodor Galle (1571-1633), which appeared as an illustration to the 1618 reprint of 1616 edition of “Missale Romanum...
Category
Old Masters 18th Century Art
Materials
Engraving
'The Deluge' from 'The Temple of the Muses' — 18th Century Engraving
Located in Myrtle Beach, SC
Bernard Picart, 'The Deluge' from 'The Temple of the Muses', engraving, 1730. Signed in the plate and dated
'1730' lower left. Titled in French, English, German, and Dutch. A superb...
Category
Baroque 18th Century Art
Materials
Engraving
'The Death of Hercules' from 'The Temple of the Muses' — 18th Century Engraving
Located in Myrtle Beach, SC
Bernard Picart, 'The Death of Hercules' from 'The Temple of the Muses', engraving, 1730. Signed in the plate, lower left. Titled in French, English, German, and Dutch. A superb, rich...
Category
Baroque 18th Century Art
Materials
Engraving
Armadillo and Flowering Plant Engraving
Located in New York, NY
Seba, Albertus.
Locupletissimi rerum naturalium thesauri accurata descriptio, et iconibus artificiossimis expressio, per universam physices historiam.
Amsterdam, Wetsten, Smith, Jans...
Category
18th Century Art
Materials
Laid Paper
Engraving of a Female Sculpture
Located in New York, NY
Original engraving by Francesco Piranesi from "Raccolta di Statue Antiche." Rome, 1780-1792.
Category
18th Century Art
Materials
Laid Paper
Landscape with Figures in the English Countryside
Located in Fairlawn, OH
Landscape with Figures in the English Countryside
Pen, ink and graphite with gray and brown washes on laid watermarked paper, c. 1740
Signed by the artist lower left of image: "Chatelain fecit" (see photo)
A finished drawing, signed by the artist, showing his inspiration by Claude Lorain (1600 or 1604/5-1682)
Provenance: Mathias Komor Works of Art
Mary Whelan Prue Warburg (1909-2009)
Mary Whelan Prue Warburg (1909-2009), widow of Edward M.M. Warburg, founding Trustee and Board member of MoMA (1932-1958); Metropolitan Museum of Art Honorary Trustee 1983-1992
Regarding the artist:
"Topographical draughtsman and printmaker; son of Huguenot parents named Phillippe (he probably took name Chatelain later), worked and died in London in 1758 (not 1771 as stated by earlier authorities).
Chatelain worked for notable London publishers, including John Rocque, Francis Vivares and Arthur Pond...
Category
Romantic 18th Century Art
Materials
Ink
Planiglobii Terrestris Mappa Universalis / Mappe Monde
By Homann Heirs
Located in New York, NY
This map was printed from a copperplate engraving in 1746. The printed image size is 18.25 x 21.75 inches (46.3 x 55.2 cm) plus margins.
An attractive double hemisphere map...
Category
Other Art Style 18th Century Art
Materials
Engraving
Landscape with Marching Soldiers
Located in Chicago, IL
Etching from the Six Landscapes
Category
18th Century Art
Materials
Etching
The Column of Marcus Aurelius
Located in Chicago, IL
A fine impression with the address of the artist (Autore, Strada Felice) and the price (Paoli 2 1/2) as well as Hind Watermark no.3 (Fleur-de-lys-in-a-Double-Circle), all correspondi...
Category
18th Century Art
Materials
Etching
The Gamesters. The Fortune Teller.
Located in New York, NY
THE GAMESTERS and THE FORTUNE TELLER.
A wonderful pair of color printed mezzotint engravings after paintings by the Rev. Matthew William Peters, R....
Category
English School 18th Century Art
Materials
Mezzotint
Hand-Colored Madagascar Parrot Engraving
Located in New York, NY
Original engraving, hand-colored at the time of publication, after the work of George Edwards from "Sammlung verschneider auslandischer und seltener Vogel" by Johann Michael Seligmann. Tab IX. Le Perroquet...
Category
18th Century Art
Materials
Laid Paper
An Architectural Capriccio with the Preaching of an Apostle
By Giovanni Paolo Panini
Located in New York, NY
Provenance: Santambrogio Antichità, Milan; sold, 2007 to:
Filippo Pernisa, Milan; by whom sold, 2010, to:
Private Collection, Melide, Switzerland
De Primi Fine Art, Lugano, Switzerland; from whom acquired, 2011 by:
Private Collection, Connecticut (2011-present)
Literature: Ferdinando Arisi, “Ancora sui dipinti giovanili del Panini,” Strenna Piacentina (Piacenza, 2009): pp. 48, 57, 65, fig. 31, as by Panini
Ferdinando Arisi, “Panini o Ghisolfi o Carlieri? A proposito dei dipinti giovanili,” Strenna Piacentina, (Piacenza, 2010), pp. 100, 105, 116, fig. 101, as an early work by Panini, a variant of Panini’s painting in the Museo Cristiano, Esztergom, Hungary.
This architectural capriccio is one of the earliest paintings by Giovanni Paolo Panini, the preeminent painter of vedute and capricci in 18th-century Rome. The attribution to Panini has been endorsed by Ferdinando Arisi, and a recent cleaning of the painting revealed the artist’s signature in the lower right. Like many of his fellow painters working in Rome during his day, Panini was not a native of the Eternal City. He first trained as a painter and stage designer in his hometown of Piacenza and moved to Rome at the age of 20 in November 1711 to study figure painting. Panini joined the workshop of Benedetto Luti (1666-1724) and from 1712 was living on the Piazza Farnese. Panini, like many before and after him, was spellbound by Rome and its classical past. He remained in the city for the rest of his career, specializing in depicting Rome’s most important monuments, as well as creating picturesque scenes like this one that evoked the city’s ancient splendor.
The 18th century art historian Lione Pascoli, who likely knew Panini personally, records in his 1730 biography of the artist that when Panini came to Rome, he was already “an excellent master and a distinguished painter of perspective, landscape, and architecture.” Panini’s earliest works from this period still show the evidence of his artistic formation in Piacenza, especially the influence of the view painter Giovanni Ghisolfi (1623-1683). However, they were also clearly shaped by his contact in Rome with the architectural capricci of Alberto Carlieri...
Category
Old Masters 18th Century Art
Materials
Oil, Canvas
A NEW MAP OF THE WORLD from the Latest Observations.
By John Senex
Located in New York, NY
The title continues “…. Most Humbly Inscribd [sic] to his Royal Highness George Prince of Wales.”
A fine British produced double hemisphere world map. On this map, California is shown as an island on the main double hemisphere map...
Category
Other Art Style 18th Century Art
Materials
Watercolor, Engraving
Landscape
By Cornelis Ploos van Amstel
Located in New York, NY
Original engraving by old master print-maker Ploos Van Amstel after Jan van Goyen. Holland, 1767. Unframed. Trimmed to size.
Category
18th Century Art
Materials
Paper
Insect Engraving
Located in New York, NY
Seba, Albertus.
Locupletissimi rerum naturalium thesauri accurata descriptio, et iconibus artificiossimis expressio, per universam physices historiam.
Amsterdam, Wetsten, Smith, Jans...
Category
18th Century Art
Materials
Laid Paper
Italian Banquet
Located in Chicago, IL
A very good impression of the published state of this work after Nicholas Lancret (1690-1743), painter of “Fetes Galantes.” Mercure de France announce...
Category
18th Century Art
Materials
Etching
Landscape with Cattle
Located in Chicago, IL
verso: signed and dated "H. Tavernier, 1779"
Category
18th Century Art
Materials
Watercolor
Landscape
By Albert Meyeringh
Located in Chicago, IL
signed in plate
Category
18th Century Art
Materials
Etching
Landscape with Barge
Located in Chicago, IL
signed in plate
Category
18th Century Art
Materials
Etching
Nouvelle Mappe Monde, dediee au progres de nos connoissances.
Located in New York, NY
A handsome and well-engraved world map constructed with the prime meridian through Paris. The hemispheres are rotated through 45 degrees. This is an unusual projection for a world map and was based on the work of the French Academie Royale des Sciences. This particular impression is by Remondini who re-issued Santini's "Atlas Univ." in 1784. "Nouvelle Mappe Monde" is a copper plate engraving published by Giuseppe Remondini, Venice. The printed image size is just over 15 x 25 inches. Overall the map is in good condition with three small tears at the paper edge - all repaired. Modern (not 18th...
Category
Other Art Style 18th Century Art
Materials
Watercolor, Engraving
Leopards and Mole Engraving
Located in New York, NY
Original engraving with later hand-coloring from "Locupletissimi rerum naturalium thesauri accurata descriptio, et iconibus artificiossimis expressio, per universam physices historia...
Category
18th Century Art
Materials
Laid Paper
Portrait of a Gentleman
Located in New York, NY
Pen, black ink, wash, and white heightening on blue paper
Provenance:
with F. R. Meatyard, London, around 1925; where acquired by:
Dan Fellows Platt, Englewood, New Jersey; by descent to his wife:
Ethel Bliss Platt; by whom given to:
The Princeton University Art Museum; by whom consigned to:
Schaeffer Galleries, New York, 1944; where acquired by:
Wilhelm Suida; thence by descent to:
Robert L. and Bertina Suida Manning, New York, 1959-1996
Private Collection, USA
Literature:
Janos Scholz, “Italian Drawings in The Art Museum, Princeton University,” The Burlington Magazine, vol. 109, no. 770 (May 1967), pp. 296, 299.
Elaine Claye, “A Group of Portrait Drawings by Jacopo Amigoni...
Category
Old Masters 18th Century Art
Materials
Ink, Paper, Pen
Breaking Wave - Venice Beach, California – Anthony Friedkin, Ocean, Wave, Water
Located in Zurich, CH
Anthony FRIEDKIN (*1949, America)
Breaking Wave, Venice Beach, California, U.S.A., 1978
Silver Gelatin Print, later print
40.6 x 50.8 cm (16 x 20 in.)
Edition of 25
Print only
Born 1949 in Los Angeles, USA, Friedkin currently lives and works in Los Angeles.
Anthony Friedkin uses his camera as a means of personal discovery. His full frame black & white photographs explore the many mysteries of moments in time. He creates his own distinctive exhibition prints in his darkroom. He says of his work, “I believe in extraordinary photographs that draw you in and cannot be easily defined-celebrating perception and its many hidden layers of reality”.
Informed by the works of Atget, Kertesz, and Josef Koudelka...
Category
Contemporary 18th Century Art
Materials
Silver Gelatin
Snapdragons and Carnation by Michael Bernhard Valentini, 1719
Located in New York, NY
Pair of original engravings with later hand-coloring from Viridarium Reformatum Seu Regnum Vegetabile... by Michael Bernhard Valentini.
Tab. XXVII [Snapdragons and Throatwort] and ...
Category
18th Century Art
Materials
Laid Paper
Ostrich, Porcupine and Hedgehog Engraving
Located in New York, NY
Original engraving with later hand-coloring from "Locupletissimi rerum naturalium thesauri accurata descriptio, et iconibus artificiossimis expressio, per universam physices historia...
Category
18th Century Art
Materials
Laid Paper
New Map of the Terraqueous Globe - WORLD MAP - CALIFORNIA AS AN ISLAND
By Edward Wells
Located in Santa Monica, CA
EDWARD WELLS (British 1667- 1727)
A NEW MAP of the TERRAQUEOUS GLOBE - according to the latest Discoveries and most general Divisions of it into CONTINENTS and OCEANS, 1700-01 (Shirley 609)
Engraved by Michael Burghers, Oxford. Hand-colored, Platemark 14 1/4 x 20 1/8 inches. Central cartouche flanked by figures representing the continents with dedication to William, Duke of Gloucester...
Category
Old Masters 18th Century Art
Materials
Engraving
Explorator
Located in Myrtle Beach, SC
Giovanni Domenico Campiglia, 'Explorator', engraving, 1734, edition unknown, scarce. Signed 'Dom. Campiglia del.' in the matrix, lower left. A fine impression, on handmade antique, l...
Category
Realist 18th Century Art
Materials
Engraving
"A BRISK GALE" and "A MODERATE GALE"
Located in Portland, ME
Canot, P.C. (French, worked in England, 1710-1777), after Willem van de Velde and Ludolph Bakhuizen. "A BRISK GALE" and "A MODERATE GALE," engravings, ...
Category
18th Century Art
Materials
Engraving
Old Surfboard, Topanga Beach, California, U.S.A. – Anthony Friedkin, Beach, Surf
Located in Zurich, CH
Anthony FRIEDKIN (*1949, America)
Old Surfboard, Topanga Beach, California, U.S.A., 1977
Silver Gelatin Print, later print
40.6 x 50.8 cm (16 x 20 in.)
E...
Category
Contemporary 18th Century Art
Materials
Silver Gelatin
THE COMMON BUZZARD
By Peter Mazel
Located in Portland, ME
(Mazell, Peter). THE COMMON BUZZARD after Charles Collins. Engraving with hand-coloring, c. 1766. A plate from The British Zoology, London 1777. Titled in the plate, top, and with th...
Category
18th Century Art
Materials
Engraving
Flowering Cactus Engraving
Located in New York, NY
Original engraving by Johann Wilhelm Weinmann from "Phytanthosa Iconographia." Ratisbon, 1737-1745.
This plate: Cereus Minimus Serpens Americanus. [Cactus].
Mezzotint engraving print...
Category
18th Century Art
Materials
Laid Paper
View of Rialto Bridge in Venice
Located in New York, NY
Engraving of Veduta della Piazza, verso la Chiesa di S Marco by Pierre van der Aa. Printed in 1722. Unsigned. Unframed. Image size, 13.5"L x 10.5"H. Has the original center crease an...
Category
18th Century Art
Materials
Paper
THE PORTRAITURE OF LAMPREY
By Richard Houston
Located in Portland, ME
Houston, Richard. THE PORTRAITURE OF LAMPREY. Engraving with hand-coloring, 1755, by Houston after the painting by James Seymour. 11 3/4 x 13 7/8 inches, plus full margins. In excell...
Category
18th Century Art
Materials
Engraving
Portrait of a Gentleman
Located in New York, NY
Circle of Jacques-Louis David
(French, 18th Century)
Provenance:
Private Collection, Buenos Aires
Exhibited:
“Art of Collecting,” Flint Institute of Art, Flint, Michigan, 23 November 2018 – 6 January 2019.
This vibrant portrait of young man was traditionally considered a work by Jacques-Louis David, whose style it recalls, but to whom it cannot be convincingly attributed. Rather, it would appear to be by a painter in his immediate following—an artist likely working in France in the first decade of the nineteenth century. Several names have been proposed as the portrait’s author: François Gérard, Louis Hersent, Anne-Louis Girodet (Fig. 1), Theodore Gericault, and Jean-Baptiste Wicar, among others. Some have thought the artist Italian, and have proposed Andrea Appiani, Gaspare Landi...
Category
Old Masters 18th Century Art
Materials
Canvas, Oil
Les Plaisirs du Bal [before 1st State] (The Pleasures of the Ball)
By (After) Jean-Antoine Watteau
Located in Chicago, IL
Les Plaisirs du Bal (before 1st State), 1730
The Pleasures of the Ball
Pure etching only by Gérard Jean-Baptiste Scotin II (born Paris 1698)
495 x 640 mm.; 19 3/8 x 25 1/8 inches
...
Category
Old Masters 18th Century Art
Materials
Etching
El Vergonzoso (Plate 54) (Los Caprichos Series)
Located in London, GB
Francisco Jose Goya Y Lucientes
El Vergonzoso (Plate 54)
(Los Caprichos Series)
1799
Etching with aquatint
31.5 x 20.5 cms (12.4 x 8.1 ins)
Category
18th Century Art
Materials
Etching
Obelisco Egizio (Egyptian Obelisk) from Vedute di Roma Etching by Piranesi
Located in New York, NY
Obelisco Egizio from "Vedute di Roma" by Giovanni Battista Piranesi.
2nd Roman state, 1759-1778. Etching on laid paper with a watermark of a Fleur-de-L...
Category
18th Century Art
Materials
Paper
Hell Gate / Oyster Bay and Huntington / Huntington Bay
Located in New York, NY
HELL GATE / OYSTER BAY AND HUNTINGTON / HUNTINGTON BAY. This aquatint and line engraved map was published according to Act of Parliament Novr. 19th, 1778.
T...
Category
Naturalistic 18th Century Art
Materials
Engraving, Aquatint
The Courtesan Midorigi
By Chokosai Eisho
Located in Fairlawn, OH
Signed: Eisho zu
From the series: "Contest of Beauties in the Pleasure District" (Kakuchi bijin-kurabe)
Format: Oban
Publisher: Yamaguchi ya Chusuke
The courtesan Midorigi of the Wakamatsu ya bordello depicted against a decorated ground, holding an ornamental sculpture of an ox.
Eisho Chokosai was a pupil of Eisho Hosoda, and is also known as Eisho Hosoda.
Reference: Richard Lane...
Category
18th Century Art
Materials
Woodcut
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