1930s Art

Original vintage drink advertising poster for Biere Phenix featuring a colourful design by the French artist Leon Dupin (1898-1971) of a smiling sailor wearing a blue and white strip...

Africa - Women in Conversation is an original artwork realized by Emmanuel Gondouin (Versailles, 1883 - Parigi, 1934) in 1930s. Origina Lithograph, part of a collection entitled "A...

The Caricature is an original drawing pencil realized by a Italian Anonymous artist. Dated 1936 Sheet dimension: 23.5 x 32.5 cm Hand-signed "Nisco" on the lower right and dated 193...

This is the Business Card "M.r & M.me Paul Valéry ", with autograph notes in French. to the Countess Anna Laetitia Pecci Blunt. Original envelope included...

This Correspondence by Arturo Tosi to the Countess Anna Laetitia Pecci Blunt is composed of three Autograph Letter Signed and written between 1937-38, in I...

This is a Autograph Card Signed by Giacomo Manzù to the Countess Pecci-Blunt. Milan, May 28th 1937. In Italian. One page-single-sided. Excellent condit...

Enciclopedia Italiana- T.L.S. is a Typewritten Letter Signed by Giovanni Gentile to Ugo Ojetti. Rome, November 9th 1935. In Italian. One page, single-sided. On letterhead "Istituto della Enciclopedia Italiana fondata da Giovanni Treccani , Roma". Excellent conditions, with some blue pencil signs. The Director of the Italian Encyclopedia, Giovanni Gentile, writes to Ugo Ojetti, one of the institute members, to assure the Countess Pecci-Blunt that Villa Marlia will be mentioned under the entry "Villa" in the encyclopedia. The Ugo Ojetti's business card is attached and reports Ojetti's autograph notes of greetings. Giovanni Gentile (Castelvetrano, 1875 - Florence, 1944) Italian philosopher, pedagogist, politician and academic, Giovanni Gentile, together with Benedetto Croce, was one of the greatest exponents of Italian philosophical neo-idealism and idealism, as well as an important protagonist of Italian culture in the first half of the twentieth century, co-founder of the Institute of Encyclopedia Italiana and, as minister, creator, in 1923, of the reform of public education known as the Gentile Reform. Unfortunately, he was also a leading figure of Italian fascism...

Jacques Chastenet de Castaing (Paris, 1893- 1978) was a French historian, diplomat and politician. Co-director (1932-42) of “Le Temps”, he wrote “Wellington”, “Le siècle de Victoria...

Autograph postcard written by Renato Guttuso to the Countess Anna Laetitia Pecci-Blunt. On the front, there is a black and white reproduction of a Neapolitan breathtaking landscape. ...

This is a Business Card by Guido Piovene with Autograph notes in black ink. Venice, July 15th 1935. On a cardboard business card (cm 6.2 x 8.5). Excellent condition, perfecly readable, including the original envelope (cm 10.3 x 16.8). It is curious to note that the young journalist , Guido Piovene (Vicenza, 1907 - London, 1974), cancels the title of Count on this business card he sends to the Countess Pecci-Blunt. And Piovene adds heartfelt thanks and greetings by hand. The background: Four year before this correspondence, in 1931 Piovene published his first short stories in The Merry Widow, printed by the Buratti brothers. It took ten years for Piovene to publish his second work, Letters from a novice. But the Italian writer and journalist will be always remembered for his travel reportages: like "Viaggio in Italia" (1957), the most famous literary guide of the Bel Paese...

Letter addressed to Mino Maccari, signed by Arrigo Benedetti. Fagnano, 12 November 1934. 1p. with adjustments and developments. "The usual notes. Fool or courtiers". Important letter that describes the role and the hesitation of the man of culture during the fascist period, when the Mussolini's dictatorship becomes intransigent and the thought and press freedom fell severely in crisis. "I have a few ideas, but confuse", Ennio Flaiano...

Leopold Survage (1879-1968) Untitled (Woman Standing) Graphite on paper, 1933 Signed in pencil by the artist: Survage Signed with the estate stamp lower right Signed in pencil "LS" f...

This Setof Autographs by Fausto Pirandello is addressed to the Countess Pecci-Blunt and to Silvio Perina, Written in Italian, from 1938 to 1957, is composed of 9 items, perfectly r...

André Derain - Ovid's Heroides Original Etching Edition of 134 Dimensions: 32 x 25 cm Ovide [Marcel Prevost], Héroïdes, Paris, Société des Cent-une, 1938...

André Derain - Ovid's Heroides Original Etching Edition of 134 Dimensions: 32 x 25 cm Ovide [Marcel Prevost], Héroïdes, Paris, Société des Cent-une, 1938 Andre Derain was born in 1...

André Derain - Ovid's Heroides Original Etching Edition of 134 Dimensions: 32 x 25 cm Ovide [Marcel Prevost], Héroïdes, Paris, Société des Cent-une, 1938 Andre Derain was born in 1...

Wood engraving, 1930, edition small, Physick 642 / 643. Initialed in pencil. Two blocks printed on a single sheet: fine impressions on cream laid Japan with full margins (1 1/2 to 2...

André Derain - Ovid's Heroides Original Etching Edition of 134 Dimensions: 32 x 25 cm Ovide [Marcel Prevost], Héroïdes, Paris, Société des Cent-une, 1938 Andre Derain was born in 1880 in Chatou, an artist colony outside Paris. In 1898, he enrolled in the Academie Carriere in Paris where he met Matisse. He attended art school and in 1900, set up a studio with Maurice deVlaminck. After his military service from 1900-1904, Derain exhibited his work at the Salon des Independants and then at the Salon d'Automne with Matisse, Vlaminck and others, thus creating the movement of Fauvism.He worked with Henri Matisse in 1905 at Collioure, and participated in the 1905 Salon d’Automne with Matisse, Vlaminck, and Braque, the exhibition in which this group was labeled as Fauves, or Wild Beasts. Along with Vlaminck, Derain was one of the first artists to collect the tribal art of Africa which was influential to many of the artists of the early 20th century. In 1906, Derain met Picasso and his dealer, who purchased Derain's entire studio, creating newfound financial success. During this time, he was hired for the illustrations for works by Guillaume Apollinaire and Andre Breton. After World War I, his friend's Cubism movement affected his art, along with influence from Classicism and African Art. Derain stayed in Paris during most of the Occupation, where he was esteemed by the Nazis because of his artistic integrity. Hitler's Foreign Minister commissioned him to paint a family portrait, but he politely refused. His popularity began to decline after the war because of disagreement over new artistic movements. He later lost most of his eyesight due to illness, which may have been the reason he was hit by a truck in 1954, dying from shock at the age of 74. Derain’s Fauve paintings are typically bright with intense color. Influenced by the work of Cézanne as well as the early Cubist paintings of Picasso and Braque’s, Derain’s style changed and by 1912, the paintings became more traditional and structured. For the remainder of his career, he continued to investigate different compositional methods including the perspective of Cézanne and the pointillism of Seurat. He also designed ballet sets and made a number of sculptures. At the turn of the century, Andre Derain exhibited at the radical Fauve Salon d’Automne (1905) and was one of the founding members of the Fauvist movement together with his life-long friends Matisse and Vlaminck. The works he produced in this period, often under the guidance of Matisse, have been counted among the masterpieces of Fauvism. From around 1918, Derain turned his back on the avant-garde and had begun to explore some of the more traditional genres of Western art, including landscapes. His main source of inspiration once the Fauves group had dispersed was found in the Louvre, where he admired the early Renaissance works in particular. Talking of his frequent visits there, he once said, ‘That seemed to me then, the true, pure absolute painting.’ His work evolved through many styles and, most significantly, turned back to the past, particularly after 1922 when Lenin had publicly pronounced his disdain for abstract art. Derain built up an immense and fascinating collection of paintings, sculpture and objets d’art throughout his life which aided his experimentation and was reflected in his work between 1930 and 1945. During these years, his painting technique displayed the most avenues of invention, using a repertoire of primitivist motifs. His eclectic collection was constantly changing. In 1930 he sold his African collection in exchange for bronzes of antiquity and the Renaissance which indicated a real change of interest in the objects, as did his later pursuit of Greek ceramic painting and his enthusiasm for grand cycles of literary and antique themes...

This is the Autograph Postcard Signed by Plinio Nomellini to Beppe Guzzi. Impruneta, June 22nd 1931 - IX. One page-double-sided. In Italian. Excellent condition, except for aging signs. Informative postcard: the Italian painter of Divisionism, Plinio Nomellini is sending to Beppe Guzzi an artwork reproducing a wave for an eventual exhibition and ask him to fill in a technical form. The background: During the period of this correspondence, Beppe Guzzi (Genoa, 1902 - Rome, 1982) knows his success: from 1930 to 1954 he partecipates to 11 editions of the Venice Biennale and from the third edition 6 times at the Rome Quadriennale, being awarded during the VII edition, as well as he realizes exhibitions in Livorno. From here Guzzi calls Nomellini for a collective exhibition. Plinio Nomellini (Livorno, 1866 –Firenze, 1943) The Italian painter of the Divisionist mouvement, Plinio Nomellini, in 1885 enrolled at the Florence Academy of Fine Arts, where he was the pupil of Giovanni Fattori and formed friendships with Telemaco Signorini and Silvestro Lega...

Nude is an original drawing in pencil on paper realized by Jeanne Daour . The state of preservation is good and aged. Sheet dimension:52.5 x 37.5 cm The artwork represents a seate...

Image dimensions: 6.5 x 11 - 8.5 x 10 cm. Scarabei Tropicali (Tropical Beetles) is an original artwork realized by the great Italian engraver and poet Luigi Bartolini in 1930. V...

André Derain - Ovid's Heroides Original Etching Edition of 134 Dimensions: 32 x 25 cm Ovide [Marcel Prevost], Héroïdes, Paris, Société des Cent-une, 1938 Andre Derain was born in 1...

Erotic Drawing n. 17 is an original black China ink drawing on "British" ivory-colored paper. Hand-signed "Vertés" in black China ink on the lower righ...

André Derain - Ovid's Heroides Original Etching Edition of 134 Dimensions: 32 x 25 cm Ovide [Marcel Prevost], Héroïdes, Paris, Société des Cent-une, 1938...

Couple of Lovers is a superb original pencil drawing on cream-colored paper made in 1932 by the Italian artist Ildebrando Urbani. Hand-signed in capital letters and dated in pencil ...

Jean Cocteau White Book - Autobiography about Cocteau's discovery of his homosexuality. The book was first published anonymously and created a scandal. Original Handcolored Lithograp...

Original etching from the portfolio "Les Métamorphoses d'Ovide" realized by Pablo Picasso in 1930 and published by Skira. Edition of 145 copies. Very good conditions. Re. Bloch p....

"Meditation" is an original linoleum print by Schomer Lichtner, signed in the lower right hand corner. It features a man in the middle of a project, in quiet meditation. Image: 6" x 8" Framed: 14.5" x 14.37" Lichtner and his wife, Ruth Grotenrath (1912-1988), are celebrated as Milwaukee’s first couple of painting and are regarded as major Wisconsin artists. Lichtner’s impressive production, perseverance, longevity, and positive approach to his life and art made him and his work distinctive and much loved by his many admirers. His work is currently represented in collections at the Milwaukee Art Museum, the John Michael Kohler Art Center, the West Bend Museum, and in the collections of many individuals. Books on the lives and art work of both Lichtner and Grotenrath are in progress and it is anticipated that they will be published next year. Recipient of the 2006 Wisconsin Visual Artist Lifetime Achievement Award The late Milwaukee artists, Schomer Lichtner and Ruth Grotenrath, created original silkscreen prints as a part of their Christmas celebration starting in the 1940's. The subjects and colors varied from year to year but they laboriously printed these little gems themselves. Ruth Grotenrath, 1912-1988, and her husband, Schomer Lichtner, (1905-2006), are celebrated as Milwaukee’s first couple of painting and are regarded as major Wisconsin artists. From the outset, Lichtner and Grotenrath were determined to become full-time artists. Ruth Grotenrath and Schomer Lichtner began their careers by creating numerous murals for the WPA (Work Projects Administration), primarily post offices. A wonderful example can be seen in the Sheboygan, Wisconsin post office. Even during the Great Depression they worked producing Post Office murals under the Treasury Department's Section of Fine Arts (SFA). According to James Auer, former Milwaukee Journal Sentinel art critic, "As art and economic trends evolved, the couple’s palettes brightened and warmed. Both fell under the spell of the Mexican social realists, notably Diego Rivera, and modernists such as Matisse and Dufy. The couple’s perspective changed further after they became friends with philosopher Alan Watts...

artist: Adrien Barrere (1877-1931) title: Passing the Bar medium: Lithograph paper size: 19.75 x 25.50 image size: 18 x 24.25 French caricaturist...

Nsu Quick Advertising is an original illustration realized at the beginning of the XX century, in the 1930s. Good condition- Glued on black cardboard (21 x 14.7 cm). This little ...

Horse is an original artwork realized by the American artist Helen Norton in 1930. Original drypoint on paper. Hand-signed and dated in pencil by the artist on the lower right corne...

"White Horse" is an original wood engraving by Howard Thomas, signed in the lower right hand corner. A white horse trots past the foreground of the image, spirals in it's eyes and sp...

Autograph Letter Signed, on headed paper "61, Rue Caulaincourt", with initial and sentence "Chère Amie", painted in watercolours and decorated with tears, including an envelope with ...

Image dimensions: 19 x 15.6 cm. The Carriage is an original work realized by Gaston Pastre in the first half of the XX Century. Black ink and pencil. Hand-signed in inck on the lower right corner: G. Pastre. Very good conditions. Fresh and smart work representing a carriage in the streets between two rows of ancient high buildings. This work has been realized by Gaston Pastre (1881 - 1947) a French painter, xilographer and illustrator. Among his other works, he illustrated "Le Livre de demain" (edition Fayard), "Les diaboliques...

In Good Company is an original pencil drawing on paper, realized by the French artist Paul Garin (Nice, 1898-1963) in the 1950s. Black ink stamp on t...

Boccio is an original pencil drawing on cream-colored paper made by the Italian artist Ildebrando Urbani (1901 - 1985) in 1932, as the artist reports in pencil on the lower right mar...

Portrait of a Man is a beautiful original pencil drawing on cream-colored paper made by the Italian artist Ildebrando Urbani (1901 - 1985). Realized by a skilled hand, this double-sided sheet composed by a male profile with hat on the recto and on the verso two male portraits with hats...

The Horse and the Dancer is an original etching realized by Théodore Strawinsky in 1932. Hand signed and dated in pencil on the lower right margin, edition of 15 prints. Very good co...

Ritratti is a beautiful original pencil drawing on cream-colored paper made by the Italian artist Ildebrando Urbani (1901 - 1985) in 1933. Realized by a skilled hand, this rapid ske...

La Danse is a poetic and colorful lithograph realized by Emile Deschler. This Modern artwork representing a scene of a gala danse, is signed on plate on lower right corner, under th...

The background and the portrayal of the artist: Heir to the 19th Century artistic tradition, Carlo Carrà lived through and participated in all the avant-garde art movements of the 20...

Linocut on Daragnès paper, Edition of 25 Paper size: 52 x 33 cms (20 1/2 x 13 ins) image size: 18.5 x 14.3 cms (7 5/8 x 5 5/8 ins)

Eric Gill, 'Naked Girl in Spray, Head Thrown Back to Left, Four Leaves' and 'Naked Girl in Spray, Head Upright, Hands Over Head', wood engraving, 1930, edit...

This drypoint from 1930 was printed in an edition of 150. It is signed in pencil just under the image in the lower left. Listed in the catalogue raisonne on Frank W. Benson by Adam Paff #303. Frank Weston Benson (1862-1951), well known for his American impressionist paintings, produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. While a teenager his fascination with drawing and birding developed simultaneously and continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...

Nu is an original etching realized by Jean Fautrier in 1937. Hand signed in pencil on lower right margin, Artist's proof. Excellent conditions. Elegant laying female figure realized...

Created in 1936, this drypoint on laid paper is stamped by the Picasso Estate Collection via Marina Picasso on verso. This work is a rare proof, aside from the numbered and signed ed...

Aristide Maillol "Femme de Torse" 1930 Charcoal on Paper Monogrammed Lower Right with Photo Certificate of Authenticity Paper Size: approx 12 x 8 7/8 inches Framed Size: approx 15.25...