19th Century Art

This architectural drawing showcases the intricate details of a classical column and entablature, focusing on the ornate pediment and frieze. The original plate was created in 1757 ...

Portrait of a Gentleman in Formal Attire French School, 19th century oil on board, framed framed: 17 x 14 inches board : 13 x 10.5 inches Provenance: private collection, Paris, Franc...

This lithograph is part of my private collection. It is limited in edition artist signed lower right and is in very good condition. Walter Becker was a German artist. Another impress...

'Alpenpflanzen' (Alpine Plants) German chromolithograph, circa 1895. Central vertical fold as issued. 240mm by 305mm (sheet)

Salon des Cent was an art exhibition in Paris that sold color posters, prints and reproductions of artwork to the general public at reasonable prices. It was established in 1894 by ...

Alfred Pollentine British, (1844-1910) The Dogana, Venice Oil on canvas, signed & further inscribed verso Image size: 15.5 inches x 23.5 inches Size including frame: 22.5 inches x 30.5 inches A lovely painting of the Grand Canal, Venice towards the Punta Della Dogana by Alfred Pollentine. The view shows the entrance to the Grand Canal with the Dogana and Santa Maria Della Salute on the right. Alfred William Pollentine was born in St Pancras, London on 26 August 1844, the son of William Pollentine, a carver gilder and picture dealer and Caroline Smith. After the death of his father in 1856, his mother married the artist Adam Barland...

"Caterina d'Alexandria (Saint Catherine of Alexandria)" is a copy oil painting on wood panel, after Italian artist Giampietrino (Giovanni Pietro Riz...

"Autumn on the Hudson River" by Hudson River School painter Arthur Parton (American, 1842-1914) is oil on canvas mounted to board. The painting measures 18 1/8 x 34 1/16 inches, and ...

Collection of Five Antique Maps each drawing : 9 x 12 inches provenance: private collection condition: very good and sound condition Description: This set of five finely detailed an...

Artist’s in-plate monogram lower left

'The Speaker' Chromolithograph, 1887. Vanity Fair portrait of The Rt. Hon. Arthur Wellesley Peel PC (1829 - 1912), who was a British Liberal politician who sat in the House of Com...

Artist Unknown, Second Quarter Nineteenth Century Ruins of the Theatre at Taormina, Sicily oil on board, partially arched top unframed: 26 x 36.5 cm (10 1/4 x 14 3/8 in) framed: 31...

Louise Marie-Jeanne HERSENT, born MAUDUIT (Paris, 1784 – Paris, 1862) A young woman reading a letter. Study figure Oil on canvas Signed and dated in the middle on the right 100 x 8...

In his oil painting entitled, “Indian Encampment at Sunset,” Ralph Albert Blakelock depicts a Native American outpost against a stunning sunset.

James Cassie was born at Keithhall near Inverurie, Aberdeenshire, the son of a prosperous tea and spirit merchant. Although briefly a pupil of the artist James Giles, Cassie was largely self-taught. He began his career as a painter of animals and portraits, but on moving to Aberdeen he increasingly turned his attention to local seascapes and coastal scenes, especially at dawn and sunset. He favored these outdoor scenes but continued to paint some domestic subjects and portraits throughout his life. In 1869 he moved to Edinburgh and was elected an associate of the Royal Scottish Academy. Shortly before his death in 1879 he was elected an Academician. This piece is framed in its original frame and the painting is signed lower right and inscribed on the reverse. From the inscription on the reverse, this painting was purchased from an important house sale...

A charming self-portrait by a young French painter in a red cap holding a paintbrush. Unsigned. Well presented in a painted wooden frame. On paper laid to board .

Moonlit Seascape, 19th Century by HENRY MOORE (1831-1895) to $45,000 19th Century nocturne of a coastal seascape, oil on canvas by Henry Moore. Excellent quality and condition ext...

William Mellor British, (1851-1931) A River Glen Oil on canvas, signed Image size: 19 inches x 29 inches Size including frame: 27.5 inches x 37.5 inches A lovely landscape painting of a river glen by William Mellor. In the foreground, the river flows over large boulders whilst sheep graze on the banks and beyond the trees in the distance. William Mellor was a landscape painter who was born in Barnsley, Yorkshire in 1851, the son of Joseph Mellor, an artist and Mary Mellor. Initially, he was employed as a loom turner in the weaving industry before becoming a professional artist. He would have received tuition from his father who clearly influenced his style and subject matter. In 1876, he married Mary Elizabeth Watson...

'St Jean D'Acre', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in the late 1830s produc...

Courtier Presenting Himself Before Elegant Ladies in Parkland French artist, circa 1800 period oil on canvas, unframed canvas: 26 x 19 inches provenance: private collection, France c...

Mute Swan is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London...

Alfred Pollentine British, (1844-1910) Santa Maria della Salute, Venice Oil on canvas, signed & dated (18)91 Image size: 15 inches x 23 inches Size including frame: 21.75 inches x 2...

A charming European street scene depicting a city gate with figures passing through. Unsigned. Presented in an ornate gilt frame with beautiful foliate details On paper.

"First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu Yoshu Colorful and expressive court scne by Toyohara Chikanobu,"Yoshu" (Japanese, 1838-1912). This is the r...

Interesting and well-drawn French late 19th-century landscape sketch in pen and ink . Emile Cagniart was born in Paris where he would remain for his sixty years. Like many young asp...

This delightful late 19th century watercolour depicting a riverside town in the Alps, with figures walking along the quiet promenade. The painting is signed and dated to the lower ri...

Oil lithograph in colors on light card stock, 3 1/2 x 2 7/8 inches (88 x 72 mm), printed to the margins, as issued. Signed and titled in another hand in ink on the mat. The image sh...

This charming portrait is a statement piece for any space. The two elegantly handsome sitters are brother and sister and are accompanied by their loyal dog. With 18th and 19th centu...

"West Point from the East Bank of the Hudson" Antique Drawing on Paper Delicate and detailed drawing by Hartford, Connecticut artist Edward Watkins Wells (1819-1898) The viewer looks out past a gate at the Hudson River, with its characteristic mountain banks. A shepherd is driving a flock of sheep towards the gate and viewer. The scene appears to have been copied from a drawing book published in 1827, based on the inscription at the bottom edge. Presented in white archival mat Mat size: 12"H x 12"W Paper size: 7.5"H x 9.25"W Notes of interest on Edward Watkinson Wells Our most significant acquisition this year came from a dealer in Philadelphia. It is a 450-page diary written over 10 years (1841-1851) by Hartford artist and dilettante Edward Watkinson Wells (1819-1898), one of the many nephews of our founder, David Watkinson (1778-1857). Edward was immersed in Hartford’s cultural life in the 1840s, exhibited his works at local fairs and gave lessons to the locals. He portrays an active involvement with with his large extended family, which often crossed and re-crossed the other prominent families of Hartford (i.e., Barnard, Channing, Dexter, Ely, Gallaudet, Gill, Goodrich, Hudson, Rockwell, Silsbee, Tappan, Terry, Tracy, Trumbull, Van Renselaer, and Wadsworth). Edward describes dancing and costume parties, soirees, teas, dinners, and receptions in private homes and public venues. He meets Charles Dickens and his wife when they come through Hartford in 1842, and describes brushes with other luminaries, such as Col. Thomas L. McKenney (who lectures on American Indians), and the Unitarian clergyman Rev. Henry Giles, who gave a pro-Irish speech. Other entertainments included a balloon ascension, exhibitions of mesmerism and hypnotism, parades, and performances by well-known groups. He also chronicles the progression of the construction of the Wadsworth Atheneum, and touches on his father’s far-reaching interests in the business world–canals, railroads, factories, and real estate. The cost of this valuable document of mid-19thC Hartford was generously underwritten entirely by a member of the Watkinson Trustees. Trinity College and the Watkinson Virtual Library has content on Edward Watkinson Wells. Yale College also: Edward Watkinson Wells also kept a diary, of which three volumes are preserved (folder 32). He describes a trip by steamboat to Florida, ca. 1855-1860, and the social life and customs he observed there. The other two volumes detail his daily life in Hartford during 1856-1860, and record the deaths of his father and David Watkinson in 1857. Other items contained in the William Wells...

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 19.25 INCHES X 31.25 INCHES** John Charles Maggs British, (1819-1896) Highway Robbery & After the Robbery Oil on canvas, pair, both signed & one dated 1884 Image size: 13.5 inches x 25.5 inches (each) Size including frame: 19.25 inches x 31.25 inches (each) A dramatic pair of coaching paintings...

Canvas size: 57 3/4 x 45 1/2 inches A striking and impressive French Academic painting in a high quality Italian style gold leaf frame. Gorguet was an Academic French artist who was trained by Boulanger, Gerome, Bonnat and Morot. His academic training was so strong that he was asked by the Opera House to illustrate many of their posters and he made his living illustrating many books of the time. In the market today this is most of what circulates and comes to light by the artist. He was ultimately made a professor of Drawings at L’Institut. However, Gorguet was also a Symbolist artist and did works aligned with the Art Nouveau movement. Many of these works are quite impressive but rarely have surfaced in the art market. Jupiter and Mercury Received by Philemon and Baucis is more of an Allegorical work and Gorguet switched gears to do a painting which would garner International attention at the important Concourse du Prix de Rome competition. 1891 was a year where the competition would be stiff and he knew he had to do an impressive painting with a compelling historical or allegorical content. In this painting, Gorguet is depicting their Jupiter and Mercury’s arrival at their home and the indication that Philemon and Baucis will share what they have with them despite their poverty-stricken means. The technical execution of this work is exceptional as the figurative work is done masterfully and any small detail within the canvas demonstrates tremendous attention of subtlety of tone and modeling. An example is the strand of cloth that crosses Jupiters chest and the delicate shades of pink and gray and how it is modeled. More than ever, the academic artists of this period are to be appreciated for the quality and creativeness of their work. And the timelessness of these classical allegories are still applicable to our lives today. So we predict a turn back toward work like this as qualitatively we know it will never be done again. Story of Jupiter and Mercury Visiting Philemon and Baucis (one interpretation) According to ancient Roman mythology and Ovid's Metamorphoses (8.631, 8.720.), Philemon and Baucis had lived out their long lives nobly, but in poverty. Jupiter, the Roman king of the gods, had heard of the virtuous couple, but based on all his previous experiences with humans, he had serious doubts as to their goodness. Jupiter was about to destroy mankind but was willing to give it one final chance before starting over again. So, in the company of his son Mercury, the wing-footed messenger god, Jupiter went about, disguised as a worn and weary traveler, from house to house among the neighbors of Philemon and Baucis. As Jupiter feared and expected, the neighbors turned him and Mercury away rudely. Then the two gods went to the last house...

This charming British Victorian genre oil painting is by attributed to noted exhibited artist Henry Turner Munns. Painted circa 1870 the composition is of a baby by a hearth, asleep ...

Provenance Milch Galleries, New York; Mr. and Mrs. Franklin Biggs, Middleton, Delaware (by 1983); Coe Kerr Gallery, New York; Ira and Nancy Koger (acquired from the above, 1984); Pri...

Born in Valencia, Spain in 1845, 19th century impressionist Vicente García de Paredes studied at the School of Fine Arts in Valencia, in Madr...

British Royal Navy Anchored Off Naples, 19th Century TOMMASO DE SIMONE (1805-1888) Large 19th Century view of the British Royal Navy fleet off the coast of Naples, oil on canvas by...

Studio of Franz Xaver Winterhalter (1805-1873) German Portraits of Emperor Napoleon III and Empress Eugénie Oil on canvas These grand portraits of Emperor Napoleon III and Empres...

Vesuvius, engraving with original hand-colouring, 1815. From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic collection of I...

Thomas Rose Miles (British, 1844-1916) Signed: T R Miles (Canvas Verso) " Striving Hard to Reach the Wreck " Oil on Canvas 22" x 34" Housed in a 3 1/4" Fr...

William Westall (1781-1850), served as an artist at age 19 on the Investigator ship, exploring Africa and Australia, then China and India, and another journey to Madeira and Jamaica....

This small oil painting on board (21.5 x 33 cm) is a rare early work by Swedish landscape painter Carl Johansson (1863–1944). Painted during the artist’s 1894 travels to the Canary I...

A fabulous and rare 19th century Indian Bombay Pottery School of Art turquoise pot with the iconic floral motif, still in use in Indian design to...

Charles Hunt Jnr British, (1829-1900) A Visitor Calls Oil on canvas, signed Image size: 24.75 inches x 34.75 inches Size including frame: 32.25 inches x 42.25 inches A wonderful genre painting by Charles Hunt of two men and two boys with horses and other animals in a cottage. A farmer and his two sons can be seen eating lunch at a table in rustic interior as a visitor approaches. Perhaps encouraged by the boys, a piglet seems to have found its way onto the table whilst a rabbit and guinea pig eat cabbage leaves on the floor. To the far right, a horse is shown in a stable area along with some piglets. To the far left, a terrier waits on the step by its master. Charles Hunt was a genre and figure painter born in Kensington, London in 1829. His sons Reuben Hunt...

A charming riverscape, painted in oils by dutch artist Ferdinand Hendrik Sypkens (1813-1860). A gentle river sweeps through the centre of the composition, with moored boats manned on...

'Entrance to the Tomb of the Kings', tinted lithograph after David Roberts RA. Signed in stone lower right. Printed title below the image. Roberts tr...

(MADE TO ORDER) (Sabbath, Kiddush, Ceremonial Vessel) *Lead Time may vary between 1-3 week Melanie Sherman "Tu Me Connais" - Yunomi Year: 2021 Porcelain, Glaze, ChinaPaint, 24k Germ...

"Morning Awakening" from the series "The Times of the Day" Original lithograph Signed "Mucha" and dated "99" for 1899, at the lower part of the plate. There is no hand-written signa...

WILLIAM HUGGINS (1820-1884) Cockerel and Hens Signed and dated l.r.: W Huggins 1880 Oil on board Framed 31 by 46 cm., 12 ¼ by 18 in. (frame size 44.5 by 59.5 cm., 17 ½ by 23 ½ in...

Sir Henry Raeburn (Stockbridge, Edinburgh, UK, 1756 - Edinburgh, UK, 1823) Title: Portrait of a landowner Year: Early 19th century, 1803 Medium: Oil on canvas Dimensions: Without fra...

Signed indistinctly 'E. H.' to the lower left. On canvas.

Watercolor on paper. Signed in lower left hand corner. Angelos Giallinas, born in Corfu, was distinguished for his many views of his native island, although his landscape production ...

Artist/ School: James Rolfe, British 19th century, signed Title: 'A Highland Breakfast', interior with young family and dogs, Medium: signed oil paintin...

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Not-Chi-Mi-Ne, An Ioway Chief ",...

'Badminton' Chromolithograph. 1897. Vanity Fair portrait of Alfred Edward Thomas Watson (1849-1922) who was a Music and Drama Critic. He wrote for the Saturday Review and occasion...

This atmospheric painting captures a trio of wildebeest on a vast, sun-drenched prairie, with two in the foreground and one in the distance. Unsigned. Well presented in an oak frame...

Victorian English Landscape, Haymaking near Hazlemere, Surrey A Victorian English harvesting landscape by John Seymour Adams captures the essence of a bygone era, offering more than...

Medium: etching. Etched by C. Bertaut after Corot and published in 1890 in an edition of 200. This is a nice impression printed on a japon-style paper. The...

Felix Saturnin Brissot de Warville, in the style of the Barbizon School, regularly captured scenes of the French countryside and the people who lived and worked there. Paintings by B...

A magnificent Welsh landscape by the listed British artist Thomas II Whittle (fl.1856-1897). Evening Hour at Penmaen-Bach. Signed and dated (1867) to the lower right. Well presented ...