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Photography For Sale
Artist: E2 - Kleinveld & Julien
Artist: Edward Weston
Kelp ~ 12K
Located in Carmel-by-the-Sea, CA
Titled and dated with artists reference number and stamped on the back of the mount. Printed and signed by Cole Weston.
Category
1930s Photography
Materials
Silver Gelatin
Meyer’s Ranch
Located in Carmel-by-the-Sea, CA
Titled and dated with artists reference number and stamped on the back of the mount and signed by Cole Weston. This piece was loaned to Art in Embassies tour.
Category
1930s Photography
Materials
Silver Gelatin
Juniper, Lake Tenaya
Located in Fairlawn, OH
Juniper, Lake Tenaya
Gelatin silver print, 1937
Unsigned
Edward Weston Estate stamp verso (see photo)
A lifetime printing by Brett Weston, supervised by his father Edward, printed in...
Category
1930s American Modern Photography
Materials
Silver Gelatin
Ode to Rockwell's Freedom from Fear
Located in New Orleans, LA
Inspired by Norman Rockwell's Freedom from Fear, 1943
Edition 1 of 3 with 2 APs
As the photographic duo E2, New Orleans natives Elizabeth Kleinveld ...
Category
21st Century and Contemporary Contemporary Photography
Materials
Archival Pigment
China Cove, Point Lobos Carmel California
Located in Carmel, CA
Gelatin silver print on paper, a later printing by Cole Weston
With the Edward Weston stamp verso, signed, titled, dated, and numbered in pencil by Cole Weston verso: PL40-K-4
Comes ...
Category
1940s Photography
Materials
Silver Gelatin
Ode to Vermeer's Girl with a Pearl Earring
Located in New Orleans, LA
36 x 30 inches - Edition AP2 of 3 with 2 APs
Framing is an additional $525
Shot in 2012 in Amsterdam
Inspired by Vermeer’s The Girl with a Pearl Earring...
Category
21st Century and Contemporary Contemporary Photography
Materials
Archival Pigment
2S Shell
Located in Carmel-by-the-Sea, CA
Weston created 2S after his return to America from two extended stays in Mexico between 1923 and 1927. Throughout 1927 he took twenty-six still life images of shells, including Nauti...
Category
1920s Photography
Materials
Silver Gelatin
1S Shell
Located in Carmel-by-the-Sea, CA
The most iconic of the Weston shells, throughout 1927 he took twenty-six still life images of shells, including Nautilus 1927 (Museum of Modern Art, New York). His interest in nautil...
Category
Early 20th Century Photography
Materials
Silver Gelatin
Pepper 30P
Located in Carmel-by-the-Sea, CA
Director, Glenn Lowry: This image of a pepper is one of Weston’s most iconic photographs.
Assistant Curator, Esther Adler: Peppers often curve in on themselves and can kind of twist ...
Category
1930s Photography
Materials
Silver Gelatin
Pepper 30P
Located in Carmel-by-the-Sea, CA
Director, Glenn Lowry: This image of a pepper is one of Weston’s most iconic photographs.
Assistant Curator, Esther Adler: Peppers often curve in on themselves and can kind of twist ...
Category
1930s Photography
Materials
Silver Gelatin
2S Shell
Located in Carmel-by-the-Sea, CA
Weston created 2S after his return to America from two extended stays in Mexico between 1923 and 1927. Throughout 1927 he took twenty-six still life images of shells, including Nauti...
Category
1920s Photography
Materials
Silver Gelatin
Plaster Works, Los Angeles, 1925
Located in Fairlawn, OH
Plaster Works, Los Angeles, 1925
Toned silver print
Negative by Edward Weston
Print by Cole Weston (1919-2003)
From: Edward Weston Portfolio, 1971
Published by Witkin-Berley Ltd., Ne...
Category
1920s American Modern Photography
Materials
Silver Gelatin
Charis, Santa Monica
Located in Palm Desert, CA
"Charis, Santa Monica" is a photograph by Edward Weston. It has the artist stamp on verso, “Negative by Edward Weston print by Cole Weston”. The framed photograph measures 15 1/4 x 1...
Category
1930s Modern Photography
Materials
Silver Gelatin
Eroded Rock, Point Lobos
Located in Fairlawn, OH
Eroded Rock, Point Lobos
Gelatin silver print, 1929
Unsigned
Signed with the estate stamp verso (see photo)
A lifetime printing by Brett Weston, supervised by his father Edward
Edition: 5 or 6 prints (see ttext below)
Weston negative Numbered verso: "1357"
photographer's estate stamp, verso
LITERATURE: A. Conger, Edward Weston: Photographs from the Collection of the Center for Creative Photography, The Center for Creative Photography, 1992, fig. 576.
Label: The Photographs of Edward Weston/Arizona Board of Regents label affixed to paper folder.
Edward Weston description of printing in 1953-54
In 1945 Edward Weston began to experience the first symptoms of Parkinson's disease, which slowly progressed until by 1948, he took his last photograph. By the second half of 1952, Weston decided he should select a master set of his best work. Out of his approximately 3000 negatives, he would pick 1000 and have Brett Weston print...
Category
1920s Abstract Photography
Materials
Silver Gelatin
Ode to Grant Wood's American Gothic
Located in New Orleans, LA
16 x 13 inches - Edition 3 of 7 with 2 APs
STATEMENT:
e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-ima...
Category
21st Century and Contemporary Contemporary Photography
Materials
Archival Pigment
Ode to Picasso's 'Portrait of Dora Maar'
Located in New Orleans, LA
Inspired by Pablo Picasso's "Portrait of Dora Maar", 1937
Edition 2 of 7 with 2 APs
“Ode to Picasso’s 'Dora Maar’' is a self-portrait of E2 artist Elizabeth Kleinveld as the photographer and artist Dora Maar. Kleinveld was drawn to this particular image of Maar while grieving the death of her father in 2021; she was captivated by the sadness that seems to ooze from the canvas, how the sitter’s melancholia is obscured by the playful color contrast. For E2’s remake, artist E.Paul Julien painted directly over the photographic print of Kleinveld, emphasizing the masking of grief.
The artists say of their work...
"Everything Changes, the latest phase of our ongoing series In Empathy We Trust, presents odes to iconic images from the Modern and Contemporary art periods. Our artistic process during Everything Changes was heavily influenced by the COVID-19 pandemic and the inescapable upheaval brought about by this once-in-a-lifetime event. This major societal shift alongside ongoing social unrest compelled us to further explore the distorted realities permeating American culture and, consequently, veiling oppression of marginalized communities. With lockdown restrictions disrupting our usual process of gathering for photoshoots, we also began playing with new approaches for our work. As a result, our latest iteration marks a new technique exploration, with completely over-painting atop of select prints, adding an additional layer of distortion to an already-altered reality.
The title for this show takes inspiration from one of our favorite Frida Kahlo quotes: “Nothing is absolute. Everything changes, everything moves, everything revolves, everything flies and goes away.” The pandemic fostered a collective understanding of just how malleable and fragile our reality is. Our perceptions, our personal routines, and our culture as a whole – these realities are never guaranteed stasis, and the only way to move forward is to evolve, both as artists and individuals. The pieces in this show invite viewers to embrace the inevitability of change and the natural discomfort of re-examining their expectations of how a work of art – and by extension, a culture – should look.
The process of creating an e2 image has always involved intense collaboration, and the images here would not be possible without stellar teamwork. We would especially like to thank Cameron Wood for his extensive digital post-production and our wonderful models."
⎯⎯⎯⎯⎯
As the photographic duo E2, New Orleans natives Elizabeth Kleinveld and Epaul Julien seek to remake images from art history to reflect their own experience of the contemporary world. Tackling icons from the great masters like Botticelli, Manet, Rembrandt, and Van Eyck, they recast instantly familiar images in a distinctly modern manner, breaking them free from centuries of historical context and placing them firmly in the present.
Kleinveld and Julien...
Category
21st Century and Contemporary Contemporary Photography
Materials
Archival Pigment
Dancers Legs 62N
Located in Carmel, CA
Printed by Edward Weston's son Cole Weston. Signed and Stamped on Verso. Very good condition.
Category
1930s Photography
Materials
Silver Gelatin
Ode to Munch's 'The Scream'
Located in New Orleans, LA
Inspired by Edvard Munch's "The Scream", 1893
Edition 1 of 5 with 2APs
“Ode to Munch’s ‘The Scream’” depicts a non-binary subject trapped in an infinite scream against a New Orleans backdrop. This piece represents the silent pain of gender dysphoria constantly experienced by non-binary people as they traverse a binary world that would rather ignore their existence entirely.
The artists say of their work...
"Everything Changes, the latest phase of our ongoing series In Empathy We Trust, presents odes to iconic images from the Modern and Contemporary art periods. Our artistic process during Everything Changes was heavily influenced by the COVID-19 pandemic and the inescapable upheaval brought about by this once-in-a-lifetime event. This major societal shift alongside ongoing social unrest compelled us to further explore the distorted realities permeating American culture and, consequently, veiling oppression of marginalized communities. With lockdown restrictions disrupting our usual process of gathering for photoshoots, we also began playing with new approaches for our work. As a result, our latest iteration marks a new technique exploration, with completely over-painting atop of select prints, adding an additional layer of distortion to an already-altered reality.
The title for this show takes inspiration from one of our favorite Frida Kahlo quotes: “Nothing is absolute. Everything changes, everything moves, everything revolves, everything flies and goes away.” The pandemic fostered a collective understanding of just how malleable and fragile our reality is. Our perceptions, our personal routines, and our culture as a whole – these realities are never guaranteed stasis, and the only way to move forward is to evolve, both as artists and individuals. The pieces in this show invite viewers to embrace the inevitability of change and the natural discomfort of re-examining their expectations of how a work of art – and by extension, a culture – should look.
The process of creating an e2 image has always involved intense collaboration, and the images here would not be possible without stellar teamwork. We would especially like to thank Cameron Wood for his extensive digital post-production and our wonderful models."
⎯⎯⎯⎯⎯
As the photographic duo E2, New Orleans natives Elizabeth Kleinveld and Epaul Julien seek to remake images from art history to reflect their own experience of the contemporary world. Tackling icons from the great masters like Botticelli, Manet, Rembrandt, and Van Eyck, they recast instantly familiar images in a distinctly modern manner, breaking them free from centuries of historical context and placing them firmly in the present.
Kleinveld and Julien...
Category
21st Century and Contemporary Contemporary Photography
Materials
Archival Pigment
Ode to Vermeer's Girl with a Pearl Earring
Located in New Orleans, LA
16 x 13 inches - Edition 3 of 7 with 2 APs
Framing is an additional $313
Shot in 2012 in Amsterdam
Inspired by Vermeer’s The Girl with a Pearl Earring...
Category
21st Century and Contemporary Contemporary Photography
Materials
Archival Pigment
Ode to Van Gogh's 'Self-Portrait with Bandaged Ear and Pipe'
Located in New Orleans, LA
Inspired by Vincent Van Gogh's "Self-Portrait with Bandaged Ear and Pipe", 1889
Edition 1 of 3 with 2 APs
"Ode to Van Gogh’s 'Self-Portrait with Bandaged Ear and Pipe’” is a self-portrait of e2 artist E.Paul Julien as the tortured artist. This piece was inspired by Julien’s own struggles with mental health issues during isolation during pandemic lockdown, as he found himself in a place where he could relate to the fragile mindset that Van Gogh experienced through most of his life.
The artists say of their work...
"Everything Changes, the latest phase of our ongoing series In Empathy We Trust, presents odes to iconic images from the Modern and Contemporary art periods. Our artistic process during Everything Changes was heavily influenced by the COVID-19 pandemic and the inescapable upheaval brought about by this once-in-a-lifetime event. This major societal shift alongside ongoing social unrest compelled us to further explore the distorted realities permeating American culture and, consequently, veiling oppression of marginalized communities. With lockdown restrictions disrupting our usual process of gathering for photoshoots, we also began playing with new approaches for our work. As a result, our latest iteration marks a new technique exploration, with completely over-painting atop of select prints, adding an additional layer of distortion to an already-altered reality.
The title for this show takes inspiration from one of our favorite Frida Kahlo quotes: “Nothing is absolute. Everything changes, everything moves, everything revolves, everything flies and goes away.” The pandemic fostered a collective understanding of just how malleable and fragile our reality is. Our perceptions, our personal routines, and our culture as a whole – these realities are never guaranteed stasis, and the only way to move forward is to evolve, both as artists and individuals. The pieces in this show invite viewers to embrace the inevitability of change and the natural discomfort of re-examining their expectations of how a work of art – and by extension, a culture – should look.
The process of creating an e2 image has always involved intense collaboration, and the images here would not be possible without stellar teamwork. We would especially like to thank Cameron Wood for his extensive digital post-production and our wonderful models."
⎯⎯⎯⎯⎯
As the photographic duo E2, New Orleans natives Elizabeth Kleinveld and Epaul Julien...
Category
21st Century and Contemporary Contemporary Photography
Materials
Archival Pigment
Nude, 1923 24N
Located in Carmel-by-the-Sea, CA
Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Printed later by Cole Weston.
Category
20th Century Photography
Materials
Silver Gelatin
Ode to Picasso's 'Portrait of Dora Maar'
Located in New Orleans, LA
Inspired by Pablo Picasso's "Portrait of Dora Maar", 1937
Edition 1 of 3 with 2 APs
“Ode to Picasso’s 'Dora Maar’' is a self-portrait of E2 arti...
Category
21st Century and Contemporary Contemporary Photography
Materials
Archival Pigment
Ode to Munch's 'The Scream'
Located in New Orleans, LA
Inspired by Edvard Munch's "The Scream", 1893
Edition 1 of 3 with 2APs
“Ode to Munch’s ‘The Scream’” depicts a non-binary subject trapped in an infinite scream against a New Orleans backdrop. This piece represents the silent pain of gender dysphoria constantly experienced by non-binary people as they traverse a binary world that would rather ignore their existence entirely.
The artists say of their work...
"Everything Changes, the latest phase of our ongoing series In Empathy We Trust, presents odes to iconic images from the Modern and Contemporary art periods. Our artistic process during Everything Changes was heavily influenced by the COVID-19 pandemic and the inescapable upheaval brought about by this once-in-a-lifetime event. This major societal shift alongside ongoing social unrest compelled us to further explore the distorted realities permeating American culture and, consequently, veiling oppression of marginalized communities. With lockdown restrictions disrupting our usual process of gathering for photoshoots, we also began playing with new approaches for our work. As a result, our latest iteration marks a new technique exploration, with completely over-painting atop of select prints, adding an additional layer of distortion to an already-altered reality.
The title for this show takes inspiration from one of our favorite Frida Kahlo quotes: “Nothing is absolute. Everything changes, everything moves, everything revolves, everything flies and goes away.” The pandemic fostered a collective understanding of just how malleable and fragile our reality is. Our perceptions, our personal routines, and our culture as a whole – these realities are never guaranteed stasis, and the only way to move forward is to evolve, both as artists and individuals. The pieces in this show invite viewers to embrace the inevitability of change and the natural discomfort of re-examining their expectations of how a work of art – and by extension, a culture – should look.
The process of creating an e2 image has always involved intense collaboration, and the images here would not be possible without stellar teamwork. We would especially like to thank Cameron Wood for his extensive digital post-production and our wonderful models."
⎯⎯⎯⎯⎯
As the photographic duo E2, New Orleans natives Elizabeth Kleinveld and Epaul Julien...
Category
21st Century and Contemporary Contemporary Photography
Materials
Archival Pigment
Ode to Klimt's 'Portrait of Adele Bloch-Bauer I'
Located in New Orleans, LA
Inspired by Gustav Klimt's "Portrait of Adele Bloch-Bauer I", 1907
“Ode to Klimt’s ‘Portrait of Adele Bloch Bauer I’’ bends gender expectations by casting a man as the woman in gold; artist Epaul Julien...
Category
21st Century and Contemporary Contemporary Photography
Materials
Acrylic, Archival Pigment
Ode to Van Gogh's 'Self-Portrait with Bandaged Ear and Pipe'
Located in New Orleans, LA
Inspired by Vincent Van Gogh's "Self-Portrait with Bandaged Ear and Pipe", 1889
Edition 1 of 5 with 2 APs
"Ode to Van Gogh’s 'Self-Portrait with Bandaged Ear and Pipe’” is a self-portrait of e2 artist E.Paul Julien as the tortured artist. This piece was inspired by Julien’s own struggles with mental health issues during isolation during pandemic lockdown, as he found himself in a place where he could relate to the fragile mindset that Van Gogh experienced through most of his life.
The artists say of their work...
"Everything Changes, the latest phase of our ongoing series In Empathy We Trust, presents odes to iconic images from the Modern and Contemporary art periods. Our artistic process during Everything Changes was heavily influenced by the COVID-19 pandemic and the inescapable upheaval brought about by this once-in-a-lifetime event. This major societal shift alongside ongoing social unrest compelled us to further explore the distorted realities permeating American culture and, consequently, veiling oppression of marginalized communities. With lockdown restrictions disrupting our usual process of gathering for photoshoots, we also began playing with new approaches for our work. As a result, our latest iteration marks a new technique exploration, with completely over-painting atop of select prints, adding an additional layer of distortion to an already-altered reality.
The title for this show takes inspiration from one of our favorite Frida Kahlo quotes: “Nothing is absolute. Everything changes, everything moves, everything revolves, everything flies and goes away.” The pandemic fostered a collective understanding of just how malleable and fragile our reality is. Our perceptions, our personal routines, and our culture as a whole – these realities are never guaranteed stasis, and the only way to move forward is to evolve, both as artists and individuals. The pieces in this show invite viewers to embrace the inevitability of change and the natural discomfort of re-examining their expectations of how a work of art – and by extension, a culture – should look.
The process of creating an e2 image has always involved intense collaboration, and the images here would not be possible without stellar teamwork. We would especially like to thank Cameron Wood for his extensive digital post-production and our wonderful models."
⎯⎯⎯⎯⎯
As the photographic duo E2, New Orleans natives Elizabeth Kleinveld and Epaul Julien seek to remake images from art history to reflect their own experience of the contemporary world. Tackling icons from the great masters like Botticelli, Manet, Rembrandt, and Van Eyck, they recast instantly familiar images in a distinctly modern manner, breaking them free from centuries of historical context and placing them firmly in the present.
Kleinveld and Julien...
Category
21st Century and Contemporary Contemporary Photography
Materials
Archival Pigment
Charis On Dune 237N Platinum Printed Later by Tom Millea
Located in Carmel, CA
This photograph printed in platinum is exceptional. The image suits the color and style of a platinum print. Printed by a master of the medium under the guise of Kim Weston...
Category
Mid-20th Century Photography
Materials
Platinum
Kelp, 1930
Located in Carmel-by-the-Sea, CA
Titled with artist's reference number on mount verso. Stamped, 'Edward Weston printed by' and signed by Cole Weston on mount verso. Printed later by Cole Weston. Artist Reference Num...
Category
20th Century Photography
Materials
Silver Gelatin
Ode to Munch's 'The Scream'
Located in New Orleans, LA
Inspired by Edvard Munch's "The Scream", 1893
Edition 1 of 7 and 2APs
“Ode to Munch’s ‘The Scream’” depicts a non-binary subject trapped in an infinite scream against a New Orleans backdrop. This piece represents the silent pain of gender dysphoria constantly experienced by non-binary people as they traverse a binary world that would rather ignore their existence entirely.
The artists say of their work...
"Everything Changes, the latest phase of our ongoing series In Empathy We Trust, presents odes to iconic images from the Modern and Contemporary art periods. Our artistic process during Everything Changes was heavily influenced by the COVID-19 pandemic and the inescapable upheaval brought about by this once-in-a-lifetime event. This major societal shift alongside ongoing social unrest compelled us to further explore the distorted realities permeating American culture and, consequently, veiling oppression of marginalized communities. With lockdown restrictions disrupting our usual process of gathering for photoshoots, we also began playing with new approaches for our work. As a result, our latest iteration marks a new technique exploration, with completely over-painting atop of select prints, adding an additional layer of distortion to an already-altered reality.
The title for this show takes inspiration from one of our favorite Frida Kahlo quotes: “Nothing is absolute. Everything changes, everything moves, everything revolves, everything flies and goes away.” The pandemic fostered a collective understanding of just how malleable and fragile our reality is. Our perceptions, our personal routines, and our culture as a whole – these realities are never guaranteed stasis, and the only way to move forward is to evolve, both as artists and individuals. The pieces in this show invite viewers to embrace the inevitability of change and the natural discomfort of re-examining their expectations of how a work of art – and by extension, a culture – should look.
The process of creating an e2 image has always involved intense collaboration, and the images here would not be possible without stellar teamwork. We would especially like to thank Cameron Wood for his extensive digital post-production and our wonderful models."
⎯⎯⎯⎯⎯
As the photographic duo E2, New Orleans natives Elizabeth Kleinveld and Epaul Julien...
Category
21st Century and Contemporary Contemporary Photography
Materials
Archival Pigment
Ode to Van Gogh's 'Self-Portrait with Bandaged Ear and Pipe'
Located in New Orleans, LA
Inspired by Vincent Van Gogh's "Self-Portrait with Bandaged Ear and Pipe", 1889
Edition 1 of 7 with 2 APs
"Ode to Van Gogh’s 'Self-Portrait with Bandaged Ear and Pipe’” is a self-portrait of e2 artist E.Paul Julien as the tortured artist. This piece was inspired by Julien’s own struggles with mental health issues during isolation during pandemic lockdown, as he found himself in a place where he could relate to the fragile mindset that Van Gogh experienced through most of his life.
The artists say of their work...
"Everything Changes, the latest phase of our ongoing series In Empathy We Trust, presents odes to iconic images from the Modern and Contemporary art periods. Our artistic process during Everything Changes was heavily influenced by the COVID-19 pandemic and the inescapable upheaval brought about by this once-in-a-lifetime event. This major societal shift alongside ongoing social unrest compelled us to further explore the distorted realities permeating American culture and, consequently, veiling oppression of marginalized communities. With lockdown restrictions disrupting our usual process of gathering for photoshoots, we also began playing with new approaches for our work. As a result, our latest iteration marks a new technique exploration, with completely over-painting atop of select prints, adding an additional layer of distortion to an already-altered reality.
The title for this show takes inspiration from one of our favorite Frida Kahlo quotes: “Nothing is absolute. Everything changes, everything moves, everything revolves, everything flies and goes away.” The pandemic fostered a collective understanding of just how malleable and fragile our reality is. Our perceptions, our personal routines, and our culture as a whole – these realities are never guaranteed stasis, and the only way to move forward is to evolve, both as artists and individuals. The pieces in this show invite viewers to embrace the inevitability of change and the natural discomfort of re-examining their expectations of how a work of art – and by extension, a culture – should look.
The process of creating an e2 image has always involved intense collaboration, and the images here would not be possible without stellar teamwork. We would especially like to thank Cameron Wood for his extensive digital post-production and our wonderful models."
⎯⎯⎯⎯⎯
As the photographic duo E2, New Orleans natives Elizabeth Kleinveld and Epaul Julien seek to remake images from art history to reflect their own experience of the contemporary world. Tackling icons from the great masters like Botticelli, Manet, Rembrandt, and Van Eyck, they recast instantly familiar images in a distinctly modern manner, breaking them free from centuries of historical context and placing them firmly in the present.
Kleinveld and Julien...
Category
21st Century and Contemporary Contemporary Photography
Materials
Archival Pigment
Ode to Picasso's 'Portrait of Dora Maar'
Located in New Orleans, LA
Inspired by Pablo Picasso's "Portrait of Dora Maar", 1937
Edition 1 of 5 with 2 APs
“Ode to Picasso’s 'Dora Maar’' is a self-portrait of E2 arti...
Category
21st Century and Contemporary Contemporary Photography
Materials
Archival Pigment
Dante's View, Death Valley
Located in Fairlawn, OH
Dante's View, Death Valley
Gelatin silver print, 1938
Unsigned
Signed with the estate stamp verso (see photo)
A lifetime printing by Brett Weston (1953-19...
Category
1930s American Modern Photography
Materials
Silver Gelatin
Fog and Cypress
Located in Carmel-by-the-Sea, CA
Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed later from the original negative, now retired and housed at the Center for Creative Photography...
Category
20th Century Photography
Materials
Silver Gelatin
Mojave Desert Rocks, Vintage Rare Full Signature
Located in Carmel, CA
Magnificent Vintage Photograph by the master Edward Weston. Photograph is in excellent condition considering it's age. The mat as you can see has wear but can be framed to disguise....
Category
Early 20th Century Photography
Materials
Silver Gelatin
Manley's Trail, Golden Canyon
Located in Carmel-by-the-Sea, CA
Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Inscribed. Printed from the original negative now housed at the Center for Creative Photography...
Category
20th Century Photography
Materials
Silver Gelatin
Ode to the Pinching D'Estrées Sisters
Located in New Orleans, LA
10.5 x 16 inches - Edition 5 of 7 with 2 APs
Additional framing $265.
Shot in 2011 in Amsterdam
Inspired by an anonymous artist of the Fontainebleau School’s Presumed Portrait of Gabrielle d’Estrées and Her Sister, the Duchess of Villars, circa 1594
Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld and Epaul Julien...
Category
21st Century and Contemporary Contemporary Photography
Materials
Archival Pigment
Portrait of a White Woman
Located in New Orleans, LA
24 x 16 inches - Edition 1 of 5 with 2 APs
framing is an additional $420.
Shot in 2011 in New Orleans
Inspired by Marie-Guillemine Benoist’s Portrait of a Black Woman, 1800 Ph...
Category
21st Century and Contemporary Contemporary Photography
Materials
Archival Pigment
Desk Lite ~ 18M
Located in Carmel-by-the-Sea, CA
Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed later by Cole Weston from the original negative now housed and retired at the Center for Creative Photography in Tuscon, Arizona. From the Estate of Cole Weston through inheritance with the Weston Gallery...
Category
20th Century Photography
Materials
Silver Gelatin
Janitzio, Mexico
Located in Carmel-by-the-Sea, CA
Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Inscribed. Printed from the original negative, now retired and housed at the Center for Creative Photography in Tuscon, Arizona. From the Estate of Cole Weston through inheritance with the Weston Gallery...
Category
20th Century Photography
Materials
Silver Gelatin
Ode to Rockwell's Freedom from Want
Located in New Orleans, LA
Inspired by Norman Rockwell's Freedom from Want, 1943
Edition 1 of 5 with 2 APs
As the photographic duo E2, New Orleans natives Elizabeth Kleinveld ...
Category
21st Century and Contemporary Contemporary Photography
Materials
Archival Pigment
Coolidge Dam, Arizona
Located in Fairlawn, OH
Coolidge Dam, Arizona
Gelatin silver print, 1938
Unsigned
A lifetime printing by Brett Weston, supervised by his father Edward
Edition of 5 or 6 examples
Weston negative Numbered verso: "843" on reverse (see photo)
photographer's estate stamp, verso (see photo)
LITERATURE:
C. Wilson, "Edward Weston," California Arts and Architecture, vol. 30, January 1941, p. 16
A. Conger, Edward Weston: Photographs from the Collection of the Center for Creative Photography, The Center for Creative Photography, 1992, fig. 1206.
Label: The Photographs of Edward Weston/Arizona Board of Regents label affixed to paper folder.
(see photo)
Provenance: Edward Weston Estate
Arizona Board of Regents
Robert B. Egelston (1930-2016), noted photography collector
Condition: Overall very good condition. Chipping and bumping in the margins at extreme edges and corners of sheet, not affecting the image. Sheet is loose; not framed.
Sheet size/Image size: 8 x 10 inches
Edward Weston description of printing in 1953-54
In 1945 Edward Weston began to experience the first symptoms of Parkinson's disease, which slowly progressed until by 1948, he took his last photograph. By the second half of 1952, Weston decided he should select a master set of his best work. Out of his approximately 3000 negatives, he would pick 1000 and have Brett Weston print...
Category
1930s American Modern Photography
Materials
Silver Gelatin
Ode to Titian's Venus of Urbino
Located in New Orleans, LA
24 x 36 inches - Edition 1 of 3 with 2 APs
framing is an additional $525.
Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld and Epaul Julien)....
Category
21st Century and Contemporary Contemporary Photography
Materials
Archival Pigment
NM-A-N2G
Located in Carmel-by-the-Sea, CA
Printed by Cole Weston from the original negative now housed at the Center for Creative Photography in Tuscon, Arizona, retired. The Weston Gallery is owned by Matthew (grandson of Edward Weston) and his wife Davi Weston and we've been dealing in fine art photography since 1975! Edward Weston (1886 – 1958) was an American photographer, and co-founder of Group f/64. Most of his work was done using an 8 by 10 inch view camera. In 1902, he received his first camera for his sixteenth birthday, a Kodak Bull's-Eye #2, and began taking photographs in parks in Chicago and at his aunt's farm. The young Weston met with quick success, and his photographs were already being exhibited at the Chicago Art Institute merely a year later, in 1903. Weston worked mainly with nudes, still life - his shells and vegetable studies were especially important - and landscape subjects. After a few exhibitions of his works in New York, he went on to found Group f/64 in 1932 with fellow photographers Ansel Adams, Willard van Dyke...
Category
20th Century Photography
Materials
Silver Gelatin
Ode to Wyeth's Christina's World
Located in New Orleans, LA
Edition 1 of 3, 2APs
Large Size: 24 x 36 inches
STATEMENT:
e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from the h...
Category
21st Century and Contemporary Contemporary Photography
Materials
Archival Pigment
The Milkman, Ode to Vermeer's The Milkmaid
Located in New Orleans, LA
24 x 20.5 inches - Edition 1 of 5 with 2 APs
STATEMENT:
e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from the hist...
Category
21st Century and Contemporary Contemporary Photography
Materials
Archival Pigment
Ode to Rockwell's Freedom from Want
Located in New Orleans, LA
Inspired by Norman Rockwell's Freedom from Want, 1943
Edition 1 of 3 with 2 APs
As the photographic duo E2, New Orleans natives Elizabeth Kleinveld ...
Category
21st Century and Contemporary Contemporary Photography
Materials
Archival Pigment
Ode to Courbet's The Sleepers
Located in New Orleans, LA
Edition 1 of 3 with 2 APs
framing is an additional $525
Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld and Epaul Julien). Their current pho...
Category
21st Century and Contemporary Contemporary Photography
Materials
Archival Pigment
My Little Grey Home in the West
Located in Carmel-by-the-Sea, CA
Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed later by Cole Weston from the original ne...
Category
20th Century Photography
Materials
Silver Gelatin
Ode to Wyeth's Christina's World
Located in New Orleans, LA
16 x 24 inches - Edition 1 of 5 with 2 APs
STATEMENT:
e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from the histor...
Category
21st Century and Contemporary Contemporary Photography
Materials
Archival Pigment
Ode to Rembrandt's Jewish Bride
Located in New Orleans, LA
31.5 x 36 inches - Edition 1 of 3 with 2 APs
framing is an additional $525.
Shot in Amsterdam in 2013
Inspired by Rembrandt’s Jewish Bride, ca 1665
Photography and acting are kind...
Category
21st Century and Contemporary Contemporary Photography
Materials
Archival Pigment
Ode to Grant Wood's American Gothic
Located in New Orleans, LA
24 x 21 inches - Edition 1 of 5 with 2 APs
STATEMENT:
e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from the histor...
Category
21st Century and Contemporary Contemporary Photography
Materials
Archival Pigment
Ode to Rockwell's Freedom of Worship
Located in New Orleans, LA
Inspired by Norman Rockwell's Freedom of Religion, 1943
Edition 1 of 3 with 2 APs
As the photographic duo E2, New Orleans natives Elizabeth Kleinv...
Category
21st Century and Contemporary Contemporary Photography
Materials
Archival Pigment
Nude, 1927
Located in Carmel-by-the-Sea, CA
Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Negative Code 63N. Printed later by Cole Weston.
Category
20th Century Photography
Materials
Silver Gelatin
Ode to Rockwell's Freedom from Want
Located in New Orleans, LA
Inspired by Norman Rockwell's Freedom from Want, 1943
Edition 1 of 3 with 2 APs
As the photographic duo E2, New Orleans natives Elizabeth Kleinveld ...
Category
21st Century and Contemporary Contemporary Photography
Materials
Archival Pigment
Juniper at Lake Tenaya, 1937
Located in Carmel-by-the-Sea, CA
Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed from the original negative by Cole Weston. Edward Weston, (1886 - 1958) Edward Weston was an American photographer, and co-founder of Group f/64. Most of his work was done using an 8 by 10 inch view camera. In 1902, he received his first camera for his sixteenth birthday, a Kodak Bull's-Eye #2, and began taking photographs in parks in Chicago and at his aunt's farm. The young Weston met with quick success, and his photographs were already being exhibited at the Chicago Art Institute merely a year later, in 1903. Weston worked mainly with nudes, still life - his shells and vegetable studies were especially important - and landscape subjects. After a few exhibitions of his works in New York, he went on to found Group f/64 in 1932 with fellow photographers Ansel Adams, Willard van Dyke...
Category
20th Century Photography
Materials
Silver Gelatin
Ode to Gheeraerts' Portrait of Elizabeth I
Located in New Orleans, LA
24 x 15.5 inches - Edition 2 of 5 with 2 APs
STATEMENT:
e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from the hist...
Category
21st Century and Contemporary Contemporary Photography
Materials
Archival Pigment
Juniper at Lake Tenaya, 1937
Located in Carmel-by-the-Sea, CA
Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Inscribed by Cole Weston.
Category
20th Century Photography
Materials
Silver Gelatin
Ode to Botticelli's Venus & Mars
Located in New Orleans, LA
6.75 x 16 inches - Edition 3 of 7 with 2 APs
STATEMENT:
e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from the hist...
Category
21st Century and Contemporary Contemporary Photography
Materials
Archival Pigment
Ode to Frida Kahlo's Self-Portrait with Bonito
Located in New Orleans, LA
24 x 18.75 inches - Edition 1 of 5 with 2 APs
STATEMENT:
e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from the his...
Category
21st Century and Contemporary Contemporary Photography
Materials
Archival Pigment
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Find a broad range of photography on 1stDibs today.
The first permanent image created by a camera — which materialized during the 1820s — is attributed to Joseph Nicéphore Niépce. The French inventor was on to something for sure. Kodak introduced roll film in the 1880s, allowing photography to become more democratic, although cameras wouldn’t be universally accessible until several decades later.
Digital photographic techniques, software, smartphone cameras and social-networking platforms such as Instagram have made it even easier in the modern era for budding photographers to capture the world around them as well as disseminate their images far and wide.
What might leading figures of visual art such as Andy Warhol have done with these tools at their disposal?
Today, when we aren’t looking at the digital photos that inundate us on our phones, we look to the past to celebrate the photographers who have broken rules as well as records — provocative and prolific artists like Horst P. Horst, Lillian Bassman and Helmut Newton, who altered the face of fashion and portrait photography; visionary documentary photographers such as Gordon Parks, whose best-known work was guided by social justice; and pioneers of street photography such as Henri Cartier-Bresson, who shot for revolutionary travel magazines like Holiday with the likes of globetrotting society lensman Slim Aarons.
Find photographers you may not know in Introspective and The Study — where you’ll read about Berenice Abbott, who positioned herself atop skyscrapers for the perfect shot, or “conceptual artist-adventurer” Charles Lindsay, whose work combines scientific rigor with artistic expression, or Massimo Listri, known for his epic interiors of opulent Old World libraries. Photographer Jeannette Montgomery Barron was given a Kodak camera as a child. Later, she shot on Polaroid film before buying her first 35mm camera in her teens. Barron's stunning portraits of Jean-Michel Basquiat, Warhol and other artists chronicle a crucial chapter of New York’s cultural history.
Throughout the past two centuries, photographers have used their medium to create expressive work that has resonated for generations. Shop a voluminous collection of this powerful fine photography on 1stDibs. Search by photographer to find the perfect piece for your living room wall, or spend some time with the work organized under various categories, such as landscape photography, nude photography and more.
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