Photography

Photograph on fine art paper Limited edition of 200

In the circus sideshow, where the exotic and the extraordinary were paraded before eager audiences, there was a captivating act that transported spectators to a world they had only ...

Fiddleface, the master of the fiddle, had a charming sidekick named "Accordion Andy." Adorned with the classic white face paint and bright red lips that were synonymous with clowning...

It's a picture of the unknown. We do not know who the artist is. We do not know what the subject is. We do not know where the location is. It is all left to conjecture, yet the image...

In the colorful world of circus sideshows, the Tattooed and Bearded Lady was a captivating and enigmatic figure, captivating audiences with her striking appearance and the tales that...

"Black Moon" Photography 39" x 39" inch Edition of 3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Availab...

In the Circus here was one particular clown who stood out among the vibrant array of performers. This whimsical character, known simply as "Fiddleface," was a master of both comedy a...

“Emergence 3” Photography 24" x 36" inch Edition 1/7 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag American Dreams - From "Park Drive" series The notion ...

Among the myriad of captivating acts that graced the circus sideshows , one stood out as a heartwarming and unforgettable attraction - Elise and her baby elephant. Their unique bond...

"One heart" Photography 39" x 39" in Edition of 3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Available ...

Chromogenic photo print. hand signed, titled and dated. This is a vintage print, printed in 1987 and editioned 2/10. Jane L. Calvin (born April 27, 1938) is an artist based in Chicago, Illinois. Jane Calvin was born in Chicago, Illinois. Her father was an avid art collector and Calvin was brought up in the art world from the time she was born. She attended classes at the Art Institute of Chicago as a young child and went on to pursue a degree in Art History from Bryn Mawr College in Pennsylvania in 1959. Calvin worked as a private art dealer for some time before deciding to continue her education and become a fine art photographer. She graduated from the Art Institute of Chicago with her MFA in 1982.[1] Calvin later went on to be a Professor of Photography at The School of the Art Institute, Illinois Institute of Technology, and Beloit College. She was Adjunct Professor of Photography at Columbia College in Chicago until 2005. Since she started making photographs, Calvin has had exhibits across the nation as well as in Germany and China. Calvin constructs her photographs by montaging multiple slide projections and found objects into room-sized assemblages in her studio. She then photographs it, making a tableaux into which layers of meaning are woven. She does not use computer editing, just straight photography. Calvin stated, "The images can be seen as my commentary on the political and social roles projected onto society whose desires, manipulated by language and image, conflict with concerns of gender, sexuality, race and female identity." She says,“I make photographs, I don’t take them,” and in so stating she follows in the path of many Dada and Surrealist precursors, for example, German Kurt Schwitters’ famous Merzbau or Junk House (1923 and following), or Joseph Cornell’s metaphorically vast but physically modestly scaled, even private sculptural interiors of boxes (1930s and following). In her use of projected imagery within and upon the setup of her photographs, Calvin gestures toward earlier 20th century American surrealist photographer Man Ray photographic work, one example of which is Space Writing (Self-Portrait) acquired last year by the Bowdoin College Museum of Art. Calvin’s more recent kindred spirit – although comparatively minimalist in nature and junior chronologically – is Sandy Skoglund. The latter’s photographed installations are a hybrid of unnatural, spectral, coloration and suspended narrative. "I am a maker of meaning, not an observer of it. My medium is photography, although it is includes the processes of sculpture and installation . I build room-sized sets onto which I project images and text, recording the final result with the camera. There are no darkroom or digital tricks. The process is straight photography." For over 25 years, Calvin has been exploring contemporary society’s approach to issues of gender, female identity, sexuality, vulnerability, and love & desire. Eschewing linearity, the work stands in opposition to the simplicity and minimalism prevalent in earlier 20th century image-making. Her images are elliptical, fragmented, layered, reflecting the contemporary world as one of discontinuity and ambiguity with myriad connections, a world less temporally and spatially fixed than ever before. Through the content carried in found materials and appropriated texts, –she addresses— the social and political conditions that are just out of sight, but remain like some kind of background radiation exerting a subtle but undeniable influence on our society. Pop and pulp references throw a humorous light on cultural identity and gender roles projected onto society. The subject matter, appearing disconnected from its place and time, mysteriously overlaps our own collective awareness. –She asks the viewer to see what has been there all along.–—/> Exhibition publication, Gallery 210, University of Missouri, St Louis, 2005, 'Jane Calvin Sentences' Introduction by Terry Suhre, Director, and Essay "Jane Calvin's Phantasmagoric Spaces" by Dr. Mark White. This is a Set-Up: fab photo/fictions This exhibition looked at photographers who utilize fabricated imagery and constructed subjects to create their work. These deliberate fictions, and their position in the realms of photography and art, were explored through the work of several highly acclaimed artists: Jane Calvin, James Casebere, Gregory Crewdson, Barbara Kasten, Abelardo Morell, Patrick Nagatani...

"Mirror" Photography 28" x 35" inch Edition of 7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Olha Stepa...

In the heart of the American circus, amidst the vibrant swirl of performers and spectacle, there sat a mystical figure known as Ivan the Slavic Card Reader. Ivan hailed from a distan...

"Mirror" Photography 27.5" x 20" inch Edition of 15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Olha St...

A one of a kind 12" x 18" Bleach Toned Traditional Watercolor Cyanotype executed on Hahnemuhle Sumi-E Paper by artist Annalise Neil. A certificate of authenticity will be provided up...

"Music is Eternal" Photography 39" x 39" in Edition of 3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Ava...

“Bait and Tackle 2” Photography 24" x 36" inch Edition 1/7 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag American Dreams - From "Park Drive" series The n...

Seated at a small, weathered table in front of her circus tent, the Gypsy woman gazes into the depths of her crystal ball, a tool of divination that promises glimpses into the future...

"Moon Birth" Photography 39" x 39" in Edition of 3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Available...

“Rumours” Photography 24" x 36" inch Edition 1/7 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag American Dreams - From "Park Drive" series The notion of t...

A one of a kind 8" x 8" Conceptually Alternative Surreal Photographic Print executed by artist Annalise Neil. A certificate of authenticity will be provided upon its purchase or deli...

Libro / Espejo (Book/Mirror) by Chema Madoz depicts a open book lying on a wooden table. The pages are spread open, as if someone is flipping through them. A mirror is placed in the ...

color lithograph on Arches paper, edited in 1994 Limited Edition of 130 copies signed and dated in pencil by artist in lower right and numbered 84/130 lower left Paper size: 100 x 70...

A one of a kind 6" x 6" Surreal Watercolor and Cyanotype on Fabriano Artistico Paper Mounted on Wood Panel by artist Annalise Neil. A certificate of auth...

A one of a kind 5" x 5" Conceptually Surreal Watercolor on Cyanotype Mounted on Wood Panel by artist Annalise Neil. A certificate of authenticity will be provided upon its purchase o...

A one of a kind 8" x 6" Surreal Watercolor and Cyanotype on Hahnemuhle Platinum Rag Paper and Mounted on Wood Panel by artist Annalise Neil. A certificate of authenticity will be pro...

A one of a kind 8" x 6" Surreal Watercolor and Cyanotype executed on Hahnmuhle Platinum Rag Paper and Mounted on Wood Panel by artist Annalise Neil. A certificate of authenticity wil...

A one of a kind 8" x 8" Conceptually Surreal Alternative Photographic Print mounted on wood executed by artist Annalise Neil. A certificate of authenticity will be provided upon its ...

"Ballet" Photography 39" x 39" in Edition of 3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Available siz...

A 17" diameter Conceptually Alternative Processed Cyanotype on Hahnemuhle Sumi-E Paper executed by artist Annalise Neil. A certificate of authenticity will be provided upon its purch...

A one of a kind 12x24 Bleach Toned Traditional Watercolor Cyanotype on Hahnemuhle Sumi-E Paper. A certificate of authenticity will be provided upon its purchase or delivery. Neil’s ...

The same year, the iconic science fiction movie Close Encounters of the Third Kind was released, visionary still photographer Mitchell Funk shot this SciFi-like image. It's of an un...

A one of a kind 12.25" x 16.25" Surreal Watercolor and Cyanotype on Hahnemuhle Platinum Rag and Sumi-E Papers. A certificate of authenticity of wil...

A vertical diptych measuring 28" high and 12" long when put together with no space between. Toned and Traditional Watercolor Cyanotype with Shellac Ink executed by artist Annalise Ne...

A 12x16 Surreal Watercolor Cyanotype on Hahnemuhle Platinum Rag Paper, Mounted on Wood Panel by artist Annalise Neil. A certificate of authenticity...

A 13" x 17" Toned, Bleached and Traditional Watercolor Cyanotype with Pine Needles and Cotton Thread on Canson Montval 300g Paper Mounted on Wood Panel by artist Annalise Neil. A cer...

A 17.25" x 9.25" Surreal Photographic Paper Print Mounted on Wood Panel by artist Annalise Neil. A certificate of authenticity will be provided upon its purchase or delivery. Neil’s...

A one of a kind 18" x 24" Surreal Watercolor on Cyanotype executed by artist Annalise Neil. A certificate of authenticity will be provided upon its...

A one of a kind 12" x 9" Surreal Photographic Print executed by artist Annalise Neil. A certificate of authenticity will be provided upon its purchase or delivery. Neil’s cyanotype ...

Jo Ann Callis (American, b. 1940); Gelatin silver print; Signed, dated and numbered 3/10 Jo Ann Callis (born Cincinnati, Ohio 1940) is an American artist who works with photography and is based in California. Though Callis initially pursued a degree at Ohio State University in 1958, she dropped out in her second year when she got married. She and her husband moved to Southern California in 1961. Her father died after the birth of her first son Stephen in the same year. In 1963, her second son Michael was born. By 23, she was married with two children; she later separated from her husband. Callis enrolled at University of California, Los Angeles (UCLA) in 1970 initially in graphic design. When she took a course from Robert Heinecken...

“Mano a Mano” (FRAMED) Photography 30" x 24" inch Edition 1/12 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag American Dreams - From "Playboy" series. The...

"Place for People" Photography 35" x 28" inch Edition of 7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist ...

Game of Chance In this image, a captivating scene from a bygone era unfolds before your eyes. The photograph captures the essence of a game of chance at a circus, where a disarming, rotund man named Benny "Two-Times" Malone holds court with his three dishonest cronies. At the center of the composition stands Benny, a portly figure with a roguish grin, resplendent in his meticulously tailored suit. His corpulent frame is disarmingly charming, and his well-groomed mustache adds an air of sophistication. Benny is the maestro of this orchestrated deception, orchestrating the game with an air of confidence that seems to defy belief. To his right , a well-dressed man in a tall hat stands...

Bear Handler In the colorful and eccentric world of the circus during the 1880s, there existed a character who defied convention and captured the imagination of all who crossed his...

Jo Ann Callis (American, b. 1940) After Blossfeldt, 1988; Gelatin silver print; Signed, dated and numbered A/P 1; 13 5/8" x 10 7/8" Jo Ann Callis (born Cincinnati, Ohio 1940) is an American artist who works with photography and is based in California. Though Callis initially pursued a degree at Ohio State University in 1958, she dropped out in her second year when she got married. She and her husband moved to Southern California in 1961. Her father died after the birth of her first son Stephen in the same year. In 1963, her second son Michael was born. By 23, she was married with two children; she later separated from her husband. Callis enrolled at University of California, Los Angeles (UCLA) in 1970 initially in graphic design. When she took a course from Robert Heinecken...

The Telepetist --The subject of this reproduction daguerreotype is a captivating young Indian woman who appears to be in her prime. Her features exude a sense of exoticism, a term of...

Bingo the circus elephant This image reveals a majestic and mature circus elephant, named Bingo. The elephant is a living testament to the grandeur of the circus world. This magnif...

Head clown In this image the head circus clown emerges as a whimsical and colorful character against the backdrop of a bustling circus scene. His appearance is a riot of playful e...

Bed of Nails In the dimly lit tent of the circus sideshow, amidst a hushed anticipation, there lies a remarkable sight that defies all logic and leaves the audience in disbelief. O...

Trapeze Sisters Under the expansive canvas of the big top tent, where the air crackles with excitement and the smell of popcorn wafts through the crowd, there are two trapeze artis...

MASTER OF CEREMONIES In this image, the sepia tones lend an air of nostalgia to the captivating scene it captures. At the center of the frame, a circus master of ceremonies stands t...

“Bad Bunny” (FRAMED) Photography 30" x 24" inch Edition 1/12 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag American Dreams - From "Playboy" series. The n...

"Black Moon" Photography 31" x 31" inch Edition of 7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Availab...

This is number 1 from a limited edition of 12. London-based Photographer and Graphic designer Omer Ga'ash, graduated from Bezalel Academy of Art and De...

"One heart" Photography 31" x 31" in Edition of 7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Available ...

“Inside Out 2” (FRAMED) Photography 24" x 36" inch Edition of 7 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag American Dreams -...

"Music is Eternal" Photography 31" x 31" in Edition of 15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Av...

"Six" Photography 39" x 39" inch Edition 1/3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ship...