Abstract Abstract Photography

Papaver Rhoeas The Corn Poppy by Giles Revell is a dynamic, abstract archival pigment print. Available in this size of 50cm x 50cm in an edition of 25. Larger prints are available, ...

Print/ photography, limited edition of 10, signed by the author.

"Chrysler Building" Abstract, Expressionist, Photography, Giclee Print, Ltd.Ed. Creator: Hatice Besun Creation year: 2025 Dimension: 42x28" External Dimension( with white border) He...

Photography, print, limited edition of 15, signed by the author.

Sukan has set out to identify alternative sites of public display and common space within the banal recesses of the everyday world. Collecting and adopting the sketch pads and papers...

Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant o...

'Richmond flow' London, United Kingdom 2020 Limited edition of 20. Printed on heavy-weight fine art paper. Signed front and back, COA included.

The image is signed dated lower right signed dated and numbered verso 2 /15, Unframed, Other sizes available, printed later

New technique as the artist continues his exploration of the image of Kate Moss. Emulsion + Cotton sewn on paper

unique chromoskedasic monoprint on B&W photo paper 14 x 11 inches unframed 20 x 16 inches in black metal frame with non-glare glass This contemporary, abstract style chromoskedasic ...

This unique monotype cyanotype, rendered in rich blue tones, invites the viewer into a dreamlike rhythm of interwoven shapes. Created using the cyanotype process, this one-of-a-kind ...

'Daydream' London, United Kingdom 2022. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. The photograph is signed front and back an...

Fine art print, limited 15. Signed by the author. Immediate inspiration when looking at the wall.

'Daydream' London, United Kingdom 2020 Limited edition of 20. The photograph is signed front and back and comes with a Certificate of Authenticity. Carefully placed in a secure ...

An abstract composition capturing the dramatic interplay between vibrant crimson and stark white elements. The photograph presents a swirling vortex of deep red textures that dominat...

Blue in Grey is a part from an originally bigger picture. I like the pattern. Photography will be signed and could be adjusted also in a frame.

ATO>MIC #9, 2020 Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Framed 23 x 18 cm print size 38 x 35.5 cm framed Unique Series: ATO>MIC Signed and dated in pencil on print's verso © Michael G Jackson...

Picture done occasionally, reminded me to Mark Rothko, limited to 5, signed. I can imagine it on a white wall with a wonderful frame.

Temporal Perception 206A (Triptych) (Abstract photography) Archival C-Print — Unframed. Edition: 1/12 Available in 2 weeks turnaround. Sold as a triptych. Each element size is: 45 x...

“Astrologist” is a part of Alex Sher’s series "Reflections" - underwater photographs that could be mistaken for paintings as they bring up recollections of masterpieces by Picasso, D...

The artist's computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's w...

'Window' Detail of Christ Church by architect John Peter Darvall. 2023 Printed on 30 x 30cm Hahnemühle Photo Rag fine art paper. Photograph is signed front and back and comes wi...

"Echoes 11" Abstract Photography 48" x 48" in Edition of 10 by Giuliano Bekor Echoes series. Title of artwork: EC17 Year: 2011 Medium: Photography Print size: 48x48 Inches trim blee...

Temporal Perception # Petite Vague (Diptych) (Abstract photography) Archival C-Print — Unframed. Edition: 1/12 Available in 2 weeks turnaround. Sold as a diptych. Each element size ...

Jeffrey Tamblyn Carts Archival Pigment Print on Hahnemuehle Baryta Rag Year: 2021 Size: 16x20 inches Edition: 50 Signed, dated and numbered by hand on label COA provided Ref.: 924802...

'Fern' London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. The photograph is signed front and back and co...

This is an archival pigment print depicting an abstracted still life printed on Hahnemuhle Photo Rag 308 gsm by artist Paul Cava. It is framed in a narrow, contemporary natural maple...

Works of Fire When I look into the night sky I am awestruck by the darkness that is the universe. As the sparse light of the stars descends, I am entangled in a state of wonder, sea...

'Untitled #47' from the series Heterotopia is a dazzling Chromogenic Print by Contemporary photographer Karine Laval and is available in this size in an Edition of 5. The vividly ...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant o...

'Wind stretched daydream' 2022 Photographed in Richmond, London using a 4x5 large format camera. 100×130 cm printed on organic linen canvas, limited edition of 5 + 1AP. Photograph...

This is an archival pigment print depicting an abstracted still life printed on Hahnemuhle Photo Rag 308 gsm by artist Paul Cava. It is framed to 20.25 x 16.25 in a natural maple fin...

Streets of Kowloon Gold, part of Richard Heeps series photographing on the streets of Hong Kong in Kowloon in 2016 this stunning abstract piece is so striking in a room. The whole 20...

Radial / ONE is a metallic Lambda photographic print, optionally mounted to Plexiglass, laser cut to shape, and fitted with a hidden subframe, ready to install. Work can be supplied...

'Bay boys' Dubrovnik, Croatia 2014 Limited edition of 20.

'Untitled #93' from the series Heterotopia is a dazzling Chromogenic Print by Contemporary photographer Karine Laval and is available in this size in an Edition of 5. The vividly c...

The artists computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's wo...

The artists computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's wo...

Print/Photography, abstract, limited 1/5, signed by the author.

'Ramunės no. 2' London, United Kingdom 2022 Limited edition of 20. Photograph printed on heavyweight fine art paper. COA Included.

Lost in a sea of rich saturation of dark and light blue colors, a feminine form gracefully traverses the expanse of the water. Alex Sher’s “Anesthesia” invites us into an abstracted ...

The artists computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's w...

'Window' Detail of Christ Church by architect John Peter Darvall. 2023 Printed on 30 x 30cm Hahnemühle Photo Rag fine art paper. Photograph is signed front and back and comes wi...

"Entrance" is a black & white framed silver gelatin collage photograph with forms of a key, shoe, trees, pyramid, hair, and other abstract elements from artist Jenny Lynn's "Extrapol...

“Anesthesia” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as ...

'10000 blue days' Mesr Desert, Iran 2016. Limited edition of 20.

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Limited Art Edition (No. 1–100), with the gelatin silver print Untitled (Elba, 1980), numbered and signed by Ralph Gibson. Edition of 100. Gelatin silver print, 11 x 14 in., in portf...

The photo was taken by me in an abandoned house. I like the colors and the impression from the picture. Will be signed, framed in a simple black frame, which can be hanged on the wal...

The artists computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's wo...

The artist's computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's w...