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Jack Mitchell
Warhol Superstar Jackie Curtis signed by Jack Mitchell
1970

Name: Warhol Superstar Jackie Curtis signed by Jack Mitchell
Brand: Jack Mitchell
Price: 1633.06 CHF
Availability: InStock
Rating: 5 (48 reviews)

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About the Item

11 x 14" vintage silver gelatin photograph of Warhol Superstar Jackie Curtis photographed May 21, 1970. Signed by Jack Mitchell on the verso. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. Jack Mitchell, (1925-2013) bulging photographic portfolio of actors, writers, painters, musicians and especially dancers describes a pictorial history of the arts in the late 20th century. Mr. Mitchell, who took hundreds of pictures for The New York Times, was both a portraitist and a capturer of complex motion. An expert in lighting, he worked mostly, though not entirely, in black and white, and he was known — by his subjects, by the magazine and newspaper editors he worked for, and by critics — as someone who could make a photograph reveal character. Jack Mitchell was the official photographer for the American Ballet Theater, and he chronicled the work of the Alvin Ailey American Dance Theater for more than thirty years. When he retired in 1995, he had fulfilled more than 5,000 assignments in black and white, and nearly a thousand in color. He photographed more than 160 covers for Dance magazine, and his photos have appeared in Time, Life, Newsweek, Rolling Stone, Vanity Fair, Vogue and many other publications. Mitchell’s photographs are in the collections of the National Portrait Gallery, the Museum of African American History and Culture, and the Smithsonian Archives of American Art, among others. The 2019 USPS Black Heritage postage stamp honoring American performer Gregory Hines was made from a Jack Mitchell photograph, and a Jack Mitchell photograph of Audre Lorde was transformed into a huge glass mosaic as a permanent installation at the 167th Street MTA subway station in NYC

Creator:
Jack Mitchell (1925 - 2013, American)
Creation Year:
1970
Dimensions:
Height: 14 in (35.56 cm)Width: 11 in (27.94 cm)
Medium:
Silver Gelatin
Movement & Style:
Pop Art
Period:
1970-1979
Condition:
Gallery Location:
Senoia, GA
Reference Number:
Seller: Item 1340 Numbered Box C1stDibs: LU113723906282

Shop All Jack Mitchell

Jack Mitchell

Over his four-decade career, photographer Jack Mitchell chronicled the changing cultural landscape of mid- to late-20th-century America by capturing the greatest influencers and innovators in the performing and visual arts.

Mitchell, a master of lighting patterns in photography who had his first portrait published at the age of 15, organized more than 5,400 photographic sessions in his lifetime involving a list of sitters that is as astounding as it is long. A veritable roll call of heroes and idols, his studio guests include painters, dancers, actors, comedians, singers, composers, directors, writers, impresarios and anyone else who helped shape the zeitgeist.

During World War II, when he was only 16 years old, Mitchell photographed Veronica Lake for a Daytona newspaper. It was his first celebrity gig, but that didn’t stop the audacious wunderkind from asking the actress to sweep back her signature “peekaboo” locks so he could get her full face in the frame. Lake, who was in Florida to help the war effort and at the peak of her career, politely obliged, and the two later became lifelong friends.

Mitchell, who was openly gay (his long-term partner and manager, Robert Plavik, died in 2009), also struck up a close relationship with Gloria Swanson. From 1960 to 1970, he served as her personal paparazzo, snapping a variety of “candid” shots of the aging but eternally glamorous actress as if she were a pre-mobile/pre-social-media reality star.

The diverse publications in which Mitchell’s work has appeared — in addition to the New York Times, there’s Rolling Stone, Dance Magazine, People, Vogue, Vanity Fair, Time, Harper’s Bazaar and Newsweek — testify to the power of his arresting visual language and its ability to transcend themes and disciplines.

Mitchell also famously shot a series of intimate portraits of John Lennon and Yoko Ono in November 1980, just one month before the Beatles singer was assassinated. A picture from this session became the cover of People’s memorial issue, one of the magazine’s best-selling editions to date.

The showbiz gloss should not distract from Mitchell’s meticulous approach to photography. He insisted on producing his own prints in order to achieve what he deemed museum-quality patina and definition.

“Jack shot many rolls of black-and-white film, and always some color transparencies, of every famous person he photographed,” says Craig Highberger, a friend of the late photographer and the executive director of the Jack Mitchell Archives.

In the world of dance, the field for which Mitchell is best known, his striking and incisive shots of legendary performers and choreographers reflect the visceral energy that these luminaries introduced to the discipline in the 1960s and ’70s, widely considered the Golden Age of American dance theater.

“Jack’s photographs of dancers during his lifetime are a historic chronicle of an amazing period in dance history. He was Alvin Ailey’s dance company photographer from 1961 to 1994,” says Highberger, noting that Mitchell’s collection of 10,000 black-and-white Ailey prints now belongs to the Smithsonian’s National Museum of African American History and Culture.

Mitchell’s dance images are at once ethereal and powerfully dynamic. Not only do they evoke movement through elegant poses and disciplined muscular tension, but they also convey an intimate energy radiating directly from his subjects, as if he had magically unlocked a reflective mood or a character trait, without contrivance.

The collection of authentic Jack Mitchell photography on 1stDibs includes his black and white photography, color photography, nude photography and more.

Located in Chicago, IL

Chuckie Star, 1974, TIME Star became the consummate LA party kid who was a sought after guest at parties. When the scene died out, he moved on along with everyone else. Star's shoes...

Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Silver Gelatin

Julian Wasser
Chuckie Star, 1974 by Julian Wasser, 1974

Price Upon Request

Nicola (Nicky) Weymouth, unique acetate positive of British socialite provenance

By Andy Warhol

Located in New York, NY

Andy Warhol Nicola (Nicky) Weymouth, ca. 1976 Acetate positive, acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by a Letter of Provenance from the representative of Chromacomp Unique Frame included: Elegantly framed in a museum quality white wood frame with UV plexiglass: Measurements: Frame: 18 x 15.5 x 1.5 inches Acetate: 11 x 8 inches This is the original, unique photographic acetate positive taken by Andy Warhol as the basis for his portrait of Nicky Weymouth, that came from Andy Warhol's studio, The Factory to his printer. It was acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. It is accompanied by a Letter of Provenance from the representative of Chromacomp. This is one of the images used by Andy Warhol to create his iconic portrait of the socialite Nicola Samuel Weymouth, also called Nicky Weymouth, Nicky Waymouth, Nicky Lane Weymouth or Nicky Samuel. Weymouth (nee Samuel) was a British socialite, who went on to briefly marry the jewelry designer Kenneth Lane, whom she met through Warhol. This acetate positive is unique, and was sent to Chromacomp because Warhol was considering making a silkscreen out of this portrait. As Bob Colacello, former Editor in Chief of Interview magazine (and right hand man to Andy Warhol), explained, "many hands were involved in the rather mechanical silkscreening process... but only Andy in all the years I knew him, worked on the acetates." An acetate is a photographic negative or positive transferred to a transparency, allowing an image to be magnified and projected onto a screen. As only Andy worked on the acetates, it was the last original step prior to the screenprinting of an image, and the most important element in Warhol's creative process for silkscreening. Warhol realized the value of his unique original acetates like this one, and is known to have traded the acetates for valuable services. This acetate was brought by Warhol to Eunice and Jackson Lowell, owners of Chromacomp, a fine art printing studio in NYC, and was acquired directly from the Lowell's private collection. During the 1970s and 80s, Chromacomp was the premier atelier for fine art limited edition silkscreen prints; indeed, Chromacomp was the largest studio producing fine art prints in the world for artists such as Andy Warhol, Leroy Neiman, Erte, Robert Natkin, Larry Zox, David Hockney and many more. All of the plates were done by hand and in some cases photographically. Famed printer Alexander Heinrici worked for Eunice & Jackson Lowell at Chromacomp and brought Andy Warhol in as an account. Shortly after, Warhol or his workers brought in several boxes of photographs, paper and/or acetates and asked Jackson Lowell to use his equipment to enlarge certain images or portions of images. Warhol made comments and or changes and asked the Lowells to print some editions; others were printed elsewhere. Chromacomp Inc. ended up printing Warhol's Mick Jagger Suite and the Ladies & Gentlemen Suite, as well as other works, based on the box of photographic acetates that Warhol brought to them. The Lowell's allowed the printer to be named as Alexander Heinrici rather than Chromacomp, since Heinrici was the one who brought the account in. Other images were never printed by Chromacomp- they were simply being considered by Warhol. Warhol left the remaining acetates with Eunice and Jackson Lowell. After the Lowells closed the shop, the photographs were packed away where they remained for nearly a quarter of a century. This work is exactly as it was delivered from the factory. Unevenly cut by Warhol himself. This work is accompanied by a signed letter of provenance from the representative of Chromacomp, Andy Warhol's printer for many of his works in the 1970s. About Andy Warhol: Isn’t life a series of images that change as they repeat themselves? —Andy Warhol Andy Warhol’s (1928–1987) art encapsulates the 1960s through the 1980s in New York. By imitating the familiar aesthetics of mass media, advertising, and celebrity culture, Warhol blurred the boundaries between his work and the world that inspired it, producing images that have become as pervasive as their sources. Warhol grew up in a working-class suburb of Pittsburgh. His parents were Slovak immigrants, and he was the only member of his family to attend college. He entered the Carnegie Institute of Technology (now Carnegie Mellon University) in 1945, where he majored in pictorial design. After graduation, he moved to New York with fellow student Philip Pearlstein and found steady work as a commercial illustrator at several magazines, including Vogue, Harper’s Bazaar, and the New Yorker. Throughout the 1950s Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Directors Club and the American Institute of Graphic Arts. He had his first solo exhibition at the Hugo Gallery in 1952, showing drawings based on the writings of Truman Capote; three years later his work was included in a group show at the Museum of Modern Art for the first time. The year 1960 marked a turning point in Warhol’s prolific career. He painted his first works based on comics and advertisements, enlarging and transferring the source images onto canvas using a projector. In 1961 Warhol showed these hand-painted works, including Little King (1961) and Saturday’s Popeye (1961), in a window display at the department store Bonwit Teller; in 1962 he painted his famous Campbell’s Soup Cans, thirty-two separate canvases, each depicting a canned soup of a different flavor. Soon after, Warhol began to borrow not only the subject matter of printed media, but the technology as well. Incorporating the silkscreen technique, he created grids of stamps, Coca-Cola bottles, shipping and handling labels, dollar bills, coffee labels...

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