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Medium: Plastic
New England Skiing
By Slim Aarons
Located in Los Angeles, CA
Skis leaning against the wall of a hut marked 'Ski Instructors Only' in New Hampshire, 1955.
New England Skiing
Black and White Photography
Slim Aa...
Category
1950s American Realist Plastic Black and White Photography
Materials
Emulsion, Photographic Paper, ABS, Black and White, Digital, Photogram
Nucleus
Located in Miami, FL
Medium: Archival pigment print under museum acrylic glass.
Dimensions: 18 x 15 x 15 in. each
Depth: 1 in.
Space in between each panel: 1.5 in.
Total dimensions: 48 x 97.5 in.
Ar...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Plexiglass, Archival Pigment
GEON Klush_1
Located in Miami, FL
Medium: Archival pigment print under museum acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Signed by the artist.
Edition of 5.
Paul-Émile Rioux is a Montreal-based artist a...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Plexiglass, Archival Pigment
"No title (No 40)" Photography 32x32 in Edition of 25 by Yevgeniy Repiashenko
Located in Culver City, CA
"No title (No 40)" Photography 32x32 in Edition of 25 by Yevgeniy Repiashenko
No title (No 40) by Yevgeniy Repiashenko
Year photo was taken: 2016
Limited Edition of 25
Picture size:
Height: 32" inch
Width: 32" inch
(available in 32" x 26" inch size)
This photo work is transported in a robust plywood case.
This artwork is part of "Spirit" series.
The picture shows a frozen movement of professional ballerina.
Special glazed black makeup is put on all over the body.
This acrylic (Plexiglas) photo print is created with unique technology with 50mm transparent area around the picture and photo-clear contours. Mounting the photo under 6mm of glossy acrylic glass creates rich colors and strong contrasts and adds a clear sense of depth to the picture. Acrylic photo...
Category
21st Century and Contemporary Contemporary Plastic Black and White Photography
Materials
Plexiglass, Pigment
Selma to Montgomery March. Coretta Scott King and Martin Luther King Jr., Munici
By Dan Budnik
Located in Santa Monica, CA
Signed, titled & dated in pencil on verso; Signed in ink on recto
Category
1960s Plastic Black and White Photography
Materials
ABS, Silver Gelatin
Nucleus 2
Located in Miami, FL
Medium: Archival pigment print under museum acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Signed by the artist.
Edition of 5.
Paul-Émile Rioux is a Montreal-based artist a...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Plexiglass, Archival Pigment
"FETISH 13" Photography 48" x 48" inch Edition of 10 by Giuliano Bekor
Located in Culver City, CA
"FETISH 13" Photography 48" x 48" inch Edition of 10 by Giuliano Bekor
Archival pigment print
Not framed. Ships in tube.
Fetish Series
As viewers, we become subjects ourselves...
Category
21st Century and Contemporary Contemporary Plastic Black and White Photography
Materials
Plexiglass, Archival Pigment
"Fallen Angel" Black & White Photography 18x12in Ed. 2/24 by Viktorija Pashuta
Located in Culver City, CA
"Fallen Angel" Black & White Photography 18x12in Ed. 2/24 by Viktorija Pashuta
2015
Ready to hang
Latvian born Viktorija Pashuta is internationally published and award winning fashion and art photographer gaining momentum and notoriety in Southern California. With visual cues rooted in dance and music, and fashion passion stemming from her European upbringing, her images are sensual, sultry, yet powerful. Viktorija’s work is known for so called ‘color therapy’ – where she uses saturated and vibrant colors to achieve the effect of fashion surrealism. Her images are very feminine and empowering at the same time to celebrate the essence of a woman.
Her work has been published in such magazines as RUNWAY (USA), GQ, Esquire, VISION (China), Prestige International (France), Essence (USA), Estetica (USA), Nylon Guys, Vogue (Italia), Tchad (Canada), Fashizblack (France), Highlights (UK), CULTURE (Australia), shooting celebrity covers for Healthy Living Magazine, Runway, Orlando Style, Justine and more.
Her celebrity work includes Paris Hilton, Kathy Griffin, Lance Bass, Taryn Manning, Bella Thorne, Kelly Price, Keke Palmer, Rochelle Aytes, James Goldstein...
Category
21st Century and Contemporary Contemporary Plastic Black and White Photography
Materials
Plexiglass, Digital
"Contender 2" Black & White Photography Edition 1/6 by Giuliano Bekor
Located in Culver City, CA
"Contender 2" Black & White Photography Edition 1/6 by Giuliano Bekor
"Contender 2"
40" x 120" inch
Limited edition 1/6
Printed on Hahnemuhle Photo Ra...
Category
21st Century and Contemporary Minimalist Plastic Black and White Photography
Materials
Plexiglass, Rag Paper
GEON Sphere_10
Located in Miami, FL
Medium: Archival pigment print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Signed by the artist.
Edition of 5.
Artist and photographer Paul-Émile Rioux lives in Mo...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Plexiglass, Archival Pigment
Dahlia Gallery Pablo
By Nick Veasey
Located in Napa, CA
X-ray digital C-type mounted onto Dibond, with Plexi face
We live in a world obsessed with image, what we look like, what our clothes, houses, and cars look like etc. Nick Veasey counters this obsession with superficiality by using x-rays to strip back layers and show what is under the surface. Often, integral beauty adds intrigue to the familiar and challenges our automatic reaction to physical appearance by highlighting the beauty inside.
Society is being increasingly inhibited by security and surveillance. Take a flight or go into a high-profile courtroom and your belongings will be x-rayed. The post arriving in corporations and government departments is often x-rayed. Security cameras...
Category
2010s Plastic Black and White Photography
Materials
Plexiglass
Cactus Dahlia January 2019
By Nick Veasey
Located in Napa, CA
X-ray digital C-type mounted onto Dibond, with Plexi face
We live in a world obsessed with image, what we look like, what our clothes, houses, and cars look like etc. Nick Veasey counters this obsession with superficiality by using x-rays to strip back layers and show what is under the surface. Often, integral beauty adds intrigue to the familiar and challenges our automatic reaction to physical appearance by highlighting the beauty inside.
Society is being increasingly inhibited by security and surveillance. Take a flight or go into a high-profile courtroom and your belongings will be x-rayed. The post arriving in corporations and government departments is often x-rayed. Security cameras...
Category
2010s Plastic Black and White Photography
Materials
Plexiglass
Tiger 2 Black and White Photograph by Max Clifton
Located in Brooklyn, NY
Tiger 2, Archival Photographic print reverse mounted to Plexiglass with aluminum hanging hardware- Edition of 10.
Max Clifton is a renowned nature photographer who is celebrated no...
Category
2010s Naturalistic Plastic Black and White Photography
Materials
Plexiglass, Photographic Paper
Politics
By Ejaz Khan
Located in Brooklyn, NY
American Bald Eagles photographed in Alaska by New York-based wildlife and fashion photographer Ejaz Khan.
Ejaz Khan’s wildlife photography focus...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Plexiglass, Photographic Paper
Unity
By Ejaz Khan
Located in Brooklyn, NY
Family sticks together.
Category
2010s Contemporary Plastic Black and White Photography
Materials
Plexiglass, Photographic Paper
Privileges
By Ejaz Khan
Located in Brooklyn, NY
Saintes-Maries-de-la-Mer. Early evening. I have been photographing white horse pictures in France for about five years or so. On location whenever I get...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Plexiglass, Photographic Paper
Inspired
By Ejaz Khan
Located in Brooklyn, NY
Wild horses gone wild!
Category
2010s Contemporary Plastic Black and White Photography
Materials
Plexiglass, Photographic Paper
Autopilot
By Ejaz Khan
Located in Brooklyn, NY
Before I left for this trip to take wild horse photography, a friend of mine and I were having dinner at a restaurant in NYC. She asked, “what are you going to do differently this time?” And, ” how will you photograph beautiful wild horses?” It was as though someone stabbed me with a dagger. However, she was right. I was coming back with similar-looking photographs and nothing different as well to have people shop for wild horse photography. So I consciously made a significant effort to change things around to capture my horse pictures...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Photographic Paper, Plexiglass
Flores del Campo - Field Flowers in Lace
Located in Brooklyn, NY
This intricate artwork by Fidel Santos depicts what the artist refers to as a "fieldscape", a beautifully rendered lace depiction of flowers. This mixed media piece transforms the cr...
Category
21st Century and Contemporary Baroque Plastic Black and White Photography
Materials
Plexiglass, Archival Ink, Mixed Media
Dahlia - Singapore
Located in New York, NY
Singapore, 2016. Photographed at The Flower Dome at Gardens by the Bay. Featured in the 2015 Guinness Book of World Records as the largest glass greenhouse...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Plexiglass, Archival Pigment
Ephemeral Poetry #2
Located in New York City, NY
Fernanda Naman
Ephemeral Poetry #2, 2017
40 x 40 inches
100 x 100 cm
Edition of 9
C-Print - DIASEC
Category
2010s Contemporary Plastic Black and White Photography
Materials
Plexiglass, C Print
Vietnam 4 - Black and White Photography - Plexiglas
Located in New York City, NY
Edition of 5
Alexandre Manuel explores the natural tension between absence and presence, the man and his place in nature and between the evolution of the landscape and the permanenc...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Archival Pigment, Plexiglass
"OTHER 20" Photography 60" x 60" inch Edition of 10 by Giuliano Bekor
Located in Culver City, CA
"OTHER 20" Photography 60" x 60" inch Edition of 10 by Giuliano Bekor
Archival pigment print
Not framed. Ships in tube.
Men's - Other Series Intro
This series connecting us to nature’s raw materials to create a piece that is organic and pure
We put on the mask and the headdress not to hide but to reveal ourselves, to give ourselves the freedom to break with taboo, to transgress, to transform. Referencing ritual and native practices, this collection pays homage to an identity built by reaching into the Other and imbibing cross-cultural forms of self-expression.
ABOUT THE ARTIST
Internationally recognized photographer, Giuliano Bekor, holds a portfolio that includes work from the realms of fashion, beauty, celebrity, advertising, and fine art.
Giuliano’s photography has been featured in top publications around the globe, and his client list includes an endless file of beauty industry leaders, advertising agencies, celebrities, producers, and artists.
With 30 years in the industry, Giuliano has perfected his craft to an exceptional level of expertise. Composed of light, color, space and form, Giuliano brings ideas conceptualized in his own imagination into reality throughout his work.
Currently living between New York and Los Angeles, Giuliano is often on the move traveling for work and inspiration. Always the restless visionary, he ceases to continually express his fresh and nuanced style.
For Giuliano Bekor, a photograph is an image that comes into being consciously, composed of light, color, space and form. Like a painter, he sketches, refining ideas through pen and pencil well before the shutter clicks. A camera is strictly a means to an end, a way of making a palpable visual record of an idea that gestates in his mind, gains shape by his hand, and resolves through his eye as it peers through the lens.
His subject is the human body, almost always nude. These images delve into the splendor of the body - how it can express the inner meaning of who we are. Limbs, torsos, muscles and bones are exposed as though carved out of a supple, glowing stone that flexes and twists. Many of these photographs feature subjects posed with the eyes obscured, the face covered.
If we look closely, Bekor says, we can see that the body is as much a window into the soul as the eyes. This is a gallery of the soul etched into the forms we assume in the physical world. Through exaggerated contrast between light and dark, smooth and textured, vaporous and tactile, Giuliano deliberately filters the extraneous.
The camera captures the image, but for Bekor each exposure is a transformation - of himself, his subjects, and us. He is digging into uneasy turf, fraught with tension: masculine/feminine, heroic/cowardly, shameless/shameful, eternal/fleeting. The intensity of detail, the fiercely exquisite perfection of the bodies themselves, the unflinching, scrupulous engagement of the lens, negates all pretense of politeness. Confronted, we are summoned to look. So we must. And we do. And we experience the beautiful human forms we inhabit and the silent, eloquent language they speak.
EXHIBITION HIGHLIGHTS
Giuliano Bekor’s most recent fine art photography solo shows include:
2019 - March Lips The cool HeArt...
Category
21st Century and Contemporary Contemporary Plastic Black and White Photography
Materials
Plexiglass, Archival Pigment
"No title (No 26)" Photography 45x45 inch Edition of 18 by Yevgeniy Repiashenko
Located in Culver City, CA
"No title (No 26)" Photography 45x45 inch Edition of 18 by Yevgeniy Repiashenko
No title (No 26) by Yevgeniy Repiashenko
Year photo was taken: 2016
Limited Edition of 18
Picture si...
Category
21st Century and Contemporary Contemporary Plastic Black and White Photography
Materials
Plexiglass, Pigment
Triptych Indulgence series by Tyler Shields (Photography framed)
Located in New York City, NY
Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Plexiglass, Archival Paper, C Print
Valkyrie Song
By Reka Nyari
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Plexiglass, Photographic Film, Mixed Media, Photographic Paper, Photogram
Spirit of Thor
By Reka Nyari
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Plexiglass, Photographic Film, Mixed Media, Photographic Paper, Photogram
Cup of Blessing
By Reka Nyari
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Plexiglass, Photographic Film, Mixed Media, Photographic Paper, Photogram
Star of the Sea
By Reka Nyari
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Plexiglass, Photographic Film, Mixed Media, Photographic Paper, Photogram
Bride of Gudoko
By Reka Nyari
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Plexiglass, Photographic Film, Mixed Media, Photographic Paper, Photogram
Tracing Petals
By Reka Nyari
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Plexiglass, Photographic Film, Mixed Media, Photographic Paper, Photogram
Inked In Kyoto
Located in New York, NY
Reka Nyari’s erotically charged photographs engage cultural narratives surrounding gender and sexuality. A master at the art of storytelling, Nyari’s newest series, GEISHA INK, documents Ginzilla, a dramatically-posed young woman whose naked body is lavishly-adorned with tattoos.
A champion of feminine fortitude, Nyari has long been fascinated with the art of capturing women without pretense. Recognizing strength in the vulnerability of the nude female form, she chooses most often to photograph women...
Category
2010s Photorealist Plastic Black and White Photography
Materials
Plexiglass, Photographic Film, Archival Ink, Archival Paper, Photographi...
Fading Beauty
By Drew Tal
Located in New York, NY
With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into the global ar...
Category
Early 2000s Surrealist Plastic Black and White Photography
Materials
Plexiglass, Photographic Film, Photographic Paper, Photogram
Yaa-sama Tears
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone...
Category
2010s Photorealist Plastic Black and White Photography
Materials
Plexiglass, Photographic Film, Archival Ink, Archival Paper, Photographi...
Beauty of Atatori
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone...
Category
2010s Photorealist Plastic Black and White Photography
Materials
Photographic Film, Archival Ink, Archival Paper, Photographic Paper, Pho...
Engine
Located in New York, NY
French photographic artist, Jean Philippe Kadzinski currently resides in New York, where he produces rhythmic depictions of the opportune city. Born in a small village in Lorraine, t...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Plexiglass, Photographic Film, Mixed Media, Photographic Paper, Photogram
Lament
By Drew Tal
Located in New York, NY
With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into the global ar...
Category
2010s Photorealist Plastic Black and White Photography
Materials
Plexiglass, Photographic Film, Photographic Paper, Photogram
GAIA
By Reka Nyari
Located in New York, NY
Print is also available in a Medium size: 50'' x 40'' and is priced at $13,000. It is a black and white photographic print, with uniquely handmade puncture designs by the artist, set...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
THUONG NGAN (FOREST GODDESS)
By Reka Nyari
Located in New York, NY
Print is also available in a Medium size : 50'' x 40'' and is priced at : $13,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
FILLE DE REVE
By Reka Nyari
Located in New York, NY
Print is also available in a large size : 63'' x 50'' and is priced at : $16,000. Each work is a one of a kind, unique piece that is hand punctured. The work also comes with a black floating frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Plexiglass, Archival Ink, Archival Paper, Black and White, Digital, Pigm...
5s5a8422
By Bob Tabor
Located in New York, NY
Bob Tabor's new series titled “Night Muse ”, plays on this fascination as he is able to capture, what he believes to be, the rebirthing energy incorporated in the moon and the ocean’...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Plexiglass, Photographic Film, Photographic Paper
5s5a7697
By Bob Tabor
Located in New York, NY
Bob Tabor's new series titled “Night Muse ”, plays on this fascination as he is able to capture, what he believes to be, the rebirthing energy incorporated in the moon and the ocean’...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Plexiglass, Photographic Film, Photographic Paper
Botanique
By Reka Nyari
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together...
Category
2010s Photorealist Plastic Black and White Photography
Materials
Plexiglass, Photographic Film, Photographic Paper, Photogram
Nymph
By Reka Nyari
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Plexiglass, Photographic Film, Mixed Media, Photographic Paper, Photogram
Chooser of the Slain
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Photographic Film, Acrylic Polymer, Archival Ink, Archival Paper, Photog...
I am Freyja
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Photographic Film, Acrylic Polymer, Archival Ink, Archival Paper, Photog...
LE JARDIN
By Reka Nyari
Located in New York, NY
Print is also available in a Medium size : 40'' x 56'' and is priced at : $14,000. It is a black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Archi...
DANDELION
By Reka Nyari
Located in New York, NY
Print is also available in a Large size: 63'' x 50'' and is priced at: $16,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Pigme...
VENATION
By Reka Nyari
Located in New York, NY
Print is also available in a large size: 63'' x 50'' and is priced at: $16,000 Each work is a one-of-a-kind, unique piece that is hand punctured. The work also comes with a black floating frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Pigment, Pigment, Archival Pigment, Digital Pigment, Plexiglass, Archiva...
L'ARTISTE
By Reka Nyari
Located in New York, NY
Print is also available in a large size : 50'' x 40'' and is priced at : $13,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
PHANTASMA
By Reka Nyari
Located in New York, NY
Print is also available in a large size : 56'' x 74'' and is priced at : $19,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
LUNE DE SANG
By Reka Nyari
Located in New York, NY
Print is also available in a large size : 63'' x 50'' and is priced at : $16,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
ROUTES
By Reka Nyari
Located in New York, NY
Print is also available in a small size : 50'' x 40'' and is priced at : $13,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in ...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
BELOVED
By Reka Nyari
Located in New York, NY
Print is also available in a large size : 63'' x 50'' and is priced at : $16,000 Each work is a one of a kind, unique piece that is hand punctured. The work also comes with a black f...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
SORCIER
By Reka Nyari
Located in New York, NY
A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
Print is also available in large size: 63'' x 50'' and i...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
Regret
By Drew Tal
Located in New York, NY
Portrait photography
Drew Tal's work combines photography with digital media to render highly stylized and realistic figurative imagery.
Focusing on faces and dramatic close-up po...
Category
2010s Contemporary Plastic Black and White Photography
Materials
Plexiglass, Photographic Paper, Black and White, Varnish
Plastic black and white photography for sale on 1stDibs.
Find a wide variety of authentic Plastic black and white photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add black and white photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Slim Aarons, Ejaz Khan, Nick Veasey, and Axel Crieger. Frequently made by artists working in the Contemporary, Photorealist, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Plastic black and white photography, so small editions measuring 0.63 inches across are also available
Read More
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