Desk Black and White Photography

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Sandrine ‘ who was captured on film in...

Technology in progress is an original photograph realized by an Anonymous photographer. Dufoto stamp copyright on the rear. Good conditions.

At nearly the same time that photography was invented, the practice of Spiritualism was being born in the "burned-over district" of New York. Central to its belief was the practice o...

"Henry And Eve Miller On Partington Ridge" - 1954 Original Photograph 1954 original black and white silver gelatin photograph of Henry and Eve Miller at their house on Partington Ridge in Big Sur, California by California photographer Jim Healy (American, 20th C.). Eve Miller sits behind a desk while Henry Miller leans against a bookshelf in their home office in Big Sur. Eve holds a cigarette in her hand, with Henry next to her, leaning his elbow against the bookshelf. Titled, stamped and dated on verso. "Henry and Eve Miller on Partington Ridge 1954 photo by Jim Healy" Stamped "Henry Miller Memorial Library, Big Sur California" Presented in a white mat. Mat: 20"H x 16"W Photo: 14"H x 11"W Image: 13 1/8"H x 10 5/8"W Henry Miller was born December 26, 1891 in New York, New York. In 1920 Miller began working for Western Union Telegraph service where his interest in writing began. He soon left for Europe in 1928 where he resided in Paris in 1930. He continued full time with his long and lucrative career as a writer of more than 36 creative and analytical works. Miller's entrance into the writer's circle began with Tropic of Cancer, which still proves to be Miller's most famous work. Tropic of Cancer and Tropic of Capricorn chronicle Miller's lives and loves as an expatriate in Paris. They were both originally published in France by Jack Kahane at Obelisk Press in the mid-thirties. Soon after the publishing of Tropic of Cancer and Tropic of Capricorn, Miller's other works to date were published in the United States. During this time it was said that "Miller became a legendary character, a kind of folk hero, the Paul Bunyan of literature, larger than life as exile, bohemian, and rebel, the great champion of freedom of expression and other lost causes...

“It takes the passage of time before an image of a commonplace subject can be assessed. The great difficulty of what I attempt is seeing beyond the moment; the everydayness of life gets in the way of the eternal.” --George Tice GEORGE TICE was born in 1938 in Newark, NJ, the state in which his ancestors had lived for generations earlier. He joined a camera club when he was fourteen, and is largely a self taught photographer. Two years later, when his picture of an alleyway was commended by a pro photographer critiquing club members' work, Tice was off and running with what would become his life’s work.. Tice studied commercial photography for a short time at Newark Vocational and Technical High School then decided to join the Navy. After, he worked as a traveling portrait photographer for almost 10 years. In 1959, Edward Steichen, then director of photography at MOMA acquired Tice's photo of an explosion aboard the USS Wasp for the museum. Later he aided Lee Witkin in establishing the seminal Witkin Gallery in NYC. His work was included in the opening group show in 1969 and the first of many solo shows there began the following April. George’s change to larger format cameras in the 60’s furthered his ability to craft carefully toned and detailed prints. He portrayed traditional Amish and Shaker communities, as well as the hard lives of fishermen in Maine. In the 1970s, Tice began explore his native NJ and began to document the vestiges of American culture on the verge of extinction, the work he is best known for. Whether it is the rural people who reside in small communities or suburban buildings and neighborhoods in decline, his great talent is finding deep meaning and emotional content in the most mundane subjects. In 1972, Tice was the subject of a one-man show at the Metropolitan Museum of Art. A fellow of the Guggenheim Foundation and the National Endowment for the Arts, George Tice’s work is included in more than 80 major museum collections including the Museum of Modern Art (MoMA) in New York and the J. Paul Getty Museum in Los Angeles, as well as countless private collections. Some of his iconic New Jersey images form the scenic backdrop...

Square Table, 1992 Still Life Photograph of Antique Table by David Halliday Sepia toned silver gelatin print, edition of 15 Custom brown wood shadow box frames, no mat with AR non g...

"Yves Saint-Laurent" by Reg Lancaster 7th April 1965: Yves Saint-Laurent, ex-wonder boy of Dior, working at his own fashion house in Paris. Unframed Paper Size: 40" x 30'' (inche...

11 x 14" vintage silver gelatin photograph of artist Yoko Ono photographed with her artwork at her Dakota apartment in New York City, 1989. Signed by ...

Black and white photograph of Edward Weston's desk, by Kim Weston (American, b. 1953). This photograph was taken in the former home of Edward Weston, Kim We...

Men on the moon, UNIVAC 494 is an original photograph realized by an Anonymous photographer. Typed notes on the rear, the description in Italian. Stamp of Bert Brandt and Associate...

'Assembly of The Fascist' is a b/w photographic print on glazed paper. Stamp of agency Trampus, Paris and cliché applied on the back. The second five-year assembly of the Fascist re...

April 7, 1965: Yves Saint-Laurent, ex-wonder boy of Dior, working at his own fashion house in Paris. (Photo by Reg Lancaster/Express/Getty Images) As an authorized Getty Images Gall...

April 7, 1965: Yves Saint-Laurent, ex-wonder boy of Dior, working at his own fashion house in Paris. (Photo by Reg Lancaster/Express/Getty Images) As an authorized Getty Images Gall...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Diana Vreeland photographed by Jack Robinson in her office at Conde Nast, March 28, 1968. Vreeland had asked that Jack take her portrait for an article that would appear in the the ...

Edward L. Rubin is an award-winning fine art photographer, production designer, and painter based in Los Angeles. He studied architecture at UC Berkeley and earned his MFA in Set Des...

What Do You Think Of It So Far by Arthur Steel Eric Morcombe at home, England, 1981 All prints are hand signed limited editions, no further prints are produced once sold. paper ...

Eric Morecambe By Arthur Steel Paper size: 34 x 26" / 86 x 66 cm Silver Gelatin Print 1980 (printed later) unframed hand signed limited edition of 50 note other print sizes and...

Kennedy nb_046 -- Jackie in JFK's Senate Office. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo...

Kennedy nb_046 -- Jackie in JFK's Senate Office. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo ra...

Signed, titled, and dated in pencil on print verso.

Photographic Fine Art Paper 325 g, ed. 1/7 Luca Battaglia is an Italian architect and photographer born in 1970 who lives and works in Paris, France. Luca met the Italian photograph...

This work is unique. Work comes with a Certificate of Provenance. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation numb...

Kennedy nb_046 -- Jackie in JFK's Senate Office. Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo ra...

Signed by the photographer

Yves Saint-Laurent, Paris, 1964 Signed in pencil with artist's copyright stamp on verso Gelatin Silver Print 24 x 20 inches