Jug Black and White Photography

Yeshiva Students, New York City, 1954 by Leonard Freed is a black-and-white photograph of three young Jewish Youth, studying at a yeshiva. This is a gelatin silver lifetime print, 16...

Kate #4, 2002 by American photographer Leonard Freed is a 8" x 10" signed black and white photograph, stamped vintage on verso (back of print). Model Kate remains forever complicit i...

This is a gelatin silver lifetime print, 16" x 20", signed (verso) by the photographer, School Bus, New York City, 1954. The black-and-white photograph cap...

Kate #5, 2002 by American photographer Leonard Freed is an 8” x 10” signed black and white photograph stamped "vintage" by the Freed estate on verso (back of photo). Model, photograp...

Nikita Khrushchev in front of Lincoln Memorial, 1959, Washington DC by Burt Glinn is one of the photographer's historical photographs. The portrait i...

Wall Street, 1956 by Leonard Freed is a modern print signed verso (on back) by the estate/widow of the photographer, Brigitte Freed. This is a 24" x 20" gelatin silver print. Leonard...

'Snake Necklace by Elsa Peretti' Platinum/Palladium on vellum paper over silver leaf Handmade photographic reproduction on sensitised paper Edition 1 of 5 , plus 2 AP ( Medium Siz...

Kate #13, is from the Kate series, 2002 by American photographer Leonard Freed is a signed, 8" x 10" (small format) black and white photograph (gelatin silver), stamped "vintage" on ...

The image of a body builder from the 1960s captures African-American life in Harlem in the 1960s. Mr. Harlem, 1963 by Leonard Freed, is from the photographer's book Black in White Am...

Fire Hydrant, Harlem, 1963 by Leonard Freed is a 14" x 11" gelatin silver print signed by the photographer on verso (back of photo). Provenance: Freed estate LITERATURE: W. A. Ewin...

Carrousel - Signed limited edition archival pigment print, 2009 - Edition of 10 Place de l'Hôtel de Ville in Paris This is an Archival Pigment print on fiber based paper ( H...

Artist: Jed Devine American (1944- ) Title: Untitled (Stacked Cups) Date: 1987 Medium: Platinum-palladium print on Japanese rice paper Image size: 9.5 x 7.5 inches (9.25 x 7.25 inches within mat) Sheet size: 12 x 9 inches Framed size: 20.25 x 16.25 inches Signature: signed lower right in pencil Edition: unknown This sublime photograph is by Jed Devine. It is signed in the lower right in pencil. There is a gallery label from the Fraenkel Gallery in San Francisco on the reverse of the framed work. It is framed in a simple metal frame. The photograph, mat and frame are in very good condition. Jed Devine was born in Mount Kisco, New York, in 1944 and raised in Pleasantville, a Westchester County suburb. Devine cites Walter Hahn, his junior high school art teacher, as having an instrumental role in his art career decision: “I don’t know how it happened that a serious artist like Walter Hahn was teaching art at Pleasantville Junior High, but I was most fortunate to have him as a mentor and I’ve always been grateful to him.” In 1967, Jed Devine graduated cum laude from Yale University with a BA in fine arts and began his career as a painter. In 1972, he returned to Yale to study design and photography and was awarded an MFA degree. He joined the Purchase College faculty in 1977. During his tenure at Purchase, several of his students went on to receive recognition as photographers, among them Adam Baer, Gregory Crewdson, Regina DeLuise, Andrea Modica, Deborah Mesa-Pelly, and Roger Newton. Jed Devine’s photography is represented in many major museum, corporate, university, and private collections, including the Metropolitan Museum of Art, New York; Victoria and Albert Museum; London; the International Center of Photography, New York; the San Francisco Museum of Art; the Art Institute of Chicago; the Museum of Fine Arts, Houston; and the Museum of Modern Art, New York. Originally trained as a painter, Devine began taking photographs in 1972 and became fascinated by the effects of light on objects and surfaces, and the sensuality that was possible with the platinum-palladium process. This sensuality is on full display in Devine’s only book, Friendship, a collaboration with the writer Jim Dinsmore, whose 64 images “form an extended sequence that moves from innocence to decay and return. The images emphasize the beauty and primacy of light while capturing the visual drama and irony of the Maine landscape.” Devine also has a long-standing relationship with New York City, which is most evident in his portfolio of panoramic photographs celebrating New York bridges...