Shelter Black and White Photography

Black and white fine art landscape photography. Fort Lauderdale Beach with lifeguard tower and palm trees, Florida, USA. Archival pigment ink print as part of a limited edition of 9....

Black and white fine art landscape photography. Abandoned music hall on famous route 66 in the Arizona desert, USA. Archival pigment ink print, edition of 9. Signed, titled, dated an...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 15. All Gerald Berghammer prints are made to order in limited editions on H...

Black and white fine art landscape photography. Romantic beach huts with a bench on the stony beach of France. Archival pigment ink print, edition of 9. Signed, titled, dated and num...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print, edition of 7. Signed, titled, dated and numbered by artist. Certificate of auth...

Black and White Fine Art landscape photography. Fort Lauderdale Beach with lifeguard tower and palm trees, Florida, USA. Archival pigment ink print, edition of 9. Signed, titled, dat...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Black and white fine art landscape photography. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed ...

Black and White Fine Art Landscape Photography. Wine press house with tree in snowy field, Winter, Weinviertel, Austria. Archival pigment ink print, edition of 7. Signed, titled, dat...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

American photographer Julius Shulman’s images of Californian architecture have burned themselves into the retina of the 20th century. A book on modern architecture without Shulman is...

Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed later by Cole Weston from the original ne...

Gerald Berghammer - Limited Edition 2/9 Silver Gelatin Prints, Selenium Toned, Printed 2019 Signed, numbered, dated by Artis. Handmade wood frame, dark-brown, natural white archival ...

Ditch Plains 2 was shot at Ditch Plains Beach in Montauk, NY Summer 2023.

Archival inkjet print Signed and dated in pencil, verso Also inscribed in pencil, verso 4.875 x 4.875 inches, sheet 4.375 x 4.375 inches, image This artwork is offered by ClampArt,...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

"Retreat" This structure has stood the test of time to survive in Grand Teton National Park below the mountains of Wyoming. Experience the photographic journey through the cultural...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editions on Ha...

Black and White Fine Art Landscape Photography. Abandoned bath house in the desert landscape of the Salton sea, California, USA. Archival pigment ink print, edition of 9. Signed, tit...

Pulitzer On The Beach Patsy Pulitzer at Palm Beach, Florida, circa 1955. Slim Aarons silver gelatine fibre based print Printed Later Slim Aarons Estate Edition Produced utilisi...

Black and White Fine Art minimalist photography. Abandoned bathhouse at the Salton sea, California, USA. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered ...

Black and white fine art landscape photography. Abandoned single bath house at Salton sea, California, USA. Archival pigment ink print, edition of 9. Signed, titled, dated and number...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Black and white fine art long exposure waterscpe - photography. Boathouse at the Toplitzsee with water reflections from the forest. Archival pigment ink print, edition of 9. Signed, ...

Christo and Jeanne-Claude Wrapped Kunsthalle, Bern Switzerland (1968) Vintage silver gelatin print signed by Christo lower right Photographed by Thomas Cugini, Swiss (b. 1938) 10 1/...

Barn, New Concord pigment print on watercolor paper Available in the following sizes: 13 x 16, edition of 25 $1500 20 x 24, edition of 25 $2500 40x50, edition of 25 $6,500 This Black and White Sepia-toned print of a barn in the snow was taken by photographer, James Bleecker. The nearly monochromatic, picturesque landscape depicts an idealistic rural scene lit beautifully by an overcast sky. Artist Statement: These photographs span the last decade of nearly four that I have worked in the Hudson River valley. While I have photographed landscapes, towns and cities, I have chosen a selection of rural scenes for this show. All are in Columbia County except “Allee,” (Tuxedo Park) and Quimby Farm (Marlborough). My photography spans four decades of living in the Hudson River Valley. While my Dutch ancestors settled here early - Bleecker and Verplanck are common place names - I don't know what, if any, pull that fact exerts. Certainly I'm attracted to the layers of time exposed here; in ancient stone walls, leaning barns, faded mansions and mill towns. The valley exudes boom and bust, love and leavings. About the Artist: James Bleecker photographs the landscapes and architecture of his native New York State. Since 1983 his work has spanned independent fine art photography and commercial architectural photography. Much of his work has been commissioned by museums and historic preservation groups in the Hudson River valley. About James’s work, Edgar Munhall, Curator Emeritus of The Frick Collection, has written, "James's work is powerful and mature. Rigorously composed and technically perfect, his photographs can reduce you to tears by their beauty." Collections: Berkshire Museum Barry Diller...

One of the photographers at Mauritius Publishing based in Berlin was Karl Heinrich Lämmel. Born on 30 July 1910 in Riesa, Saxony, he has been missing since April 1945. In the thirtie...

"I remember the moment that the idea for Bodyscapes® came to me. I was thinking that the shape and structure of the universe repeated itself at every level and suddenly I had the ima...

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Artist Reference YS-B-1G. Printed later by Col...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editions on Ha...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

Slim Aarons Estate Print - Pulitzer On The Beach - Oversize Patsy Pulitzer (nee Patsy Bartlett) at Palm Beach, Florida, circa 1955. (Photo by Slim Aarons) silver gelatin print paper size 30 x 30" inches / 76 x 76 cm unframed printed later edition size 150 only certificate of authenticity supplied numbered in ink & blind embossed stamped Slim Aarons signature on front Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. b/w black and white beach...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Rebecca Skinner’s “The Root of the Problem” was photographed in the interior of an abandoned hospital. The 16 x 30 inch black and white metal print is of a...

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount.

An original silver gelatin print from the 1960's by American social documentary photographer Milton Rogovin.

Street Champion, 4th Ward, Houston, Texas is a black and white gelatin silver photograph depicting a group of children posing in front of a house. A young boy watches from the porch ...

This work was acquired directly from The Andy Warhol Foundation for the Visual Arts. The work is in pristine condition and has never been framed. This is a unique work which comes w...

Black and White, American, Sky, Trees, b&w, black & white, architecture, florida, route, road, vignette, rural, americana, building, abandoned, deserted, small town, photograph, photography Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In Gordon’s third exhibition, his remarkable capacity for discovery and self-described “pathological curiosity” makes for an entirely unpredictable series of photographs, while the small size of the gelatin silver prints emphasizes their detailed nature and enhances the mysterious quality generated by his choice in cameras (namely, the increasingly popular Holga film camera). Stettinius’ wry sense of humor, references to popular culture, and use of kitschy subject matter permeate the entire black and white exhibition. The invitational image, “Yoda’s Garden”, is a perfect emblem of the exhibition’s mischievously comedic representation of Americana. In this image, a scarecrow proudly stands at the center of a growing cornfield, a gingham dress wrapping its body and a mask of the popular Star Wars character “Yoda” serving as its head. Although the references to both Star Wars and The Wizard of Oz may appear staged, Stettinius’ photography is anything but. Stettinius frequently finds inspiration in road trips, generating an aesthetic with the satirical playfulness of David Graham or Ralph Meatyard. This spontaneous, anthropological approach to photography can be seen in several of the pieces in Stettinius’ collection. This is perhaps most notably found in “Fast Money...

Work comes with a Certificate of Provenance issued by Christie’s. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation num...

PRADA Marfa 2007 © Bruce Jefferies Reinfeld Limited edition archival pigment photograph KODAK TMAX 3200 black and white film U.S. 90, Valentine, TX 79854 Latitude: 30.603598 ...

World - Manipulated photography The artist Wei Xiang is an artist who usually travels to obtain sources of inspiration for his art pieces. In this series of photographs manipulated w...

Photographic Fine Art Paper 325 g, ed. 1/7 Luca Battaglia is an Italian architect and photographer born in 1970 who lives and works in Paris, France. Luca met the Italian photograph...

Gelatin silver print Signed, titled, and dated in pencil on print verso by Earlie Hudnall, Jr. Paper size: 20 x 16 in., Image size: 19 x 15 in. Earlie Hudnall, who is one of the mos...

"Monte Clerigo" Photography 31.5" x 24" inch Edition 1/5 by Lukas Dvorak Pigment print on Epson Fine ART paper 2016 Ships rolled in a tube ABOUT THE ARTIST Lukas Dvorak is a Cz...

Rebecca Skinner’s “The Factory” was photographed at an abandoned china factory and is part of a series documenting the loss of industry in America. The 10 x 30 inch black and white l...

Large 30x40 inch photograph of the Iconic Aust Ferry photograph by the late Barry Feinstein. This image was used for the documentary by Martin Scorsese "No Direction Home". Comes...

"I remember the moment that the idea for Bodyscapes® came to me. I was thinking that the shape and structure of the universe repeated itself at every level and suddenly I had the ima...

This print is signed in pencil on the front of the mount and stamped on the back of the mount. Despite Morley Baer’s adherence to the West Coast landscape tradition, his interests i...

This is a very rare signed photograph by the Late Barry Feinstein. Roughly 50 of this photograph exist in the world that are signed. Signed on verso by the artist. Comes with cert...

Michael Mardikes Benton walking dog (Thomas Hart Benton Plate #6) Year: 1956, 2021 Pigment Ink on Archival Paper Photograph Image Size: 19x13.5 in Paper Size: 22x17 in Edition: Unique Monogrammed by hand Label signed and numbered by Estate Representative COA provided by Authorizing Body Additional COA provided by representing Gallery Ref.: 924802-908 Image included in the exhibition An Artist at Home in America: Michael Mardikes’ Photographs of Thomas Hart Benton at the Kansas City Public Library (November 20, 2021-May 15, 2022) One night in late 2020, as Nick Vedros was leaving the home of his Aunt Myrt and Uncle Michael Mardikes, his aunt suddenly asked him, “What are we going to do with all the negatives?” The noted Kansas City photographer was not sure what his 89-year-old aunt was talking about, until she handed him a notebook filled with more than 1000 negatives chronicling Thomas Hart Benton at home and in his studio. They had been filed away for almost seven decades. This startling discovery was the inspiration for the exhibition, “An Artist at Home in America: Michael Mardikes’ Photographs of Thomas Hart Benton” on view at the Kansas City Public Library Central Library. The exhibition is a must-see, not just for fans of Thomas Hart Benton but for devotees of exemplary photojournalism. Of the 1,080 photographs Mardikes took, only four had been published in an article he wrote for “This Month in Kansas City” magazine in 1966. The others were never printed, nor was their existence common knowledge. Although Vedros had been aware of his uncle’s assignment with Benton, he was stunned to discover that so much additional material existed. Vedros, who decided at age 12 to become a photographer himself after seeing his uncle’s work, was determined to organize an exhibition, and was especially interested in doing it as quickly as possible given his uncle’s advanced age and increasing frailty. Collaborating with Dan White, a photographer, master printer and friend since their time together at the University of Missouri journalism school, they selected 34 images to be printed and framed, researching the details with Steve Sitton, the director of the Thomas Hart Benton Home and Studio Historic Site. Michael Mardikes had had a brief career as a commercial photographer before going on to work in management at the Ford Motor Company and later at UMKC. He made the acquaintance of Benton through Eugene Pyle, a former student of Benton’s and Mardikes’ photography instructor at the Art Institute. In 1955, Benton asked Mardikes to photograph him; Mardikes visited Benton 35 to 40 times, over a period of a few months in late 1955 and early 1956. Sitton told Vedros that not only was Mardikes’ amount of access incredible, but that the resulting body of work was unmatched. As the project progressed, Benton became focused on a mural commission for the River Club in 1956. Henry Adams, preeminent Benton scholar and former curator at The Nelson-Atkins Museum of Art, provided some context for this particular work: “The commission to paint ‘Traders at Westport Landing’ came at a low point in Benton’s career, 1956, and initiated the late phase of Benton’s mural paintings. It was the first of a series of murals depicting the exploration and settlement of the west, which culminated in the Truman Library mural, which was completed in 1962. All these murals feature trading and friendly contact with the Indians, rather than conflict, and are arresting in their bright color and meticulous rendering of carefully researched detail. The River Club, which commissioned ‘Traders at Westport Landing,’ overlooks the Missouri River and has a panoramic view very similar to the one in Benton’s painting.” This group of black and white photos not only documents the artist’s working process but also reveals other aspects of his daily life: one memorable image reveals Rita Benton massaging her husband’s stiff shoulders after a long day in his studio. Other images show members of the River Club board visiting Benton’s studio to check on the progress of the mural. One charming image captures a candid moment of Rita Benton and Myrt Mardikes as they collaborated in the Benton kitchen making chicken kapama for their husbands. Nan Chisholm Nan Chisholm is an art consultant and appraiser of 19th- and 20th-century paintings. After a long association with Sotheby’s, she founded her own business in 2003. She has appeared as a fine art appraiser...

No Edition Signed, titled and dated in pencil on print verso by Earlie Hudnall, Jr. Gelatin silver print 20 x 16 inches. Earlie Hudnall, who is one of the most notable African Ameri...

River of No Return is a 1954 American Western musical film directed by Otto Preminger and starring Robert Mitchum and Marilyn Monroe. The screenplay by Frank Fenton is based on a sto...

Pentti Sammallahti is a benchmark figure in contemporary Finnish photography. His works depict nature eroded and broken down by civilization, but he does not put man and the environm...

Silver gelatin print, printed 1980s; image dimension 15 x 11 5/8 in. (380 x 293 mm), sheet dimension, 15 3/8 x 12 1/8 in. (390 x 309 mm). The verso signed "W. Suschitzky" in black crayon, titled and dated Dundee. 1946". [Michael Omasta, et al. Wolf Suschitzky: Seven Decades of Photography (Vienna: Synema, 2014), ill. p. 188]. A photograph that attests to Suschitzky's keen interest in the social environments of the working class. His worked as a cinematographer brought him to Britain’s coal mining communities, to the steel mills and the workers' housing. "In Dundee I came across the worst slums I had ever seen. When I took this picture I was next to a ten story high tenement building. There was only one toilet on each floor and one cold water tap...

"Retreat" This structure has stood the test of time to survive in Grand Teton National Park below the mountains of Wyoming. Experience the ...