Veil Black and White Photography

Gaze - 2020 20x20cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2020-911. Not mounted. Ki...

Epiphany 2016, 20x20 cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL2016 - 78...

"Tag Yourself" Photography 29.5" x 24" in Edition of 15 by Kseniya Vashchenko Not framed. Ships rolled in tube. Available sizes: Edition of 15: 29.5" x 24" in Edition of 7: 39" ...

"Kam für mich" Photography 39" x 31" in Edition of 7 by Kseniya Vashchenko Not framed. Ships rolled in tube. Available sizes: Edition of 15: 29.5" x 24" in Edition of 7: 39" x 3...

"Wrapped Series Untitled #25" Photography 1/10 34" x 23" inch by Robert Mack 2013 Photograph, archival exhibition paper Aluminum mount, UV mat protecti...

"Wrapped Series Untitled #4" Photography 38x28in Edition 1/10 by Robert Mack 2013 Photograph, archival exhibition paper Aluminum mount, UV mat protection 38” x 28” inches 97 x 72 ...

Albert WATSON (*1942, Scotland) Cecilia Chancellor, New York City, 1984 1984 Silver gelatin print Image 61 x 51 cm (24 x 20 1/8 in.) Edition of 10, plus 2 AP Print only Albert Wat...

'Undo' 2021 The gauzy veil, swept by an unseen force, suggests both concealment and revelation, echoing the duality of identity as something imposed yet inherently fluid. Even though the societal veil remains, its power is diminished—the subject moves freely beyond the constructs seen by constrained minds. Light softly filters through, symbolizing self-discovery and transcendence, a quiet emergence from expectation into pure existence. In this symphony of contrast and motion, identity is no longer bound—it simply is, limitless and free. It is a double exposure film composition. Photograph is a limited edition of 10. Printed on archival Hahnemühle Photo Rag Baryta paper. Signed both front and back with Certificate of Authenticity. Photograph is shipped fast and flat in secure thick cardboard packaging. Artist Biography: Ugne is a Lithuanian fine art photographer based in London. Her work explores the intricate systems and subtle beauty of nature, finding inspiration in its quiet resilience and ephemeral grace. By capturing small, often-overlooked moments, Ugne transforms natural elements into visual poetry, reflecting on the delicate balance of life. Awards: 2024 Black Spider Awards, 2nd Place - Merit of Excellence in Still Life Gloriosa 2023 Budapest International Photo Awards, Honourable Mention in Fine Art-Abstract 2023 Black Spider Awards, Honourable Mention in Still Life 2022 Black Spider Awards, Honourable Mention in Still Life 2022 IPA International Photography Awards, Honourable Mention in Analog/Film Fine Art 2021 Mono Visions...

Black and White Photograph Archival Pigment print Medium Ed of 10 Blanco: For this black and white photography series, he used elements such as water (emotions) to narrate a story....

Those Kabuki players you see in my photographs are not with the mainstream Kabuki companies in Tokyo. They are with localized small groups located in various parts of Japan. They are...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroids, a new exhibit by Jose Picayo. The opening reception will be held Wednesday, November 7th, from 6:00pm to 8:00pm. The exhibit will run through January 6, 2019. In this exhibition, Picayo seeks to revive the concept of unadulterated beauty captured as a single moment in time. An unapologetic user of film, Picayo prides himself on his avoidance of digital processing for personal work. When asked why it remains his preferred medium, Picayo answers, “Digital is so overpoweringly real; photography is more magical to me.” For Picayo, Polaroid film is a medium where he can capture something as is – a moment in time. Just to hold the photograph in his hands is enough. 25 Years of Polaroids showcases Picayo’s most iconic work. This exhibit includes personal photographs of Cuba from 1994, Polaroid image transfers showcasing his impressive use of visual texture and his eye for fashion. Also included are his Atget-esque tree portraits from a New Jersey public arboretum in 2012. Additionally, a selection of 8” x 10” Polaroids from Mugshots 2008, will be included, exploring how a person’s soul can be captured in what appear to be basic photographs. The main questions at the heart of Picayo’s photography stem from the mystery of human perception and the precious things that are lost to time. The invitational image, Rotating Doll, 1997, features a multi-paneled display of polaroids which cover an entire length of a wall. These 20” x 24” Polaroids appear larger than life and were given much praise in Picayo’s recent exhibit Polaroids 2016 at The Erie Museum in Erie, PA. This series stems from a collection of children’s dolls Picayo has found over the years, each one with its own strange and authentic story to tell. By cultivating a deteriorated look reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls, reflecting on the objects we hold dear and how they fall apart as we try to hold onto them. Picayo speaks of his own influences, crediting photographers Eugène Atget, Walker Evans, and Edward Curtis, Michael Disfarmer, and Torkil Gudnason with impact on both his fine and commercial art. He is well known for his work in fashion, but for Picayo his personal and commercial work are interrelated, each extensions of one another. Born in Cuba, Picayo immigrated to Puerto Rico during his childhood and settled in New York City by the early 80s. After receiving his BFA from Parsons School of Design, Picayo began his professional career as a commercial photographer, shooting for magazines such as Vanity Fair, Sassy, Taxi, and Connoisseur. Picayo’s work has since appeared in Harper’s Bazaar, L.A. Style, New York Times Magazine...

Haute Couture - Yasmeen Ghauri at Christian Lacroix

Edition of 3 1/3 The photograph comes with a certificate of authenticity and a letter of appraisal. Shuki Laufer - 'Karolina' Photography on a Crystal archive deep matte paper. Fra...

"Wrapped Series Untitled #5" Photography 1/10 42" x 28" inch by Robert Mack 2013 Photograph, archival exhibition paper Aluminum mount, UV mat protection Edition 1 of 10 + 2AP ...

Closeup of Supermodel Nadja Auermann wearing a Veil for the Chanel Haute Couture Show in 1991, photographed by Bruno Bisang. All prints are limited edition. Available in multiple si...

Cecile Plaisance BLUM IN BURQA, 2022 22 1/2 × 28 in 37 × 49 in 49 × 65 in Lenticular print framed with museum glass Signed by artist Framed Currently on display at Art Angels Los An...

Audrey Hepburn, Paris, 1967