Horizontal Color Photography

large format photograph of Cote d'Azur beach by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern...

This Beatles performing 2 days after the Ed Sullivan show at Washington DC Coliseum. Feb. 11th, 1964.

Bernhard Quad Sicily Syracuse, Italy, 2007 Archival Pigment Print 49 x 75 cm Edition of 7 85 x 130 cm Edition of 5 128 x 195 cm Edition of 3

The artists computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's wo...

The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer ...

Edition of 6 Signed and numbered in pencil, and blind stamp on print margin. Signed, titled, dated, and print type in pencil on print verso. Paper size: 31 x 36 in., Image size: 24 x...

Ed of 3 Archival pigment print Image size: 44 x 66 in. Signed, titled, dated, and numbered. Series: Standing Together: Photographs of Inez Milholland’s Final Campaign For Woman’s Suffrage Frame NOT included. In 1916, Inez Milholland Boissevain (1886–1916) embarked on a grueling campaign across the Western US on behalf of the National Women’s Party appealing for women’s suffrage ahead of the 1916 presidential election. Standing Together, by artist Jeanine Michna-Bales (born 1971), retraces Milholland’s journey. The 30-year-old suffragist delivered some 50 speeches to standing-room-only crowds in eight states in 21 days: Wyoming, Idaho, Oregon, Washington, Montana, Utah, Nevada and California. She battled chronic illness and lack of sleep during her travels and died a month after her last speech in Los Angeles, where her final public words were, “Mr. President, how long must women wait for liberty?” Through her photographs, combining dramatic landscapes and historical reenactments of important vignettes of Milholland on her journey with archival materials, Michna-Bales captures a glimpse of the monumental effort required to pass the 19th Amendment...

By the Sea (Zuma Beach) - 1997 43x59cm, Edition of 3/5. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature Label and Certificate. Artist Inventory # 119.03...

Untitled Flower # 32 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Contemporary color aerial landscape photograph above a beach near Martha's Vineyard, MA Archival digital print, Edition of 25 (#085) Image size 26 x 39 inches with 2 inch border, unf...

Paper size 44&x 35”, Image size 40 x 26.5" Limited Edition of 10 + 2AP’s - £2,500 (only 6 remaining in this size) As part of Herrmann's collection of Abbey Road photos of the Beatl...

Fires 1, 2018 - Autumnal Seasonal Landscape in Ancient English Woodland by Ellie Davies Fires 1 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size...

So Blue, Berlin Archival inkjet print on Hahnemühle fine art matte paper. 16 x 20 inches Edition size: 11 Exact dimensions of paper size may vary. Please inquire for additional s...

David Burdeny - Palais Garnier, Paris, France, 2012 44 x 55 inches Edition of 10 + 2AP “These works present my abiding interest in the thresholds that ...

Untitled (Stage of Consciousness) - 2007 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory...

Richard Heeps photographed the Rockabilly scene in England, Europe and America over seven years culminating in his book, 'Man's Ruin'. 'Miss Shifty' captures the chic vintage fashion...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

The gallery has the most extensive art photography of New York City, due to our abiding love for the city. We present the work of differen...

Moving in Together (Till Death Do Us Part) - 2005 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2...

Set of four framed ready to hang landscape nature photographs by Richard Heeps. Featuring. Three Palms, Clacton-on-Sea, 2021 (UK) Industrial Jungle, Lambra...

Impression fine art sur papier mat, tirage réalisé par l'artiste Taille de l'image : 30 x 40 cm Tirage signé, numéroté et titré au verso Non encadré, sans passe-partout Cette photog...

Hotel Chelsea, New York. Room 1024 Photographs from the photography book entitled Hotel Chelsea (publisher pointed leaf press 2013). C-print archiva...

Young Duke (Chicks and Chicks and sometimes Cocks) - 2017 20x24 cm, Archival C-Print, based on a Polaroid. Edition of 10 Artist inventory 20047. Signature label and Certificate....

Flo Smith (left) and Lily Pulitzer share a secret at a pool party, Palm Beach, Florida, April 1961. Description and alt text: In this classic image of midcentury poolside glamour, two suntanned white women share a moment by the sparkling blue and green reflective swimming pool. Flo Smith wears a breezy straw hat and sailor striped top with white shorts, and Lily Pulitzer wears a mod Grecian vase print and coral pants, and a vibrant pink kerchief. The figures in the foreground are in crisp detail, and the lush background of palm trees and cool blue sky is in soft focus. There is a beautiful contrast between the soft-focus background foliage and its graphic, bright reflection in the pool in the middle ground. Flo holds a white bag and her nails are painted red, echoing the trim of her hat. Pulitzer wears a jade bracelet, echoing the jade of the pool and her top, and her nails are natural. A blue cabana can be seen in the background. Flo holds an arm around Lily's waist, and Lily lightly tips the corner of Flo's hat. This is a perfect image for a collector of classic photography, midcentury glamour, or iconic friendship. Color chips for complementary decorative shades of soft red, deep pink, delft blue (sky), and jade greens (pool, palms and poolside foliage) can be seen in slideshow. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate Collector will receive the next number in the edition Modern printing from original transparency C-type print on Fuji Crystal Archive Paper, Crisp detail, continuous tone and brilliant color Paper weight 210gms Matte Satin Surface Complimentary dealer shipping to your framer, worldwide. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). * Undercurrent Projects, New York, is proud to represent Aarons' full collection of photography, negatives and transparencies. Housed at Getty Images Hulton Archive in London, The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Internal tags are vintage glamour, vintage Palm Beach, midcentury glamour featuring Lily Pulitzer, Slim Aarons, classic midcentury photography, perfect reflection, iconic friendship, historic glamour, red, pink, blue and green, turquoise and jade...

4" x 5" Unframed Closed Edition Photograph MAGNUM Photography Hand Signed by Judd Apatow

Photograph taken in Carlsbad, CA. 2015. Limited Edition photograph signed by photographer. Edition of 10

Giant Women Signs by Michael Ormerod is a stunning Colour Print on Hahnemuehle Paper in an Edition of 20 in this size of 20" x 24". States of America: The...

David Burdeny - Morning Snow, Versailles, France 44 x 55 inches Edition of 10 + 2AP “These works present my abiding interest in the thresholds that divide and connect the sea to lan...

Open and Limited Edition C-Prints Hand Signed by Richard Beland 8" x 10" Unframed Open Edition 11" x 14" Unframed Limited Edition of 150 16" x 20" Unframed Limited Edition of 150 ...

Terri (Breaking the Waves) - 1997 43x59cm, Edition of 2/5. Analog C-Print, hand-printed by the artist, based on the original Polaroid. Signature Label and Certificate. Artist Inv...

Bruce Lee TV, photograph by Richard Heeps captured at the top of Victoria Peak in Hong Kong. Seventies inspired mustard wallpaper is the backdrop for a black and white vintage Sanyo ...

Black and white fine art panorama landscape photography print. Madeira's mountain peaks in the wonderful light at sunrise, Portugal. Archival pigment ink print, edition of 5. Signed,...

David Burdeny Parisian Pyramids, Louvre, Paris, FR, 2018 Archival Pigment Print Signature Label Price for Print only. Ask us for framing options.

Cowboy TV by Frank Schott 58 x 77.25 inches ( 147 x 196cm ) signed edition of 7 48 x 64 inches (122 x 162cm) signed edition of 7 30 x 40 inches (76 x 102cm) signed edition of 25 archival fine art pigment print signed & numbered by artist on certificate label _____________________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Ed Rusha...

Signed limited edition 16x20" print of Mick Jagger with Anita Pallenberg and Michèle Breton by Alec Byrne, taken at the film set of Nicolas Roeg’s “Pe...

Jung LEE (*1972, South Korea) LOVE #1, 2019 C-Type Print, Diasec Sheet 160 x 200 cm (63 x 78 3/4 in.) Frame 166,8 x 206,9 x 3,5 cm (65 5/8 x 81 1/2 x 1 3/8 in.) Edition of 5, plus 2 ...

Ed. 44/50, signed by Terry O'Neill. Terry O’Neill CBE is one of the world’s most collected photographers with work hanging in national art galleries and private collections worldwi...

Edition of 6 Signed and numbered in pencil, and blind stamp on print margin. Signed, titled, dated, and print type in pencil on print verso. Paper size: 31 x 36 in., Image size: 24 x...

David Burdeny December Snow, Central Park, New York City, NY, 2017 Archival Pigment Print Signature Label Price for Print only. Ask us for framing options.

David Burdeny Pink Pools, Hut Lagoon, Western Australia, 2015 Archival Pigment Print Signature Label Price for Print only. Ask us for framing options.

All available sizes & editions for each size of this photograph: 90 cm. x 120 cm. Edition 7 126 cm. x 170 cm. Edition 7 `Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and Nature. Through the element of fire, I have found a way to express myself in totemic ritualistic performance by burning decaying trophy animals. The element of fire is very symbolic. It represents both destruction and creation. Animals and fire have, in many ways, formed our culture since the dawn of Mankind. They have also served as essential symbols in myth, spirituality, art and religion. Fire has protected us and given us hope. Given us a means to evolve in all culture. In Greek mythology, remember Prometheus. In the hand of Man, fire can be anything. It is our ethics that define it. We have always mirrored ourselves in Nature. What we see staring back at us may not be the image we were hoping for. This series is a reminder to where we have come regarding our relation to Nature and the huge effects of climatechange in the Anthropocene. My work often juxtaposes the visually aesthetic and uneasiness. An underlying feeling of that which is lost often plays an important role. I like to explore work themes that emanate a cognitive dissonance in the viewer to reveal more profound truths. I regard trophy animals as symbols of Man´s vanity and presumed victory over Nature. To me, they also serve as symbols of our general attitude towards Nature. The flames gives each animal a last breath of life as it creates a new portrait. The animal is set free again, ending a symbolic circle of life. A closure if you will, both physically and existentially. The English-inspired wallpapers represent imperialism and a colonial idea from a time when we were obsessed by conquering Nature and other lands. These too are burned with the animals symbolizing a protest toward our autocracy towards Nature itself. The repetitive performance of burning each animal serves as both an offering and a liberation. This is a violent act, but also a meaningful and beautiful act to me. The animals` personality changes dramatically throughout the burning process. This cannot be planned and therefore the animals give off a sense of further individuality. In the process of burning animals, I am also taking an object of desire off the market for further sales. An act that hopefully will spark dialog our use of Nature, as well as where we want to be heading in the near future. Dialog foments change and action. I spent seven years collecting old trophy animals and taxidermy of different sorts. Many were bought through auctions, while others were given to me by hunters` or the widows of hunters for this specific project. During the following three years, I went through a somewhat cathartic process of burning and obsessively exploring the symbolism of fire and our relation to animals with my performance. The intention with my series is to connect the public to the crucial matters at hand through something tangible, personal, and symbolic. These three years of working with this series has made me so much more conscious of how delicate nature is and how we have taken it for granted for too long. A reminder of how crucial both animals, fire and nature, for our so-called progress in survival and progress. Through this process, exploring new questions and inviting a larger audience to ask their own crucial questions in the massive global changes we all are witnessing, is what I strive for. Loss of animal diversity, poaching and massive forest fires are increasing so rapidly that Nature itself is at a major turning point. A call for action is needed. Working so close to the animals in my project has been as uplifting as it has been obsessive and heartbreaking, as the animal's eye connects with you on a personal level as a human does in non-verbal communication. In 2016, the government in Kenya burned poached ivory worth an estimated 130 million dollars, making a clear statement that these tusks should only belong to a living animal. This dramatic action created meaningful dialog around the world beyond news and statistics. Fires are destroying critical areas of much-needed land vegetation, thus creating considerable effects on climate change. The meeting between Nature`s fragility and Mans` ego has shown that forests disappear, glaciers are melting, sea levels are rising and species become extinct. Humans have too easily exploited all parts of nature with our own culture and growth. In this short process, we have lost the very essence of what we are a part, and thus forget the very nature in ourselves. What can photography do to create questions regarding climate change, and help us move towards a sustainable future? In photography, we can ask important questions about changes in our surroundings and who we are—Man’s condition. Background: `Residence of Impermanence` has been exhibited at five museums and several galleries already (including a big solo show at Fotografiska, Stockholm (2019), and Arles Fotofestival (2019). Work from `Residence of Impermanence' is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West.` This exhibition explores the ever-worsening Californian forest fires due to climate change. My previous environmental work has been nominated for the Prix Pictet Award on several occasions with my previous series for both Earth, Power and Fire themes. In 2005, my series `Arctic Technology` was shortlisted for the BMW Prize at Paris photo (through Scout Gallery, London). My other series has been shown in museums, including a symposium at Johnson Museum, N.Y. and been part of travelling exhibitions with WHATCOM (Museum of Washington) with the exhibition `Vanishing Ice` and a China tour on environmental issues with Three Shadows Photography...

Sunset (Till Death do us Part) - 2005 24x20cm, Edition of 10, plus 2 Artist Proofs, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #958...

He refers to the history of art, particularly to pop culture and the social circumstances of its local environment as well as its universal confrontation. Humor and irony with a crit...

'Boats At Hotel Du Cap-Eden-Roc' Motorboats moored off the Hotel du Cap-Eden-Roc in Antibes on the French Riviera, 1969. 40 x 30" inches / 101 x 76 cm paper size Estate Stamped...

Rodrigo Katayama Nature Abstraction #17, Mendoza (Color Abstract Photography) 71 x 48 inches Edition of 5 Archival Pigment Print Unframed

Archival photo print under acrylic glass. Three prints 3 x 48x48" (each) Height: 48 in Width: 48 in Depth: 1/8 in Signed & Numbered by the artist Edition of 3 Total: 156 in ...

Hand Signed by Lynn Goldsmith Limited Edition of 20 ...

Veld 20, Noordoostpolder, Flevoland, The Netherlands, 2016 Edition of 10 + 2AP “These works present my abiding interest in the thresholds that divide and connect the sea to land. I ...

Churches of Rome Chiesa Nuova II, Rome, Italy, 2019 48x60 inches Edition of 5 Archival Pigment Print Framed

Santi Apostoli, The Church of the Twelve Holy Apostles, Rome, Italy, 2019 (Churches of Rome) 32x40 inches Edition of 9 Archival Pigment Print UNFRAMED Also available in: 48x60 inch...

Archival Pigment Print Ranch adjacent to Yellowstone All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Proofs 40" X 50"- Edition ...

'May Morning in Yellow' Limited edition (1 of 25) archival photograph, hand signed and numbered. Unframed _________________ Illuminated among painted pools...

Leaving III (Sidewinder) - 2005 60x110cm, Edition of 10. Archival C-Print based on a Polaroid. Signature label and Certificate. Artist Inventory No. 3463. Not mounted. Stefanie ...

GL 07-23 is a limited-edition photograph by Italian contemporary artist Riccardo Varini. This photograph is sold unframed. Prints are available in one size only: 30 × 45 cm (11.8 × ...

Jimi Hendrix Palm Trees (Californication) - 2016 106x160cm, Edition 3/10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artis...

Delilah Right Red Hand III, photograph from Richard Heeps Burlesque series. This is part of a sequence capturing Delilah in a Whoopee Club photo shoot. Richard Heeps became well-know...

Original museum grade exhibition prints on acid-free archival photographic luster paper. These are the highest quality NASA prints ever produced. Edition of 250 Taken aboard Apollo...

"Air Jordan" is an acrylic photomosaic artwork by Destro. The first release in a series mosaic works called "Icons". Destro has created large prints which are made up of many hundre...

Vinyl Collection, vintage interior photograph from Richard Heeps series, Forward to the Past. Richard was commissioned by Preston Hall Museum in Stockton-on-Tees to document the Muse...

Ed of 5 + 2AP Among the contributors to the contemporary art world’s boundary-breaking experimentation in media, Kim Keever has hit on something truly unique—a photographic art in wh...