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Massimo ListriMassimo Listri, Palazzo di Ostankino, Mosca2015
2015
About the Item
Palazzo di Ostankino, Mosca, 2015
Chromogenic print
Edition of 5
Signed, dated, and numbered on verso label
39.5 x 47.5 inches edition of 5
47.5 x 59 inches edition of 5
71 x 88.5 inches edition of 5
Florentine photographer Massimo Listri is fascinated how his architectural subject matter allows him to control the composition of his image. For many years he has photographed classicism devoid of people. More than a simple record of architecture, through his lens Listri rediscovers historical spaces and invites us to examine them afresh. His oeuvre has been presented at many public and private foundations worldwide. Through the course of his career he has published over fifty books on art and architecture.
"What makes his work unique is how he has made interiors look so absolutely vivid, as if they had a secret life of their own that only he knows how to portray. Listri has the extraordinary ability to capture all the small details that make the difference and reveal all the stories that remain hidden behind the surface. Listri's photos transmit an almost deafening silence, as if time had stopped and humans had suddenly disappeared and the only thing reminiscent of them are the interiors they've left behind, the remains of their lives and their passions, their art and their culture." Apostolos Mitsios
- Creator:Massimo Listri (1954, Italian)
- Creation Year:2015
- Dimensions:Height: 70.87 in (180 cm)Width: 88.59 in (225 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU3265155732
Massimo Listri
Massimo Listri travels his native Italy and the world with his camera, photographing grand interior spaces both iconic and unexpected.
Listri's landscape photography and large-scale color prints invite viewers into the settings he frames; these include ancient castles, villas, palaces, gardens, libraries, convents, monasteries, and universities. He has taken viewers into the ornate hallways of Versailles, as well as the treasure-laden galleries of the Vatican museums. From Brazil, Listri brought back images taken at art museums, a cathedral, and a theater designed by Oscar Niemeyer, among many other architecturally iconic sites.
Though Listri focuses on the grand, he has also homed in on details in an expressive series of closely framed photographs of sculpted faces. Captured frontally or in profile, these carved faces range from grotesque to idealized and serve to celebrate the power of the artist’s hand.
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