C Print Color Photography

A classic American icon, the roadside giant Cowboy "Muffler Man", captured on Richard Heeps' road trip between Mecca and the Salton Sea. Part of a series of pictures by Richard Heeps...

Fairytales (dyptych) - 2006 Edition of 30, 38x36cm each, 38x85cm installed, including gaps. 2 Archival Prints based on 2 Polaroids. Signature label and Certificate. Artist Inv...

Whisky and Water (Sidewinder) - 2005 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and certificate. Artist Inventory 3292....

Audrey Hepburn on the set of ‘Two for the Road’, 1966. Audrey Hepburn Swims 1966 by Terry O’Neill
 Hand SIGNED LIMITED EDITION 27/50 PAPER: C TYPE FULLY FRAMED: 26.5 x 21.1 INCH P...

Guests relax by the swimming pool at John Young's villa 'Plantana', Ocho Rios, Jamaica, March 1971. Slim Aarons Ocho Rios, Jamaica 1971 C print (Printed later) Estate signature sta...

*Framed and free shipping within the US* Malibu, California, 1963. Chromogenic Digital Print 40 x 30 inches Edition size: 15 *Please inquire for additional sizes* Lawrence Schiller is an American producer, screenwriter, and photographer best known for his candid photos of Marilyn Monroe. For almost 35 years, Schiller collaborated with Norman Mailer to create several films together, including Executioner's Song (1982), for which Mailer received the Pulitzer Prize. “I never considered myself a good photographer. I still don't,” he has said. “I thought of myself as a hard worker. My camera was a sponge and I had an instinct that athletes have—anticipation.” Born on December 28, 1936 in Brooklyn, NY, was raised in San Diego and attended Pepperdine College in Los Angeles. After graduating, he held photojournalist positions at Time, The Sunday Times, The Saturday Evening Post, and Newsweek. The artist later broke into the world of film by directing part of Butch Cassidy and the Sundance Kid in 1969 and Lady Sings the Blues in 1972. Over the course of his career, Schiller has captured images of several important and notorious figures in American history including Lee Harvey Oswald...

Life and how to live it, 2016 Edition 1/7 plus 2 Artist Proofs Digital C-print, Based on Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL2016-791...

In Other Words (Till Death do us Part) - 2005 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Invent...

This photograph from 1972 captures a stylish, vibrant scene featuring two people on a small airplane. A young woman, wearing a pink floral dress and sunglasses, lounges gracefully on...

Holidaymakers relax beside the swimming pool of Il Pellicano Hotel in Porto Ercole, Tuscany, August 1980. Slim Aarons Il Pellicano Hotel 1980 C print (Printed later) Estate signatu...

The swimming pool at Arturo Pani's villa, Acapulco, Mexico, January 1968. Slim Aarons Arturo Pani's Villa 1984 C print (Printed later) Estate signature stamped and hand numbered edi...

Ghost Rider Cowboy (Cyan), pop art photograph by Natasha Heidler. Natasha Heidler’s seductive images are a playful collection of contradictions. Ghostly outlines collide with vibran...

'Telephone V' part of Richard Heeps 'Dream in Colour' Series. This cool Palm Springs interior photography combines a softened monochrome palette and a mid-century modern nostalgic v...

'Utopian Foyer III', photographed in February 2020 for his ongoing series 'A Short History of Milan'. There is a reoccurring linear, structural theme throughout the series, capturin...

Heidler & Heeps Vinyl Collection Nine Piece Multicolor Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifull...

Circle of Magic - Shazam (29 Palms, CA) - 2009 50x60cm, Edition of 10 plus 2 Artist Proofs. Digital C-Print, based on the original Polaroid. Artist Inventory No. 2823. Signature lab...

A Million Dead End Streets (Stage of Consciousness) - 2007 40x40cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. ...

Biblioteca Gambalunga I Rimini, Italy 2022 In this photograph, a series of echoing doors serve as a portal into the interior of the Biblioteca Gambalunga in Rimini, Italy. One of ...

Biblioteca Ortopedica Bologna, Italy 2022 A view of the main table and globe of the main scientific library in the Istituto Ortopedico Rizzoli, named for Italian King Umberto I. The vista is framed between echoing frescoed arched ceilings, cases of scientific volumes, and geometric floor. These sixteenth-century rooms, where the books of the Olivetani Monks were kept, are located in the ancient complex of San Michele in Bosco. They were transformed into an orthopaedic hospital at the end of the nineteenth century. The library holds an important scientific collection...

Photographed at El Mirage Lake, where the Southern Californian Timing Association, Land Speed Racing event, tracks in the ground from the previous days racing, adding a beauty to th...

"Rhapsody: an instrumental composition irregular in form and suggestive of improvisation. I couldn’t imagine a more perfect name for this gorgeous blend of breeds. The palomino gold ...

Ferguson Racing Streamliner, photograph taken in the iconic home of speed, Bonneville Salt Flats, just as the mountains contrast with the flatness, Richard Heeps captured this racing...

Former fashion model Helen Dzo Dzo Kaptur (in white lace) and Nelda Linsk (in yellow), wife of art dealer Joseph Linsk, at the Kaufmann Desert House in Palm Springs, California, Janu...

'Telephone II' from Richard Heeps 'Dream in Colour' Series, this cool interiors picture combines bold colours of yellow, black and white, and has a dreamy nostalgic aesthetic. This...

Andros Island (1957) Limited Estate Stamped (Photo By Slim Aarons) Sunbathers by a swimming pool at the Hotel Punta Tragara on the island of Capri, Italy, August 1974. Additional Information: Unframed Paper Size: 20x20'' Printed Later Limited Estate Stamped NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 12 x 12'' 16 x 16'' 20 x 20'' 30 x 30'' 40 x 40'' FRAMING AVAILABLE ON REQUEST About the Artist: Slim Aarons (American, October 29, 1916–May 29, 2006) was a photographer well-known for his portraits of the rich and famous. Born George Allen Aarons, he spent his youth in New Hampshire and New York before joining the army during World War II, where his photography career began. Working throughout his career with magazines like Life, Holiday, and Town & Country gave Aarons the chance to document the jet-set lifestyle of Hollywood stars, American and European socialites, and other celebrated figures. His approach was simple; using no make-up artists or artificial lights, he let the natural opulence of his subjects and their surroundings illuminate his lens. Typical scenes from Aaron’s photography take place in the sun, and in front of a pool surrounded by bathing beauties. The Slim Aarons Prints...

Tincture of Myrrh, part of Richard Heeps' 'Forward to the Past' series, he was commissioned to photograph Preston Hall Museum before it went through regeneration. The works captured ...

Norman Parkinson (1913-1990) was one of the Twentieth Century’s most celebrated fashion photographers. He pioneered epic storytelling in his images, taking portrait and fashion photo...

Renée's Dream - The Boys (Days of Heaven). Part of the 29 Palms, CA project. - 2006, 20x20cm, Edition of 10, plus 2 Artist Proofs, archival C-Print, based on the Polaroid. Signatu...

Santa Maria delle Grazie, religious icon church architecture interior photograph from Richard Heeps series A Short History of Milan. A Short History of Milan' began in November 20...

Trickle (Stage of Consciousness) - 2007 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and signature label. Artist In...

Las Vegas Pool Supplies, perfect pop-art kitsch from Richard Heeps in this American roadside 'Sign Porn' photography. This artwork is a limited edition of 25 gloss photographic prin...

Miles ALDRIDGE (*1964, Great Britain) Dinner Party #2, 2009 Chromogenic print Print only Medium: 68 x 101.5 cm (26 3/4 x 40 in.) Edition of 10, plus 2 AP; Ed. 2/10 A fiercely origi...

Stardust Dreams, from Richard Heeps Dream in Colour series. This cool picture has a classic Americana feel. Richard's pictures beautifully capture parts of Las Vegas which are no lon...

Chalk Streams 10, 2023 - Biodiversity Ecosystem English Woodland New Forest by Ellie Davies Chalk Streams 10 is a stunning Digital C-Type Print on Fuji Maxima Matte Paper. This size...

This stylish artwork, 'Red Polka Dot Dress' taken at the glamorous retro event Goodwood Revival, perfectly captures feminine sophistication with a ...

Washeteria - Looking In, vintage interior photograph from Richard Heeps series, A Short History of London. "I discovered this launderette while London was in lockdown during the pand...

Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A celebration of the vinyl record and analo...

'Untitled' Oilfields) - 2004, 60x60cm, Edition 4/10. Analog C-Print, based on the original Polaroid. Certificate and Signature label. Artist Inventory #1212.04. Not mounted. ...

Hut, White Sands, New Mexico is a stunning C-Type Print by contemporary photographer Samuel Hicks. It is available in this size in an Edition of 25, and is sold unframed. A small ...

Fishermen at dawn on Lake Inle in Burma in total harmony with their surroundings. – Cawston won the BJP Nikon Endframe Award in 2009. His prize was funding for a dream project and he...

The pool at Villa Nirvana, Acapulco, Mexico, 1971. Old Acapulco can be seen across the bay. Slim Aarons Nirvana 1971 C print (Printed later) Estate signature stamped and hand numbe...

I Am I C Print On Fuji Paper Collection: Camouflaged Beauty One size: 44.5 x 40.5 Edition of 7 + 3 Artist Proofs, 9 left "CAMOUFLAGED BEAUTY COLLECTION Van Zeijl's love for nature ...

Primula, botanical pressed flower photograph by Martin Parker. Martin's innovative photographs are created from plants grown by himself in his garden and greenhouse in Cambridge. A ...

Poolside Pairs 1970 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: Former fashion model Helen Dzo Dzo Kaptur (in white...

Playgirl (Heavenly Falls) 2016, 50x50cm, Edition of 10. Archival C-Print based on the Polaroid. Certificate and signature label. Artist inventory number: 19598. Not mounted. ...

"FLOWER EVOLUTION The most highly coveted of ornamental plants, the delicate, and graceful orchid represents love, feminity, beauty and strength. The orchids have a magical quality. ...

Thirst (Bombay All Day) - 2019 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the Polaroid, not mounted. Signature label and certificate. Artist inventor...

Beached Roller Coaster, photograph from Richard Heeps' series, Jersey Shore. There is something peaceful about the sleeping structure on the beach, contrasting with your mind as it t...

Miscellany circa 1990 by Christopher Simon Sykes A wall of discarded implements, including a large scythe, in the attics at Doddington Hall, Lincolnshire circa 1990 This beautiful...

Meyerowitz first drew acclaim for his remarkable ability to capture subtlequalities of light with the 1978 publication of Cape Light, which went on to become a color photography clas...

Richard Heeps became well-known for his Burlesque Photography after he spent 2003 capturing performances in Britain & America. He spent a lot on time with his subjects on a number of...

Untitled (The Last Picture Show), 2005 38x36cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the original SX-70 Polaroid. Inventory No. 781.02. Signature label and Certificate. Not mounted. LIFE’S A DREAM (The Personal World of Stefanie Schneider) by Mark Gisbourne Projection is a form of apparition that is characteristic of our human nature, for what we imagine almost invariably transcends the reality of what we live. And, an apparition, as the word suggests, is quite literally ‘an appearing’, for what we appear to imagine is largely shaped by the imagination of its appearance. If this sounds tautological then so be it. But the work of Stefanie Schneider is almost invariably about chance and apparition. And, it is through the means of photography, the most apparitional of image-based media, that her pictorial narratives or photo-novels are generated. Indeed, traditional photography (as distinct from new digital technology) is literally an ‘awaiting’ for an appearance to take place, in line with the imagined image as executed in the camera and later developed in the dark room. The fact that Schneider uses out-of-date Polaroid film stock to take her pictures only intensifies the sense of their apparitional contents when they are realised. The stability comes only at such time when the images are re-shot and developed in the studio, and thereby fixed or arrested temporarily in space and time. The unpredictable and at times unstable film she adopts for her works also creates a sense of chance within the outcome that can be imagined or potentially envisaged by the artist Schneider. But this chance manifestation is a loosely controlled, or, better called existential sense of chance, which becomes pre-disposed by the immediate circumstances of her life and the project she is undertaking at the time. Hence the choices she makes are largely open-ended choices, driven by a personal nature and disposition allowing for a second appearing of things whose eventual outcome remains undefined. And, it is the alliance of the chance-directed material apparition of Polaroid film, in turn explicitly allied to the experiences of her personal life circumstances, that provokes the potential to create Stefanie Schneider’s open-ended narratives. Therefore they are stories based on a degenerate set of conditions that are both material and human, with an inherent pessimism and a feeling for the sense of sublime ridicule being seemingly exposed. This in turn echoes and doubles the meaning of the verb ‘to expose’. To expose being embedded in the technical photographic process, just as much as it is in the narrative contents of Schneider’s photo-novel exposés. The former being the unstable point of departure, and the latter being the uncertain ends or meanings that are generated through the photographs doubled exposure. The large number of speculative theories of apparition, literally read as that which appears, and/or creative visions in filmmaking and photography are self-evident, and need not detain us here. But from the earliest inception of photography artists have been concerned with manipulated and/or chance effects, be they directed towards deceiving the viewer, or the alchemical investigations pursued by someone like Sigmar Polke. None of these are the real concern of the artist-photographer Stefanie Schneider, however, but rather she is more interested with what the chance-directed appearances in her photographs portend. For Schneider’s works are concerned with the opaque and porous contents of human relations and events, the material means are largely the mechanism to achieving and exposing the ‘ridiculous sublime’ that has come increasingly to dominate the contemporary affect(s) of our world. The uncertain conditions of today’s struggles as people attempt to relate to each other - and to themselves - are made manifest throughout her work. And, that she does this against the backdrop of the so-called ‘American Dream’, of a purportedly advanced culture that is Modern America, makes them all the more incisive and critical as acts of photographic exposure. From her earliest works of the late nineties one might be inclined to see her photographs as if they were a concerted attempt at an investigative or analytic serialisation, or, better still, a psychoanalytic dissection of the different and particular genres of American subculture. But this is to miss the point for the series though they have dates and subsequent publications remain in a certain sense unfinished. Schneider’s work has little or nothing to do with reportage as such, but with recording human culture in a state of fragmentation and slippage. And, if a photographer like Diane Arbus dealt specifically with the anomalous and peculiar that made up American suburban life, the work of Schneider touches upon the alienation of the commonplace. That is to say how the banal stereotypes of Western Americana have been emptied out, and claims as to any inherent meaning they formerly possessed has become strangely displaced. Her photographs constantly fathom the familiar, often closely connected to traditional American film genre, and make it completely unfamiliar. Of course Freud would have called this simply the unheimlich or uncanny. But here again Schneider almost never plays the role of the psychologist, or, for that matter, seeks to impart any specific meanings to the photographic contents of her images. The works possess an edited behavioural narrative (she has made choices), but there is never a sense of there being a clearly defined story. Indeed, the uncertainty of my reading here presented, acts as a caveat to the very condition that Schneider’s photographs provoke. Invariably the settings of her pictorial narratives are the South West of the United States, most often the desert and its periphery in Southern California. The desert is a not easily identifiable space, with the suburban boundaries where habitation meets the desert even more so. There are certain sub-themes common to Schneider’s work, not least that of journeying, on the road, a feeling of wandering and itinerancy, or simply aimlessness. Alongside this subsidiary structural characters continually appear, the gas station, the automobile, the motel, the highway, the revolver, logos and signage, the wasteland...

Seascapes 6, 2020 - Grassy Marshland in Ancient Forest Nature and Woodland by Ellie Davies Seascapes 6 by Ellie Davies is a stunning Digital C-Type Print on Fuji Maxima Matte paper,...

Utopian Foyer from Richard Heeps series A Short History of Milan, which began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has be...

1968, A kneeling sunbather shows off her rings and pendant on a beach in Capri, Italy. Slim Aarons Capri Tan 1968. (printed later) C print Estate stamped and numbered edition of 1...

Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A celebration of the vinyl record and analo...

Part of Richard Heeps 'Dream in Colour' Series, with some seriously cool colours and pool vibes. This artwork is a limited edition of 25, gloss photographic print. Accompanied by a ...

Fanari II (2018) Edition of 10 - 40 x 40 cm Digital C-Print based on a on a Polaroid, not mounted. Signed on back and certificate. Artist: This was shot on a lighthouse of the Dor...

The Visit, 2018, Edition of 10 - 40 x 40 cm - Digital C-Print based on a Polaroid, Not mounted. Signed on back and certificate. Clare's work is presented in...

As physical books are beginning to disappear in the modern digital life, we crave to bring books back into our home and this picture is the perfect way to do so. Shot in Hanoi in 201...