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Emile DeschlerDecoration 1 - Original Photograph by Emile Deschler - Mid-20th Century Mid-20th Century
Mid-20th Century
About the Item
Decoration 1 is an Original Photograph realized by Emile Deschler (1910-1991).
The b/w photo is in very good condition included a cardboard passpartout (37x26 cm).
No signature.
Emile Deschler (France, 1910 - 1991) was a French painter. In 1930, he was admitted to the National School of Fine Arts of Paris, in the department of Architecture with the professor Rogert Expert. In 1937, he graduated in Architecture, and, in the same year, he obtained the Golden Medal at the International Exposition in Paris. After two years, he obtained a scholarship in Liban and the bursary of the Ministry of National Education. From 1946 to 1976, he devoted himself to architecture and often travelled in North Africa. From 1977, he dedicated himself to painting and drawing again. His drawings are very interesting for the strokes and the realism of his figures; the nudes appear elegant, brilliant, and intense.
- Creator:
- Creation Year:Mid-20th Century
- Dimensions:Height: 8.27 in (21 cm)Width: 6.7 in (17 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1300781stDibs: LU65039815142
Emile Deschler
Emile Deschler was a French painter. In 1930, he was admitted to the National School of Fine Arts of Paris, in the department of Architecture with the professor Rogert Expert. In 1937, Deschler graduated in Architecture, and, in the same year, he obtained the Golden Medal at the International Exposition in Paris. After two years, he obtained a scholarship in Liban and the bursary of the Ministry of National Education. From 1946–76, he devoted himself to architecture and often traveled in North Africa. From 1977, he dedicated himself to painting and drawing again. His drawings are very interesting for the strokes and the realism of his figures; the nudes appear elegant, brilliant, and intense.
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