Miniature Landscape Photography

All or Nothing (Bombay Beach) - 2024 24x20cm, Edition 7 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and certificate. Artist inventory PL2024-...

Palm Springs Palm Trees (Californication) - 2023 40x40cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

Palm Springs Palm Trees (Californication) - 2023 40x40cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

Palm Springs Palm Trees (Californication) - 2023 40x40cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

The Edge of Civilization (Amboy) - 2019 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-print, based on the original Polaroid. not mounted. Signature label and certificat...

Toned gelatin silver print Signed, titled, dated, and numbered, recto 11 x 14 inches, sheet (Edition of 25) 16 x 20 inches, sheet (Edition of 25) 20 x 24 inches, sheet (Edition of...

The Oasis (Sidewinder) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and certificate. Artist Inventory 3000. Not mo...

Beach Box Red + Yellow 2004 Signed, titled, dates, and numbered in ink, verso Archival pigment print (Edition of 25) 14 x 11 inches (35.6 x 27.9 cm) Price includes cost of framin...

Composing non-living objects is completely different- especially when it comes to birds. I know it can maybe seem macabre at first, but I love photographing both living and non-livin...

Drop Off (29 Palms, CA) - 2007 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and certificate. Artist Inventory 3998. Not...

Somerset (29 Palms, CA) - 2007 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and certificate. Artist Inventory 4506. Not...

El Dorado Beach on the south side of Lake Tahoe in El Dorado County, California, circa 1959. Slim Aarons Mittersill Castle, Slim Aarons Estate Edition Chromogenic Lambda print 1959,...

Signed by the artist on the back. Available in 15 x 15 inch or 30 x 30 inch. Archival pigment print original editions of 15 (15 x 15 and 5 (30 x 30).

Robin Rice Gallery from New York and Bridgehampton comes to Beacon, NY. This year, as part of the Beacon Open Studios 10th Anniversary event, Robin Rice Gallery is proud to present a group show of gallery artists curated especially for the new gallery space, Gallery II at 82 Mason Circle at the Lofts at Beacon. The gallery at the Beacon Lofts is located on the 12-acre property of a 19th century textile mill, just along the banks of Fishkill Creek. Drawing on the industrial design of the live/work lofts themselves, the space makes use of reclaimed brick...

Versailles Gardens and the French Cloister at the Ocean Club on Paradise Island, opposite Nassau on the Bahamas, May 1968. Slim Aarons Estate Edition, Certificate of Authenticity in...

Beverly Hills Cop American policeman Lee R Hathaway with his car on Bedford Drive in Beverly Hills, California. Paper size 16 x 16" inches / 40 x ...

Dinner Jazz American Jazz trumpeter and singer Louis Armstrong (1898 – 1971) enjoys a plate of spaghetti in Rome. Paper size 16 x 16" inches / 40 x 40 cm Estate Stamped Collect...

Jura Forest, Dornach, Switzerland by Michael Kenna presents a dramatic forest scene. The dense forest fades into the background, the fog envelopes the trees. The dark trees frame a p...

Archival pigment print (Edition of 11) Signed, dated, and numbered, verso This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editi...

Dolomites No,2, 2024 It is a black and white film photograph of Dolomite mountains, made using a 4x5 Large format camera Linhof. Ugne Pouwell does all the processing and printing in...

Spring Fantasy - 2016, Edition 3/7. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2016-130. Not mounted. Kirsten Thys ...

This photograph is from among Vincent Dixon's series created in Borneo, Myanmar, Paris, Pushkar, Los Angeles, New York, London, Miami, Berlin, Buenos Aires, Milan, Barcelona, Madrid,...

Travelers Boat at Ibrim Original gold toned albumin photograph, c. 1862 From: Upper Egypt and Ethiopia, c. 1862, Vol 3, (36 plates) Published by William Mackenzie, London, Glasgow & ...

This early 1960s landscape photograph, captured by society photographer Slim Aarons, features the town centre at the ski resort of Gstaad, Switzerland. This is an estate stamped and...

This early 1960s landscape photograph, captured by society photographer Slim Aarons, features the town centre at the ski resort of Gstaad, Switzerland. This is an estate stamped and...

This early 1960s landscape photograph, captured by society photographer Slim Aarons, features the town centre at the ski resort of Gstaad, Switzerland. This is an estate stamped and...

This photograph is from among Vincent Dixon's series created in Borneo, Myanmar, Paris, Pushkar, Los Angeles, New York, London, Miami, Berlin, Buenos Aires, Milan, Barcelona, Madrid,...

Cannon Drive Cars driving along Cannon Drive, Beverly Hills, California. Paper size 16 x 16" inches / 40 x 40 cm Estate Stamped Collection Edition to 150 Photo by Slim Aarons...

Motorcycling Lord Lord Hesketh, Minister of State at the Department of Trade and Industry, by the lake in the grounds of his family estate Easton Neston...

Cortina D'Ampezzo No.2, 2024 It is a black and white film photograph of Dolomite mountains, made using a 4x5 Large format camera Linhof. Ugne Pouwell does all the processing and pri...

'Baltic pine' 2021 10 x 13 cm limited edition of 15. Photographed in Lithuania, Giruliai forest using a 4x5 large format camera. Printed on Fine art Hahnemuehle German Etching pape...

Composing non-living objects is completely different- especially when it comes to birds. I know it can maybe seem macabre at first, but I love photographing both living and non-livin...

Pebble Beach Hunt Riders gather in the courtyard of Richard Collins’ House for the stirrup cup libation, before the start of the Pebble Beach Hunt of English and American foxhounds,...

'Tyrol #3' 2024 A photograph captured with a Polaroid camera. Printed on the finest archival paper, these limited edition photographs are designed to withstand the test of time, pre...

'Tyrol #2' 2024 A photograph captured with a Polaroid camera. Printed on the finest archival paper, these limited edition photographs are designed to withstand the test of time, pre...

'Frozen beach #3' 2023 A photograph captured with a Polaroid camera that showcases the winter landscape of Lithuania in black and white. Printed on the finest archival paper, these...

'Frozen beach #5' 2023 A photograph captured with a Polaroid camera that showcases the winter landscape of Lithuania in black and white. Printed on the finest archival paper, these...

'Frozen beach #6' 2023 A photograph captured with a Polaroid camera that showcases the winter landscape of Lithuania in black and white. Printed on the finest archival paper, these...

Fleur Du Mal - Black & White Original Polaroid Photograph by Pia Clodi Framed Not unlike many of Pia Clodi’s works, Fleur Du Mal is a celebration of the ana...

Untitled (The Last Picture Show), 2005 38x36cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the original SX-70 Polaroid. Inventory No. 781.02. Signature label and Certificate. Not mounted. LIFE’S A DREAM (The Personal World of Stefanie Schneider) by Mark Gisbourne Projection is a form of apparition that is characteristic of our human nature, for what we imagine almost invariably transcends the reality of what we live. And, an apparition, as the word suggests, is quite literally ‘an appearing’, for what we appear to imagine is largely shaped by the imagination of its appearance. If this sounds tautological then so be it. But the work of Stefanie Schneider is almost invariably about chance and apparition. And, it is through the means of photography, the most apparitional of image-based media, that her pictorial narratives or photo-novels are generated. Indeed, traditional photography (as distinct from new digital technology) is literally an ‘awaiting’ for an appearance to take place, in line with the imagined image as executed in the camera and later developed in the dark room. The fact that Schneider uses out-of-date Polaroid film stock to take her pictures only intensifies the sense of their apparitional contents when they are realised. The stability comes only at such time when the images are re-shot and developed in the studio, and thereby fixed or arrested temporarily in space and time. The unpredictable and at times unstable film she adopts for her works also creates a sense of chance within the outcome that can be imagined or potentially envisaged by the artist Schneider. But this chance manifestation is a loosely controlled, or, better called existential sense of chance, which becomes pre-disposed by the immediate circumstances of her life and the project she is undertaking at the time. Hence the choices she makes are largely open-ended choices, driven by a personal nature and disposition allowing for a second appearing of things whose eventual outcome remains undefined. And, it is the alliance of the chance-directed material apparition of Polaroid film, in turn explicitly allied to the experiences of her personal life circumstances, that provokes the potential to create Stefanie Schneider’s open-ended narratives. Therefore they are stories based on a degenerate set of conditions that are both material and human, with an inherent pessimism and a feeling for the sense of sublime ridicule being seemingly exposed. This in turn echoes and doubles the meaning of the verb ‘to expose’. To expose being embedded in the technical photographic process, just as much as it is in the narrative contents of Schneider’s photo-novel exposés. The former being the unstable point of departure, and the latter being the uncertain ends or meanings that are generated through the photographs doubled exposure. The large number of speculative theories of apparition, literally read as that which appears, and/or creative visions in filmmaking and photography are self-evident, and need not detain us here. But from the earliest inception of photography artists have been concerned with manipulated and/or chance effects, be they directed towards deceiving the viewer, or the alchemical investigations pursued by someone like Sigmar Polke. None of these are the real concern of the artist-photographer Stefanie Schneider, however, but rather she is more interested with what the chance-directed appearances in her photographs portend. For Schneider’s works are concerned with the opaque and porous contents of human relations and events, the material means are largely the mechanism to achieving and exposing the ‘ridiculous sublime’ that has come increasingly to dominate the contemporary affect(s) of our world. The uncertain conditions of today’s struggles as people attempt to relate to each other - and to themselves - are made manifest throughout her work. And, that she does this against the backdrop of the so-called ‘American Dream’, of a purportedly advanced culture that is Modern America, makes them all the more incisive and critical as acts of photographic exposure. From her earliest works of the late nineties one might be inclined to see her photographs as if they were a concerted attempt at an investigative or analytic serialisation, or, better still, a psychoanalytic dissection of the different and particular genres of American subculture. But this is to miss the point for the series though they have dates and subsequent publications remain in a certain sense unfinished. Schneider’s work has little or nothing to do with reportage as such, but with recording human culture in a state of fragmentation and slippage. And, if a photographer like Diane Arbus dealt specifically with the anomalous and peculiar that made up American suburban life, the work of Schneider touches upon the alienation of the commonplace. That is to say how the banal stereotypes of Western Americana have been emptied out, and claims as to any inherent meaning they formerly possessed has become strangely displaced. Her photographs constantly fathom the familiar, often closely connected to traditional American film genre, and make it completely unfamiliar. Of course Freud would have called this simply the unheimlich or uncanny. But here again Schneider almost never plays the role of the psychologist, or, for that matter, seeks to impart any specific meanings to the photographic contents of her images. The works possess an edited behavioural narrative (she has made choices), but there is never a sense of there being a clearly defined story. Indeed, the uncertainty of my reading here presented, acts as a caveat to the very condition that Schneider’s photographs provoke. Invariably the settings of her pictorial narratives are the South West of the United States, most often the desert and its periphery in Southern California. The desert is a not easily identifiable space, with the suburban boundaries where habitation meets the desert even more so. There are certain sub-themes common to Schneider’s work, not least that of journeying, on the road, a feeling of wandering and itinerancy, or simply aimlessness. Alongside this subsidiary structural characters continually appear, the gas station, the automobile, the motel, the highway, the revolver, logos and signage, the wasteland...

Beach Box #61 2004 Signed, titled, dated, and numbered in ink, verso Archival pigment print (Edition of 25) 14 x 11 inches (35.6 x 27.9 cm) Price includes framing. This work is ...

Beach Box #72 2004 Signed, titled, dated, and numbered in ink, verso Archival pigment print (Edition of 25) 14 x 11 inches (35.6 x 27.9 cm) Price includes frame. This work is of...

Archival pigment print (Edition of 11) Signed, dated, and numbered, verso This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editi...

Toned gelatin silver print Signed, titled, dated, and numbered, recto 14 x 11 inches, sheet (Edition of 25) 20 x 16 inches, sheet (Edition of 25) 24 x 20 inches, sheet (Edition of...

'Frozen beach No.6' Neringa, Lithunia 2023 A photograph captured with a Polaroid camera that showcases the winter landscape of Lithuania in black and white. Printed on the finest...

'Frozen beach #4' 2023 A photograph captured with a Polaroid camera that showcases the winter landscape of Lithuania in black and white. Printed on the finest archival paper, these...

Desert landscape photograph of Canyon de Chelly National Monument by an unknown artist (American, 20th Century). Signed "CJB" in the lower right corner. Dated "April '84" in the lowe...

Archival pigment print (Edition of 11) Signed, dated, and numbered, verso This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editi...

Vertical Speed (Stranger than Paradise) - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inv...

Final Approach (Stranger than Paradise) - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inv...

Horizontal Stabilizer (Stranger than Paradise) - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Art...

Magnetic Compass (Stranger than Paradise) - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist I...

Absolute altitude (Stranger than Paradise) - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist ...

Plane Mirage (Stranger than Paradise) - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inven...

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Printed later by Cole Weston. Artist Reference...

A party of skiers adjourn for drinks at the bar on top of peak KT-22, Squaw Valley, California, 1961. Second from right is American lawyer and businessman Alexander Cochrane Cushing ...

Rare Original Photo of JFK Speaking on the Front Lawn 16.5 x 12.5” framed Circa 1960's Photographer Unknown This photograph comes framed in a white frame with a white matte under...

Landed - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4671. Not mounted. St...

Plane close call - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4657. Not moun...

Wonder Valley (Till Death Do Us Part) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Art...