Photographic Paper Landscape Photography
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Medium: Photographic Paper
Ancient Views of Kioto - Albumen Print - 1899/1900
Located in Roma, IT
Ancient Views of Kyoto is a group of original albumen prints on single cardboard measuring 26 x 34 cm., realized during a Journey to Asia in 1899/1900.
Four images on the rear and t...
Category
Late 19th Century Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Hugs - Photograph By Giuseppe Marani - 2010s
Located in Roma, IT
Hugs is one of the best photo on canvas realized by Giuseppe Marani in 2010.
Always passionate about landscapes and photography, the artist then devot...
Category
2010s Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Inda - Siriska - Original Vintage Photo - 1893
Located in Roma, IT
Indien - Siriska - February 24th, 1893 - is an original vintage black and white photo realized during a journey throughout the world performed by prince Franz Ferdinand...
Category
1890s Photographic Paper Landscape Photography
Materials
Paper, Photographic Paper
The Old - Photograph By Giuseppe Marani - 2010s
Located in Roma, IT
The old is one of the best photo on canvas realized by Giuseppe Marani in 2010.
Always passionate about landscapes and photography, the artist then de...
Category
2010s Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Field - Square black and white photography, Limited edition print, Large scale
By Sam Thomas
Located in Sant Cugat del Vallès, Barcelona
Field - Limited edition pigment print - Limited Editions of 15
Rural France, Burgundy, 2006
This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta ...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Black and White, Pigment, Archival Pigment, Digital Pigm...
View of Rome - Vintage Photograph - Early 20th Century
Located in Roma, IT
View Of Rome is a vintage black and white photograph realized in the early 20th Century as reprint of an image of the late 19th century. With the hand-note in pencil on the rear.
Go...
Category
Early 20th Century Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
View Of Rome - Vintage Photograph - Early 20th Century
Located in Roma, IT
View Of Rome is a vintage black and white photograph realized in the early 20th Century.
Good conditions.
A historical testimonial of the cityscape through the art of photography c...
Category
Early 20th Century Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Street Of Rome - Vintage Photograph - Early 20th Century
Located in Roma, IT
Street Of Rome is a vintage black and white photograph realized in the early 20th Century as reprint of an image of the late 19th century.
With the hand-note in pencil on the rear....
Category
Early 20th Century Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
View Of Rome - Vintage Photograph - Early 20th Century
Located in Roma, IT
View Of Rome is a vintage black and white photograph realized in the early 20th Century as reprint of an image of the late 19th century.
With the hand-note in pencil on the rear.
G...
Category
Early 20th Century Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
The Fujiama Krater - Vintage Photo - 1893
Located in Roma, IT
The Fujiama Krater (Original Title: Der Krater des Fugjiama - 13 August 1893 - Japan) is an original vintage black and white photo realized during a journey throughout the world perf...
Category
1890s Photographic Paper Landscape Photography
Materials
Paper, Photographic Paper
Indian Summer V (The Last Picture Show)
Located in Morongo Valley, CA
Indian Summer V (The Last Picture Show) - 2005
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print print, based on the Polaroid,
Certificate and Signature label
Artist...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Chefoo Trade Harbour - Ancient Albumen Print 1880/1900
Located in Roma, IT
Chefoo Trade Harbour is an albumen print made by an unidentified photographic studio.
Print in excellent condition, applied to cardboard.
Caption in Italian ink hand-written on har...
Category
1890s Photographic Paper Landscape Photography
Materials
Photographic Paper
African savanna, Giraffes at Sunset
Located in Miami, FL
Signed dated and numbered lower right, - 3/15 - unframed. printed later. Other sizes available.
Mitchell Funk is a pioneer of " Color Photography" In 1970 he participated in one th...
Category
1980s Futurist Photographic Paper Landscape Photography
Materials
Photographic Paper
Portrait of Pino Zac - Vintage Photograph - 1970s
Located in Roma, IT
Pino Zac - Vintage Photograph is an original black and white photograph realized by an anonymous artist in the 1970s.
Good conditions.
Category
1970s Contemporary Photographic Paper Landscape Photography
Materials
Photographic Paper
Church. Photography, 30.5x45.5 cm
Located in Riga, LV
Church
Photography, 30.5x45.5 cm
Atis Ievins (1946)
The exhibition by artist Atis Ieviņš reminds the very origins of serigraphy technique in Latvian art in the time of the 1970’s. ...
Category
1990s Contemporary Photographic Paper Landscape Photography
Materials
Photographic Paper
View of Rome - Vintage Photograph - Early 20th Century
Located in Roma, IT
View Of Rome is a vintage black and white photograph realized in the early 20th Century as reprint of an image of the late 19th century. With the hand-note in pencil on the rear.
Go...
Category
Early 20th Century Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Portrait of Anna Magnani - Vintage Photograph - 1960s
Located in Roma, IT
Vintage Portrait of Anna Magnani is a vintage b/w photographic print on single-coated paper, realized in 1960s
Good conditions.
Anna Magnani was born in Rome, Italy (not in Egypt,...
Category
1960s Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Vatican Square Garden - Vintage Photo by G. Felici - 1931
Located in Roma, IT
Vatican Square Garden, is a photographic print on Agfa Brovira paper, realized by Giuseppe Felici in 1931. On the bach, a black ink stamp "Città del Vaticano/ Nuova Pinacoteca/ 10 OT...
Category
1930s Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
S. Maria della Spina Church, Pisa - Vintage B/w Photograph - Early 20th Century
Located in Roma, IT
S. Maria della Spina Church, Pisa is an original photograph taken in Pisa, Italy, realized by an Anonymous photographer.
Titled on the lower.
Very Good conditions.
Category
Early 20th Century Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Indian Summer IV (The Last Picture Show)
Located in Morongo Valley, CA
Indian Summer III (The Last Picture Show) - 2005
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print print, based on the Polaroid,
Certificate and Signature label
Artist Inventory No 18549.
Not mounted.
Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters.
Schneider works with the chemical mutations of expired Polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dream scapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction.
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018 / 2019.
“It was Stefanie Schneider, who inspired me to start the company THE IMPOSSIBLE PROJECT after seeing her work, which seems to achieve the possible from the impossible, creating the finest of art out of the most basic of mediums and materials. Indeed, after that one day, I was so impressed with her photography that I realized Polaroid film could not be allowed to disappear. Being at the precise moment in time where the world was about to lose Polaroid, I seized the moment and have put all my efforts and passion into saving Polaroid film. For that, I thank Stefanie Schneider almost exclusively, who played a bigger role than anyone in saving this American symbol of photography.” –Florian Kaps, March 8th 2010 (“Doc” Dr. Florian Kaps, founder of “The Impossible Project”)
What makes Stefanie Schneider’s work so unique is that it’s immediately recognizable. Perfect ‘wabi-sabi’ in appearance and content. Dream like, colorful with depth and vision. From start to finish, a truly self made artist with a distinctively female perspective.
Exhibitions Selected (selected)
2018
Participation Bombay Beach Biennale, Bombay Beach, USA (G) March
Available to All, Rough Play Projects - Site Specific, Joshou Tree, USA (G) curated by Deborah Martin with Adam Berg, Doron Gazit, Kellan Barnebey, Chris Sanchez, Aili Schmelzt
2017
BLICKFELD Analoge Fotografie, Kommunale Galerie Steglitz-Zehlendorf (G) (catalog), (upcoming)
Rosegallery, Bergamot Station, Santa Monica (G)
Magie des Moments, Kunstverein Bad Homburg Artlantis, Bad Homburg (G)
2016
Instantdreams, Instantdreams Gallery, Berlin
(S)
2015
Desert Voices, De Re Gallery, Los Angeles (G) with Pamela Littky
The Ballery in Heat, The Ballery, Berlin (G)
Blue Nudes, De Re Gallery, Los Angeles (G)
2014
Summer Show, Galerie Catherine et André Hug, Paris, France (G)
6 Finalists, Saatchi Gallery London (G)
Instantdreams, De Re Gallery, Los Angeles (S)
Grand Opening, De Re Gallery, Los Angeles (G) with Banksy, Andy Warhol, Alison Bignon, Sophie Dickens, Victor Gingembre and others
2013
Heather's Dream, Short, nominated for the German Short Film Award 2013 (Deutscher Kurzfilmpreis)
Images
For Images (Artists fir Tichy), GASK - Gallery of the Central Bohemian Region, Kutná Hora, Czech Republic, (G) with Richard Prince, Nan Golding, Shirana Shahbazi, Sophie Calle, Martin Kippenberger, Arnulf Rainer, Thomas Ruff, Katharina Grosse, Jonathan Meese & others (catalog)
The Girl behind the White Picket Fence, Galerie Catherine et André Hug, Paris, France (S)
Heather's Dream, Short, German Competition Short Film Festival Oberhausen
Multimedia Presentation with Artist Stefanie Schneider, Palms Springs Art Museum, Annenberg Theater
The Polaroid Years: Instant Photography and Experimentation, The Frances Lehman Loeb Art Center, Poughkeepsie, NY, (G) with Ansel Adams, Bruce Charlesworth...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Portrait of Ernst Junger - Vintage Photograph - 1980s
Located in Roma, IT
Portrait of Ernst Junger - Vintage Photograph is an original black and white photograph realized by an anonymous artist in the 1980s.
Good conditions.
Category
1980s Contemporary Photographic Paper Landscape Photography
Materials
Photographic Paper
Portrait of Anna Magnani - Vintage Photograph - 1960s
Located in Roma, IT
Vintage Portrait of Anna Magnani is a vintage b/w photographic print on single-coated paper, realized in 1960s
Good conditions.
Anna Magnani was born in Rome, Italy (not in Egypt,...
Category
1960s Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Portrait of Anna Magnani - Vintage Photograph - 1940s
Located in Roma, IT
Vintage Portrait of Anna Magnani is a rare vintage b/w photographic print on single-coated paper, realized in 1940s.
Good conditions.
Anna Magnani was born in Rome, Italy (not ...
Category
1940s Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Blue Sky Palm Trees (Sidewinder) - including the book 'A Half Forgotten Dream'
Located in Morongo Valley, CA
Blue Sky Palm Trees (Sidewinder) - 2005
including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 196 pages, hardcover, published by snap Collective, 2024.
20x...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Queen Elizabeth Wears Mineral's Helmet - Vintage Photograph 1950s
Located in Roma, IT
Queen Elizabeth wears mineral's helmet is a vintage photograph, an original black and white photograph realized by Associated Press News photo.
The description of the image on the le...
Category
1950s Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Sports during Fascism in Italy - Vintage b/w Photo - 1934 c.a.
Located in Roma, IT
Vintage Photo.
"La fotografica" Photo Reportage Agency - Torino.
By Studio Gherlone.
Good condition.
Category
1930s Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Climate Change - Photograph by Cindi Emond - 2017
Located in Roma, IT
Climate Change is a beautiful photograph on pearl photographic paper realized by the artist Cindi Emond in 2017.
Limited edition of 10 prints. Hand-sig...
Category
2010s Contemporary Photographic Paper Landscape Photography
Materials
Photographic Paper
Australia - Wallendelly River - Vintage Photo 1893
Located in Roma, IT
Australia - Wallendelly River - 23 Mai 1893 - is a vintage photo, part of a journey to Asia performed by prince Franz Ferdinand von Osterreich Este (1863-1914), heir to the throne o...
Category
1890s Photographic Paper Landscape Photography
Materials
Paper, Photographic Paper
Mauve Earth Shine Photo Mosaic Collage Photograph, Female Aviator Feminist Art
By Vera Simons
Located in Surfside, FL
SIMONS, Vera (1920 - 2012)
Vera Habrecht Simons, was a German/American aviation pioneer, aeronaut and photo collage artist. She played a very important role in balloon development...
Category
1980s Assemblage Photographic Paper Landscape Photography
Materials
Photographic Paper
Ancient View of the Port of Buenos Aires - Vintage Photo - 1880s
Located in Roma, IT
Ancient view of the Port of Buenos Aires is an original albumen print realized in the 1880s.
Print in very good condition, applied on a single car...
Category
1880s Photographic Paper Landscape Photography
Materials
Paper, Photographic Paper
Ancient View of Kyoto - Original Albumen Print - 1880s/90s
Located in Roma, IT
Ancient view of Kyoto, is an original vintage albumen prints, hand colored, on single cardboard: 26 x 34 cm.
Realized between the 1880s and the 1890s.
The image on the front 21.5 x...
Category
Late 19th Century Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Out Islands - Luxury Yachts and Watercraft Sailing in Bahamas Waters
By Slim Aarons
Located in Brighton, GB
Out Islands - Luxury Yachts and Watercraft Sailing in Bahamas Waters
16 x 20" print.
Limited Edition Estate Stamped Print.
Edition of 150.
Printed Later.
"Out Islands" is a beautif...
Category
20th Century American Modern Photographic Paper Landscape Photography
Materials
Digital, C Print, Photographic Paper, Color
Arc of Janus II - Disappeared Rome - b/w Photograph - 1929
Located in Roma, IT
Vintage black and white photo representing Rome city centre, in particular the Arch of Janus seen from a square previously called Piazza Montanara, nearby th...
Category
1920s Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Ancient Japanese ethnographic photos from Nagasaki - Albumen Print - 1880s/90s
Located in Roma, IT
Ancient Japanese ethnographic photographs from Nagasaki is a set of 8 original vintage albumen prints on single cardboard: 26 x 34 cm.
Four images in the front and four on the rear ...
Category
Late 19th Century Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
"Whitehouse Ruins - Canyon de Chelle" - Desert Landscape Photograph
Located in Soquel, CA
Beautiful desert landscape photograph of the Whitehouse Ruins at Canyon de Chelly National Monument by an unknown artist, 1984. Signed "CJB" in the lower right corner. Dated "April '...
Category
1980s Photorealist Photographic Paper Landscape Photography
Materials
Photographic Paper, Silver Gelatin
Ancient Views of Shanghai - Original Albumen Prints - 1890s
Located in Roma, IT
Ancient views of Shanghai is a set of 4 original vintage albumen prints on single cardboard: 34 x 26 cm.
Image 21 x 15.5 cm, 2 of 10.5 x 14....
Category
Late 19th Century Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
The First Solar Panels - Vintage Photograph - 1980s
Located in Roma, IT
The solar panels is an original vintage photograph realized by an anonymous photographer
With the hand-notes on the rear.
Good conditions.
Category
1980s Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Xtreme (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Xtreme (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid photograph.
Artist inventory Number 909.
Signature label and Certificate.
Not mounted.
For sale is a piece from the Wastelands series.
Reality with the Tequila:
Stefanie Schneider’s Fertile Wasteland
by James Scarborough
“How much more than enough
for you for I for both of us darling?”
(E. E. Cummings)
Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence.
Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined.
Until she met him, she had not been inclined.
It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon.
They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up.
That’s when the shooting started…
Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila.
Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty.
She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world.
Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy.
That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Ancient Views of Tokyo - Original Albumen Prints - 1880s/90s
Located in Roma, IT
Ancient views of Tokyo is a set of four original vintage albumen prints on single cardboard: 26 x 34 cm.
They were realized between the 1880s and the early 1890s.
Four images on th...
Category
Late 19th Century Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Time Traveller (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Time Traveller (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory N...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Without You (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Without You (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 934.
Signature label and Certificate.
Not mounted.
For sale is a piece from the Wastelands series.
Reality with the Tequila:
Stefanie Schneider’s Fertile Wasteland
by James Scarborough
“How much more than enough
for you for I for both of us darling?”
(E. E. Cummings)
Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence.
Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined.
Until she met him, she had not been inclined.
It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon.
They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up.
That’s when the shooting started…
Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila.
Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty.
She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world.
Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy.
That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Gymnastics in a Stadium during Fascism in Italy - Vintage b/w Photo - 1934
Located in Roma, IT
Vintage Photo from the Fascist period in Italy. Photo by Studio Gherlone, Torino.
Photo dimensions 17 x 23 cm. Includes passepartout.
Good condition.
Category
1930s Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Nepal - Cattani Camp - Vintage Photo 1893
Located in Roma, IT
Nepal - Cattani Camp - 21 Marz 1893 - is a vintage black and white photo realized during a journey throughout the world performed by Prince Franz Ferdinand...
Category
1890s Photographic Paper Landscape Photography
Materials
Paper, Photographic Paper
Ancient Views of Colombo - Sri Lanka - Original Albumen Prints - 1890s
Located in Roma, IT
Ancient Views of Colombo Sri Lanka is a set of 2 original vintage albumen prints on single cardboard: 25 x 34 cm.
Size of photos: 21.5 x 27.5 cm.
Good conditions.
Caption in Ital...
Category
1990s Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Ancient Views of Acapulco - Original Vintage Photos - 1880s
Located in Roma, IT
Views of Acapulco is a set of two different albumen print realized in 1880s.
Prints in very good condition, applied on a single cardboard.
Caption in Italian ink hand-written on ha...
Category
1880s Photographic Paper Landscape Photography
Materials
Paper, Photographic Paper
Ancient Wiew of Kyoto, Sosui River - Original Albumen Print-1880s/90s
Located in Roma, IT
Ancient view of Kyoto, Sosui river is an original vintage albumen print on single cardboard: 26 x 34 cm.
Realized between the 1880s and the early 1890s.
The image on the front 21.5...
Category
Late 19th Century Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Female Gym Exercises during Fascism in Italy - Vintage b/w Photograph - 1934
Located in Roma, IT
Vintage Photo from the Fascist period in Italy.
Photo by Studio Gherlone, Torino.
Two joined photos.
Good condition.
Category
1930s Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Ancient View of Conception - Calle Comercio - Chile - Vintage Photo - 1880s
Located in Roma, IT
Ancient View Conception - Calle Comercio - Chile is a an albumen print realized by an unknown photographer in the 1880s.
Print in very good condition, applied on a single cardboard....
Category
1880s Photographic Paper Landscape Photography
Materials
Paper, Photographic Paper
Ancient Views of Aden Photograph - Original Albumen Print - 1880s/90s
Located in Roma, IT
Ancient views of Aden is a set of three original vintage albumen prints on single cardboard: 34 x 26 cm.
Two Images 15 x 21, on the front and on the rear 28 x 22 cm which depicted ...
Category
Late 19th Century Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Ancient Views of Aden - Original Albumen Print - 1880s/90s
Located in Roma, IT
Ancient views of Aden is a set of four original vintage Albumen prints on single cardboard: 34 x 26 cm.
Images 15 x 21, two on the front and two on the rear.
They were realized bet...
Category
Late 19th Century Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Dakh-na bagh Camp - Vintage Photo - 1893
Located in Roma, IT
Dakh-na bagh Camp - 9 Marz 1893 - Indien. Nepal is a vintage albumen print, part of a journey throughout the world performed by prince Franz Ferdinand von Osterreich Este (1863-1914), heir to the throne of the Austro-Hungarian Empire.
Despite his affairs and the growing importance of his role within the Empire, he took a year off his duties to travel the world, from North Africa to India, East Asia, Australia, and America, where he attended the 1893 Chicago World’s Fair...
Category
1890s Photographic Paper Landscape Photography
Materials
Paper, Photographic Paper
Ancient Views of Aden - Original Albumen Prints - 1880s/90s
Located in Roma, IT
Ancient views of Aden is a set of three original vintage Albumen prints on single cardboard: 34 x 26 cm.
Two Images 15 x 21, on the front and on the rear 19.5 x 27 cm.
They were r...
Category
Late 19th Century Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Ancient Views of Aden - Vintage Photographs - 1880s/90s
Located in Roma, IT
Ancient views of Aden is a set of seven original vintage albumen prints on single cardboard: 34 x 26 cm.
Two Images 15 x 21, on the front and on the rear other five photographs..
...
Category
Late 19th Century Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Impressive Ancient Aiew of Tokyo - Original Albumen Print - 1880s/90s
Located in Roma, IT
This astonishing ancient view of a street in Tokyo is an original vintage photo applied on cardboard: 26 x 34 cm.
It was realized between the 1880s and the 1890s.
Image 21.5 x 27.5 cm. Caption in Italian, in ink hand-written.
An incredibly vivid view of Tokyo streets...
Category
Late 19th Century Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
S.Paolo House - Disappeared Rome - b/w Photograph - Early 1900
Located in Roma, IT
Vintage photo representing San Paolo house, on via degli Strengari, an famous street in the historical centre of Rome.
Photos of Alinari editions.
Category
Early 20th Century Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Capitoline Hill - Disappeared Rome - b/w Photograph - 1931
Located in Roma, IT
Vintage black and white photo of the Capitoline Hill in Rome. In particular, the picture was taken because a centuries-old pine has fallen on the big staircase. On the back the beaut...
Category
1930s Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
San Giorgio in Velabro - Disappeared Rome - b/w Photograph - 1929
Located in Roma, IT
Vintage black and white photo of Rome city centre, in particular it takes a glimpse of the church San Giorgio in Velabro and the Arch of Janus, as well ...
Category
1920s Modern Photographic Paper Landscape Photography
Materials
Photographic Paper
Uramino Jacki Fall - Vintage Photo - 1893
Located in Roma, IT
Beim Uramino Jacki Fall - is an original vintage black and white photo realized during a journey throughout the world performed by Prince Franz Ferdinand von Osterreich Este (1863-19...
Category
1890s Photographic Paper Landscape Photography
Materials
Paper, Photographic Paper
Brilliant Shadow (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Brilliant Shadow (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 22720.
Signature labe...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Silver Bullet (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Silver Bullet (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 23475.
Signature label and Certificate.
Not mounted.
For sale is a piece from the Wastelands series.
Reality with the Tequila:
Stefanie Schneider’s Fertile Wasteland
by James Scarborough
“How much more than enough
for you for I for both of us darling?”
(E. E. Cummings)
Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence.
Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined.
Until she met him, she had not been inclined.
It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon.
They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up.
That’s when the shooting started…
Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila.
Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty.
She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world.
Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy.
That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Photographic Paper landscape photography for sale on 1stDibs.
Find a wide variety of authentic Photographic Paper landscape photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, green, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Stefanie Schneider, David Burdeny, Richard Heeps, and Mitchell Funk. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Photographic Paper landscape photography, so small editions measuring 0.4 inches across are also available
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This Photo of Big Sur Reveals the Awesomeness and Intimacy of Nature
When a beachcomber accidentally stepped in front of Jeffrey Conley’s camera, a perfect moment was captured.
Savor Ansel Adams’s Landscapes and Those of His Ambitious Successors
A new exhibition examines images by the master photographer alongside works by photographers who influenced him and contemporary creators.
These Artists Are Changing the Nature of Landscape Photography
Developing images using contaminated water or printing them on expired photo paper are just a couple of ways today's talents are putting their own spin on tradition.
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