Cloud Landscape Photography

Storm Clouds Over Eastern Idaho Near Craters of the Moon, 1980 Gelatin silver print 16 x 20 inches. Signed and dated in pencil on print verso by Mark Klett From American Road Portfolio

Brian Kosoff, an accomplished master of the photographic process, spent most of his life in photography and still considers himself a student of the medium. As a teenager, he was in...

Edition 2/15 Archival pigment print “Water’s Edge” a collection of photos by Marian Crostic defines the power of the ocean and the land which borders it. Having spent much of her l...

Leah Oates employs a double and sometimes triple exposure, which creates halos of light, dappled, misty surfaces and gauzy effects in muted greens and blues. Her work questions the n...

Leah Oates employs a double and sometimes triple exposure, which creates halos of light, dappled, misty surfaces and gauzy effects in muted greens and blues. Her work questions the n...

Edition of 45 Signed, tiled, negative date, print date and numbered. Sepia toned gelatin silver print Michael Kenna's black and white photographs are powerful and alluring. His ...

Fine Art paper Hahnemuhle 310 g + archival pigment ink, ed. 3/20 Shipping in a tube, artwork can be framed & delivery in a crate upon simple request Laurence Gallien is a French pho...

Fine Art paper Hahnemuhle 310 g + archival pigment ink, ed. 3/20 Shipping in a tube, artwork can be framed & delivery in a crate upon simple request Laurence Gallien is a French pho...

Fine Art paper Hahnemuhle 310 g + archival pigment ink, ed. 2/20 Shipping in a tube, artwork can be framed & delivery in a crate upon simple request Laurence Gallien is a French pho...

Ed. 2/10, includes white frame. "Driftwood II" is part of Christophe von Hohenberg's ongoing series of minimal, dreamlike images captured on the beaches of America’s Northeastern sh...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Lennon’s photographs serve as allegorical vehicles in this time of heightened awareness for our planet’s peril. In surveilling these ever-changing skies, 'Atmospheria' celebrates the...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Renaissance project in 2016. Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever. “Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell There are 18 pieces in the RENAISSANCE collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Edition of 25 Additional sizes available

Archival photo print under acrylic glass. Signed and Numbered by the artist. Edition of 3. Dimensions: 18x 15 x 15 in. Depth: 1 in. Total Dimensions: 48in X 97.4 in Artist and pho...

Edition of 10. Fujicolour / DMEL: professional photo paper (from Kodak).

Edition of 10. Fujicolour / DMEL: professional photo paper (from Kodak).

Excellent Condition Framed in high quality frame Edition 14/40

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Photography on canvas. Limited Edition (2/10). O. Devan paints that which he doesn't really see. His camera captures a second in time, as if he stops at his tracks and takes a step back to embrace that particular second in time and space. Devan's works are eternal; he does not pretend to reinvent the wheel...

Photography on canvas. Limited Edition 2/10. O. Devan paints that which he doesn't really see. His camera captures a second in time, as if he stops at his tracks and takes a step back to embrace that particular second in time and space. Devan's works are eternal; he does not pretend to reinvent the wheel...

Photography on canvas. Limited Edition 2/5. O. Devan paints that which he doesn't really see. His camera captures a second in time, as if he stops at his tracks and takes a step back to embrace that particular second in time and space. Devan's works are eternal; he does not pretend to reinvent the wheel...

Photography on canvas. Limited Edition 1/5. O. Devan paints that which he doesn't really see. His camera captures a second in time, as if he stops at his tracks and takes a step back to embrace that particular second in time and space. Devan's works are eternal; he does not pretend to reinvent the wheel in his paintings but to redefine it. The skies, the ocean, clouds and cityscapes are for anyone to recreate, but capturing these layers that surround the image is where Devan's genius lies. Layers of paint on photography...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Edition of 10. Fujicolour / DMEL: professional photo paper (from Kodak).

This price is the unframed price. Any framed photographs purchased during the show will be available after June 12th. If the exhibition piece is sold or the customer orders a differ...

This listing is for an unframed price. April 10th through June 12th, 2016. Any framed photographs purchased during the show will be available after June 12th. If the exhibition piece...

Price for UNFRAMED item The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year...

The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will...

CURRENT EXHIBITION - runs through February 26th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders...

Lennon’s photographs serve as allegorical vehicles in this time of heightened awareness for our planet’s peril.In surveilling these ever-changing skies, Atmospheria celebrates the be...

"Watty Horizon" is a black and white fine art photograph of Michael Götze. It is an Edition 5 (2/5), Giclée Print on Hahnemühle paper. 120 x 180 cm, signed on back, comes with certif...

This beautiful color photography was taken in the Mediterranean Sea in Israel. It was not filtered, manipulated or color corrected, but a straight shot. It comes print only, but can ...

Yoshinori MIZUTANI (*1987, Japan) Yusurika 005, 2015 Archival pigment print on Hahnemuhle Fine Art Baryta paper Sheet 145.6 x 97 cm (57 3/8 x 38 1/4 in.) Edition of 3 plus 2 artist's...

Slim Aarons Verbier View, 1964. (printed later) Archival pigment print 60 x 60 inches Estate stamped and numbered edition of 150 with Certificate of auth...

Slim Aarons Verbier Viw, 1964. (printed later) Archival pigment print Estate stamped and numbered edition of 150 with Certificate of authenticity Skiers admire the view across a va...

Dominique TEUFEN (*1975, Switzerland) Afterglow, from the series 'Rays of Light', 2020 Hahnemühle Fine Art Baryta Sheet 60 x 90 cm (23 5/8 x 35 3/8 in.) Edition of 5, plus 2 AP, 1/5 ...

Verbier View, 1964 Chromogenic Lambda Print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Skiers admire the view across a valley ...

Lennon’s photographs serve as allegorical vehicles in this time of heightened awareness for our planet’s peril. In surveilling these ever-changing skies, 'Atmospheria' celebrates the...

Carlingford Archival pigment print Edition of 35 Carlingford Lough is a glacial fjord or sea inlet that forms part of the border between Norther...

Artist Commentary: Along the Kumano kodo pilgrimage trail in the Kii Mountains of Japan I walked in the rain, climbing among gnarled roots and trees that seemed they had been there ...

Julian Lennon’s photographs serve as allegorical vehicles in this time of heightened awareness for our planet’s peril. In surveilling these ever-changing skies, Atmospheria celebrate...

This photograph is unframed. Jerry Siegel is inspired by the work of William Christenberry, Sally Mann, Andrew Moore, Walker Evans and Jim Dow. ...

Untitled (Nr. 0189) Photography 18" x 24" Edition of 20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six-year photographic journey through Baja, Mexico. Ben Cope and Rowan Daly began their travels in 2014, working their way through the towns of la Salinas, Baja Mar, and Cantamar, down through Ensanada and la Bufadora. This series of photographs depicts the pair’s adventures and explorations. Off the Grid documents the textures, people, and places visited during this incredible journey. Ben Cope is a Los Angeles based portrait artist with a BFA in ceramic sculpture and photography from Columbus State University. He maintains a successful career with a diverse portfolio including fashion, editorial, celebrity portraiture and advertising. He is widely known for his celebrity and fashion portraiture, which has been published internationally in publications such as Harper’s Bazaar, Elle, GQ, The Work Magazine, Fucking Young, and l’Officiel, and has shot international campaigns for such clients as Adidas, L’Oréal, Paul...

In expressing his narrative of “The Western Abandon” Cody concentrates his focus on abandoned farms, crumbling homes, neglected churches, aging cemeteries, forgotten cars and other o...

Tropical Storm II, Sunset Atlantic Ocean, Brazil 47 x 71 inches - Edition of 5 Archival Pigment Print Unframed ABOUT THE ARTIST: Born in São Paulo, Sé...

Tropical Storm IV, Sunset Atlantic Ocean, Brazil 47 x 71 inches - Edition of 5 Archival Pigment Print Unframed ABOUT THE ARTIST: Born in São Paulo, Sé...

Tropical Storm, Sunset Atlantic Ocean, Brazil 47 x 71 inches - Edition of 5 Archival Pigment Print Unframed

Mac Oller Classic 12 x 12 inches Edition of 29 Archival Pigment Print 20 x 20 inches Edition of 19 Archival Pigment Print 30 x 30 inches Edition of 9 Archival Pigment Print 40 x ...

Edition of 3 Signature Label on verso, framed.

Edition of 3 Signature Label, numbered and dated, mounted and framed.

Cerulean Blue Sky with cumulus clouds and reflections in the water evokes an ethereal view of man on boat at sunset in East Hampton NY. Shipping should be around $125. This archival ...

THE COLOR OF WATER Lake Michigan blue sits at the pastel confluence of green, grey and cyan on the nearby shoreline. In truth, the color of the lake is as transitory as Chicago weather. The shade of blue is widely determined by the reflection of the sky above and the organic material and sediment carried below. I recently learned that invasive mussel species have slowly transformed the lake from green to bluer over the past two decades. I often return to the water’s edge to document the color of a given day. Susan Isaacson...

THE COLOR OF WATER Lake Michigan blue sits at the pastel confluence of green, grey and cyan on the nearby shoreline. In truth, the color of the lake is as transitory as Chicago weather. The shade of blue is widely determined by the reflection of the sky above and the organic material and sediment carried below. I recently learned that invasive mussel species have slowly transformed the lake from green to bluer over the past two decades. I often return to the water’s edge to document the color of a given day. Susan Isaacson...

Each photograph is hand printed on Canson Baryta Paper and is signed and editioned by the artist. Framing options are available. Sarah Hadley's narrative work focuses on memory, place and the subconscious. She received degrees from Georgetown University and the Corcoran College of Art. Sarah Hadley was named one of the “jeunes talents” by Le Monde in 2014. She has had solo exhibitions at the Griffin Museum of Photography, the Loyola Museum of Art, Richard Levy Gallery...

Edition of 3 Signed, titled, dated and numbered by Jeanine Michna-Bales Archival pigment print Image size: 32 x 40 in. From series, Standing Together: Inez Milholland's Final Campaign for Women...

This image is printed in an edition of 3, but comes in smaller sizes. Each photograph is hand printed on Canson Baryta Paper and is signed and editioned by the artist. Sarah Hadley...