Metal Photography

The nude girl of Sher’s “Siesta” drifts to sleep as her dreams encroach upon her. As her naked body begins to shimmer into an aqueous form of its own, the bubbles of air transform in...

Burning Field (Stranger than Paradise) - 2004, 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Artist Inventory # 779.20. Mounted on Aluminum with matte UV-Pro...

Rebecca Skinner’s “Over” was photographed in an abandoned mansion in the Catskill Mountains of New York. Two pillows remain on the bed as if someone has just left this vacant home. T...

Rebecca Skinner’s “Rise” was photographed in an abandoned home in New York. Nature is reclaiming this room full of peeling paint in greens, pinks and beiges. The 24 x 16 inch color p...

Rebecca Skinner’s “Remnants” is a 18 x 12 inch color photograph of a vintage door and bottle found in an abandoned building. Leaves and greenery peek through an old window in this so...

Rebecca Skinner’s “Worn" is part of a her "Texture" series taking an up close look rusted and/or weathered metal. The 18 x 12 inch color photo with satin finish is infused directly i...

Dye sublimation print on aluminum, polished chrome float frame (Edition of 3 + 2 APs) Signed and numbered on label, verso From the series "Particle Paradise" This artwork is offered...

Rebecca Skinner’s “Book Beauty 6” is a 11 x 17 inch metal print of a gymnasium full of discarded books left to decay in a deserted school. The color photograph with hues of green and...

"Beatles - Afternoon Rehearsal" Photography 18x21in Ed. of 25 by Howard Grafton Signed and numbered on the back by the publisher The Beatles on the E...

Rebecca Skinner’s “Cold Keys” was photographed in an abandoned train repair yard. The 12 x 18 inch black and white metal print is of piano keys with bits of ice keeping it cool. The ...

Rebecca Skinner’s “Left” is a 18 x 12 inch color photograph of a vintage chair and table in an abandoned hospital. With satin finish, the image is infused directly into metal making ...

Rebecca Skinner’s “Aged #2” is a 30 x 40 inch metal print and is part of her “Transient” series. The close up color photograph is of a bright red vintage TV abandoned long ago. The f...

Layered laser cut dye sublimation prints on aluminum (Edition of 3 + 2 APs) Signed and numbered on label, verso From the series "Dream Date" This artwork is offered by ClampArt, loc...

A magical evening, shot in the early autumn at Flying Point Beach in Southampton NY. Printed on archival fine art paper, mounted on dibond aluminum with a float mount backing. Avai...

Rebecca Skinner’s “Incapacitated” is part of her "Rust to Dust" series documenting the beauty of the decaying automobile. The 20 x 30 inch color photograph is of an antique car...

Rebecca Skinner’s “The Race is Over” is a 11.25 x 17 inch metal print of weathered stadium seating at an abandoned race track. The vintage brown wooden...

Layered laser cut dye sublimation prints on aluminum (Edition of 3 + 2 APs) Signed and numbered on label, verso From the series "Dream Date" This artwork is offered by ClampArt, loc...

Rebecca Skinner’s “Endurance” is a 24 x 16 inch black and white photograph of an abandoned church in Gary, Indiana. With satin finish, the image is infused directly into metal making...

Rebecca Skinner’s “Endure” was photographed in an abandoned train repair yard. The 30 x 20 inch color photograph is of an industrial scene in a state of decay with cool tones of blue...

Rebecca Skinner’s “Momentary” is a 30 x 20 inch metal print and is part of her “Transient” series. The color photograph of a bedroom in an abandoned home gives the viewer a sense of ...

Rebecca Skinner’s “Erosion #5” was photographed on the shoreline of Lake Champlain in Burlington, Vermont. The textural beauty is natures own art form. The 24 x 16 inch black and whi...

Rebecca Skinner’s “Ford” is part of her "Rust to Dust" series documenting the beauty of the decaying automobile. The 10 x 30 inch color photo with satin finish is infused directly in...

Rebecca Skinner’s “Waning” is a 20 x 30 inch metal print and is part of her “Transient” series. This color photograph is of an electrical outlet in a...

Rebecca Skinner’s "Trolley Car #3309" is part of her "End of the Line" series taking us back to the days of riding the railways and trolleys for transporta...

“Reflections No. 5” is part of a body of work called “Reflections” created by artist Rachel Berkowitz. This series is a performative, process-based series that resulted in the creati...

Stefanie on bed looking quite dead (29 Palms, CA) - 1998 130x130cm, Edition 1/5, analog C-Print, hand-printed by the Artist, based on a Polaroid. Signed on back with Certificate, ...

White Plastic Bucket (Stay), from Ryan Gosling's memory sequence. 2006, 85x85cm, 4 pieces, each 39x38.5cm, Edition 2/5, analog C-Prints, printed by the artist on Fuji Archive Crysta...

Shot during the covid lockdown in June 2020, when nature seemed like the only safe haven. Printed on archival fine art paper, mounted on dibond aluminum with a float mount backing....

Rebecca Skinner’s “Book Beauty 5” is a 20 x 30 inch metal print of plant life growing on books left to decay in a deserted school. The color photograph with hues of green and blue is...

Rebecca Skinner’s “Reveal” was photographed in an abandoned building. The 18 x 12 inch color photo of peeling paint with colors of green, blue and yellow has breathtaking depth and a...

Rebecca Skinner’s “Book Beauty III” is a 16 x 24 inch metal print of plant life growing on books left to decay in a deserted school. The color photograph with hues of green and blue ...

Rebecca Skinner’s “disMantle” was photographed in an abandoned mansion in the Catskill Mountains of New York. The mantle on the fireplace has beautiful architecture with ivory, peach...

Décadence - 2017 25 x 25 cm, edition of 10. Archival Print on Metal, based on a Polaroid. Hand-numbered and signed on the back by artist. Artist Statement “Since my childhood ...

Rebecca Skinner’s “Blue Ford” is a color photo on aluminum documenting the beauty of the decaying automobile as part of her "Rust to Dust" series. Th...

Rebecca Skinner’s “Spool #2” is a black and white photo taken at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 12 x 18 inch photo wi...

Gas Station at Night (Stranger than Paradise), 2006 Edition 1/5, 2 pieces 58x120cm installed, 58x56cm each. 2 Analog C-Prints, hand-printed by...

Rebecca Skinner’s “Carts” was photographed at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 12 x 18 inch color photograph, with ric...

“Reflections No. 4” is part of a body of work called “Reflections” created by artist Rachel Berkowitz. This series is a performative, process-based se...

Once Was by Marcy Palmer presents a small bouquet of flower buds, illuminated in a background of gold. This photograph is made of 24k gold leaf on vellum ...

Diasec® mounting is a time proven system that has set the benchmark for face mounting photographic and fine art prints. Developed in the late 1960’s Diasec® was the first system that allowed photographs to be bonded directly and permanently to acrylic sheet. Diasec® panels are backed with pure aluminium sheet, reinforcing the rigidity of the finished panel. Giving a beautiful profile when viewed from the side. The aluminium back also enables us to attach one of our bespoke pure aluminium sub-frames that allows the artwork to hang on the wall without a traditional picture frame Discover new photography by Allan Forsyth online and in our Wychwood Art Gallery in Deddington. Allan Forsyth is an artist who explores a breadth of themes that is reflected in the range of techniques he employs: analogue and digital exposures taken by the artist exist in his work, alongside computer generated imagery, photograms, and photographic collages from historic magazines and vintage postcards. Born in the Highlands of Scotland, Forsyth’s heritage conveys his love of the drama of nature to his work, seeking to expand the beauty of natural forms that we sometimes overlook in everyday life showing an extra dimension in his work. His work complements some of the most dynamic of interiors worldwide and his work has been exhibited and collected internationally. He lives and works in London. GHOST FLOWER...

Enamel screen print on Somerset paper. Hand signed, dated and numbered on front by Russell Young. Image size 19.5 x 16 inches. Sheet size 27 x 22 inches. Edition of 27/30. Art...

A sunflower reaching the end. A slow descent into a less colourful but far more sculptural state as the petals wither and crisp and the flowerhead bends slowly down. Early autumn bac...

This beautiful old tools photography was done by Matt McKee as part of the old tools series he did from 2016. This print is part of an edition of 30 and come...

In a delicate smear of faded blues intermingled with the curves and lines of the pale colors of the skin, Alex Sher’s “Brushstroke” uncovers his phenomenal ability to capture the tr...

"BWM-F1" (FRAMED) Photography 23" x 49" inch Edition 1/4 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Series: Buccellati Wis...

In the novel "The Man with the Golden Arm" by Nelson Algren, the main character is a card shark. Here Art has taken a twist on that title by showing Algren as the dealer in one of Art's most famous shots. This work is framed in a simple black metal frame measuring 21.5h x 25.25w inches. Art Shay The Man with the Golden Arm, 1949 silver gelatin print 16h x 20w in 40.64h x 50.80w cm ASY15107 “Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.” Roger Ebert “[Shay’s work] ranks with some of the greats of the 20th century.” Ellen & Richard Sandor, Renowned photo collectors “I’ve admired Art Shay’s work for almost forty years, and he keeps getting better. He can do anything with a camera, but what he mostly does is capture real moments and transform them into visual poetry. His work continues to be an inspiration to me.” William Friedkin, Director of French Connection “Art Shay is one of our finest photographers. His work over the past fifty years has artfully captured the beauty, humor, and pathos of America.” Studs Terkel “Art Shay is one of the best photojournalists I know. I’ve been a fan of his work since the early 1950s - before the launch of playboy magazine.” Hugh Hefner “Algren, Terkel, Royko, they gave us a voice. Art Shay gave us a face.” Tony Fitzpatrick, Chicago Artist “Art Shay is America’s Cartier-Bresson.” Thomas Dyja, author of The Third Coast “Chicago’s Art Shay in many ways is to American photography what Nelson Algren was to American writing: that rare and absolutely necessary citizen who’s blessed with a cold eye, a clear head, and a warm heart. What is it about Chicago that keeps giving us men like this?” Russell Banks, Novelist “The best images of Simone de Beauvoir and her times have been passed down to us by Henri Cartier-Bresson, Gisele Freund, Robert Doisneau, Georges Brassai, and in America, the Chicago-based Art Shay, all world-class photographers.” Christophe Loviny, Art Editor, Paris “Art Shay is the best photo-journalist Chicago ever produced.” Arthur Siegel...

Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of Fine Arts in Gdańsk (1999-2004). Diploma with special recognition in painting in 2004. The character of Magdalena Peszkowska's works Series Stand is like an poetic archive of memories, which call for a classification and reconstruction of the time of childhood and the intense experience of time with everything around it. Gdansk - where the artist comes from - becomes a mythical place, This city, with a very strong symbolic potential inherent in its history, needs editing from a single point of view. Magdalena Peszkowska uses her own photos or those from the family album. She transfers them to gray field blankets and camp beds with her own secret technology Then she paints on the used objects. Many of her objects show figures from the closest circle of Peszkowska, often it is herself, her family or places close to her in Gdansk. Her objects have intentional signs of use. The field blankets have a sewn-in wooden bar to hang them on the wall. The field military beds...

Printed onto direct positive Printing Out Paper and then gold-toned. Linda Connor's imagery of ancient and sacred places explores the relationship between nature, civilization and s...

"Solar Plexus Chakra" Photography 26" x 26" inch Edition 2/7 by Oleg Char Medium: UV print on Aluminum Dibond, glass neon, wood backing, metal frame. Solar Plexus - Manipura The ...

Albert Bridge, Aluminium By Michael Wallner [2019] limited_edition Brushed aluminium Edition number 25 Image size: H:50 cm x W:135 cm Complete Size of U...

London Taxi [2017] Limited Edition Transport Brushed aluminium Edition number 25 Image size: H:56 cm x W:76 cm Complete Size of Unframed Work: H:56 cm x W:...

George Tice was born in 1938 in Newark, NJ, the state in which his ancestors had lived for generations earlier. He joined a camera club when he was fourteen, and is largely a self ta...

This photograph is representative of two related series of mine that deal with humanity's impact on and relationship with the earth. This relationship is not sustainable. Lately, I have begun to dream of our tortured earth with the remains of our hubris drifting through space, mined to extinction. This work is an attempt to tear through the ugliness of the world we have made, through the blindness of our voracious appetite to the vastness beyond, where beauty cares not for our perception of it. As Robinson Jeffers wrote: “The beauty of things was born before eyes and sufficient to itself; the heartbreaking beauty/ Will remain when there is no heart to break for it.” -- William Lesch

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #02 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

Platinum-palladium print. Signed and numbered '2/6' in pencil. Limited edition of 6 + AP. Printed 2018. On japanese Gampi.

Limited edition of 20 Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorpora...

Limited edition of 20 Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorpora...

CARLOS MERCADO TROPICALIA TROPICALIA...Inspired in Nostalgia of the Caribbean Puerto Rico and Cuban images from the Golden era of the 50's recollects th...

Allan Forsyth AQUA FLORA N°10 112x85cm Archival Chromagenic Photographic Print Diasec Framed Edition 12 Allan Forsyth is an artist who explores a breadth of themes that is reflected...

Underwater nude shot from above a small cenote in Tulum, Mexico. Other size prints, framing options and print methods (such as fine art paper or face mounted plexiglass) available up...