1980s Photography

Hang gliding in Kitzbuhel, Austria, 1980. Gorgeous print measuring 30 x 40" inches / ca 76.2 x 101.6 cm’s paper size. Estate Stamped Collection Edition...

Slim Aarons Estate Stamped Edition Limited to 150 only The pool at the Meridian Club, owned by Ginny and Bill Cowles, on the Turks and Caicos islands, March 1981. (Photo by Slim A...

A former student of the American landscape photographer Ansel Adams, Neil Folberg is known for his color landscapes of the Middle East and black-and-white techniques that champion th...

'Catherine Wilke' Capri (Slim Aarons Estate Edition) Catherine Wilke joins the topless sunbathers on the island of Capri, 1980. A typical 'Slim' photograph chronicling the young a...

'No Transport Problems' 1982 Slim Aarons Limited Estate Edition Print American model and actress, Mary Hartline (Mrs Woolworth Donahue), with car and bi...

'Chateau Saint-Martin' 1986 Slim Aarons Limited Estate Edition Print The Chateau Saint-Martin, a luxury hotel in Vence on the Cote d'Azur, France, 1986. The building was once a Com...

Stamped, Allen Ginsberg Trust; numbered 2/2, verso This work is offered by ClampArt in New York City.

Koo Stark Black and white silver gelatin portrait photograph of photographer Horst P. Horst, official 80th birthday image. Frame: 17 1/4 x 23 1/4 inches Sight: 10 1/4 x 13 1/4 inches Condition: Good. Kathleen Norris Stark (born April 26, 1956), better known as Koo Stark, is an American photographer and actress, known for her relationship with Prince Andrew. She is a patron of the Julia Margaret Cameron Trust, which runs the museum of the Victorian pioneer photographer. Early life and education Stark was born in New York. Her parents were Wilbur Stark, a writer and producer, and Kathi Norris, a writer and television presenter in New York City. She is the youngest of three children, the others being Pamela and Brad. At the time of her birth, the family was living in the city's Manhattan borough.[1] Her grandfather, Edwin Earl Norris, was a cabinetmaker and musician, playing the French horn and the viola in the Newark Symphony Orchestra. Her mother's family were Presbyterians.[2][3] After a divorce in the 1960s, her mother remarried.[4] Koo Stark attended the Hewitt School in New York and the Glendower Preparatory School in Kensington, London. After training at a stage school, she began her film acting career. (she acted in the original Star Wars!) Stark also began to work as a fashion model, particularly for Norman Parkinson. In February 1981, she was at the National Theatre as an understudy in the Edward Albee play Who's Afraid of Virginia Woolf? Stark has worked as a photographer since the 1980s, and may have been the first person to turn the tables on the pursuing paparazzi by taking photos of them. Prince Andrew has told how in 1983 a photographic printer, Gene Nocon, invited Stark to take photographs of people taking photos of her, for his exhibition, Personal Points of View, planned for October. She persuaded Nocon to include Andrew's work as well. Her early photographs led to a book deal, for which she took lessons from Norman Parkinson. She travelled to Tobago, where he lived, and he became her mentor. Her book Contrasts (1985) included about a hundred of her photographs. She went on to study the work of leading photographers, including Angus McBean, whom she met and photographed, developing her interests in photography to include reportage, portraits, landscapes, still life, and other work. The book Contrasts was launched at Hamiltons Gallery, London, in September 1985, at an exhibition of the same name. In 1994, the Gallery Bar at the Grosvenor House Hotel in Park Lane hosted an exhibition called 'The Stark Image', forty photographs by Stark, including several previously unpublished. In 1998, her work was featured at the Como Lario in Holbein Place, Belgravia. In July 2001 she had an exhibition called 'Stark Images" at the Fruitmarket Gallery in Edinburgh, duplicated from June to July 2001 at Dimbola Lodge on the Isle of Wight. A solo exhibition of portraits was at the Winter Gardens, Ventnor, from September to October 2010,[29] and another at Dimbola Lodge from February to April, 2011. On 22 April 1987, a charity auction at Christie's, St James's, for the Campaign to Protect Rural England, featured signed work by David Bailey, Patrick Lichfield, Don McCullin, Terence Donovan, Fay Godwin, Heather Angel, Clive Arrowsmith, Linda McCartney, Koo Stark, and fifteen others, Views by Stark, including some of Kirby Muxloe Castle, were in G. H. Davies's England's Glory (1987), a CPRE book launched at the same time. Pictures by Stark have appeared in Country Life and other magazines. Several of her portraits are in the National Portrait Gallery, and work is also in the collections of the Victoria and Albert Museum, both in London. A Leica user, Stark has said her camera transcends mere function and is a personal friend. A solo exhibition hosted by the Leica gallery in Mayfair in May 2017 was entitled Kintsugi, a Japanese word for a way of renovating things that have been broken. Stark explained the title: "Kintsugi is a way of learning to see individual beauty, and to appreciate the value of experience and honesty. It is the antithesis of digital, airbrushed, Photoshop-homogenised 'beauty'." In August the exhibition was repeated in Manchester, to mark the opening of a new Leica store there. Stark has been a practising Buddhist since meeting the Dalai Lama. She continues to live in London and is a member of the Chelsea Arts Club. She is a Patron of the Julia Margaret Cameron Trust, at Dimbola Lodge on the Isle of Wight, home of the Victorian pioneer photographer Julia Margaret Cameron. Stark met Prince Andrew in February 1981, and they were close for some two years, before and after his active service in the Falklands War. Tina Brown has claimed that this was Andrew's only serious love affair. In October 1982 they took a holiday together on the island of Mustique. According to Lady Colin Campbell, Andrew was in love, and the Queen was "much taken with the elegant, intelligent, and discreet Koo". However, in 1983, after 18 months of dating, they split up under pressure from the Queen. In 1997, Prince Andrew became the godfather of Stark's daughter, and in 2015, when the Prince was accused by Virginia Roberts over the Jeffrey Epstein connection, Stark came to his defence, stating that he was a good man and she could help to rebut the claims. Photographic exhibitions 'Contrasts', Hamiltons Gallery, Carlos Place, London, September 1985 'The Stark Image', Gallery Bar at Grosvenor House Hotel, London, 1994 'Stark Images', Dimbola Lodge, Isle of Wight, June to July 2001 'Stark Images', Fruitmarket Gallery, Market Street, Edinburgh, July 2001 'Portraits by Koo Stark', Winter Gardens, Ventnor, Isle of Wight, September to October 2010 'Koo Stark: Contrasts', Dimbola Lodge, Isle of Wight, February to April, 2011 'Kintsugi', Leica gallery, Bruton Place, Mayfair, May 2017 'Kintsugi', Leica store, Police Street, Manchester, August 2017 'Kintsugi Portraits', San Lorenzo, Beauchamp Place, London SW3, November 2017 Horst Paul Albert Bohrmann (1906 – 1999), who chose to be known as Horst P. Horst, was a German-American fashion and Fine Art photographer. The younger of two sons, Horst was born in Weißenfels-an-der-Saale, Germany, to Klara (Schönbrodt) and Max Bohrmann. His father was a successful merchant. In his teens, he met dancer Evan Weidemann at the home of his aunt, and this aroused his interest in avant-garde art. In the late 1920s, Horst studied at Hamburg Kunstgewerbeschule, leaving there in 1930 to go to Paris to study under the architect Le Corbusier. While in Paris, he befriended many people in the art community and attended many galleries. In 1930 he met Vogue photographer Baron George Hoyningen-Huene, a half-Baltic, half-American nobleman, and became his photographic assistant, occasional model, and lover. He traveled to England with him that winter. While there, they visited photographer Cecil Beaton, who was working for the British edition of Vogue. In 1931, Horst began his association with Vogue, publishing his first photograph in the French edition of Vogue in December of that year. It was a full-page advertisement showing a model in black velvet holding a Klytia scent bottle. His first exhibition took place at La Plume d'Or in Paris in 1932. It was reviewed by Janet Flanner in The New Yorker, and this review, which appeared after the exhibition ended, made Horst instantly prominent. Horst made a portrait of Bette Davis the same year, the first in a series of public figures he would photograph during his career. Within two years, he had photographed Noël Coward, Yvonne Printemps, Lisa Fonssagrives, Count Luchino Visconti di Modrone, Duke Fulco di Verdura, Baron Nicolas de Gunzburg, Princess Natalia Pavlovna Paley, Daisy Fellowes, Princess Marina of Greece and Denmark, Cole Porter, Elsa Schiaparelli, and others like Eve Curie. Horst rented an apartment in New York City in 1937, and while residing there met Coco Chanel, whom Horst called "the queen of the whole thing". He would photograph her fashions for three decades. He met Valentine Lawford, British diplomat in 1938, and they lived together until Lawford's death in 1991. Horst adopted a son, Richard J. Horst, whom they raised together. In 1941, Horst applied for United States citizenship. In 1942, he passed an Army physical, and joined the Army on July 2, 1943. On October 21, he received his United States citizenship as Horst P. Horst. He became an Army photographer, with much of his work printed in the forces' magazine Belvoir Castle. In 1945, he photographed United States President Harry S. Truman, with whom he became friends, and he photographed every First Lady in the post-war period at the invitation of the White House. In 1947, Horst moved into his house in Oyster Bay, New York. He designed the white stucco-clad building himself, the design inspired by the houses that he had seen in Tunisia during his relationship with Hoyningen-Huene. Horst is best known for his photographs of women and fashion, but is also recognized for his photographs of interior architecture, still lifes, especially ones including plants, and environmental portraits. One of the great iconic photos of the Twentieth-Century is "The Mainbocher Corset" with its erotically charged mystery, captured by Horst in Vogue’s Paris studio in 1939. Designers like Donna Karan continue to use the timeless beauty of "The Mainbocher Corset" as an inspiration for their outerwear collections today. His work frequently reflects his interest in surrealist style and surrealism and his regard of the ancient Greek ideal of physical beauty. Horst P Horst signed color photograph in color. Horst is listed as one of the best photographers ever along with Diane Arbus, Ansel Adams, and Robert Mapplethorpe His method of work typically entailed careful preparation for the shoot, with the lighting and studio props (of which he used many) arranged in advance. His instructions to models are remembered as being brief and to the point. His published work uses lighting to pick out the subject; he frequently used four spotlights, often one of them pointing down from the ceiling. Only rarely do his photos include shadows falling on the background of the set. Horst rarely, if ever, used filters. While most of his work is in black & white, much of his color photography includes largely monochromatic settings to set off a colorful fashion. Horst's color photography did include documentation of society interior design, well noted in the volume Horst Interiors. He photographed a number of interiors designed by Robert Denning and Vincent Fourcade of Denning & Fourcade and often visited their homes in Manhattan and Long Island. After making the photograph, Horst generally left it up to others to develop, print, crop, and edit his work. One of his most famous portraits is of Marlene Dietrich, taken in 1942. She protested the lighting that he had selected and arranged, but he used it anyway. Dietrich liked the results and subsequently used a photo from the session in her own publicity. In the 1960s, encouraged by Vogue editor Diana Vreeland, Horst began a series of photos illustrating the lifestyle of international high society which included people like: Consuelo Vanderbilt, Marella Agnelli, Gloria Guinness, Baroness Pauline de Rothschild and Baron Philippe de Rothschild, Helen of Greece and Denmark, Baroness Geoffroy de Waldner, Princess Tatiana of Sayn-Wittgenstein-Berleburg, Lee Radziwill, Duke of Windsor and Duchess of Windsor, Peregrine Eliot, 10th Earl of St Germans and Lady Jacquetta Eliot, Countess of St Germans, Antenor Patiño, Oscar de la Renta and Françoise de Langlade, Desmond Guinness and Princess Henriette Marie-Gabrielle von Urach, Andy Warhol, Nancy Lancaster...

'Comte d'Arcangues' 1986 Slim Aarons Limited Estate Edition Print 1986, Michel, Comte d'Arcangues, against a wall of Sevres and Compagnie des Indes porcelains at his chateau d'Arca...

'Mennonite Family Belize' by Alain Le Garsmeur Mennonite brothers and sister from a Spanish Lookout settlement, Belize, Central America, June 1985. A gorgeously observed scene by ...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Butterfly. This one is hand signed and dated verso. Seasons explores the seaso...

'Catherine Wilke' 1980 Slim Aarons Limited Estate Edition Print Catherine Wilke joins the topless sunbathers at the Hotel Punta Tragara on the island of Capri, Italy, 1980. Produc...

'Hotel Du Palais Biarritz' 1985 Slim Aarons Limited Estate Edition Print The curved beachside pool at the Hotel du Palais Biarritz, Biarritz, France, September 1985. Produced from...

'Portofino' 1985 Slim Aarons Limited Estate Edition Print 1985, The most exclusive fishing village in Italy, Portofino, on Italy's Ligurian coast...

'Mazatlan Seaside' 1984 Slim Aarons Limited Estate Edition Print Holidaymakers at a seaside pool at Mazatlan, Mexico, January 1984. Produced from the original transparency Certifi...

'Summer Home' 1984 Slim Aarons Limited Estate Edition Print August 1984: The summer home of Prince Victor Emmanuel and Princess Marina of Savoy, on Cavallo, Corsica. This unique dw...

'Sunbathing On Capri' 1980 Slim Aarons Limited Estate Edition Print Catherine Wilke joins the topless sunbathers - along with Elisabetta Catalano, Charlotte Ticken and Pamela Grupa...

'Abaco Holiday' 1986 Slim Aarons Limited Estate Edition Print College student Jan Woods relaxes in a hammock at the Abaco Inn on Elbow Cay, one of the ...

'Jack And GeeGee Entz' 1983 Slim Aarons Limited Estate Edition Print Jack and GeeGee Entz beneath the rose-canopied steps which lead to the entrance...

'Marie-Louise Scio' 1980 Slim Aarons Limited Estate Edition Print Marie-Louise Scio poses in a leotard at the Tettuccio Terme in Montecatini, Italy, November 1980. Produced from t...

Whimsical & edgy archival digital photograph, limited edition giclee by Graham Nash (American, b. 1942) of his young son Jackson backwards with hoodie and Mickey Mouse sunglasses. (Graham Nash is seen in reflection of sunglasses.) #13/25 Titled, signed and dated '89. Stamp and signed on verso. Condition: Excellent. Unframed. Image size: 22"33"H x 18"W. Size including border: 24.33"H x 22.25"W. While best known as a founding member of the rock band Crosby, Stills, Nash, and (sometimes) Young, Nash also developed a parallel career as a photographer, collector, and pioneer of digital imaging. Nash's photographs include revealing portraits of family and friends, images of life on the road, still lifes and landscapes, street photographs, bad credit people, and a unique series of self-portraits which often shows him reflected in windows and mirrors. His photography establishes Nash as a masterful visual artist with a keen eye for moments and scenes not immediately available to the common eye. In 2006, fifty years of Graham Nash's photographic images were shown in his first solo museum exhibition, Eye to Eye: Photographs by Graham Nash, at San Diego's Museum of Photographic Arts. MoPA Director Arthur Ollman...

'Chateau Saint-Martin' 1986 Slim Aarons Limited Estate Edition Print An outdoor luncheon by the swimming pool of the Chateau Saint-Martin, a luxury hotel in Vence on the Cote d'Azu...

August 1980: In Spanish style riding clothes from l to r; TRH Princess Rajwa Ali, Princess Basma Ali and Prince Bin Ali. (Photo by Slim Aarons/Getty Images) Slim Aarons Estate Editi...

'Sally And Summy' 1958 Slim Aarons Limited Estate Edition Debutante Sally Lawrence with her horse 'Summy' at her ranch in Phoenix, Arizona, USA, 1958. Produced from the original t...

'Scotti's Yacht' 1981 Slim Aarons Limited Estate Edition Print Guests on board Italian Count Hannibal Scotti's yacht, 'Scotland Cay', Monte Carlo harbour, Monaco, August 1981. Pr...

'Cortina D’Ampezzo View' 1982 Slim Aarons Limited Estate Edition A group of skiers admire the view across the valley at Cortina d’Ampezzo, Italy, March 1982. Produced from the orig...

'Cavallo Marina' 1984 Slim Aarons Limited Estate Edition Print circa 1984: A quiet marina on the Mediterranean island of Cavallo, Corsica. Produced from the original transparency...

'Belvedere Pool' 1984 Slim Aarons Limited Estate Edition Print The swimming pool at the Hotel Belvedere, Amalfi, Italy, August 1984. (Photo by Slim Aarons/Hulton Archive/Getty Imag...

'Palm Peach Pagoda' 1985 Slim Aarons Limited Estate Edition Print Cynthia Eichler (sitting) with Vicky Schaft Bruder (centre) and Cathy Tankoos (Mrs Joseph Tankoos) by the Chinese ...

'The Lure Of Lamu' 1987 Slim Aarons Limited Estate Edition Print The resort of Kiwayu Mlango wa Chanu in the Lamu Archipelago of Kenya, February 1987. The resort is run by Governor...

This work was acquired directly from The Andy Warhol Foundation for the Visual Arts. The work is in pristine condition and has never been framed. This is a unique work which comes w...

August 1982: Art collector Sylvia Coca sits in front of one of Jean Cocteau's murals in Marbella. (Photo by Slim Aarons/Getty Images) Slim Aarons Estate Edition, Certificate of Auth...

This late 1980s winter landscape photograph, captured by society photographer Slim Aarons, features people ice skating at the Palace Hotel, St. Moritz, Switzerland, 1989. This is an...

Giacomo and Stefania Mantegazza welcome guests arriving by boat at their villa, La Casinella, on Lake Como, 1983. Brilliant green trees contrast with the vivid orange, reds and turquoise of the architecture. Four boats can are afloat on the deep blue of the lake. Slim Aarons Giacomo Montegazza, Villa La Casinella, Lake Como Slim Aarons Estate Edition Stamped and hand numbered by the Slim Aarons Estate. Chromogenic Lambda print from the original transparency Printed Later Certificate of Authenticity included Collector will get the next number in the edition Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Now in his 70s, Giacomo Mantegazza...

This late 1980s winter landscape photograph, captured by society photographer Slim Aarons, features people ice skating at the Palace Hotel, St. Moritz, Switzerland, 1989. This is an...

'Honduran Girl' Oversize Limited Edition C type by Alain Le Garsmeur Village in Mosquito Coast, Honduras, Central America c 1980 A gorgeously observed scene by prolific documentar...

Slim Aarons Estate Print - Portofino - Oversize 1985, The most exclusive fishing village in Italy, Portofino, on Italy’s Ligurian coast. (Photo by Slim Aarons) Chromogenic print paper size 20 x 24" inches / 51 x 61 cm unframed printed later edition size 150 only certificate of authenticity supplied numbered in ink & blind embossed stamped Slim Aarons signature on front Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. summer summery tree trees forest water ocean sea boat boats...

Archival pigment print (Edition of 10 + 2 APs) Signed, titled, dated, and numbered, verso 17 x 22 inches, sheet size 12 x 18 inches, image size From the series "A Tale of Two Cities: Disco Era Bushwick" This artwork is offered by ClampArt, located in New York City. Meryl Meisler...

Archival pigment print (Edition of 10 + 2 APs) Signed, titled, dated, and numbered, verso 17 x 22 inches, sheet size 12 x 18 inches, image size From the series "A Tale of Two Cities: Disco Era Bushwick" This artwork is offered by ClampArt, located in New York City. Meryl Meisler...

Yoko Ono, 1982 Archival pigment print image size: 24 x 24 inches Signed and numbered edition of 25 William Coupon is an American photographer, born in New York City, known principal...

Jay Wolke lives and works in Chicago, Illinois. He has had solo exhibitions at the Art Institute of Chicago, the St. Louis Art Museum, Harvard University and the California Museum of...

Princess Lucy Ruspoli at Rougemont, near Gstaad, Switzerland, February 1984. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered ...

HARRY BOWERS T E N P H O T O G R A P H S I DON'T LOOK FOR PHOTOGRAPHS I INVENT THEM I recall my first meeting with Harry Bowers in California a few years ago. As he produced his large-scale prints, I was at first flabbergasted, not only by their size, but by their seamless perfection. Technique appeared to be everything but then technique as technique simply vanished. After the first moment, tech­nique was no longer an issue, but rather a passageway to the imagery. Suffice it to say about Harry Bowers' working style that he is an obsessive man. Trained as an engineer, he has turned that discipline to art. His lenses, equipment and darkroom, much of it exactingly manu­factured by himself to answer certain needs, serve the desire of the artist to take photographic tech­nique to its ultimate perfection in invisibility and transparency. I respect obsession in art, and particularly in photography, because obsession in photography passes beyond the easy, middle ground of image making to a more demanding, more difficult, yet more rewarding end. Bowers' obsession is to eliminate "photography as technique." No grain, no decisive moments, no journalism, or, seemingly, direct auto­biographical endeavors appear in his work. Bowers is an artist of synthesis who controls his environment if only in the studio exactly to his liking. The images he creates are formal structures, saucy stories on occasion, which may offer hints of a darker, more frightening sexuality, but what you see is the end product of an experiment in which nothing save the original insight perhaps is left to chance. We seem fascinated with the idea of replication of reality in art. Popular painting frequently reproduces a scene "with the accuracy of a photograph," and photographs may "make you feel as though you were right there." The very invisibility of the photographic medium is important to Bowers, in that it allows him to maneuver his subject matter without concern for rendering it in an obvious art medium which would interfere with the nature of the materials he uses. The formal subtleties of Bowers' recent work are as delicious and ambiguous in their interrelationships as the best Cubist collages, yet while those col­lages always suggest their parts through edge and texture, these photographs present a structure through a surface purity. "I follow fashion. I have closets literally full of clothes. I am a full-blown Comme des Garçons and Prada freak. I love clothes themselves as objects, and I also love the glossies – my love of fashion is how I discovered Wallpaper magazine" Bowers' earlier works, for example, the Skirts I Have Known series, were formed of bits of clothing belong­ing to Bowers and his wife or found at local thrift shops. These works fused an elegance of pattern and texture, reminiscent of Miriam Shapiro...

'Santa Maria Smoke' 1981 by Alain Le Garsmeur Limited Edition Archival Pigment Print Villagers sharing a smoke in Santa Maria, a small village on the border with Honduras, Nicarag...

'Dappled Light' 1981 by Alain Le Garsmeur Limited Edition Archival Pigment Print Nicaraguan family on the edge of Managua Lake, Managua, Nicaragua, Central America, 1981. Paper si...

'Isletas Street' by Alain Le Grasmeur Limited Edition Archival Pigment Print Street in Isletas, a small town in Isletas banana plantation. Honduras, Central America, 1981. Paper size : 40x30 inches / 101 x 76 cm Limited edition Edition Size 5 only this paper size Printed 2021 certificate of authenticity provided All prints are on archival photographic papers and limited edition per paper size offered. Total editions per image 100 only. 10x12 inches edition size 25 12x16 inches edition size 20 20x16 inches edition size 20 20x24 inches edition size 15 30x20 inches edition size 8 40x30 inches edition size 5 60x40 inches edition size 5 72x48 inches edition size 2 Alain Le Garsmeur was born in France in 1943 and after assisting the likes of Helmut Newton, Guy Bourdin and Donald Silverstein became a prolific editorial documentary photographer for publications which included Fiagaro Magazine, The Independent, Newsweek and the The Observer as well as The Sunday Times. See photo Bio for more details. 1980s 1980 80 USA old colourful street walk side walk town village dirt track run down vintage weird...

'Jokhang Monks' by Alain Le Garsmeur Limited Edition Archival Pigment Print Buddhist monks inside Jokhang Temple, a UNESCO World Heritage Site, Lhasa, Tibet, 1985. Paper size : ...

'Santa Maria Smoke' 1981 by Alain Le Garsmeur Limited Edition Archival Pigment Print Villagers sharing a smoke in Santa Maria, a small village on the border with Honduras, Nicarag...

'Hot Food Stall' 1985 by Alain Le Garsmeur Limited Edition Archival Pigment Print Uyghur stall holders selling hot food at Urumqi market, Xinjiang Provin...

'Catherine Wilke' Capri (Slim Aarons Estate Edition) Catherine Wilke joins the topless sunbathers on the island of Capri, 1980. A typical 'Slim' photograph chronicling the young a...

Slim Aarons Estate Print - No Transport Problems Mrs Woolworth Donahue with car and bicycles on her motor yacht, ‘Hartline’ (Photo by Slim Aarons) Chromogenic print paper size 16 x 20" inches / 40 x 51 cm unframed printed later edition size 150 only certificate of authenticity supplied numbered in ink & blind embossed stamped Slim Aarons signature on front Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. fashion 80s style vacation travel leisure yacht yachts boat...

'Good Friday' 1981 by Alain Le Garsmeur Limited Edition Archival Pigment Print Members of a Roman Catholic Sect on Good Friday, Stations of the Cross, Te...

Slim Aarons Estate Print - My Toy April 1982: Member of the ‘Jolly Club’, Gabriele D’Annunzio, Prince Di Montenevoso at Vallelonga with his red Lola racing car. He is Chief Test Driver for Firestone International. (Photo by Slim Aarons) Chromogenic print paper size 12 x 12" inches / 30 x 30 cm unframed printed later edition size 150 only certificate of authenticity supplied numbered in ink & blind embossed stamped Slim Aarons signature on front Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. italy italian high society 1980s 80s fashion...

'Field Girls' 1985 by Alain Le Garsmeur Limited Edition Archival Pigment Print Mennonite girls working in fields, Spanish Lookout Settlement, Belize, Central America, June 1985. P...

'Kentucky Thoroughbred' by Alain Le Garsmeur Limited Edition Archival Pigment Print Fencing along the Calumet thoroughbred horse farm, Blue grass country, Lexington, Kentucky, 198...

Slim Aarons Estate Print - Quiet Afternoon - Oversize Brigitte Lapp Fonda reclines amidst the foliage in Marbella, circa 1980. (Photo by Slim Aarons) Chromogenic print paper size 20 x 20" inches / 51 x 51 cm unframed printed later edition size 150 only certificate of authenticity supplied numbered in ink & blind embossed stamped Slim Aarons signature on front Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. 1980s 80s fashion...

'Chengdu City Life' 1985 by Alain Le Garsmeur Limited Edition Archival Pigment Print Family life in one of the many crowded Chengdu City alleyways, Suchuan Province, Southwest China...

'Lisbon Fish Market' by Alain Le Garsmeur Limited Edition Archival Pigment Print Immigrant fisherwomen from Cape Verde transporting the catch of the day at Lisbon fish market on t...