Mid-20th Century Photography

A model wearing Dior photographed by Mark Shaw in the mid 1950s. Recently published in the book Dior, Glamour, Mark Shaw. Rizzoli, 2013. Image size is 10" x 15" (for 11" x 17" pap...

Dior, Three Models in Doorway, 1956, (1953 in Dior Glamour) -- Published in the September 3, 1956 issue of LIFE, these Dior mannequins encased in muslin...

Dior, Two Girls in dresses by DIor's new designer Yves St. Laurent, BW, 1958 Image size is 32" X 32" (for 36" X 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion photography of two models in Dior dresses by Yves St. Laurent. The model on the left is wearing a dress with a sheer overlay with dots. She is also wearing black gloves and a veil with flowers. The model on the right is wearing a dress with a sheer overlay with dots. She is holding a masquerade mask. She has flowers on her head. This is an interior shot of a dining room. There is a large stone dining table...

Buyer inspects hem of Dior's victorine dress, Autumn-Winter 1953 Haute Couture collection, Vivante line. Image size is 40" x 50" (for 44" x 54" paper size). All Mark Shaw prints are ...

The Eurasian-born Alla was one of Dior's divas. When bathed in attention, she was charismatic and wore her clothes with graceful aplomb. Croque-mitaine model, Autumn-Winter 1953 Haut...

Dior, The First Thirteen Diors, 1953. Image size is 10" x 10" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Ea...

Dior Book Theatre de France, 1960 -- From pages 164/165 in Mark Shaw's book Dior Glamour. Model is wearing the Theatre de France dress from the Spring-Summer 1960 Haute...

Picasso with Soft Bettina, Wide, 1955 -- Picasso with model Bettina, photographed for LIFE in 1955 in his new Cannes Villa, La Californie. Top French Model, Bettina Graziani wears an outfit by American Fashion Designer Claire McCardell. The shirt's pattern is in the style of a Picasso still life. All the Picasso paintings pictured had been completed within the past few months. Image size is 40" x 59" (for 44" x 63" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. A photograph in color of Picasso and Bettina. Picasso is wearing a blue collared shirt and brown shorts. He is standing in his villa. To his right, Bettina stands. She is wearing orange pants...

Ed. of 21, estate-stamped. Includes white frame. Norman Parkinson was the preeminent fashion photographer in Great Britain from the late 1930s until his death in 1990. Born in 1913,...

James Dean Behind Fence in Giant 1955 by Frank Worth James Dean in thought seated behind a barbed wire fence for his role in the film 'Giant', 1955. James Byron Dean was an Ameri...

BRUCE OF L.A. - classic 1950s gelatin silver photograph of physique model JOHN HACKETT by celebrated 20th Century photographer BRUCE BELLAS also known as Bruce of Los Angeles. This is an original photograph, circa 1950s, from the beefcake "posing strap" era when nude photography was illegal. 'Bruce Los Angeles...

Pattie Boyd wearing broderie anglaise playsuits from Fenwick with hair by Martin at Leonard. British Vogue, August 1967 Pattie Boyd for British Vogue, August 1967 Silver gelatin pri...

In 2022 Andy Warhol’s Shot Sage Marilyn was sold for $195 million, making this iconic portrait of Marilyn Monroe the most expensive work by a U.S. artist ever sold at auction. Warh...

Signed and Inscribed to lower right 'To Hugh White from Norman Rockwell'.

This black and white full-length portrait features Lucille Ball seated in the studio, posed with Hawaiian scenery and props. Lucille Ball was an American actress, comedian, model, e...

This late 1950s portrait photograph, captured by society photographer Slim Aarons, features Marietine Birnie snorkeling at the Blue Lagoon, Kemmuna (Comina), Malta. This is an estat...

Black and white 1956 vintage capture of star actress Audrey Hepburn posed with Mel Ferrer and her Ford Thunderbird in the driveway of their home. Audrey Hepburn was a British actres...

This late 1950s aerial landscape photograph, captured by society photographer Slim Aarons, features group of people snorkelling off a small boat in Malta. This is an estate stamped ...

Image of Sammy Davis Junior, 1959 by American photographer Burt Glinn was shot on Madison Avenue in New York after Sammy Davis Jr.'s last performance at the Copacabana nightclub in T...

This late 1950s landscape photograph, captured by society photographer Slim Aarons, features a family enjoying a quiet beach on Andros Island. This is an estate stamped and hand num...

Cannes Girls (1958) Limited Estate Stamped (Photo by Slim Aarons) Two bikini-clad holidaymakers posing outside the Carlton Hotel in Cannes, in the south of France, 1958 . Additional Information: Unframed Paper Size: 40x40'' Printed Later Limited Estate Stamped Silver Gelatin Fibre Print NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 12 x 12'' 16 x 16'' 20 x 20'' 30 x 30'' 40 x 40'' FRAMING AVAILABLE ON REQUEST About the Artist: Slim Aarons (American, October 29, 1916–May 29, 2006) was a photographer well-known for his portraits of the rich and famous. Born George Allen Aarons, he spent his youth in New Hampshire and New York before joining the army during World War II, where his photography career began. Working throughout his career with magazines like Life, Holiday, and Town & Country gave Aarons the chance to document the jet-set lifestyle of Hollywood stars, American and European socialites, and other celebrated figures. His approach was simple; using no make-up artists or artificial lights, he let the natural opulence of his subjects and their surroundings illuminate his lens. Typical scenes from Aaron’s photography take place in the sun, and in front of a pool surrounded by bathing beauties. The Slim Aarons Prints...

Circa 1961 in Hollywood, California: American TV show host Johny Carson gets into a convertible sports car in Hollywood. Johnny Carson was an American television host, comedian, and...

'Carlton Hotel' by Slim Aarons The entrance to the Carlton Hotel, Cannes, France, 1958. A couple dressed elegantly in all white tennis outfits with rackets in hand, wander past the...

Oberon's Lunch Film star Merle Oberon and lunch guests at her villa, La Consentida, Acapulco. The star is second from the right facing the camera. Circa 1966. 40 x 30" inches / 101...

'Marilyn Monroe, 1962' by American photographer, Lawrence Schiller. Archival digital pigment, AP 3/5. Image: 12.5 x 19 in. / Paper: 16 x 20 in. From the set of the film 'Something's ...

Norman Parkinson The Italian Collections, Three Little Black Dresses, Fashions by Capucci, Florence for Queen Magazine, 1961 Three Little Black Dresses, Florence 1961 Silver gelatin...

An original silver gelatin black and white photograph by Ralph Young Studios, San Francisco. View of the Sir Francis Drake Hotel building in 1930. Features...

Charlotte Rampling 1973 by David Steen Tessa Charlotte Rampling OBE (born 5 February 1946 is an English actress. An icon of the Swinging Sixties, she began her career as a model. Sh...

Color photograph Inscribed, stamped, dated, and numbered, verso Photograph by Walter Kundzicz. This photograph is offered by ClampArt, located in New York City. About the artist: Walter Kundzicz’s Champion Studio is known for male physique photographs mostly from the late 1950s to early 1960s. Branching out from the muscle beefcake photography...

Black and white candid capture of golf legend Jack Nicklaus candid and smiling. Jack Nicklaus , nicknamed "the Golden Bear", is an American retired professional golfer and golf cour...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features a woman holding her skis in North Conway, New Hampshire. This is an estate stamped and han...

'Boats At Hotel Du Cap-Eden-Roc' Motorboats moored off the Hotel du Cap-Eden-Roc in Antibes on the French Riviera, 1969. 40 x 30" inches / 101 x 76 cm paper size Estate Stamped...

Ski Bus 1951 Skiers take a lift in a VW camper van bus, Klosters, Switzerland, 1951. by Toni Frissell 40 x 40" inches / 101 x 101 cm paper size Archival pigment print unframed ...

This black-and-white photograph, taken by Klaus Redenbacher in Istanbul in 1960, captures the silhouette of the Hagia Sophia with its iconic domes and towering minarets against a haz...

This early 1960s portrait photograph, captured by society photographer Slim Aarons, features a young woman waiting to go on a ski run in Stowe, Vermont, USA. This is an estate stamp...

Two women stand talking to a man on the edge of a tennis court in the Bahamas, circa 1957. Behind the main group stand a second group of people talking. Slim Aarons worked mainly fo...

'Rockefeller Brothers' The Rockefeller brothers in their Radio City, New York office. Left to right, Laurance (1910 - 2004), Winthrop (1912 - 1973), John D. Rockefeller (1906 - 1978...

Michael Mardikes Benton walking dog (Thomas Hart Benton Plate #6) Year: 1956, 2021 Pigment Ink on Archival Paper Photograph Image Size: 19x13.5 in Paper Size: 22x17 in Edition: Unique Monogrammed by hand Label signed and numbered by Estate Representative COA provided by Authorizing Body Additional COA provided by representing Gallery Ref.: 924802-908 Image included in the exhibition An Artist at Home in America: Michael Mardikes’ Photographs of Thomas Hart Benton at the Kansas City Public Library (November 20, 2021-May 15, 2022) One night in late 2020, as Nick Vedros was leaving the home of his Aunt Myrt and Uncle Michael Mardikes, his aunt suddenly asked him, “What are we going to do with all the negatives?” The noted Kansas City photographer was not sure what his 89-year-old aunt was talking about, until she handed him a notebook filled with more than 1000 negatives chronicling Thomas Hart Benton at home and in his studio. They had been filed away for almost seven decades. This startling discovery was the inspiration for the exhibition, “An Artist at Home in America: Michael Mardikes’ Photographs of Thomas Hart Benton” on view at the Kansas City Public Library Central Library. The exhibition is a must-see, not just for fans of Thomas Hart Benton but for devotees of exemplary photojournalism. Of the 1,080 photographs Mardikes took, only four had been published in an article he wrote for “This Month in Kansas City” magazine in 1966. The others were never printed, nor was their existence common knowledge. Although Vedros had been aware of his uncle’s assignment with Benton, he was stunned to discover that so much additional material existed. Vedros, who decided at age 12 to become a photographer himself after seeing his uncle’s work, was determined to organize an exhibition, and was especially interested in doing it as quickly as possible given his uncle’s advanced age and increasing frailty. Collaborating with Dan White, a photographer, master printer and friend since their time together at the University of Missouri journalism school, they selected 34 images to be printed and framed, researching the details with Steve Sitton, the director of the Thomas Hart Benton Home and Studio Historic Site. Michael Mardikes had had a brief career as a commercial photographer before going on to work in management at the Ford Motor Company and later at UMKC. He made the acquaintance of Benton through Eugene Pyle, a former student of Benton’s and Mardikes’ photography instructor at the Art Institute. In 1955, Benton asked Mardikes to photograph him; Mardikes visited Benton 35 to 40 times, over a period of a few months in late 1955 and early 1956. Sitton told Vedros that not only was Mardikes’ amount of access incredible, but that the resulting body of work was unmatched. As the project progressed, Benton became focused on a mural commission for the River Club in 1956. Henry Adams, preeminent Benton scholar and former curator at The Nelson-Atkins Museum of Art, provided some context for this particular work: “The commission to paint ‘Traders at Westport Landing’ came at a low point in Benton’s career, 1956, and initiated the late phase of Benton’s mural paintings. It was the first of a series of murals depicting the exploration and settlement of the west, which culminated in the Truman Library mural, which was completed in 1962. All these murals feature trading and friendly contact with the Indians, rather than conflict, and are arresting in their bright color and meticulous rendering of carefully researched detail. The River Club, which commissioned ‘Traders at Westport Landing,’ overlooks the Missouri River and has a panoramic view very similar to the one in Benton’s painting.” This group of black and white photos not only documents the artist’s working process but also reveals other aspects of his daily life: one memorable image reveals Rita Benton massaging her husband’s stiff shoulders after a long day in his studio. Other images show members of the River Club board visiting Benton’s studio to check on the progress of the mural. One charming image captures a candid moment of Rita Benton and Myrt Mardikes as they collaborated in the Benton kitchen making chicken kapama for their husbands. Nan Chisholm Nan Chisholm is an art consultant and appraiser of 19th- and 20th-century paintings. After a long association with Sotheby’s, she founded her own business in 2003. She has appeared as a fine art appraiser...

Adriatic Riviera Men and women - wearing red, white and blue striped tops - relaxing on a small boat, with a red and white mast, and small flags of Germany, USA, Great Britain and I...

This is a photogravure printed in the 1930's for a publication that showcased the best photographers of that year. They submitted a work they wanted featured to represent them and B...

Artwork # 1 on 5 sold in limited edition in perfect condition Il cuoco felice This photo was made in 1959, printed later, the negative was digitized during the artist's lifetime and...

Edition of 25 Signed and numbered in black ink on print margin. Signed, titled, dated, print date and misc. notations in pencil on print verso AVAILABLE SIZES: 11 x 14 in., Edition ...

Walt Disney's Pinocchio, USA 1940, Animation, Lobby Card, The lobby cards would have been displayed inside the cinemas at the time of the film's release. Pinocchio is a 1940 Americ...

Marilyn in the black and white scarf Bern Stern Print on photo paper Inkjet technique Paper dimension: 48 X 33 cms Photo dimension: 43 X 25.4 10...

No Edition Signed in black ink on print margin by Jesse Alexander Gelatin silver print Paper size: 14 x 11 in. Image size: 9 1/2 x 9 1/2 in. "Soon-to-be World Champion Phil Hill is in his first Grand Prix drive for Ferrari. The car is a single seater Formula Two machine, and he is seen rushing downhill through the infamous "Fuchsröhre" section of the Ring. The image is unusual for several reasons: it was taken with a Rolleiflex camera...

This early 1990s portrait photograph, captured by society photographer Slim Aarons, features the Belgian born actress Audrey Hepburn (1929 - 1993) socialising at a party in San Francisco. This is an estate stamp...

This late 1950s urban portrait photograph, captured by society photographer Slim Aarons, features Faith Gibbons checks her hair in the mirror of a motor scooter, Bermuda. She is wear...

Nude Portrait - Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) A woman poses for a nude studio portrait. Additional Information: Unframed Paper Si...

Willy Ronis (Paris, France, August 14, 1910 - Paris, September 12, 2009) was a French photographer who portrayed post-war Paris and Provence during his lifetime. Ronis' father was a ...

George Platt Lynes Photograph #8 of dancer Francisco Moncion 1949. George Platt Lynes rare original vintage 1949 gelatin silver photograph of dancer Francisco Moncion. Stamped on verso - GEORGE PLATT LYNES. Photo is 7 3/4 x 9 1/2 inches, glossy finish in excellent condition. This photograph is #8 from a collection of 12 different poses in this series taken in Platt Lynes's NYC studio in 1949 (as per the NY Public Library archives). The cloud backdrop is recognizable in other Platt Lynes photographs. Moncion was a personal friend of Platt Lynes and this photograph is from Moncion's personal photographic collection. George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime. Platt Lynes photographs are in the collections of every major art museum and university archive including the Metropolitan Museum of Art, Museum of Modern Art, Yale Art Museum, and the Smithsonian. Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel in Orpheus, Death in La Valse, Prince Ivan in Firebird, and the Boy in Afternoon of a Faun. He was also a choreographer and a talented painter who exhibited alongside Miro, Picasso and Carrado Cagli. Moncion was a popular model for many famed mid-century (late 1930s, 1940s - 1950s) figure photographers including Platt Lynes, Carl van Vechten, Maurice Seymour...

This late 1960s portrait photograph, captured by society photographer Slim Aarons, features guests at a party at the home of Sebastiano Bergese in Marbella, Spain. This is an estate...

The Brooklyn Bridge (1959) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) The Brooklyn Bridge and Downtown Manhattan, New York, USA, circa 1959. Ad...

René GROEBLI (*1927, Switzerland) 521, 1952 Vintage silver gelatin print on Baryta paper Image 27.6 x 19 cm (10 7/8 x 7 1/2 in.) Sheet 34 x 23 cm (13 3/8 x 9 in.) Unique Framed Signed and dated on verso This photograph is part of the MoMA permanent collection. René Groebli (born in Zurich, Switzerland in 1927) secured his place among the elite of Swiss post-war photographers with his 1949 portfolio MAGIE DER SCHIENE (RAIL MAGIC). In the early fifties Groebli worked as reporter for Life, Picture Post and other international magazines. During the following years he owned a studio for industrial and advertising photography. In 1957 the American Color Annual named him MASTER OF COLOR. In the early 80s Groebli stopped working for advertising and rediscovered for himself the possibilities of expression that black & white photography offers. In 1999 the Zurich Kunsthaus (Art Museum) showed a representative selection of his photographs from the years 1946 to 1996. With NUDES René Groebli gives us a work for sensuous pleasure that had grown over half a century. In the long history of sensual art photography one is hard pressed to find anyone comparable to the Swiss photo...

Marilyn red scarf in profile Bern Stern Print on photo paper Inkjet technique Paper dimension: 48 X 33 cms Photo dimension: 25.4 X 25.4 72 copies Photo of 1...

~ Globe Photos Exclusive Offering for Sotheby's and 1stDibs ~ Offered exclusively to our Sotheby's and 1stDibs customers, Globe Photos is proud to announce a new hand-curated collec...

This beautiful vintage portrait features Rita Hayworth posed in a Hawaiian outfit, posed amongst palm trees.Rita Hayworth was an American actress and dancer. She achieved fame during...

Joffrey ballet dancers Richard Gain, Lisa Bradley, and Zelma Bustillo performing Gerald Arpino's 'Incubus' in 1966. This is an 8 x 10" vintage silver gelatin photograph that was publ...

This vintage gelatin silver print is signed, titled, and dated by the artist on verso, with artist stamp.