Portrait Photography

The original Star Wars trilogy, formerly marketed as the Star Wars Trilogy (and colloquially referred to as the 'original trilogy'), is the first set of three films produced in the S...

This piece is a photolithograph from the original negative by Laszlo Willinger, original shot in 1938 and printed at a later date. It depicts American film actor and military officer, Clark Gable, who was often referred to as "The King of Hollywood". He is most well-known for his roles in the films "Mutiny on the Bounty...

Untitled (Roper at Bell Ranch) depicts a cowboy riding on a horse. The cowboy is turned away from the viewer, looking back over his shoulder at the rope leading to a small calf in th...

Sophia Loren - Oversize Silver Gelatin Print Absolutely Exquisite Extra Large 30 x 30" inches / 76 x 76 cm paper size silver gelatin print. Unframed. Produced on authentic silver ...

Hanna Seidel (1925 to 2005) lived and worked in Argentina for many years. She was a world traveller, journeying to South America in the 1950s and to Central America, Japan, India, an...

Vintage Photo. The Italian Showgirl Loretta Goggi during "Happy Circus". Rome, 24.11.1981.

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Cecil Beaton, Electa Editrice Portfolios, 1981. Published and pri...

Brigitte Bardot, On the set of ‘Shalako’, in Deauville, 1968 Lifetime Edition Gelatin Silver Print Co-Signed by O'Neill and Bardot and numbered edition of 50 Terry O'Neill CBE (born...

Hanna Seidel (1925 to 2005) lived and worked in Argentina for many years. She was a world traveller, journeying to South America in the 1950s and to Central America, Japan, India, an...

This photograph of Marilyn Monroe was shot by photographer, George Barris, in 1962 on Santa Monica Beach in California. This photograph is from a collection entitled "The Last Photos...

Keith Richards, 1971

Hanna Seidel (1925 to 2005) lived and worked in Argentina for many years. She was a world traveller, journeying to South America in the 1950s and to Central America, Japan, India, an...

The Beatles were an English rock band formed in Liverpool in 1960. With a line-up comprising John Lennon, Paul McCartney, George Harrison and Ringo Starr, they are regarded as the mo...

Faye Dunaway at the Beverly Hills Hotel, 1977 (printed later) C-print 60 x 60 inches Estate stamped edition of 50 with certificate of authenticity American actress Faye Dunaway take...

The Beatles were an English rock band formed in Liverpool in 1960. With a line-up comprising John Lennon, Paul McCartney, George Harrison and Ringo Starr, they are regarded as the mo...

David Bowie, Aladdin Eyes Open, 1973 by Brian Duffy. This photograph was taken during the photo shoot for the album cover for Aladdin Sane, January 1973, London. This is an exquisite FRAMED* Archival Pigment print. *Note delivery includes secure art crating & shipping. Framed in black wood with glass and matt Stamped by The Duffy Archive, UK. Supplied with certificate of authenticity. Gorgeous print measuring 115 x 115 x 3 cm (framed). The image area is 95 x 95 cm. Produced utilising the original contact sheet. We ship regularly using Fedex Express services and ship to all international locations. About these images : “It wasn’t until we saw the contact sheets the next day I remember thinking, God this is spectacular. You just knew you had cracked it, boy, did you know it.” Celia Philo DAVID BOWIE: FIVE SESSIONS PHOTOGRAPHS BY DUFFY Brian Duffy photographed David Bowie over five sessions between August 1972 and April 1980, and made the iconic Aladdin Sane album cover image. January 1973–Session two–Aladdin Sane. It has been called ‘The Mona Lisa of Pop’. Who could have imagined that the moment he clicked the shutter on the Hasselblad in early 1973 that one of those images would become known as a cultural icon? – Chris Duffy Some background to the shoot. The background stories to the Aladdin Sane shoot are told in rich detail in the book Bowie Duffy – Five Sessions. In particular it is a delight to read Duffy’s (a self confessed Marxist anarchist) analysis and compare that with the measured tone of Tony Defries. If you don’t have a copy of the book, here’s a flavour of their respective views – which amount to much the same thing – just expressed in different ways. First up, Tony Defries: “I was looking for an iconic cover image and artwork that would help me to persuade RCA that Bowie was sufficiently important to warrant megastar treatment and funding in order to propel him to exactly that status. Engaging a master, world-class photographer to shoot the project /brand and to design the artwork was the best way to send that message. Brian had the ability to make the mundane image interesting and the interesting image fascinating.” Then Duffy: “Tony wanted to make the most expensive cover he could possibly get a record company to pay for, because he realised that if it cost fifty quid, well, so what – but if it cost £5,000 the record company were now having to pay attention. He said “Can you make it expensive?“and I said “No problem old love.” I proposed– One: A Dye-transfer. A genius method of being able to spend the most amount of money to get a reproduction from a colour transparency onto a piece of paper. Two: Get the plates made, where? Switzerland. Then employ me to design it and create it – even better and more wasteful.” The Aladdin Sane session was a real team effort. The location was Duffy’s studio at 151a King Henry’s Road in Primrose Hill, London, which had been the setting for the Ziggy Stardust session the previous August. Duffy had agreed with Tony Defries that his design agency, Duffy Design Concepts, which he ran with Celia Philo, would design the sleeve. Present in Primrose Hill on that January day in 1973 were Duffy, David Bowie, Celia Philo, Tony Defries, French make-up artist Pierre Laroche, and Duffy’s studio manager Francis Newman, who also acted as his assistant that day. Follow-up work on the detailed airbrushing required to create the final artwork was carried out by Philip Castle. What about that lightning bolt flash and the liquid pool? The idea for the lightning bolt came from David Bowie. The realisation of that lighting bolt into the form that appeared on the sleeve was down to Duffy. Its source is believed to be a rice cooker that was in Duffy’s studio – and which had a small logo with a red and blue flash. Francis Newman remembers, “Pierre stared to apply this tiny little flash on his face and when Duffy saw that he said, “No, not like that, like this” and literally drew it right across his face and said to Pierre, “Now, fill that in.”” The red colour was lipstick. Adding the pool of liquid to the collarbone was Duffy’s idea, and this was brilliantly airbrushed in as part of the post-production work by Philip Castle. David Bowie explained the background to Rolling Stone magazine, that it was a “Lightning bolt. An electric kind of thing. Instead of, like, the flame of a lamp, I thought he would probably be cracked by lightning. Sort of an obvious-type thing, as he was sort of an electric boy. But the teardrop was Brian Duffy’s. He put that on afterward, just popped it in there. I thought it was rather sweet.” DAVID BOWIE David Robert Jones (8 January 1947 – 10 January 2016), known professionally as David Bowie (/ˈboʊi/ BOH-ee),[2] was an English singer-songwriter and actor. He was a leading figure in the music industry and is considered one of the most influential musicians of the 20th century, acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, with his music and stagecraft having a significant impact on popular music. During his lifetime, his record sales, estimated at 140 million albums worldwide, made him one of the world's best-selling music artists. In the UK, he was awarded ten platinum album certifications, eleven gold and eight silver, and released eleven number-one albums. In the US, he received five platinum and nine gold certifications. He was inducted into the Rock and Roll Hall of Fame in 1996. Born in Brixton, South London, Bowie developed an interest in music as a child, eventually studying art, music and design before embarking on a professional career as a musician in 1963. "Space Oddity" became his first top-five entry on the UK Singles Chart after its release in July 1969. After a period of experimentation, he re-emerged in 1972 during the glam rock era with his flamboyant and androgynous alter ego Ziggy Stardust. The character was spearheaded by the success of his single "Starman" and album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, which won him widespread popularity. In 1975, Bowie's style shifted radically towards a sound he characterised as "plastic soul", initially alienating many of his UK devotees but garnering him his first major US crossover success with the number-one single "Fame" and the album Young Americans. In 1976, Bowie starred in the cult film The Man Who Fell to Earth, directed by Nicolas Roeg, and released Station to Station. The following year, he further confounded musical expectations with the electronic-inflected album Low (1977), the first of three collaborations with Brian Eno that came to be known as the "Berlin Trilogy". "Heroes" (1977) and Lodger (1979) followed; each album reached the UK top five and received lasting critical praise. After uneven commercial success in the late 1970s, Bowie had UK number ones with the 1980 single "Ashes to Ashes", its parent album Scary Monsters (and Super Creeps), and "Under Pressure", a 1981 collaboration with Queen. He reached his commercial peak in 1983 with Let's Dance; the album's title track topped both UK and US charts. Throughout the 1990s and 2000s, Bowie continued to experiment with musical styles, including industrial and jungle. He also continued acting; his roles included Major Jack Celliers in Merry Christmas, Mr. Lawrence (1983), Jareth the Goblin King in Labyrinth (1986), Pontius Pilate in The Last Temptation of Christ (1988), and Nikola Tesla...

Hanna Seidel (1925 to 2005) lived and worked in Argentina for many years. She was a world traveller, journeying to South America in the 1950s and to Central America, Japan, India, an...

Sean Connery on the Moon, 1971 Silver Gelatin Print Estate signature stamped and numbered edition of 50 with certificate of authenticity Re-c...

Keith Richards sitting in front of Bentley, 1966 — Signed Limited Edition Print, 1966 — Signed Limited Edition Print by Gered Mankowitz Keith Richards of The Rolling Stones is pho...

Silver Gelatine Print by Erich Andres, ca 1950. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...

Ayatollah Khomeini is a vintage black and white photograph realized in the 1970s. Good conditions.

This piece is an original chromogenic print that was hand developed from the original negative by Bert Stern. This photo is part of The Last Sitting portfolio, taken six weeks before...

Taken from the world’s largest photographic archive, (Hulton Archive and Getty Images), the Getty Images Gallery collection features an extraordinary time capsule of the last century...

An original photograph from the original negative shot by George Hurrell in 1936 and printed at a later date. It depicts the late iconic actor, Robert Taylor...

Hand signed. Artist's Proof. “Le Belle di sera” is the title that Massimo Campigli gave to this intense lithograph (1967). The protagonists of this composition are four women that ar...

Brigitte Bauer photographed in Tahiti wearing Estée Lauder makeup and hair styled by Kenneth. American Vogue, 1 May 1965. Brigitte Bauer in Tahiti. American Vogue, May 1965 C print ...

Mouche at Praia do Vau, Portugal wearing a Nina Ricci swimsuit. British Vogue magazine, January 1973. Mouche at Praia do Vau, Portugal for Vogue, January 1973 C print Estate stamped...

Richard Lebowitz, b. 1937, American, (RISD Faculty 1964-1995, Photography; Professor Emeritus) Tom Young, b. 1951, American, (RISD MFA 1977, Photography) TIT...

Audrey Hepburn Relaxing, 1970 C print Estate stamped and numbered edition of 50 American actress Raquel Welch wearing a stars and stripes suit in ‘Myra Breckinridge’, a 1970 America...

Frida Biting Her Necklace by Lucienne Bloch is a black and white portrait of Mexican painter Frida Kahlo. Frida playfully bites her necklace as she poses for her portrait. Gelatin ...

Anna Magnani and Massimo Ranieri (Rai) is a vintage b/w photographic print on single-coated paper realized by RAI prints. Good condition. Anna Magnan...

The Old Days Photo - Woman and Dog is a black and white vintage photo, realized in 1912.  It belongs to historical album including historical moment, royal families, and political e...

American Heavyweight boxer Cassius Clay (later Muhammad Ali), training in his gym, 21st May 1965. (Photo by Harry Benson/Express/Hulton Archive/Getty Images) As an authorized Getty ...

Women's Rights - Historical Photos is a vintage black and white photograph realized in the 1960s in Italy, it belongs to an album of women rights, protests, manifestation for their r...

Lucien Clergue (FRENCH, 1934 - 2014) Gelatin silver photographic print depicting a portrait of a costumed Pablo Picasso. During the Feria de Nîmes festival, Picasso dressed...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Cecil Beaton, Electa Editrice Portfolios, 1981. Published and pri...

Historical Places Photo- Eton College Chapel and Canterbury is a black and white vintage photo, realized in the early 20th century. It belongs to historical album including masterpie...

The Old Days  Photo - Woman with Dog is a black and white vintage photo, realized in the early 20th century.  It belongs to historical album including historical moment, royal famil...

Architecture and Art Photo - Church of Frari is a black and white vintage photo, realized in the 1920s. It belongs to masterpiece of art and architecture album meticulously captured....

Sheila Metzner’s unique photographic style has positioned her as a contemporary master in the worlds of fine art, fashion, portraiture, still life and landscape photography. Looking at Metzner’s photographs is a captivating experience. Innocent, sensual, and sexual, each photo, regardless of subject, exhibits and elicits deep emotion. It is nearly impossible to just glance at Metzner’s photos; they beg to be studied. She says, “Photography in its most basic form is magic…This image, caught in my trap, my box of darkness, can live. It is eternal, immortal. The child in the image will not age as the living child will.” Sheila Schwartz was born in 1939 to an orthodox Jewish family in a poor section of Brooklyn. While attending the School of Industrial Art in Manhattan (now the High School of Art and Design), she was awarded the Mayor Robert F. Wagner scholarship to the college of her choice. She chose Pratt Institute, where she majored in visual communication. Her fondness for painting and sculpture also led her to study with abstract artists Jack Tworkov and James Brooks. After graduating in 1961, Sheila worked as an assistant to Lou Dorfsman at CBS Network Advertising. Five years later, she was hired by the Doyle Dane Bernbach advertising agency as its first female art director, and in 1968 she met and married director, creative director, and painter Jeffrey Metzner. While pregnant with their first child, she was riding in a cab with her mentor and friend, photographer Aaron Rose, discussing whether or not to give up her career in advertising. “He said, ‘You should be a photographer. You live like an artist. You have a good eye, you’d be good at it.’ ” Metzner started taking pictures, amassing them slowly over the next 13 years, while raising her and Jeffrey’s five children—Raven, Bega, Ruby, Stella and Louie. Jeffrey’s two daughters from a previous marriage, Evyan and Alison, were also a regular part of the family. “When they were really small, I’d be with them during the day, photographing and printing at night. At eight or nine in the evening, when they were all asleep, I’d take a shower to wake up and put on high heels and lipstick, which I wore then, to give me the feeling of being ready to work.” She continues, “My children never interfered. When I couldn’t travel because of them, I would find a place in upstate New York and call it Antarctica or Egypt. I found microcosms.” Nine years later, Metzner had accumulated a box of 22 pictures. One of them, a black-and-white photograph titled “Evyan, Kinderhook Creek,” caught the eye of John Szarkowski at the Museum of Modern Art, which he included in his famous and controversial exhibition “Mirrors and Windows: American Photography since 1960.” The New York Times art critic Hilton Kramer loved the picture and soon it became the dark-horse hit of the exhibition. Later that year, Metzner’s first solo show at the Daniel Wolf Gallery in New York drew record crowds. Metzner was now ready to work in color, but not just conventional color. Of her subjects, she once said, “If I use a rose, I want it to be the essential rose—the rose Beauty brought to her father from the Beast’s garden.” Now she aspired to an essential kind of color. “I wanted something that would last. I was looking for Fresson even though I didn’t know they existed.” The Fresson family works outside of Paris and specializes in a labor-intensive four-color “process de charbon” method, which they invented in 1895. Some prints can go up to seven colors, and are pigment prints, the only true archival color print. Metzner is one of just ten American photographers with whom they are willing to work. Fresson prints are the perfect complement to Metzner’s style—soft, sensuous, and grainy, the prints resemble paintings, with a finish which Metzner describes as “a glaze on fine porcelain. The moment I saw the neutral gray,” she adds, “I knew it was perfect.” In 1980 Metzner showed her Fresson color prints at her second solo exhibition at the Daniel Wolf Gallery. This show led to commissioned editorial work for such magazines as Vanity Fair, Vogue, and Rolling Stone. She secured an exclusive contract with Vogue for the next eight years. Metzner considers her portrait of actress Jeanne Moreau for Vanity Fair a turning point in her career. “It gave me a chance to show my work to a broader audience. I wasn’t just producing photographs for the art world.” Of Sheila’s foray into fashion, critic Carol Squiers says, “At a time when fashion photography was caught between sterility and the snapshot, Metzner created a sumptuous vision that stimulated the entire field.” Metzner also started doing commercial photography around this time. Her first client was Valentino, soon to be followed by Bloomingdale’s, Perry Ellis, Revlon, Shiseido, Saks Fifth Avenue, Paloma Picasso, Victoria’s Secret, Levi’s, Ralph Lauren, and fragrances for Chloe and Fendi (the Fendi campaign won a Fragrance Foundation Recognition Award). Her work also appeared on John Mellencamp...

Brigitte Bardot with cigarette in hand by photographer Michael Ochs, originally taken in 1962. (Michael Ochs Archives/Getty Images) As an authorized Getty Images Gallery...

The Beatles 1963 Abbey Road Studios London England. The first major group portrait of the Beatles was taken by Terry O’Neill during the recording of their first hit single and album ‘Please Please Me’ in the backyard of the Abbey Road Studios in London, January 1963. Limited to 50 only this size* and hand signed by Terry O'Neill - this is a collector's piece. Unframed - Framing available on request. Ships securely from London, England. *Note that Terry did not sign many prints in advance and so, since his sad passing, these prints are now extremely rare. Ships from London. Framing options also available on request. keywords Fab Four John Lennon Paul McCartney Ringo Starr George Harrison Swinging...

Lucien Clergue (FRENCH, 1934 - 2014) Gelatin silver photographic print depicting Pablo Picasso holding a baby. Picasso et sa filleule Olivia (Picasso et bébé) Mougins, 1967 Hand signed by the artist with hand written description. Titled and dated lower left. Mounted in a silver painted wooden frame with mat behind acrylic screen. Paper measures approx. 11 3/4" height x 9" width to sight. Framed measures approx. 17 1/4" height x 14 3/4" width. Lucien Clergue (French: 1934 – 2014) was a French photographer. He was Chairman of the Academy of Fine Arts, Paris for 2013. Lucien Clergue was born in Arles, France. At the age of 7 he began learning to play the violin, and after several years of study his teacher admitted that he had nothing more to teach him. Clergue was from a family of shopkeepers and could not afford to pursue further studies in a college or university school of music, such as a conservatory. In 1949, he learned the basics of photography. Four years later, at a corrida in Arles, he showed his photographs to Spanish painter Pablo Picasso who, though subdued, asked to see more of his work. Within a year and a half, young Clergue worked on his photography with the goal of sending more images to Picasso. During this period, he worked on a series of photographs of travelling entertainers, acrobats and harlequins, the Saltimbanques. He also worked on a series whose subject was carrion. On 4 November 1955 Lucien Clergue visited Picasso in Cannes, France. Their friendship lasted nearly 30 years until Picasso's death. Clergue's autobiographical book, Picasso My Friend, looks back on important moments of their relationship. In 1968, and with his friend Michel Tournier, Clergue founded the Rencontres d’Arles photography festival which is held annually in July in Arles. He exhibited his work at the festival during the years 1971–1973, 1975, 1979, 1982–1986, 1989, 1991, 1993, 1994, 2000, 2003 and 2007. Clergue also illustrated books, among them a book by writer Yves Navarre. Clergue took many photographs of the gypsies of southern France, and was instrumental in propelling the guitarist Manitas de Plata to fame. Clergue is perhaps most remembered and respected for his black-and-white studies of light, shadow, and form, featuring sinuous nude female bodies, zebra stripes of light, dynamic sand dunes, and seascapes extracted from the coast of the Camargue. Clergue's photographs are in the collections of numerous well-known museums and private collectors. His vintage photographs have been exhibited in over 100 solo exhibitions worldwide, with noted exhibitions such as in 1961, at the Museum of Modern Art New York, the last exhibition organized by Edward Steichen with Lucien Clergue, Bill Brandt and Yasuhiro Ishimoto. Museums with large collections of his work include The Fogg Museum at Harvard University and the Museum of Fine Arts, Boston. His work, Fontaines du Grand Palais (Fountains of the Grand Palais), is in Museo cantonale d'arte [de] of Lugano. His vintage photographs of Jean Cocteau are on permanent display at the Jean Cocteau Museum in Menton, France. In the U.S., an exhibition of the Cocteau photographs was premiered at Westwood Gallery, New York City. In 2007, the city of Arles honored Lucien Clergue and dedicated a retrospective collection of 360 of his photographs dating from 1953 to 2007. He also received the 2007 Lucie Award. He was named Knight of the Légion d'honneur in 2003 and elected member of the Academy of Fine Arts of the Institute of France on 31 May 2006, at the same time as a new section dedicated to photography was created. Clergue was the first photographer to enter the Academy to a position devoted specifically to photography. He was Chairman of the Academy of Fine Arts for 2013. Lucien Clergue was married to the art curator Yolande Clergue, founder of The Fondation Vincent van Gogh Arles. He was the father of two daughters: Anne Clergue, a curator of contemporary art who has worked at Leo Castelli Gallery, and Olivia Clergue, a handbag fashion designer whose godfather was Pablo Picasso. Pablo Picasso (1881 –1973) was a Spanish painter, sculptor, printmaker, ceramic artist and theatre designer who spent most of his adult life in France. Regarded as one of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and Guernica (1937), a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War. After 1906, the Fauvist work of the slightly older artist Henri Matisse motivated Picasso to explore more radical styles, beginning a fruitful rivalry between the two artists, who subsequently were often paired by critics as the leaders of modern art. In 1897, his realism began to show a Symbolist influence, for example, in a series of landscape...

Brando On The Waterfront (1954) Silver Gelatin Fibre Print - Oversized (photo by Glasshouse Images / Alamy Archives) 1954, Marlon Brando on-set of the Film, On the Waterfront. ...

Faye Dunaway at the Beverly Hills Hotel 1977, Printed Later Silver gelatin print 30 x 30 inches Estate signature stamped and numbered edition of 50 with certificate of authenticity Terry O'Neill CBE (1938-2019) was an eminent English photographer known for his masterful documentation of the 1960s fashions, styles, and celebrities. Born in London, his artistry deftly exhibited the keenness of capturing his subjects in candid moments or unconventional environments, reflecting a compelling narrative that was both revealing and authentic. O'Neill's photographic legacy spans across prominent personalities, including influential figures such as Winston Churchill, Nelson Mandela, iconic musicians like Frank Sinatra, Elvis, and Amy Winehouse, eminent actresses like Audrey Hepburn and Brigitte Bardot, supermodel Kate Moss, and every James Bond from Sean Connery to Pierce Brosnan. This diversity underscores O'Neill's proficiency in embracing the breadth of fame and human charisma. His extraordinary contribution to photography won him The Royal Photographic Society's Centenary Medal in 2011, a testament to his enduring influence. His work has graced numerous exhibitions, contributing to the art form's rich history. Terry O'Neill's indelible mark on photographic art continues to be celebrated at IFAC Arts, and elsewhere. For the complete catalogue of Terry O'Neiil on 1stdibs follow us at International Fine Arts...

Princess Caroline of Monaco 1981 (printed later) C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the es...

Vintage Portrait of Anna Magnani (AP) with Alberto Sordi is a vintage b/w photographic print on single-coated paper realized by Associated Press Photos. Good condition. Anna Magnan...

Rudolf Nureyev – Applying His Make-up for the Filming of ‘valentino’, London, 1976 Limited Edition David Steen Estate Print Limited Edition: All prints are limited editions, no ...

Norman Parkinson 'Audrey Hepburn, Vogue' 1952 Silver gelatin print 36 x 36 inches Estate stamped and numbered on verso “The camera can be the most deadly weapon since the assassi...

1969: French singer, Francoise Hardy sitting on a motorbike. (Photo by Reg Lancaster/Express/Getty Images) As an authorized Getty Images Gallery partner, we offer premium quality pr...

This piece is an original vintage photograph from the original negative taken by Milton Greene in 1954. This image depicts Hollywood Icon, Marilyn Monroe, and bears the Milton H. Gre...

Josèphine Baker serves breakfast in Brussels is an orignal black and white photograph realized in 1964. The photo shows the famous singer serving sweets to 3 of his children In Brus...

Frida with Granizo by Nickolas Muray is a black and white portrait of Mexican painter Frida Kahlo with her pet fawn, Granizo. Frida crouches down to place her hand on the small deer ...

Vintage Photo. Lightly damaged (Folds on the angles).

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. “This image probably owes some of its inspiration to the abnormal characters in the stories of Flannery O’Connor’s 1955 collection, "A Good Man is Hard to Find." But Meatyard was also looking at Giorgio de Chirico and the European Surrealists and here employs their penchant for the lifeless mannequin figure. A headless dressmaker’s dummy...

Vintage Portrait of Anna Magnani is a vintage b/w photographic print on single-coated paper, realized in The Mid-20th. Good conditions. Anna Magnani was born in Rome, Italy (not i...

Elizabeth Taylor with Sunglasses for "Giant" 1955 by Frank Worth This iconic and elegant portrait captured by celebrity photographer Frank Worth features actress Elizabeth Taylor o...

Ancient Portrait of Japanese gymnasts is an original vintage albumen print on single cardboard: 26 x 34 cm. Realized between the 1880s and the 1890s. Image 21 x 26 cm. Caption in I...