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Annie Leibovitz
Philip Johnson, New Canaan, Connecticut, 2002

2002

$12,500List Price

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Untitled
By Steven Meisel
Located in New York, NY
Steven Meisel Untitled, July 2004 C-print 14.5 x 22 inches (sheet) 21 x 25 inches (frame) AP Signed verso
Category

Early 2000s Contemporary Color Photography

Materials

C Print

6 Mai 1994
Located in New York, NY
Muntadas 6 Mai 1994, 1994 Photo silkscreen 33 x 13 1/2 inches (image) 43 3/16 x 31 1/8 inches (frame) Edition 37 of 75 Signed
Category

1990s Contemporary Figurative Photography

Materials

Photographic Paper, Screen

Girl with Lobster
By Jeff Koons
Located in New York, NY
Jeff Koons Girl with Lobster, 2014 Archival pigmented inkjet with silkscreen on hot pressed natural paper 54 5/16 x 45 inches (sheet) 57 x 48 7/8 x 2 inches ...
Category

2010s Contemporary Figurative Photography

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Archival Pigment

Untitled, NUDE
By Yoshihiko Ueda
Located in New York, NY
Yoshihiko Ueda Untitled, NUDE , 1985 Gelatin silver print 10 3/4 x 8 3/4 inches (image) 11 x 9 1/2 inches (sheet) 27 5/8 x 22 1/2 inches (frame) Edition 1 of 25 Signed recto Black ...
Category

1980s Nude Photography

Materials

Silver Gelatin

Untitled (Smithson Correctional Drawing)
By Aaron Young
Located in New York, NY
Aaron Young Untitled (Smithson Correctional Drawing), 2005 Inkjet on paper 14 x 11 inches [each] 22 x 46 inches (frame) Signed verso
Category

Early 2000s Contemporary Black and White Photography

Materials

Paper, Inkjet

Experiment upon the center of gravity made on a set of Dominoes...
By McDermott & McGough
Located in New York, NY
McDermott & McGough Experiment upon the center of gravity made on a set of Dominoes from Sentimental Education, 1998 Photogravure 13 1/2 x 10 1/4 inches (image) 25 x 20 inches...
Category

Late 20th Century Contemporary Still-life Photography

Materials

Photogravure

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A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson chose the latter path when he brought his camera to Pepper's Hideout on Chicago's South Side. Following in the footsteps of his acknowledged influence Gyula Halász, a Hungarian photographer better known as Brassaï who became the pre-eminent chronicler of the Paris nightlife he loved so much, Abramson initiated himself into the nightlife of Chicago's predominantly black neighbourhoods. He was very much a part of the scene he documented on film, drinking, laughing, and dancing with his subjects into small hours and becoming as much a part of the atmosphere as the locals who frequented the same nightspots he did. - Joe Tangari (Numero Group, 2009) This series won Abramson a grant from the National Endowment for the Arts in 1978 and launched his career as a photojournalist. Eventually the project resulted in a hardbound book, Light: On the South Side, including the Grammy and Mojo nominated album, featuring Chicago blues...
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