C Print Portrait Photography

16" x 20", signed limited edition print of David Bowie, titled "The Same Old Kyoto" by Masayoshi Sukita. “Bowie had come to Japan to film a commercial for a...

Listening to Your Heart (29 Palms, CA) - 2013 including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024....

Slim Aarons Estate Print - Plantation Cocoyer People relaxing in the bar at Plantation Cocoyer, Cocoyer Beach, Haiti, February 1981. (Photo by Slim Aarons) Chromogenic print pape...

The Farmer and his Wife (American Depression) - 2004 48x46 cm, edition of 10 plus two Artist Proofs. Archival C-Print based on the Polaroid. Signature label and Certificate. Art...

16" x 20", signed limited edition print of David Bowie, titled "He'd Blow Our Minds" by Masayoshi Sukita. This print is also available as a 30x40" signed limited edition print. “...

L(i)ebe (Stage of Consciousness) - 2007 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. fea...

Signed limited edition print of the Beastie Boys by Jake Chessum. Jake recalls ” This was from April 1994. I flew from London to shoot at Mike D’s ba...

Museum quality print of The Beatles, taken on stage in Tokyo, Japan, by photographer Robert Whitaker. The Beatles ascend the steps to the stage at Tokyo's Nippon Budokan for a matin...

Freude (Stage of Consciousness) - 2007 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. feat...

Signed limited edition print of Led Zeppelin by legendary rock photographer, Robert M Knight, taken in Hawaii at Honolulu airport on 12th May 1969, holding the master tapes to Led Ze...

Slim Aarons Estate Print - Speedboat Landing - Oversize A Magnum motorboat belonging to Count Filippo Theodoli arrives at the private jetty of the Il Pellicano Hotel in Porto Ercole...

Once We Were Warriors - 2007 20x20cm. Sold out Edition of 5, Artist Proof 2/2, LAST PRINT. Archival Print, based on the Polaroid. Certificate and Signature label. Artist Inven...

Edition of 8 Isabelle van Zeijl is an established mid-career international artist. Recognized for her mastery to create striking self portraits with depth and meaning who enriches l...

Space Cowboy (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA - 2019 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signatur...

Rocket Man (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA - 2019 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature ...

By the Sea (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA - 2019 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature ...

The Sphere (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA - 2019 40x50cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature ...

Close Encounters (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA - 2019 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Sign...

Beautiful and Surprising (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA - 2019 48x60cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroi...

Planet Earth (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA - 2019 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signatur...

Contact (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA - 2019 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature lab...

Any Point in Time (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA - 2019 48x60cm, Edition of 10 plus 2 Artist Proofs. Signature label and Certificate. Artist Inven...

Fellow Travelers (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA - 2019 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Sign...

Dream No. 4 (Sidewinder), diptych, 2005 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. 25x4...

The Rolling Stones guitarist Brian Jones photographed in the back of a chauffeured car on the way to the band’s concert at the Palazzo dello Sport in Milan, Italy. April 8th, 1967. ...

Sunset (Deconstructivism) - 2015 including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. 20x20cm, ...

Museum quality fine art print of Beyoncé by photographer Markus Klinko in 2003 This print is available in the following sizes, signed and numbered by Markus Klinko 24" high - Editio...

Signed on label, verso Vintage chromogenic print This work is offered by CLAMP in New York City.

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

Exclusive, set of three fine art prints of Beyonce by photographer Markus Klinko. Shot in 2003 for the album, Dangerously In Love NOTE: Set of three individual 20x24" limited edition prints, signed and numbered by Markus Klinko. These prints would usually be $4,400 each ($13,200 total), but Markus has agreed to let a set of three prints...

Starlight (Haley and the Birds) - 2013 including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. 20x2...

Vanishing Point ( 29 Palms, CA) - 2010 including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. 20x2...

Actor Girl (Stage of Consciousness) - 2008 including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. ...

Museum quality fine art print of Iman by photographer Markus Klinko taken in New York, 2004 This print is available in the following sizes, signed and numbered by Markus Klinko 24" ...

Born Free (Sidewinder) - 2005 38x48cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label and Certificate. Artist Inventory No...

From a stunning collection of contemporary nudes from celebrated photographer, Markus Klinko, featuring amongst others, Dita Von Teese, Stoya and Aubrey O’Day This print is availabl...

Framed 30x30" print of English model Twiggy poses with David Bowie in Paris for the cover of his ‘Pin Ups’ album, 1973, by Justin de Villeneuve Justin recalls, "Twiggy and I were staying in the Bel Air Hotel in LA when Peter Frampton...

Museum quality fine art print of Beyonce by photographer Markus Klinko. Shot in 2003 for the back cover of the album, Dangerously In Love This print is available in the following s...

The Runaway (Till Death Do Us Part) - 2005 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. ...

Signed limited edition contact sheet print of David Bowie by Brian Aris, taken from a session at Brian’s London studio in 1991. Brian Aris limited edition ...

The Kiss (Sidewinder) - 2005 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. 20x24cm, Edit...

Digital C-print (Edition of 11) Signed, dated, and numbered, verso This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sel...

Portrait of singer and dancer, Kate Bush by acclaimed photographer, Gered Mankowitz, taken in his London studio in 1978 for the cover of her album, Lionheart. Gered recalls, "The cover series of portraits that I shot for Lionheart in August 1978. I art directed the album cover and my assistant at the time, Richard Grey...

Mick Jagger of the Rolling Stones with his beloved Aston Martin DB6, taken outside his London apartment in 1966 by Gered Mankowitz. "I shot a series of photographs of each member of...

The Rolling Stones, taken in London back in 1965 by Gered Mankowitz. Featuring Mick Jagger, Keith Richards, Charlie Watts, Brian Jones and Bill Wyman. This image of the band is an o...

Dream No. 4 (Sidewinder), diptych - 2005 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. 24...

Dreamscene on Salt Lake (29 Palms, CA) - 2007 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024....

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Signed limited edition print of English band Blur, posing in front of the graffiti slogan 'Modern Life is Rubbish', the title of their 1993 album. Blur were the kings of Britpop and are from L-R: Damon...

Cocktail Bar, portrait photograph from Richard Heeps' Man's Ruin series. Captured at the glamorous Goodwood Revival, a celebration of elegant vintage fashion...

"Mick Giving Keith The Boot", signed limited edition print by Rolling Stones bassist, Bill Wyman. Mick Jagger helping Keith Richards with his snake-skin boots on the second day of ...

Museum quality fine art print of Beyonce by photographer Markus Klinko. Shot in 2003 during the cover sessions for the album, Dangerously In Love This print is available in the fol...

Untitled - Cricket on the Nose Scene (29 Palms, CA) - 2009 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Coll...

Sunset (Oxana’s 30th Birthday) - 2007 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. featu...

The Party Is Over (Oxana’s 30th Birthday) - 2007 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 20...

Waiting (The Princess and her Lover) - 2009 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. ...

New release August 2022. Beyoncé, GOLD, New York, 2009 by Markus Klinko This print is available in the following sizes, signed and numbered by Markus Klinko 24" x 24" - Edition 50 4...

Lost Within (29 Palms, CA), triptych - 2010 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. ...