2010s Portrait Photography

A love song (The Girl behind the White Picket Fence) (The Girl behind the White Picket Fence) - 2013 20x20cm, (ask about a larger sized edition) Edition of 10, Archival C-Print, ba...

You have read about the extraordinary donut portraits by Candice CMC on social media world-wide and we are excited and proud to represent her work. I have included in this listing a...

'Tales of Bitter Doom #35' by Carmen De Vos, Edition of 7, 30x30cm, 2018 digital C-Print, based on a Polaroid mounted on Dibond - gloss coating, hand signed & numbered by artist on ...

Kevin Vivers Strike Out Archival Pigment Print Year: 2024 Visible Size: 9 x 13 inches Framed: 18 x 22 inches Signed COA provided *Black frame with standard plex Kevin Vivers has be...

"FLOWER EVOLUTION The most highly coveted of ornamental plants, the delicate, and graceful orchid represents love, feminity, beauty and strength. The orchids have a magical quality. ...

This is # 2/7 Fine Art Print Limited Edition 42cm x 60 cm VADOR THE SPACE SHOW is the first exhibition of photographs by Stefan Darte which is currently being held in Brussels in the coworking area named The Spaces (Gare Maritime - Tour & Taxis) from december 15th up to march 31st Thirty prints are housed in high quality black anodized metal American boxes and all prints are supplied on heavyweight fine art paper printed with museum pigment inks. All photographs are exclusively offered in limited editions in 4 different formats : 42cm x60cm (7+2AP) 60cm x80cm (7+2+AP) 70cm-100cm (5+2AP) 100cmx150cm (3+2AP) Stefan Darte is a fighter pilot in the Belgian Air Force...

Leopard #3 by Tim Platt - Signed limited edition archival pigment print - Edition of 10 A series of studio portraits of a panther, or black leopard. Panthers are more commonly...

A combination of analogue and digital compositions based on ideas from Ovid’s Metamorphosis, deconstructed and subverted to my own narrative. MJO, 2021 Michael James O’Brien draws i...

"Untitled 13" This award-winning image features the bond between a Nyangatom mother as she nurses her child. The tribe’s women pride themselves on their high stacks of necklaces wh...

Edition 10 This elephant Tim, is with his 51 years by far one of the last remaining big boys in Africa with tusks so long touching the ground. After several days following him I had...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

"Untitled 6" In this award-winning image, a Suri woman's breasts are adorned in an ornate pattern of scars that are a privilege to permanently wear. This image is in the permanent...

"Untitled 32" A young Suri boy displays the confidence prevalent in his tribe. Jewelry and ornamentation is an important part of his culture, and he takes great pride in wearing his...

“Who would not sing for Lycidas” -John Milton A combination of analogue and digital compositions based on ideas from Ovid’s Metamorphosis, deconstructed and subverted to my own...

“People from Ibiza” Kenta first came to visit the magic island of Ibiza as a young man at the age of 18 and fell in love with the diversity of personalities and expressions of freedo...

Natasha Zupan's body of work, 'Homage to Horst P. Horst', explores the manipulation of surface texture, light, and the interweaving of time. She has incorporated found images in book...

Falling Stars - 2021 25x20cm. Edition of 10 plus 2 Artist Proofs. Archival Print based on an original Polaroid on Hahnemuhle photo rag paper. Signature label and certificate. N...

Paul McMillian Hyde Park Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal b...

American Muslim minister and human rights activist Malcolm X in Chicago, Illinois in 1961. All available sizes and editions: 24" x 20", Edition of 25 + 3 Artist Proofs 34" x 24", Ed...

"Hush" The delicate nature of this image encompasses the otherworldly appeal of the Camargue horses in this best-selling black and white photograph. The print series Band of Rebel...

Remove Before Flight ( The Lost Aviator ) 2019, Edition 1/10 plus 2 Artist Proof, 50x50cm, Digital Print based on a Polaroid on Hahnemühle photo rag paper, not mounted. Signed on ...

Each Cabinet Card is unique, and the image above details the front and back of the card. A handmade display stand made by the artist is also available for $100 – please inquire if in...

"Wind Blown" Drawn to the timeless, ethereal beauty that unfolds moment to moment during visits to Sable Island and her horses, Drew's images feature the unforgettable nature of wil...

Falling Stars - 2021 50x40cm. Edition of 10 plus 2 Artist Proofs. Archival Print based on an original Polaroid on Hahnemuhle photo rag paper. Signature label and certificate. N...

India and Gaëlle, Summer 2020 40 x 30 cm, Edition 4 of 10 + 2 Artist Proofs. Photograph printed in Hanemühle Baryta Photo Rag 340gr, based on a Fuji Instant Film original (not ...

"Untamed" The manes of the horses of Sable Island are uniquely styled by the island's natural ecosystem - especially the salty air. The prin...

Maggie Taylor (born 1961 in Cleveland, Ohio) is an artist who works with digital images. Her work has been widely exhibited in the United States and Europe and is represented within...

Archival pigment print Signed and numbered on label, verso 12 x 18 inches (Edition of 10) 24 x 35.5 inches (Edition of 8) From the series, "Another November" This artwork is offer...

"A Young Goddess; Mindisayo" Confident and poised, Mindisayo represents the next generation of women who will set the course for the future of her village and her peers in the years...

Archival pigment print Signed and numbered, verso 24 x 18 inches (Edition of 10) 40 x 30 inches (Edition of 7) 56 x 42 inches (Edition of 3) This photograph is offered by ClampArt...

'Amaluna's Day Off #51', 50x50cm, Edition 1/7, 2015 / 2018 [From the series Cirque du Soleil] Art print based on an expired Polaroid mounted on DILITE 0,2mm - 50x50cm - gloss coatin...

Dreams and fantasies from the past and present are portrayed by Léa Bon’s subjects, which she uses as her own personal dolls. Léa Bon work is a profound exploration of dreams and fa...

All photographs are platinum/palladium prints. These metals are hand coated on 100% rag cotton water color paper with natural deckled edges and conta...

'The Trick is to keep Breathing’, 2017, 10x20 inches, edition 1/10, Metal Print, high gloss, based on a Mixed Media Polaroid diptych. Signature label with Certificate. Exhibition:...

Memory Lane (Haley and the Birds) - 29 Palms, CA - 2013 50x50cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Certificate and signature label. ...

Untitled - 2014, 20x24cm, Edition of 1/10. Digital C-Print based a Polaroid Collage. Hand-signed and numbered by the artist on the back with Certi...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

"Untitled 15" In this best-selling, award-winning portrait of a member of the Suri tribe, a young girl wears a traditional headdress made of prized feathers. This image is in the ...

"Belle" The delicate nature of this equestrian portrait reveals the classic yet otherworldly appeal of the Camargue horses as a single white horse appears in contrast against the na...

Sükan created the ‘La Notte’ series as he was working for international magazines documenting the fashion shows and backstage as well as the social times of the fashion world in Pari...

"Adorned" This fashion-inspired, award-winning black and white profile portrait of a young Rendille woman shows the delicate yet bold ornamentation that her remote tribal community ...

This selection is an intimate grouping of portraits of celebrities and tastemakers in the burgeoning cannabis industry. I’ve paired these with select portraits evoking the feeling of...

I swing to see the world upside down - 2020 - 40x33cm, Edition of 10, plus 2 Artist Proofs. Photograph printed on Canson Barita Fiber Rag 340gr, based on a reclaimed Fuji Instant...

“People from Ibiza” Kenta first came to visit the magic island of Ibiza as a young man at the age of 18 and fell in love with the diversity of personalities and expressions of freedo...

David Bailey Jarvis Cocker, 2010 Silver Gelatin print on paper Signed by the artist, on verso Image: 24 x 29.5 cm Sheet: 30 x 38.4 cm Edition of 18

In SHE TELLS ALL, Kaur engages questions of identity performance by exploring an ever-present and wildly diverse American identity: the modern American witch. Witches are contemporar...

ABOUT THIS ARTIST: Liz Von Hoene is an award winning fashion photographer and director known for her immaculate concept driven images that strike the right balance between sophistica...

Elise Gagliardi Easy Inn Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal b...

Angie Jennings Manuel, Barber Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a mini...

Janelle Monea, 2009, Edition 1/10, 20x30cm, 2015, digital C-Print, Signature label and Certificate. Published in Tao Ruspoli's Monography 'Midway on our Life's Journey’, 2018 Abo...

Bambi Pang Pang - The Bride (Odd Stories) - 2014 80x80cm, edition of 5, Digital archival pigment print 
based on an original Polaroid
 on beautiful PHOTO RAG ® ULTRA SMOOTH paper
30...

'Disappear' 2015, Edition 1/10 plus 2 Artist Proofs. 20×50 × 0.8 cm. 'Last night i dreamt that i was dreaming of you' Digital Print based on Polaroid triptych, mounted under Plexi....

Falling Stars - 2020 Edition of 10 plus 2 Artist Proof, 20x24cm, Digital C-Print based on a mixed-media collage of an original Polaroid on Hahnemuhle photo rag paper, not mounted. ...

Burning (The Girl behind the White Picket Fence) - 2015, 20x20cm, Edition 8/10. Archival Print based on a Polaroid. Artist Inventory 16077. Not mounted. Stefanie Schneider liv...

'Tales of Bitter Doom #67' by Carmen De Vos - 2018 Edition of 7, 30x30cm, digital C-Print, based on a Polaroid mounted on Dibond - gloss coating, hand signed & numbered by artist ...

Ghost Story - 2021 Edition of 10 plus 2 Artist Proof, 20x25cm, Archival C-Print based on an original Polaroid on Hahnemuhle photo rag paper. Signed on b...

Each Cabinet Card is unique, and the image above details the front and back of the card. A handmade display stand made by the artist is also available for $100 – please inquire if in...

The “Iconic” series was presented as part of the exhibition “Walk of Inspiration” showed in Stockholm in 2016. These vibrant unique color images are an homage to the “kitsch pop surr...

Ghost Story - 2020 Edition of 10 plus 2 Artist Proof, 20x25cm, Digital C-Print based on an original Polaroid on Hahnemuhle photo rag paper, not mounted. Signed on back with certif...

Darth Elvis By BATIK Signed Limited Edition BATIK is a London based fine artist and image maker. Produced directly in the artist's studio Certificate of authenticity supplied Pa...