2010s Portrait Photography

"Ehpico d’ Atela” pure bred Lusitano stallion #4 , Champion pure bred Lusitano grey stallion 2018. These images of a champion Lusitano stallion running free and untethered, use powe...

"Ehpico d’ Atela” pure bred Lusitano stallion #2 , Champion pure bred Lusitano grey stallion 2018. Oversize print These images of a champion Lusitano stallion running free and untet...

The Girl 2 - Large scale photograph by Michael Banks This print that is being offered is a high-quality Archival Pigment print which has been printed on fiber based paper, Hahnemüh...

Photographic paper, matt finish. Excellent condition.

Printed on photographic paper, matt pearl finish. Excellent condition.

Photograpic Paper, Matt Pearl Finish

Flowers shot in low key style printed on Epson Premium Semimatte photographic paper. Excellent condition.

You have read about the extraordinary donut portraits by Candice CMC on social media world-wide and we are excited and proud to represent her work. This one of a kind photo arrangement on 100% rag paper by Candice CMC measures 39x31" the Framed size is approx. 46x38". Candice creates her donut portraits from her original photographs of donuts. No software program of any kind is used in creating the portrait, Candice goes through the arduous task of looking through her photos to select just the right images with the correct texture, color and highlights that are needed for each area of the portrait. Nowadays, so many people are using programs to create images, it's nice to know that this artist is using her artistic talent to create these intricate realistic portraits. The art was created to appear as a pop art image of hundreds of random donuts when viewed up close. What makes this art exciting is when the work is viewed through the camera on your phone, the very realistic portrait appears. Creating a great conversation piece for those who view it. Collectors come in the gallery and say, we love donuts and then we tell them to take a picture of it with their phone, they hold up their phone and we immediately hear Oh Wow! Candice CMC has created iconic portraits of Marilyn Monroe, Einstein, Alfred E...

"Bleary" 35MM Ilford black and white photograph by fine art and fashion photographer Sofia Malamute. Photograph of model Jamie Bochert shot for MAD Fall/Winter 2014. Image size 25 x ...

Biblioteca St. Emmeram III, Regensburg, Germania 2016 C print signed and numbered edition of 5 The photographer is based in Florence, and is fascinated how his architectural subject...

Ed. 2/12, signed on the recto, includes black frame. Guadalupe Laiz is an international artist, photographer and explorer born and raised in Argentina. Guadalupe’s main focus for the past ten years has been an extensive body of work capturing the beauty and uniqueness of the indigenous horses of Iceland, a country that has touched her deeply and continues to visit. Her work “Horses of Iceland” has been shown in exhibitions all over the world. This photograph is from her newest series "Among the Living." For this body of work, Laiz traveled across the African continent for six years, visiting Kenya, Namibia, Tanzania, Batswana, Rwanda, and Uganda. Forgoing comfort often for months at a time, she returned with intimate portraits of the charismatic and fierce, yet vulnerable and endangered animals she encountered. It is impossible to look at one of her photographs and not feel her subject’s innate individuality. As part of her artistic process, she spends time with each animal up close in its natural habitat, gets to know...

Bert stern MARILYN in pink scarf 2012 No 58/72 25 X 35,5 cms Mythical photo of the last seance (1962) Ink jet print by bert stern 2012 signed on both si...

Lila - Signed limited edition archival pigment print, 2013 - Edition of 10 Lila SALLET , Place des Vosges Paris , France This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity. Signed + numbered by artist with certificate of authenticity. Archival pigment print available sizes : 40 x 27 cm / 15,75 x 10,63 in - Edition of 10 60 x 40 cm / 23,62 x 15,75 in. - Edition of 5 Laurent Campus is an Italian freelance producer and photographer. In addition to an academic training in international trade, he has forged a solid musical, pictorial and cinematographic culture which led him gradually and naturally to the photography he has been practicing for more than twenty years full-time professionally. Its customers are brands that have supported the film industry for many years ( L'Oréal, Renault, DIOR, GENERAL MOTORS, FranckProvost, FranceTV, Canal +, EPSON, CANON, FESTIVAL DE CANNES, HFPA, VUELING, CARL F. BUCHERER , IWC, ParisMatch,…) as artists (filmmakers, actors, musicians) or producers and distributors. He has gravitated for more than 20 years at the heart of French and international cinema. Cinema photographer and reporter, making of : “Cannes Film Festival official” photographer "Official Golden Globes ceremony” photographer SONY Spain Photo Ambassador Official Renault / NISSAN / INFINITI photographer Photographer L’Oreal “Official Partner of the Cannes Film Festival” Cinematographic events photographer: Mostra de Venezia, San Sebastian, Festival de Cannes, GoldenGlobes. Press media: ParisMatch, Gala, Ling (Magazine Vueling company), Yorokobu, TIME Magazine, VANITY Fair, Harper’s Bazaar, NEWYORK TIMES, NHK JP, TOWN6COUNTRY, ELLE… categories : Black and white photography, 21st century, Archival pigment print, Portrait...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

Fun Loving Criminals II By BATIK- Signed Limited Edition Archival pigment pop art print of infamous criminal arrest mugshots of Fifty Cent, Elvis Presley, David Bowie, Snoop Dog, ...

Bert stern Marilyn Monroe Gold Apricot Wink Roses Mythical photo of the last seance (1962) ink jet print by bert stern 2012 signed on both sides certificate signed by the artist in ...

Raphael Macek Calceus, 2020 - Afresco series 71 x 48 inches 180 x 120 cm Archival Pigment Print Edition of 7 Framed Large-scale photograph from the Equine Beauty series. The legen...

Juliette Jourdain Big headed series - Self Portrait MOUNTED AND FRAMED FRAMED SIZE 48 x 40 inches 40 x 32 inches 100 x 80cm edition of 8 Archival Pigment Print Signature Label....

Monogrammed by hand Publisher: Griffelkunst Hamburg Condition: in mint condition Size: 11.5 × 8.6 on 15.4 × 12.5 inches Thorsten Brinkmann was born in Herne, Germany in 1971. He studied Visual Communication at Kunsthochschule Kassel and Fine Arts at Hochschule für Bildende Künste, Hamburg. Brinkmann is known internationally for his unconventional photographic portraits and still lifes, featured recently in T: The New York Times Style Magazine article, “Witty Photos That Play With Centuries-Old Artistic Tradition” (September 2015). Brinkmann has had solo exhibitions in Belgium, Germany, and Mexico. His work is represented in museums throughout Europe and was included in Beyond Borders, The Fifth Beaufort Triennial, Belgium (2015); and Dress Codes: The Third ICP Triennial of Photography and Video, International Center for Photography, New York (2009). Following his 2012 residency at The Andy Warhol Museum, Pittsburgh, Pennsylvania, Brinkmann undertook La Hütte Royal, a yearlong installation project of transforming a dilapidated house in the Troy Hill area of Pittsburgh into a permanent artwork. A self-proclaimed serialsammler (“serial collector”), Thorsten Brinkmann keeps whatever catches his eye as he sifts through the broken and discarded items sitting in purgatory on thrift store shelves...

Gabriel Wickbold Brun Sans Tache, 2014 32 x 72 inches 83 x 183 cm Edition of 5 Archival Pigment Print Framed (Matt Black) Signed on verso + Signature Label C...

This selection is an intimate grouping of portraits of celebrities and tastemakers in the burgeoning cannabis industry. I’ve paired these with select portraits evoking the feeling of...

Archivio delle Indie II, Siviglia 1990 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. 39.5 x 47.5 inches 47.5 x 59 inches 71 x 88.5 inches Fra...

Ed. 5/20, includes black frame. Guadalupe Laiz is an international artist, photographer and explorer born and raised in Argentina. Guadalupe’s m...

You have read about the extraordinary donut portraits by Candice CMC on social media world-wide and we are excited and proud to represent her work. We have included in this listing ...

Limited Edition Series by Cuban Photographer Rene Pena. Black and White. René Peña (Rene de Jesus Pena Gonzalez) is a self-taught photographer born in Havana, Cuba in 1957. His photography is characterized by stark contrasts, between black and white, subject and background, subject and object. His work often focuses on the duality between human inability to escape institutionalization and human desire for individualism. His interest in contrast is also reflected in his place of residence: Peña currently inhabits the Cerro neighborhood of Cuba which is home to a mostly poor African-Caribbean population, despite having been an enclave of Havana's richest families in the 19th century. René Peña graduated from the Higher pedagogic Institute of Foreign Languages, University of Havana with a specialization in English in 1983. In the late 1980s he entered the national world of photography and since 1990 became leader of the new trends of Cuban photography, first by handling interiors and domestic situations in modern-day Cuba and later making studies of his own body in aspects such as negritude, sexual ambiguity and the influence of consumerism through self-portraits. He conceives his series on the basis of a conceptual, formal and structurally different analysis of all the parameters established up to the present, going from a brutal expressionism to a distinct homoeroticism, with strong mystic elements, trends from experimental painting, and a certain theatrical dramatization. He has had important solo shows and participated in group exhibitions in Cuba, the United States, Venezuela, Canada, France and Germany. His work is part of important collections, not only national but also at world level, such as the National Museum of Fine Arts, Cuba; the Ludwig Foundation of Cuba; Reinhard Schultz Collection, Germany; photographic archive Tuscany, Italy; Southeast Museum of Photography, Daytona, USA; Houston Museum of Fine Arts, Houston, Texas, USA; collection of the province of Hainuat, Belgium; and Lehigh University Pennsylvania...

Catherine, Duchess of Cambridge and Prince William, Duke of Cambridge look through the clock at Musee d’Orsay during an official two-day visit to Paris France on March 18, 2017 by Official Getty Images Royal Photographer Chris Jackson...

Hommage a René Gruau II • Paris, 2011 • Edition of 18 prints in 3 sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Three different sizes are available...

Palazzo d'Avalos I, Napoli, 2016 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. 39.5 x 47.5 inches 47.5 x 59 inches 71 x 88.5 inches Framing o...

Portrait photographer, Jerry Siegel's most recent body of work titled "REVEAL" is about transformation. "We live in a world of costumes - presenting ourselves how we want others to p...

Venaria Reale XIII Torino, 2018 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. The photographer is based in Florence, and is fascinated how h...

Massimo Listri Petrovsky Palace, Moscow, 2015 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. The photographer is based in Florence, and is fa...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

In this series, Zilberberg creates animal montages as an expression of self-therapy, drawing attention to mindfulness and nature conservation. As an...

Raphael Macek Domum, 2020 - Afresco series 60 x 40 inches Archival Pigment Print Edition of 7 Framed Large-scale photograph from the Equine Beauty series. The legendary and comple...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

When you walk by this incredible work by Candice CMC, "the Queen of Donut Art", the image of Superman actually changes into Wonder Woman! We have included i...

Braccio Nuovo, Musei Vaticani I, 2011 C print edition of 5 39.5 x 47 inches Edition of 5 47.5 × 59 inches Edition of 5 71 x 88.75 inches Edition of 5 framing options also avai...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. CURRENT EXHIBITION - runs through December 31, 2017. Any framed photographs purchased during the show will be after December 31st. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph. ABOUT The idyllic and playful world of The Peconic Bay in Southampton, NY dances to life in Luciana Pampalone’s first solo exhibition. Each location was scouted by Pampalone and transformed into a vintage 1930s setting by the use of her models and props. A Graphlex camera, aviator goggles, parasols, retro bathing suits...

This piece is sold with a custom wood copper finish box frame, perfect for a contemporary setting. This gorgeous artwork on paper was created initially with a screen print base of the model, then Rosie hand finishes the work with a unique splash and painted composition. Some call them Unique Prints. The base image is only used 9 times Rosie Emerson, born in 1981, is a contemporary artist working almost exclusively on representing the female form. Emerson’s figures draw reference from archetypes old and new, from Artemis to the modern day super model, each solitary figure, an allegory of her own fantasy. Interested in surface, the interplay between photography and painting. Emerson’s works are playful constructs; Photography is used, not as a device for capturing reality but for creating romanticised optical illusions. Inspired by her love of theatre, performance, shrines and rituals, she uses lighting, costume, set and prop making, alongside printmaking and painting to create other worldly one off pieces. Her photography is inspired by both the drama of the baroque, and ethereal qualities of Pre Raphaelite works. Other important influences include late medieval and renaissance paintings, Japanese prints, and magical realist literature. Emerson’s screen...

Biblioteca St. Emmeram III, Regensburg, Germania 2016 C print signed and numbered edition of 5 The photographer is based in Florence, and is fascinated how his architectural subject...

Sculpture, 2023, fine-art pigment print on Hahnemühle cotton paper, ed 1/5. In the photo, the artist's shadow blends completely with the landscape

Massimo Listri Palazzo Grimani II, Venezia 2022 C print Signed, dated, and numbered on verso label 39.5 x 47.5 inches (100 x 120 cm) edition of 5 - $12,500 47.5 x 59 inches (120 ...

Massimo Listri Petrovsky Palace, Moscow, 2015 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. The photographer is based in Florence, and is fa...

His Royal Highness Prince William 2015 C print Signed and numbered edition of 25 His Royal Highness Prince William, the Duke of Cambridge, photographed in ceremonial dress in London, June 2015. Greg Brennan...

Venaria Reale XIII Torino, 2018 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. The photographer is based in Florence, and is fascinated how h...

Palazzo d'Avalos I, Napoli, 2016 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. 39.5 x 47.5 inches 47.5 x 59 inches 71 x 88.5 inches Framing o...

Gralfex by Luciana Pampalone, features a woman dressed in all white, shielding herself from the blinding Hamptons sun with a sunhat, secured to her head with a polka-dot harness, whi...

An unexpected view of the streets of San Francisco at night is captured by Street Photographer Mitchell Funk. From the inside of a taxi cab, we view the driver in profile as he tur...

Venaria Reale XIII Torino, 2018 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. The photographer is based in Florence, and is fascinated how h...

Cherry Kate By BATIK- Signed Limited Edition Artwork of the supermodel Kate Moss Made and signed by London based pop artist BATIK. Produced from the o...

This listing is for an unframed print. Tokie Rome-Taylor is inspired by the works of Harmonia Rosales, Kehinde Wiley, Tawny Chatmon, Ayana V. Jackson, Omar Victor Diop, Deborah Roberts...

Photography has always occupied a central place in Debra Pearlman’s work, as direct street photography and as source material for paintings and photo-based objects. The subjects are ...

Photography has always occupied a central place in Debra Pearlman’s work, as direct street photography and as source material for paintings and photo-based objects. The subjects are ...

Photography has always occupied a central place in Debra Pearlman’s work, as direct street photography and as source material for paintings and photo-based objects. The subjects are ...

Photography has always occupied a central place in Debra Pearlman’s work, as direct street photography and as source material for paintings and photo-based objects. The subjects are ...