Paper Portrait Photography

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

16 x 15 inches - Edition 2 of 7 with 2 APs STATEMENT: e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from the histor...

BEYOND DECORUM, CLOSED AND OPEN Series, I am selling each individually. they are pairs of open and closed jackets. I will include the second photo for reference. This listing is just for the closed jacket photograph. Vintage C-print on Fuji crystal archive paper. Image size is 40 x 30", sheet measures 50 X 36 Provenance: printed by Muse X, Los Angeles. I believe these were test, proof prints. They are not signed or editioned The work of Nigerian-born Iké Udé explores a world of dualities: photographer/performance artist, artist/spectator, African/post-nationalist, mainstream/marginal, individual/everyman and fashion/art. Iké Udé (born 1964) is a Nigerian-American photographer, performance artist, Ike Ude was born in 1964 in Lagos, Nigeria where he was raised. The eldest son of a wealthy family, he was exposed to photography and portraiture at an early age by dressing up for biweekly family portraits. Udé knew he was an artist by the age of six, when he developed a habit of firing a catapult at passers-by when he disapproved of their walk or the way they were dressed. As an adolescent, Udé attended the Government Secondary School, a British boarding school in Afikpo Nigeria. He was a habitué of London before he moved to New York in 1981 to study Media Communications at Hunter College, CUNY. He began his art career in the late 1980s with abstract painting and drawing. Since the 1990s, photography has been his primary medium. Udé is a dual citizen of the United States and Nigeria. Udé's paintings and drawings are less well known than his photography, though critics and art historians have recognized his early work. The late Henry Geldzahler, said of Udé's paintings and works on paper: "I am touched and amazed at the ways in which he manages to blend invisibly the modernist tradition with his own Nigerian roots. There is never anything forced in the conjunction; air and light seem to be his media." Udé began his Cover Girls series in 1994. Each photograph imitates the cover of a popular fashion or lifestyle magazines, in which the artist himself is featured as the model. (ala the work of Cindy Sherman) The photographs were consciously stylized, posed, photographed and then paired with type matching that of the respected magazine. At first glance, each photograph appears to be an authentic magazine cover. Udé used the magazine cover as a stage to critique the fetishism of the upper class white model and the effects of popular culture on today's consumerist society. The series was exhibited in 1994 in the New York City gallery Exit Art. Udé's black and white series of photographs, Uli, references both high fashion and Uli body art, wall motifs from Udé's Igbo heritage. The photographs explore the anonymity of the inscribed and disembodied self. Udé's dynamic use of light, namely the chiaroscuro effect, serves as a critical compositional element in the series. Udé's Beyond Decorum series, begun in 1999, juxtaposes photographs of men's shirts and women's pumps with suggestive personal advertisements in place of the clothing tags. With its accompanying book, Beyond Decorum: Photographs by Iké Udé, the series traveled across the United States and Canada. The exhibition was shown at the Institute of Contemporary Art in Portland, Maine; OBORO in Montreal, Canada; Sert Gallery; Carpenter Center at the Harvard University Art Museum; and MAK Museum in Vienna, Austria before traveling for two more years internationally. Udé's Paris Hilton: Fantasy and Simulacrum is a conversation between his alter ego, Visconti, and the celebrity Paris...

Signed limited edition, archival pigment print of Mick Jagger by Alec Byrne, taken at The Marquee Club, London, March 26th 1971, during the Rolling Stones soundcheck. Alec recalls, “I’d photographed them in big theaters and at Hyde Park, of course, but I’d never been this close, just a few feet from Jagger (not counting that time in the bed). I literally felt the sweat coming...

Signed limited edition, silver gelatin print of David Bowie by Alec Byrne, taken at the Coventry Theatre, October 8th 1969, just before Bowie’s opening slot...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Oberon's Lunch Film star Merle Oberon and lunch guests at her villa, La Consentida, Acapulco. The star is second from the right facing the camera. Circa 1966. Slim Aarons Archival ...

24 x 22.25 inches - Edition 1 of 5 with 2 APs STATEMENT: e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from the his...

Signed limited edition print of The Beatles by Alec Byrne, taken at Abbey Road Studios, London, Jun. 24, 1967 Alec recalls “This wasn’t just any band: It was the Beatles. Everyone w...

Portrait photographer, Jerry Siegel's most recent body of work titled "REVEAL" is about transformation. "We live in a world of costumes - presenting ourselves how we want others to p...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

BEYOND DECORUM, CLOSED AND OPEN Series, I am selling each individually. they are pairs of open and closed jackets. I will include the second photo for reference. This listing is just for the closed jacket photograph. Vintage C-print on Fuji crystal archive paper. Image size is 40 x 30", sheet measures 50 X 32 Provenance: printed by Muse X, Los Angeles. I believe these were test, proof prints. They are not signed or editioned The work of Nigerian-born Iké Udé explores a world of dualities: photographer/performance artist, artist/spectator, African/post-nationalist, mainstream/marginal, individual/everyman and fashion/art. Iké Udé (born 1964) is a Nigerian-American photographer, performance artist, Ike Ude was born in 1964 in Lagos, Nigeria where he was raised. The eldest son of a wealthy family, he was exposed to photography and portraiture at an early age by dressing up for biweekly family portraits. Udé knew he was an artist by the age of six, when he developed a habit of firing a catapult at passers-by when he disapproved of their walk or the way they were dressed. As an adolescent, Udé attended the Government Secondary School, a British boarding school in Afikpo Nigeria. He was a habitué of London before he moved to New York in 1981 to study Media Communications at Hunter College, CUNY. He began his art career in the late 1980s with abstract painting and drawing. Since the 1990s, photography has been his primary medium. Udé is a dual citizen of the United States and Nigeria. Udé's paintings and drawings are less well known than his photography, though critics and art historians have recognized his early work. The late Henry Geldzahler, said of Udé's paintings and works on paper: "I am touched and amazed at the ways in which he manages to blend invisibly the modernist tradition with his own Nigerian roots. There is never anything forced in the conjunction; air and light seem to be his media." Udé began his Cover Girls series in 1994. Each photograph imitates the cover of a popular fashion or lifestyle magazines, in which the artist himself is featured as the model. (ala the work of Cindy Sherman) The photographs were consciously stylized, posed, photographed and then paired with type matching that of the respected magazine. At first glance, each photograph appears to be an authentic magazine cover. Udé used the magazine cover as a stage to critique the fetishism of the upper class white model and the effects of popular culture on today's consumerist society. The series was exhibited in 1994 in the New York City gallery Exit Art. Udé's black and white series of photographs, Uli, references both high fashion and Uli body art, wall motifs from Udé's Igbo heritage. The photographs explore the anonymity of the inscribed and disembodied self. Udé's dynamic use of light, namely the chiaroscuro effect, serves as a critical compositional element in the series. Udé's Beyond Decorum series, begun in 1999, juxtaposes photographs of men's shirts and women's pumps with suggestive personal advertisements in place of the clothing tags. With its accompanying book, Beyond Decorum: Photographs by Iké Udé, the series traveled across the United States and Canada. The exhibition was shown at the Institute of Contemporary Art in Portland, Maine; OBORO in Montreal, Canada; Sert Gallery; Carpenter Center at the Harvard University Art Museum; and MAK Museum in Vienna, Austria before traveling for two more years internationally. Udé's Paris Hilton: Fantasy and Simulacrum is a conversation between his alter ego, Visconti, and the celebrity Paris...