Wheel Portrait Photography

Part of Richard Heeps 'Man's Ruin' Series, this was shot in Bakersfield, California two years after, he photographed Wendy Resting, they make a great pair. This artwork is a limited...

Willie Nelson, taken in 1977 during a running race in Austin Texas. Taken by photographer, Scott Newton Scott Newton recalls, "Willie Running Race (For Stehlin Foundation Cancer Benefit-Run For Your Life) outside the Austin Opry House entrance on Academy Drive, Austin TX...

1969: French singer, Francoise Hardy sitting on a motorbike. (Photo by Reg Lancaster/Express/Getty Images) As an authorized Getty Images Gallery partn...

This is a limited edition 16 x 20 inch print of Joan Didion by photographer Julian Wasser shot for her iconic interview with TIME in 1968. Listing includes free shipping to the continental US and a 14-day return policy. Please inquire for framing options or international shipments. We offer framing services through our New York location. Joan Didion by Julian Wasser Gelatin Silver Print Paper Size: 16 x 20 inches Image Size: 11.5 x 17.5 inches Edition 9 of 15 Signed and on the back by Julian Wasser and editioned on adhesive certificate History Behind the Photograph - Julian Wasser started his career in photography in the Washington DC bureau of the Associated Press where he met and accompanied the famous news photographer Weegee – who would become a lasting influence on him. In the mid-60s Wasser moved to Los Angeles as a contract photographer for TIME, LIFE, and FORTUNE magazines and becoming internationally known as the go to guy for getting candid but memorably composed photographs. (His iconic images of Jack Nicholson and Anjelica Huston; Marcel Duchamp and Eve Babitz...

American stage actress, author, columnist, horsewoman, fashion designer, and socialite, C. Z. Guest, ( aka Mrs. Winston F. C. Guest, 1920 - 2003) with her personalized Ford Model T t...

Car crash at Woodhead is a black and white vintage photo, realized in 1962. The photo depicts a car that falls into a ravine at Woodhead, Cheshire. Mr. John Henry Jones, Labour Memb...

Stunning black and white image of Cher, posed barefoot, seated in a car doorway. Cher is an American singer, actress and television personality. Dubbed the "Goddess of Pop", she is ...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

Ted Williams Martin Luther King Motorcade, 1964 Silver gelatin print 16 x 20 inches Estate stamped and numbered edition with certificate of authenticity Dr. Martin Luther King waves to the crowds as he drives in a motorcade on the way to make a speech at the ‘Illinois Rally for Civil Rights’ at Soldier Field in Chicago, IL, US, June 21, 1964. Ted Williams (1925-2009) first heard jazz on the radio as a youngster in the 1930s in Wichita, Kansas. The sounds of Earl Hines, Duke Ellington and Cab...

Video Game Arcade, 1988 From a 6cm x 4.5cm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 Artist Proofs Print size...

This stunning color action shot features American actor Steve McQueen. Often called "The King of Cool", whose "anti-hero" persona developed at the height of the counterculture of the...

Carlton Hotel, 1958 - White Hotel Architecture in Cannes on French Riviera by Slim Aarons 16" x 16" print on 16" x 20" paper. Limited Edition Estate Stamped Print. Edition of 150. P...

Open Car Door on Eldridge Street, 1987 From a 35mm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 Artist Proofs Pr...

Street Mechanic on Rivington Street, 1990 From a 6cm x 9cm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 Artist Pr...

Edition of 25 Signed and numbered in black ink on print margin. Signed, titled, dated, print date and misc. notations in pencil on print verso AVAILABLE SIZES: 11 x 14 in., Edition ...

Hand-tinted albumen print, 7 3/4 x 10 inches (195 x 252 mm), pasted onto a gold-edged board with caption hand-written in black ink.

Rita Hayworth was an American actress and dancer. She achieved fame during the 1940s as one of the era's top stars, appearing in a total of 61 films over 37 years. The press coined t...

New York Picnic (1959) Limited Estate Stamped (Photo By Slim Aarons) A chauffeur unpacks a picnic hamper from a Rolls Royce, against the New York skyline. 1952 Additional Info...

This black-and-white photograph captures the classic charm of San Francisco’s iconic cable cars. Taken in the 1960s, the image shows a boy hanging from the side of the cable car as i...

Jim Clark in action Lotus Zan voort Holland, 1962 Gelatin silver print Paper size: 16 x 20 in. Signed in black ink on print margin by Jesse Alexander About the Artist: Jesse Alexan...

Dolly Parton in Joelton, Tennessee, 1997 by photographer Jim Herrington 17x22" Archival pigment print on baryta 315 gsm, acid-free, 100% cotton-fiber paper. Edition 75 Signed on re...

Circa 1955 in Hollywood, California: American actor and Hollywood icon Frank Sinatra poses with his 1955 'T-bird' Ford Thunderbird convertible sports car for a 1950's Ford Thunderbir...

Vintage silver print 10 x 8 inches, sheet size This artwork is offered by ClampArt, located in New York City. One of the most famous names in physique photography, Bruce Bellas (1909–1974)—best known under the pseudonym Bruce of Los Angeles—is remembered today as a pioneer of beefcake. Beginning in the 1940s and continuing until his death in the 1970s, Bruce of LA photographed...

Ted Williams Martin Luther King Motorcade, 1964 Silver gelatin print 16 x 20 inches Estate stamped and numbered edition with certificate of authent...

Rita Hayworth in bathing suit, posed pin-up style on boat wheel. Rita Hayworth was an American actress, dancer, and pin-up girl. She achieved fame in the 1940s as one of the top sta...

Francoise Hardy (1969) - Silver Gelatin Fibre Print (Photo by Reg Lancaster/Express/Getty Images) 1969: French singer, Francoise Hardy sitting on a m...

Vintage Photo. Batman and Robin on the set of the famous TV series of the 60s.

Farmers in Town (1939) Silver Gelatin Fibre Print - Oversized (Photo by Arthur Rothstein/Alamy) Farmers in town, Fairfield, Montana, USA, circa 1939. Additional Information: Un...

'Wendy Resting', from Richard Heeps 'Man's Ruin' Series. This contemporary portrait is part of a sequence of artworks photographing Wendy at the Rockabilly Weekender, Viva Las Vegas....

1969: French singer, Francoise Hardy sitting on a motorbike. (Photo by Reg Lancaster/Express/Getty Images) As an authorized Getty Images Gallery partner, we offer premium quality pr...

Color action shot of actress Raquel Welch fighting a mechanical bull. Racquel Welch is an American actress and singer. She first won attention for he...

'Private Dancer' Brigitte Bardot 1961 by Giancarlo Botti Wonderfully intimate shot of the French sex symbol and icon, Brigitte Bardot, on set of the film 'A Very Private Affair' w...

Signed in black ink on print margin by Jesse Alexander Paper size: 16 x 20 in. Image size: 11 3/4 x 17 1/4 in. Jesse Alexander was considered one of the greatest race car photograp...

Gelatin silver print Stamped and numbered, verso 11 x 14 inches, sheet 5 x 7 inches, image (Edition of 15) 16 x 20 inches, sheet 11.5 x 16 inches, image (Edition of 15) From the se...

This photograph features John F Kennedy sitting on the back of a convertible with US Representative George McGovern in what at first glance appears to be a parade route in South Dako...

Lucille Brown takes control of the Vespa scooter as her husband Louis Armstrong (1898 - 1971) displays his musical appreciation of the ancient Colosseum in Rome. Slim Aarons Jazz S...

Digital C-print Stamped and numbered, verso 20 x 24 inches (Edition of 10) 30 x 40 inches (Edition of 5) 50 x 60 inches (Edition of 3) This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Luke Smalley was an American artist known for his photographic work, which pairs a coolly minimalist aesthetic with a retro nostalgia. Images from his early in his career were inspired by fitness manuals and yearbooks c. 1910. This is not surprising since Smalley graduated with a degree in sports medicine from Pepperdine University and worked for a number of years as a model and personal trainer. Smalley shot the bulk of his photographs in his home state of Pennsylvania, using real high school athletes as models. “Exercise at Home” is Luke Smalley’s second major body of work. Shot in and around the tiny Pennsylvania town the artist called home, Smalley revisits themes of adolescent growing pains acted out under the guise of earnest athleticism. Teenagers engage in simple yet strange competitions meant to establish their standings amongst one another. Two youths practice boating safety...

Gelatin silver print Signed and numbered, verso 32 x 40 inches (Edition of 3) 20 x 24 inches (Edition of 15) 11 x 14 inches (Edition of 5) This photograph is offered by ClampArt,...

Ferrari Team, Pits, Monaco, 1960's Archival pigment print Paper size: 22 x 17 in., Image size: 19 x 12 1/2 in. Signed in black ink on print margin by Jesse Alexander Jesse Alexander...

John Albok Harlem (Three Cowboys), 1938 Vintage gelatin silver print, 9 1/2 x 7 1/2 in. Titled in pencil on mount margin. Signed and dated by John Albok in pencil, artist stamp in bl...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

No edition Gelatin silver print Paper size: 20 x 16 in., Image size: 15 x 15 in. Signed, titled and dated in pencil on print verso by Earlie Hudnall Earlie Hudnall, who is one of the most notable African American photographers...

Open Edition Signed by artist in black ink on print margin by Jesse Alexander Gelatin silver print, 11 x 14 in. Jesse Alexander is considered one of the greatest race car photogra...

Beautiful black and white capture of actor Rock Hudson spinning a lasso on the set of "Giant", 1955. Rock Hudson was an American actor. One of the most popular movie stars of his ti...

Ed. of 7, estate-stamped. Includes frame. Milton H. Greene was one of the earliest and best photographers working in the early days of color photography. Aside from his outstanding Marilyn Monroe images...

Duet (Till Death do us Part) - 2016 50x50cm, Edition of 10. Archival C- Print, based on the Polaroid. Certificate and signature label. Artist inventory number: 9441. Not mounted....

Woman on Bus, from the March on Washington, 1963 (printed later) by Leonard Freed, is a 11" x 14" gelatin silver print, signed and stamped on verso (back of photo) by the estate, Brigitte Freed (wife of the photographer). The photo is from Leonard Freed's series This Is the Day: The March on Washington and is on p. 81 of the book (Getty Museum, 2013). American photographer Leonard Freed enjoyed documentary storytelling and was a "concerned photographer" whose work demonstrated humanitarian concerns. Provenance: Freed archive. *** Artist’s Bio: Leonard Freed (1929-2006) was an American photographer from Brooklyn, New York. His "Black in White America" series made him known as a documentarian, a social documentary photographer. Freed worked as a freelance photographer from 1961 onwards and as a Magnum photographer Freed traveled widely abroad and, in the US, photographing African Americans (1964-65), events in Israel (1967-68, 1973), and the New York City police department (1972-79). Freed's coverage of the American civil rights...

 Car crash in via Appia, Rome is a black and white vintage photo, realized in 1960s. A great car crash in via Appia, Rome, claimed the lives of four people. Good conditions and age...

'Wendy Resting', from Richard Heeps 'Man's Ruin' Series. This contemporary portrait is part of a sequence of artworks photographing Wendy at the Rockabilly Weekender, Viva Las Vegas....

The crashed cars is a black and white vintage photo, realized in 1956. On their way to an evening party in connection with the Paediatric  Congress in Copenhagen, three doctors coll...

Terry O’Neill CBE is one of the world’s most collected photographers, with work hanging in national art galleries and private collections worldwide. From presidents to pop stars, he ...

1960's image of Elvis Presley, the King of Rock n' Roll at his castle in Graceland posing with his beautiful Rolls Royce. The photo is a later-generation example and is a re-strike t...

Kaiser Deluxe (1956) (Photo By Phillip Harrington) 1949 Kaiser Deluxe automobile. Additional Information: Unframed Paper Size: 16x20'' Printed Later About the Image: Kaiser Permanente is an American integrated managed care consortium, based in Oakland, California, United States, founded in 1945 by industrialist Henry J. Kaiser and physician Sidney Garfield. NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 10 x 12'' 12 x 16'' 16 x 20'' 20 x 24'' 20 x 30'' 30 x 40'' FRAMING AVAILABLE ON REQUEST About the Artist: Phillip A. Harrington was born in 1920 and grew up in Holland, Michigan. He developed an interest in photography at an early age, joining the high school camera club at 16. At the age of 19, Harrington moved to New York City to study at the Clarence. H. White school of photography, a prestigious institution with graduates such as Margaret Bourke-White, Dorothea Lange, Laura Gilpin...

Fisher Ross. Untitled, Image #5, ca. 1975-80. Offset print postcard format. 4.5 x 6.5 inches; 12 x 15 inches framed. Excellent condition. Photographs fr...

Frankie Avalon, the first and most successful of the teen idols from Philadelphia during the 1950s and 1960s. Unlike many of the others, Avalon could really sing. A fine photo of the...

Car Repair on Stanton Street, 1987 From a 6cm x 4.5cm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 Artist Proofs ...

Albert WATSON (*1942, Scotland) Ines De La Fressange in Chanel, Paris, 1985 1985 Archival pigment print Image 142 x 107 cm (55 7/8 x 42 1/8 in.) Edition of 10, plus 2 AP Print only...

New York Picnic - New York Champagne Picnic under New York Skyline at Sunset by Slim Aarons 16 x 16" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. New York Picnic is a beautiful Limited Edition Estate Stamped print from 20th Century photographer Slim Aarons. Please note that as part of the Estate's Premium Collection...

Shelley's '41 Plymouth, a classic American car photograph from Richard Heeps' Man's Ruin series. The California sunlight is stunning creating a beautiful range of colours as the car ...

This black and white film still features Clint Eastwood leaning against a car in his role for "The Beguiled". Clint Eastwood is an American actor, filmmaker, musician, and politicia...