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Diana BloomfieldPieces of March2018
2018
$1,200
£907.05
€1,042.36
CA$1,670.99
A$1,858.91
CHF 974.46
MX$22,715.44
NOK 12,408.59
SEK 11,680.97
DKK 7,780.85
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About the Item
9 x 12 inch images, matted at 16 x 20 inches, limited edition of 5, starting at $1,200
12 x 16 inch images matted at 20 x 24 inches, limited edition of 5, starting at $1,600
Each successive print in both editions increases by $100
Diana Bloomfield's photography looks and feels different than the majority of camera-based work today. Her labor-intensive tricolor gum bichromate technique, which requires precise registration and multiple layers of exposure to create each individual image, imbues her prints with a feeling of tactile object-hood. Her color palates range from muted earth tones, to bright flashes of yellows, greens, and blues, to delicate pastels and sepia tints. Documentary in spirit, and fluid in expression, the work feels like a gentle nod to the past in both process and subject matter. Bloomfield’s series "The Old Garden," features delicate images of various floral specimens from her own yard.
Bloomfield's Artist Statement:
For me, photographs are all about the past. Even when I photograph to make a statement about the present, or to comment on the future, the image itself-- the one I've just made simply by opening and closing a shutter-- is cemented in the past. When I look at photographs, no matter whose photographs they are, or when they were made, they inevitably conjure all sorts of memories. When I look at old photographs of my family, or even of myself, I am staring at tangible memories, often barely recognizing those people in the pictures looking back at me. And late at night, when I replay events that occurred earlier in my day, those events or conversations appear in my mind as a series of visual narratives, not all that clear or well-defined, and very much like half-remembered dreams.
To help me create images that echo those visual vignettes, I often use pinhole or toy cameras. Unusual perspectives, long exposures, and a sense of movement and fluidity are inherent with these particular cameras. Consequently, I am better able to achieve those visual narratives of fugitive dreams and elusive memories.
I choose to print in 19th century hand-applied printing processes. These antique printing techniques offer me creative freedom and infinite possibilities. They mesh well with my images, which are always interpretive. The repeated layerings and unintended mis-registration of the gum bichromate process, in particular, remove all the hard and clearly defined edges, resulting in softness and ambiguity-- much the way we see and remember . . .
- Creator:
- Creation Year:2018
- Dimensions:Height: 12 in (30.48 cm)Width: 9 in (22.86 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Sante Fe, NM
- Reference Number:1stDibs: LU13425180262
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