Plant Photography

The Hotel Punta Tragara on Capri, Italy, August 1974. Numbered and stamped by the Slim Aarons Estate. Certificate of Authenticity included. Slim Aarons Villa d'Este Chromogenic Lam...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Silver Gelatine Print by Erich Andres, ca 1960. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photographers, who used a Leica. His images today are displayed in several museums, for example in the Civil War Museum in Salamanca, Spain, the Olympic Museum in Lausanne, Switzerland, the Industrial Museum in Oberhausen, Germany. Andres was a contributor for Edward Steichens Exhibition "The family of man" at the Museum of Modern Art in New York in 1951. All works of Andres offered here on 1stdibs are originals, printed and annotated by the photographer himself. Description: Lake Powell...

22" x 17" edition of 7 + 2 AP $1,400 unframed 36" x 24" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

Winter Landscape, 2016, 40 x 40 cm, edition of 10, digital C-Print based on a Polaroid, hand-numbered and signed on the back by artist. unmounted Artist Statement “Since my childh...

In a world entrenched in societal division and ecological turmoil, it can be refreshing to step back and enjoy the quiet beauty of the natural world. Dallas photographer David H. Gib...

Albert WATSON (*1942, Scotland) Tree Fairy Glen, 2013 C-print Sheet 243 x 183 cm (95 5/8 x 72 in.) Edition of 3, plus 1 AP; Ed. no. 1/3 Print only Albert Watson was born 1942 in Ed...

Edition of 10. Fujicolour / DMEL: professional photo paper (from Kodak).

'Desert House Party' 1970 Slim Aarons Limited Estate Edition Print A poolside party at a desert house, designed by Richard Neutra for Edgar J. Kaufmann, in Palm Springs, January 19...

'Il Canille' 1980 Slim Aarons Limited Estate Edition Sunbathers lounge on the white-painted terrace of Il Canille, built into the rocks of Pizzolungo overlooking the waters off the...

Archival pigment print Signed and numbered, verso 30 x 41 inches 40 x 55 inches 48 x 65 inches (Total edition of 15) This artwork is offered by ClampArt, located in New York City. ...

Black and white fine art cityscape - landscape photography. Beautiful courtyard with plants and an old front door, Tuscany, Itlay. Archival pigment ink...

Tree of Life - 2017, Edition 3/7, 2 APs Based on an original Impossible film Digital C-print, not mounted. Signed on the back and with certificate. Artist inventory PL2017-797 Kirst...

Gelatin silver print (Edition of 15) Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. Mariette Pathy Allen has been photographing the trans...

'Il Canille' (Slim Aarons Estate Edition), Printed Later Sunbathers lounge on the white-painted terrace of Il Canille, built into the rocks of Pizzolungo overlooking the waters off ...

'Il Canille' (Slim Aarons Estate Edition) Sunbathers lounge on the white-painted terrace of Il Canille, built into the rocks of Pizzolungo overlooking the ...

Allan Forsyth GHOST FLOWER 2 Limited Edition Archival Chromagenic Photographic Print Edition 25 Size: H 100cm x W 100cm x D 2cm Diasec Framed

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editions on Ha...

Gelatin silver print Signed, titled, dated, and numbered in pencil, verso 13.5 x 11 inches, sheet 7 x 5 inches, image (Edition of 15) 24 x 20 inches, sheet 20 x 16 inches, image (Edition of 10) From the series, "Gymnasium" This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Luke Smalley was an American artist known for his photographic work, which pairs a coolly minimalist aesthetic with a retro nostalgia. Images from his early in his career were inspired by fitness manuals and yearbooks c. 1910. This is not surprising since Smalley graduated with a degree in sports medicine from Pepperdine University and worked for a number of years as a model and personal trainer. Smalley shot the bulk of his photographs in his home state of Pennsylvania. He used real high school...

Javier Rey photographs explores the physical structure and the possibilities of sculpture through photography. From Union Series Edition of 5 + 1AP

'Bahamian Hotel' 1973 Slim Aarons Limited Edition Estate Print- Oversize A hotel on the coast at Great Harbour Cay, Bahamas, March 1973. (Photo by Slim Aarons) C Print Produced ...

Slim Aarons Estate Print - Neo-Classical Pool Mrs T. Dennie Boardman and her children Samuel Jay and Sarah climbing the steps from the pool at the home of Boardman’s parents in Palm Beach, Florida, 1985. (Photo by Slim Aarons) Chromogenic print paper size 10 x 12" inches / 25 x 30 cm unframed printed later edition size 150 only certificate of authenticity supplied numbered in ink & blind embossed stamped Slim Aarons signature on front Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. swimming pool fashion...

17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

The Gloaming 1 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size only from the Limited Edition of 7 + 2 Artist Proofs. This is print 6 from the ...

Archival pigment print Signed and inscribed in pencil, verso 16.5 x 23.25 inches, sheet 9 x 7.25 inches, images (each) (Total edition of 35 + 21 APs) This work is offered by ClampArt...

"Always You" Black & White Photography 32" x 24" in Ed. 1/7 by Aaron Mcpolin Medium: Archival Giclee Print Available sizes: Edition of 15 24 x 18 inch Edition of 7 32 x 24 inch Edi...

Offered Is A Beautiful Richard Scudder Original In Black And White “Crescent Beach, Washington” Hand Printed In The Darkroom From A Large Format Film Negative Onto The Highest Qu...

Ocho Rios Mr and Mrs John James stroll on their fifteen-acre estate that blossoms with half a million poinsettias, Ocho Rios, Jamaica, 1971. Gorgeous pr...

Slim Aarons Estate Print - Two-Tone Dress - Oversize A woman posing in a formal garden wearing a long, sleeveless, two-tone dress with a decorative bow at the waist, San Diego, Cali...

Gelatin silver print Signed, titled, dated, and numbered (11/25), verso 20 x 16 inches, sheet This photograph is offered by ClampArt, located in New York City.

Archival pigment print Signed and numbered, verso 18 x 24 inches (Edition of 10) 30 x 40 inches (Edition of 7) 45 x 60 inches (Edition of 3) This photograph is offered by ClampArt...

Onishi Tree Shadow and Clouds, Study 2, Hokkaido, Japan by Michael Kenna is a 8 x 8 inch* silver gelatin print, available in an edition of 25. *Please note: the measurements of this ...

Archival pigment print Signed and numbered, verso 40 x 52 inches 48 x 65 inches (Total edition of 15) This artwork is offered by ClampArt, located in New York City. Please note tha...

"Sequoia National Forest" is a stunning photograph of the base of a huge redwood tree in the forest surrounding Yosemite. Alfano photographs flora from a...

This is an archival pigment photograph by artist Paul Cava depicting a highly detailed autumn leaf in a minimalist arrangement on a textured background. It is printed on Hahnemuhle P...

Broqpa is the name of a small village in Nepal. Ziesook first learned of it from a TV documentary, The Last Empire. Ziesook was moved by what she learned about a small village locate...

Archival pigment print Signed, titled, numbered, and dated, verso 17 x 11 inches, sheet (Edition of 15) 22 x 17 inches, sheet (Edition of 15) This photograph is offered by ClampAr...

Slim Aarons Estate Stamped Edition Limited to 150 only Emily Smith Myers lazes on a rooftop surrounded by bougainvillea on Lamu Island, in the Lamu Archipelago of Kenya, February ...

Mexican film star Dolores Del Rio (1905 – 1983) swimming in Acapulco, Mexico, 1952. Gorgeous print measuring 20 x 20" inches / ca 51 x 51 cm’s paper ...

New York City Street by Fernando Natalici: Manhattan 1984. The simplicity & grace of a metal sign featuring a cowboy boot sways in the wind. The trees twist and bend around the boots...

Albert's Square is a limited edition photograph by Nancy C. Woodward. The is an archival print, 24x24, framed to 33x33. It is signed and numbered. It is filled with Gold, White and Brown colors. It is $1,600. This is an edition of 30. It was originally photographed in 2012. This is also available printed on Aluminum in a 30x30 size. Nancy C. Woodward is an award winning photographic and mixed media artist. Her shadow portraits...

Price is for UNFRAMED item The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This y...

Daniel Mansur In Paradisum #8, 2018 40 x 60 inches 100 x 150cm Also available in: 47 x 71 inches 120 x 180cm 60 x 88.5 inches 150 x 225 cm Edition of 6 copies overall Archiva...

This vintage silver gelatin print is signed in pencil on the front of the mount, with image number "6" in the lower left corner. Portfolio Two stamp with print #6 and set #A in red c...

'In Parallel’ Enter a world of serene simplicity and timeless beauty, encapsulated within the frame of a 4x5 analogue film photograph. This black and white fine art piece presents a...

This work is unique. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Arts...

Digital C-print Signed and numbered, verso 30 x 40 inches (Edition of 5) Chromogenic print Signed and numbered, verso 20 x 24 inches (Edition of 7) This photograph is offered by Cl...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. Belgian photog...

A color photograph of a blue and purple flower. Printed on 300gsm Archival Fine Art Paper. :: Photograph :: Color :: This piece comes with an official certificate of authenticity si...

A native Tennessean, Bill was born and raised in Memphis. A forty one year career in the Telecommunications field ended in Nashville with his retirement in 2007. With time on his han...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 5. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...

Bird and Hibiscus Cibachrome print, 1980 Signed and dated by the artist in pencil lower right (see photo) Deaccessed from the Reader's Digest Association Collection (#18717) with label (see photo) Purchased from Lieberman & Saul Gallery, between 1986 and 1993 when the name oif the gallery changed to Julie Saul Projects Very small edition Provenance: Lieberman & Saul Gallery, New Yokr, NY (until 1985) (label verso) Reader's Digest Association (label) Condition: Excellent Image size: 9-7/8 x 9-7/8" (25 x 25 cm.) Frame size: 20-1/2 x 16-1/2" Suzanne Camp Crosby Posted by FMoPA Apr 7, 2021 FMoPA In Focus 0 Suzanne Camp Crosby, Gasparilla Ship, 2004 In December of 2020 beloved Tampa photographer and educator Suzanne Camp Crosby died. She had taught generations of students at the Hillsborough Community College where she had been a professor of photography for 38 years. Camp Crosby had the prestigious honor of being the 2004 City of Tampa Photo Laureate and the exhibition resulting from that body of work, Suzanne Camp Crosby: 2004 Photo Laureate City of Tampa Public Art – Big Picture Project, was presented at the Tampa Museum of Art that same year. Other awards include a Southeast Artist Fellowship from the National Endowment for the Arts and Southeastern Center for Contemporary Art in 1978-79. Suzanne Camp Crosby, Paper Flowers, c. 1990 The Florida Museum of Photographic Arts (FMoPA) has gratefully accepted the task of helping to place the photographic archives of this beloved artist. This collection includes more than 725 photographs spanning her career of over 40 years. A broad selection of this work will be brought into the collection of FMoPA, with an exhibition to follow in the summer of 2022. Other institutions in the area are also considering simultaneous showings. University of Tampa student Alyssa R. Miller has signed on to help with the documenting and digitizing of this body of work. This will help make it possible to distribute photographs to other institutions, with limited works to be sold to help finance the efforts. Examples of her photography are already currently held in the collections of FMoPA, the Tampa Museum of Art (TMA), Los Angeles County Museum of Art, and the New Orleans Museum of Art, among many others. Three wonderful examples of her talent are currently on view at the TMA’s exhibition Her World in Focus: Women Photographers from the Permanent Collection, on view until June 27, 2021. Suzanne Camp Crosby, Doris Day at Clothesline, 1980 Camp Crosby’s solo exhibitions include Suzanne Camp Crosby: Kid City, 2009 at FMoPA, and multiple exhibitions at the HCC Galleries, where she eventually became the Program Manager for the Visual Art and Dance departments in addition to her teaching and exhibitions. She also taught and received her MFA at the University of South Florida in Tampa. Additional schools where she was an instructor include the University of Central Florida in Orlando, FL, and the St. Petersburg College, Clearwater campus. Camp Crosby specialized in creating thematically directed photographs, created by adding unexpected objects or people to mostly everyday scenes. Her artwork is often playful and witty. Early work included tender black and white compositions often using her children or friends to create evocative scenes. Later photographs brought in color and experimentation. Examples include the juxtaposition of life-sized 2-D paper doll cut-outs of 1950s movie stars to real-life mundane household settings, as well as a wide selection of other artificial items placed into real-life settings. As a visual storyteller, she continued to explore and experiment with ideas and themes throughout her lengthy career. Courtesy The FLORIDA MUSEUM of PHOTOGRAPHIC ARTS Suzanne’s artwork is in many permanent collections, including the Tampa Museum of Art, the USF Museum of Contemporary Art, the Orlando Museum of Art, the Polk Museum of Art, the Florida Museum of Photographic Arts, the Leepa-Rattner Museum of Art, the New Orleans Museum of Art, the Los Angeles County Museum of Art, Walt Disney World Corporation, Tropicana Corporate Collection, City Bank, Tampa Electric Company, Shriner’s Hospital, Tampa General Hospital, Hillsborough Community College, City of Tampa Public Art, City of Orlando Public Art, and the von Liebig Art Center. From ARTFORUM JULIE SAUL (1954–2022) Julie Saul, who through her long-running eponymous New York gallery did much to elevate contemporary photography within the art world, died February 4 in Tampa after a battle with a rare form of leukemia. Saul was known for her willingness to show an eclectic range of works in media ranging from painting to sculpture to video to ceramics by an equally diverse range of artists, but it was her eye for both traditional and avant-garde contemporary photography that cemented her reputation and that of her gallery, which she first established in 1986 in SoHo, then a frontier for the arts. Saul was born in Tampa on New Year’s Eve in 1954 to a father who was head of a sewn-products company and a housewife mother, a native New Yorker and volunteer docent whom Saul would later credit with introducing her to the arts. “Tampa had no museums, but she would take us to museums in New York,” she told the Tampa Bay Timesin 2003. “We had a house that wasn't filled with great art, but there were great reproductions and great art books.” In 1979, Saul moved to New York, obtaining her master’s degree from New York University’s Institute of Fine Arts in 1982. Four years later, with partner Nancy Lieberman, she opened Lieberman Saul Gallery at 155 Spring Street in SoHo, showing contemporary photography at a time when not many others were. “One thing that drew me to photography from the very beginning—and it still holds—is that photography is an affordable medium. Almost anybody can afford to collect photographs,” she told the Association of International Photography Art Dealers (AIPAD) in 2010. “Fundamentally, photography is a medium and what makes work great is the idea behind it and how well it’s executed.” Among the photographers whose work Saul championed are Nikolay Bakharev, Morton Bartlett, Eugene Bellocq, Andrew Bush, Sally Gall, Luigi Ghirri, Andrea Grützner, Sarah Anne Johnson, Adam Magyar, and Arne Svenson...

17 x 21 inches framed

Mid Century Modern Palm Springs Architecture. White Porsche Cabriolet 911 vintage Car photographed in Palm Desert. Archival Inkjet Print on Cotton Paper. Mid Century Modern Archit...

Daniel Mansur In Paradisum #8, 2018 47 x 71 inches 120 x 180cm Also available in: 40 x 60 inches 100 x 150cm 60 x 88.5 inches 150 x 225 cm Edition of 6 copies overall Archiva...

40 x 60 inches ed. of 10 $5,000 50 x 75 inches ed. of 5 $8,000 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentalit...

Edition 7 of 25 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin Rice. For decades, Robin has exhibited a wide variety of photographers at the gallery but never her own work. As the show’s title denotes, “It’s About Time.” The opening reception will be held on Wednesday, January 23rd from 6pm to 8pm. The exhibit runs through March 17, 2019. While her photography spans five decades and multiple continents, Rice maintains a cohesive, candid voice that carries throughout all of her work. Observing the world around her in a cinematic way, she possesses an uncanny ability to recognize and capture moments of beauty and the spontaneity of the human spirit. By evoking a wonderstruck sensibility, Rice expresses a deep-rooted love for both people and landscapes using her distinct bohemian style. In this salon-style retrospective, Rice uses an “old school” approach and shoots with her Nikon on Tri-X film. When creating her art, she insists, “the camera has a mind of its own.” The scenes captured in her photography are unedited and thus born purely from the magic of the in-camera composition. In the invitational image, “Tree Farm...