Abstract Prints

color serigraphy on paper, edited in 1970 limited edition signed in pencil by artist and numbered as: 169/190 in lower right paper size: 60 x 60 cm very good conditions, with strong ...

This abstract limited edition print by Teodora Guererra features a warm palette, with thin layers of warm grey and burnt sienna tones layered over top of one another. White is layere...

This work is from the series Formulation Articulation consisting of 127 original silkscreens, selected from forty years of Albers' study of the conceptual relationship between color ...

Bold abstract aquatint by Johnny Friedlaender (Polish-French, 1912-1992). Comprised of two main sections, this piece is full of detail and texture. The upper layer is a reddish tan, whereas the bottom layer is a rich brown. Geometrical shapes are arranged such that they almost form mirror images of each other, but vary enough to create interest and a sense of movement. Signed in the lower right corner. Numbered 56/350 in the lower left corner. Includes original certificate of authenticity. Presented in a new cream mat with foamcore backing. Mat size: 42"H x 32"W Paper size: 33.75"H x 24.5"W Johnny Friedlaender was a leading 20th century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Johnny Gotthard Friedlaender was born in Pless (Silesia) and his early studies were in Breslau under Otto Mueller. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L 'Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived against poor odds. After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In the year 1947, he produced the work Reves Cosmiques, and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Stael and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950. Friedlaender expanded his geographic scope in 1951, and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968, Friedlaender was travelling to Puerto Rico, New York and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth century artists. From his atelier in Paris Friedlaender instructed younger artists who themselves went on to become noteworthy, among them Arthur Luiz Piza, Brigitte Coudrain, Rene Carcan...

Etching, 1968 Handsigned by the artist in pencil and numbered 15/50 Publisher : Galerie Louise Leiris (Paris) Catalog : Bloch 1804 32.50 cm. x 41.00 cm. 12.8 in. x 16.14 in. (paper)...

A very good impression of this color screenprint on white wove paper. Artist's proof, aside from the edition of 75. Signed and inscribed "A.P." in pencil by Stamos. Printed by Kelpra...

Stencil, 1962 After Georges Braque Handsigned by the artist in pencil and numbered 3/75 Publisher : Editions Parler (Grenoble) Catalog : Vallier p. 300 26.00 cm. x 37.00 cm. 10.24 i...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Blue, orange, and yellow abstract impressionist landscape by Houston, TX artist Henri Gadbois. The painting depicts a sunset with blue and orange skies in a mountainous landscape. Si...

A detailed abstract geometric print by David Shapiro featuring a blend of aquatint and etching methods on Sekishu, a type of handmade Japanese paper. One half of the composition feat...

Medium: lithograph (after the gouache). Printed in 1992 by l'Imprimerie Karcher and published by Nouvelles Editions Seguier in an edition of 1000 for the Sol LeWitt "Black Gouaches" ...

Medium: lithograph (after the gouache). Printed in 1992 by l'Imprimerie Karcher and published by Nouvelles Editions Seguier in an edition of 1000 for the Sol LeWitt "Black Gouaches" ...

Casa de Dios, 2011 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. (Unframed) His work has been show...

Michael Challenger Heaven Forbid - 1979 Print - Silkscreen 17.5'' x 25'' Edition: Signed in pencil, titled, dated and marked 291/300 Challenger's w...

A color abstract geometric composition titled "From Color to Form" IV, executed in 1969, by the celebrated Italian artist Marino Marini (1901-1980). Marini was mainly a sculptor, he ...

Abstract composition is an original colored etching realized by Hsiao Chin in 1977. The artwork is hand-signed and dated in pencil on the lower right. Numbered on the lower left. ...

Red Arrows is a colored screen print realized by the contemporary artist Giulio Turcato in 1973. Hand-signed in pencil on the lower right. Numbered on the ...

Composition is an original Screenprint realized by Gianni Bertini in the 1980s. Good conditions. Handsigned and numbered. edition, 4/XXX. The artwork...

Yellow, green, and blue geometric abstract lithograph by Israeli artist Ilan Hasson. The piece depicts the tower of babel made with various building shapes with metallic details. The...

Richard Hunt untitled lithograph 1978. Number 20 from an edition of 50, measuring 15 by 22.5 inches. This print has been professionally matted.

The painting is available as a print in limited edition of 10. It is printed on archival quality, acid-free, 100% cotton 270 gsm paper with no optical brighteners. Pigments used in ...

Joan Miró Lithograph 1973 from Derriere Le Miroir: Off-set lithograph in colors circa 1973. 15x22 inches. Very good overall vintage condition; contains a light center fold-line as o...

Joan Miro - Plate 8, from Lézard aux plumes d'or - Original Handsigned Lithograph Year: 1967 Handsigned in pencil Edition: 100 numbered in Arabic numbers, plus 20 in Roman numerals ...

Artist: Alexander Calder Title: Plate 1 Portfolio: Derriere le Miroir #173 Medium: Lithograph Year: 1968 Edition: Unnumbered Frame Size: 21 1/4" x 17 1/4" Sheet Size: 15" x 11" Image...

Abstract composition is an original screen print realized by Carlo Lorenzetti in 1969. Editor Segnapassi Pesaro. hand-signed. Numbered, Edition, 45...

Figure and Creek Please note that insitu images are purely an indication of how a piece may look Figure and Creek is a unique contemporary print by Graham Fransella. The warm orange...

"This work was created with two separate entities that play against each other, in real and illusionary space, thus combining two separate realms that come together and play with one...

Halley is a colored screen print on Fabriano watermarked paper, realized in the 1970s by the Italian artist Wladimiro Tulli , published by Euromuseum Editore, a publishing house in A...

New Complete Abandon 1944 Softground etching on paper Ed. Edition of 425; Estate stamped verso 7 x 5 inches

Etching and aquatint, 1970 Handsigned by the artist in pencil and numbered 33/75 Publisher : Las estampas de la cometa (Gustavo Gili), Barcelone Printer : Ed...

Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. (Unframed) His work has been shown in Reina Sofía M...

Le Pigeon... is an excellent contemporary artwork realized by Renée Lubarow (b.1923) in 1978. Original colored etching on paper. Image Dimensions: 17 x 17 cm. Hand-signed in penc...

A detailed abstract geometric print by David Shapiro featuring a blend of aquatint and etching methods on Sekishu, a type of handmade Japanese paper. One half of the composition feat...

untitled (blue) screenprint, embossment, and dye resist 1976 number 3 from an edition of 25

This is a digital artwork, printed by White Wall on an Ultra HD photo of Albon Dibond. This is one of the most professional and highest museum quality printing in the world. This ...

untitled (orange) screenprint, embossment, and dye resist 1976 number 3 from an edition of 25

Artist: John Hoyland – British (1934-2011) Title: Brown Block on Pink Series: New York Suite Year: 1971 Medium: serigraph Image size: 36 x 26 inches Sh...

Artist: Alexander Calder Title: Plate 4 Portfolio: Derriere le Miroir #173 Medium: Lithograph Date: 1968 Edition: Unnumbered Sheet Size: 15" x 11" Image Size: 15" x 11" Signature: Un...

This work is from the series Formulation Articulation consisting of 127 original silkscreens, selected from forty years of Albers' study of the conceptual relationship between color ...

Artist: Arthur Boden, American Title: Seasons 5 Year: 1974 Medium: Screenprint, signed and numbered in pencil Edition: 75 Size: 25 in. x 24 in. (63.5 cm x 60.96 cm)

Lithograph, 1978 Handsigned by the artist in pencil and numbered 350/400 Publisher : Galerie Ernst Beyeler, Bâle 34.00 cm. x 29.00 cm. 13.39 in. x 11.42 in. (paper) 23.00 cm. x 18.0...

Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. (Unframed) His work has been shown in Reina Sofía M...

Untitled, from ‘The International Association of Art Portfolio’ By Max Bill Medium - Screen print Edition - 3/25 Signed - Yes Size - 640mm x 460mm Date...

PTE Singularities - 003 (abstract, minimalism) Year: 2023 Archivel Inkjet Print on Semi-Gloss Hahnemühle Baryta Photo Rag Size: 16x20in Framed: 17x21x1.5in (simple white frame made f...

Tony Jannetti Second Emergence, Perfect Pattern Of Life, 1971 Silkscreen on wove paper with deckled edges Pencil signed, titled, dated and numbered 22/35 on...

La prière bleue - Fine art print. Fine art reproduction with this premium textured fine art paper, 300g/m², reminiscent of traditional watercolour papers. This acid free, cold pr...

David Morris Stratus Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 92480...

Wassily Kandinsky - Composition #218 (Two Ovals) 1919 Lithograph in colors on Arches paper, 1990 Paper size 30" x 24" inches Image size 24" x 20" inches Marked in pencil P.P. (Printe...

Signed, titled and numbered from the edition of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. They reflect t...

This contemporary limited edition print by Teodora Guererra features a colorful palette with white, muted orange, green, and varying blue tones layered in light, vertical strokes tog...

Lithograph, 1961 Handsigned by the artist in pencil and annotated EA Edition : 125 Publisher : L'Oeuvre Gravée (Paris) 65.00 cm. x 50.00 cm. 25.59 in. x 19.69 in. (paper) 50.00 cm. ...

Bianchi e Neri II (Acetates) - Plate B is a print realized using different techniques, and hand-signed in pencil on the lower right margin by Alberto Burri . Hand-numbered in pencil on the lower left. Edition 17/90. The whole edition includes 90 prints plus 15 out of commerce Artist's Proofs in Roman Numerals. Very good condition. The work is part of the "Black and white" folder that Alberto Burri realised in 1969, using an elaborate mix of techniques, such as lithography, chalcography and acetate collage. This six etching portfolio...

untitled (red) screenprint, embossment, and dye resist 1976 number 3 from an edition of 25

PTE Singularities - 002 (abstract, minimalism) Year: 2023 Archivel Inkjet Print on Semi-Gloss Hahnemühle Baryta Photo Rag Size: 16x20in Edition: 15 Signed, numbered, dated and inscri...

Accordeoniste 1949 Etching Ed. E.A. 19 x 15 inches

Signe personnage 1990 Etching Ed. E.A. 19 x 15 inches

Fred Alfred Theophil Fathwinter Untitled Abstract Composition Monotype (mounted) Year: 1968 Signed, dated and titled by hand Size: 10.8×3.7in on 16.9×12.0in COA provided Ref.: 924802-1186 Fathwinter, artist name for Franz Alfred Theophil Winter (May 23, 1906 in Mainz, † June 27, 1974 in Düsseldorf), was an artist of the Informel. From 1924 to 1927 he studied at the State School for Arts and Crafts in Mainz and in 1929/30 in evening classes at the Städelschule in Frankfurt am Main. During the National Socialist period he was banned from exhibiting. His evacuation to Murnau in 1942 led to a closer acquaintance with Gabriele Münter...

Richard Paul Lohse Group of eight complementary squares with four rectangles (Gruppe von acht komplementären Quadrat Mit vier Rechtecken), 1976 Colo...