Abstract Prints

Serigraph in colors on wove paper. Hand signed and numbered by Victor Vasarely. From the edition of 250. Image size 26 x 26 inches. Sheet size 34.5 x 30 inches. Frame size approx 40 x 37 inches. Additional images available upon request. Certificate of authenticity included. Artwork in excellent condition. All reasonable offers will be considered. About the Artist: Victor Vasarely ((French/Hungarian, 1906–1997) was credited as the grandfather and leader of the Op Art movement. Utilizing geometric shapes and colorful graphics, the artist created compelling illusions of spatial depth, as seen in his work Vega-Nor (1969). Vasarely’s method of painting borrowed from a range of influences, including Bauhaus design principles, Wassily Kandinsky, and Constructivism. Born Győző Vásárhelyi on April 9, 1906 in Pécs, Hungary, he briefly studied medicine, but after two years he dedicated himself to learn academic painting. In the late 1920s, Vasarely enrolled at the Muhely Academy in Budapest, where the syllabus was largely based on Walter Gropius’s Bauhaus school in Germany. After settling in Paris in 1930, Vasarely worked in advertising agencies to support himself as a graphic artist while creating many works including Zebra (1937), which is considered by some to be one of the earliest examples of Op Art. The artist experimented in a style based in Surrealism and Abstract Expressionism during the 1940s, before arriving at his hallmark checkerboard paintings...

Victor Vasarely (1906 – 1997) Composition Cinétique Serigraph in colors on wove paper, 1970 29 x...

The 50th Anniversary of the League of Women Voters Screenprint Poster from 1970, designed by Richard Anuszkiewicz (1930 - 2020) printed in 1969,...

Artist: Yaacov Agam, Israeli (1928 - ) Title: I from Double Metamorphosis Series Year: 1980 Medium: Screenprint on Arches, signed and numbered in pencil Edition: 180 Image Size: 27.5...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Polarization Year: 1981 Medium: Screenprint, signed and numbered in pencil Edition: 150 Image Size: 18 x 25 inches Size: 22 x 29.5 ...

Julian Stanczak Blue Op Art Screen Print screenprint Pencil signed (lower right) edition numbered 20/165, measures 28" x 28". Julian Stanczak American/Polish, 1928-2017. Julian Stanczak explores the visual, psychological, and emotional resonance of color in his Op art paintings, through which he aims to induce a “color meltdown,” as he describes: “I want to fuse many colorants and their gradations into a single color experience.” Influenced by Josef Albers and Russian Suprematism...

Victor Vasarely (Hungarian 1908 - 1997) Editions du Griffon, Neuchâtel, Switzerland 15 ⅝" x 15 ⅝ sight size "Koska-Rev", 1974. Heliogravure, no sig...

Julio Le Parc (1928) "Genesis Americana #2" 1982, Pochoir on Fabriano "Murillo" paper of 360 grams25.6 x 19.7 in (65 x 50 cm). Ed 69/92.

Artist: (after) Bridget Riley (English, 1931-) Title: "Hayward Gallery (Blaze 4)" Year: 1992 Medium: Original Screenprint, Exhibition Poster on heavy wove paper Limited edition: Unkn...

Abstract composition in purple is an screen print realized by Victor Debach in 1970s. 50x70 cm. Edition 14/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Sideways, 2011 Bridget Riley Screenprint in colours, on Fabriano 5 wove Signed, titled, dated and numbered from the edition of 250 Printed by Artizan Editions, Hove Image: 29 × 17 c...

Yaacov Agam, Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you ...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...

Richard Anuszkiewicz (American, 1930-2020) Red with Green, 1990 Silkscreen on paper Signed and dated lower right, numbered 8/20 lower left 13.75 x 14.25 inches 23.75 x 24 inches, framed Richard Anuszkiewicz was born in Erie, Pennsylvania to Polish immigrants. While at the Cleveland Institute of Art, he studied plein-air painting with Henry Hensche. After winning a Pulitzer Traveling Fellowship in 1953, Anuszkiewicz attended Yale University where he studied under Josef Albers. While at Yale he studied alongside fellow Cleveland Op artist Julian Stanczak. After receiving his M.F.A. at Yale, Anuszkiewicz went on to Kent State University where he graduated with a Bachelor of Science in Education. At just age 23, his work was exhibited at the May Show at the Cleveland Institute of Art. He was given his first solo show in March 1960 in New York. Because of his early success, Anuszkiewicz had the freedom to pursue his ideas creatively. Anuszkiewicz was one of the leading artists of the Op Art movement during the 1960s and 1970s. His style is distinctive for its high-intensity colors that he applies to geometric configurations. Many of Anuszkiewicz works are reminiscent of Josef Albers paintings...

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 23/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Abstract composition in purple in an original screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 18/100 Handsigned in pencil on the right lower margin. Excell...

Signed and numbered lithograph by Julio Le Parc. This edition has been done in 2018. Item is new, sold by the publisher. Available without frame. Ask for more detail. Technic : Lit...

Abstract composition in purple in an original screenprint realized by Victor Debach in 1970s. 50x70 cm. Numbered edition. Handsigned in pencil on the right lower margin. Excelle...

Abstract composition in purple in a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 16/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 15/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 7/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Edition on hand is HC 2/3. Printed at Graphicstudio in Florida, this combination print by Richard Anuszkiewicz was printed with a set of two other editions in 1991. This work is comp...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 11/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 22/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Artist: Helen Thomas Title: Transformation Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 150 Paper Size: 22 x 28 inches

Inward Eye 9 Richard Anuszkiewicz, American (1930–2020) Date: 1970 Screenprint, signed and numbered in pencil Edition of 34/100 Size: 25.5 x 19.75 in. (64.77 x 50.17 cm) Printer: Dom...

Skylight XXXIII Evelyn B. Johnson Date: 1982 Screenprint, signed, numbered, dated and titled in pencil Edition of 18/25 Image Size: 35 x 28 inches Size: 42 x 30 in. (106.68 x 76.2 cm)

Carnival, 2000 Bridget Riley Sscreenprint in colours, on wove paper Signed, dated, titled and numbered from the edition of 75 (plus 10 artist's proof) Printed and published by Artiz...

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 21/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Frieze, 2000 Bridget Riley Screenprint in colours, on wove paper Signed, dated, titled and numbered from the edition of 200 (plus 20 artist's proof) Printed by Sally Gimson Artizan ...

Untitled [La Lune en Rodage - Carlo Belloli], 1965 Bridget Riley Screenprint, on wove paper Signed, dated and numbered from the edition of 200 (plus 10 artist's proofs) Printed by K...

Neptune, from Eight Impressions. Serigraph in colors on wove paper. Hand signed and numbered by Victor Vasarely. Un-numbered (outside the hand numbered edition of 250). Image size 16 x 16 inches. Sheet size 24.37 x 19.25 inches. Frame size approx 26.5 x 25.5 inches. Additional images available upon request. Certificate of authenticity included. Artwork in excellent condition. All reasonable offers will be considered. About the Artist: Victor Vasarely ((French/Hungarian, 1906–1997) was credited as the grandfather and leader of the Op Art movement. Utilizing geometric shapes and colorful graphics, the artist created compelling illusions of spatial depth, as seen in his work Vega-Nor (1969). Vasarely’s method of painting borrowed from a range of influences, including Bauhaus design principles, Wassily Kandinsky, and Constructivism. Born Győző Vásárhelyi on April 9, 1906 in Pécs, Hungary, he briefly studied medicine, but after two years he dedicated himself to learn academic painting. In the late 1920s, Vasarely enrolled at the Muhely Academy in Budapest, where the syllabus was largely based on Walter Gropius’s Bauhaus school in Germany. After settling in Paris in 1930, Vasarely worked in advertising agencies to support himself as a graphic artist while creating many works including Zebra (1937), which is considered by some to be one of the earliest examples of Op Art. The artist experimented in a style based in Surrealism and Abstract Expressionism during the 1940s, before arriving at his hallmark checkerboard paintings...

The Agamograph is Yaacov Agam’s unique contribution to the OP Art movement. The object is a print behind a lenticular surface that fools the eye to show movement and three-dimensional depth. The “Yellow Abstraction” is hand-signed and numbered in marker by the artist. Yellow Abstraction Yaacov Agam, Israeli (1928) Date: circa 1980 Agamograph, signed and numbered in marker Edition of 39...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. Edition 20/100. Handsigned in pencil on the right lower margin. Excellent conditions.

Yaacov Agam Israeli (b. 1928) Hommage aux Prix Nobel (1974) Serigraph signed lower right, numbered 85/100 sheet: 22 x 29 3/4 inches frame dimensions: 28 x 35 1/2 x 1 inches, wood fra...

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 19/100. Handsigned in pencil on the right lower margin. Excellent conditions.

JEAN DUBUFFET 1901-1985 (Philippe-Arthur) 1901 Le Havre - Paris 1985 (French) Title: Galloping Race, from: Fables Course la galope: Fables, 1976 Technique: Original Hand Signed, D...

Serigraph in colors on wove paper. Hand signed and numbered by Victor Vasarely. From the edition of 250. Image size 23.25 x 30.25 inches. Sheet size 31 x 37.25 inches. Frame size approx 36 x 42 inches. Additional images available upon request. Certificate of authenticity included. Artwork in excellent condition. All reasonable offers will be considered. About the Artist: Victor Vasarely ((French/Hungarian, 1906–1997) was credited as the grandfather and leader of the Op Art movement. Utilizing geometric shapes and colorful graphics, the artist created compelling illusions of spatial depth, as seen in his work Vega-Nor (1969). Vasarely’s method of painting borrowed from a range of influences, including Bauhaus design principles, Wassily Kandinsky, and Constructivism. Born Győző Vásárhelyi on April 9, 1906 in Pécs, Hungary, he briefly studied medicine, but after two years he dedicated himself to learn academic painting. In the late 1920s, Vasarely enrolled at the Muhely Academy in Budapest, where the syllabus was largely based on Walter Gropius’s Bauhaus school in Germany. After settling in Paris in 1930, Vasarely worked in advertising agencies to support himself as a graphic artist while creating many works including Zebra (1937), which is considered by some to be one of the earliest examples of Op Art. The artist experimented in a style based in Surrealism and Abstract Expressionism during the 1940s, before arriving at his hallmark checkerboard paintings...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you request. sheet: 13.5 X 13.5 inches Some of these works have beautiful Hebrew calligraphy and mod imagery, animals, children and such that are not usually found in his work. This is a masterpiece of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best known artists internationally. Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back six generations to the founder of the Chabad movement in Judaism. in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus. Yaakov Agam has been associated h with “abstract” artists, “hard edge” artists, and artists such as Josef Albers and Max Bill. Others find in Agam’s work an indebtedness to the masters of the Bauhaus. Agam’s approach to art, being conceptual in nature, has been likened to Marcel Duchamp’s, who expressed the need to put art “at the service of the spirit.” And, because of Agam’s employment of color and motion in his art, he has been compared to Alexander Calder, the artist who put sculpture into motion. (Motion is not an end, but a means for Agam. Calder’s mobiles are structures that are fixed, revolving at the whim of the wind. In a work by Agam, the viewer must intervene.) Agam has also been classified as an “op art” artist because he excels in playing with our visual sensitivities. Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. Josef Albers, Richard Anuszkiewicz. The show confirmed Vasarely's international reputation as the father of Op art. Agam has sought to express his ideas in a non-static form of art. In his abstract Kinetic works, which range from paintings and graphics to sculptural installations and building facades. Agam continually seeks to explore new possibilities in form and color and to involve the viewer in all aspects of the artistic process. Thus, for the past 40 years, Yaacov Agam’s pioneering ideas have impacted developments in art, (painting, monoprint, lithograph and agamograph) architecture, theatre, and public sculpture. Reflecting both his Israeli Jewish...

A limited-edition serigraph from the Inward Eye portfolio. The work bears the publisher's stamp verso and is unsigned from the edition of 500. Artist: Richard Anuszkiewicz, American...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you request. sheet: 13.5 X 13.5 inches Some of these works have beautiful Hebrew calligraphy and mod imagery, animals and such that are not usually found in his work. This is a masterpiece of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best known artists internationally. Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back six generations to the founder of the Chabad movement in Judaism. in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus. Yaakov Agam has been associated h with “abstract” artists, “hard edge” artists, and artists such as Josef Albers and Max Bill. Others find in Agam’s work an indebtedness to the masters of the Bauhaus. Agam’s approach to art, being conceptual in nature, has been likened to Marcel Duchamp’s, who expressed the need to put art “at the service of the spirit.” And, because of Agam’s employment of color and motion in his art, he has been compared to Alexander Calder, the artist who put sculpture into motion. (Motion is not an end, but a means for Agam. Calder’s mobiles are structures that are fixed, revolving at the whim of the wind. In a work by Agam, the viewer must intervene.) Agam has also been classified as an “op art” artist because he excels in playing with our visual sensitivities. Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. Josef Albers, Richard Anuszkiewicz. The show confirmed Vasarely's international reputation as the father of Op art. Agam has sought to express his ideas in a non-static form of art. In his abstract Kinetic works, which range from paintings and graphics to sculptural installations and building facades. Agam continually seeks to explore new possibilities in form and color and to involve the viewer in all aspects of the artistic process. Thus, for the past 40 years, Yaacov Agam’s pioneering ideas have impacted developments in art, (painting, monoprint, lithograph and agamograph) architecture, theatre, and public sculpture. Reflecting both his Israeli Jewish...

Artist: Victor Vasarely (1908-1997) Title: TR-UR Year: 1980 Medium: Silkscreen on Arches paper Edition: 116/250, plus proofs Size: 39.25 x 30.75 inches Condition: Good Inscription: S...

Yellow Composition is an original screen print realized by Victor Debach in 1970s. Hand signed and numbered. Edition of 100 prints. On headed paper.

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you request. sheet: 13.5 X 13.5 inches Some of these works have beautiful Hebrew calligraphy and mod imagery, animals, children and such that are not usually found in his work. This is a masterpiece of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best known artists internationally. Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back six generations to the founder of the Chabad movement in Judaism. in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus. Yaakov Agam has been associated h with “abstract” artists, “hard edge” artists, and artists such as Josef Albers and Max Bill. Others find in Agam’s work an indebtedness to the masters of the Bauhaus. Agam’s approach to art, being conceptual in nature, has been likened to Marcel Duchamp’s, who expressed the need to put art “at the service of the spirit.” And, because of Agam’s employment of color and motion in his art, he has been compared to Alexander Calder, the artist who put sculpture into motion. (Motion is not an end, but a means for Agam. Calder’s mobiles are structures that are fixed, revolving at the whim of the wind. In a work by Agam, the viewer must intervene.) Agam has also been classified as an “op art” artist because he excels in playing with our visual sensitivities. Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. Josef Albers, Richard Anuszkiewicz. The show confirmed Vasarely's international reputation as the father of Op art. Agam has sought to express his ideas in a non-static form of art. In his abstract Kinetic works, which range from paintings and graphics to sculptural installations and building facades. Agam continually seeks to explore new possibilities in form and color and to involve the viewer in all aspects of the artistic process. Thus, for the past 40 years, Yaacov Agam’s pioneering ideas have impacted developments in art, (painting, monoprint, lithograph and agamograph) architecture, theatre, and public sculpture. Reflecting both his Israeli Jewish...

Optical green composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. ...

A geometric abstract print by Japanese artist Takaaki Matsumoto. World Takaaki Matsumoto, Japanese (1954) Date: 1991 Screenprint Edition of 54 Size: 24 x 24 in. (60.96 x 60.96 cm)

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...

A limited edition serigraph from the Inward Eye portfolio. The work bears the publishers stamp verso and is unsigned from the edition of 500. Artist: Richard Anuszkiewicz, American ...

Victor Vasarely (French-Hungarian, 1906-1997) Untitled, 1974 Hand-signed in pencil Screenprint 27 3/8 x 26 3/8 in 69.5 x 67.0 cm Ed. 250

Artist: Yaakov Agam (1928) Title: Stars Year: 1989 Medium: Silkscreen on Arches paper Edition: P.P. 3/14, 180, plus proofs Size: 26.5 x 19 inches Condition...

Abstract Green Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower ma...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you request. sheet: 13.5 X 13.5 inches Some of these works have beautiful Hebrew calligraphy and mod imagery, animals, children and such that are not usually found in his work. This is a masterpiece of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best known artists internationally. Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back six generations to the founder of the Chabad movement in Judaism. in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus. Yaakov Agam has been associated h with “abstract” artists, “hard edge” artists, and artists such as Josef Albers and Max Bill. Others find in Agam’s work an indebtedness to the masters of the Bauhaus. Agam’s approach to art, being conceptual in nature, has been likened to Marcel Duchamp’s, who expressed the need to put art “at the service of the spirit.” And, because of Agam’s employment of color and motion in his art, he has been compared to Alexander Calder, the artist who put sculpture into motion. (Motion is not an end, but a means for Agam. Calder’s mobiles are structures that are fixed, revolving at the whim of the wind. In a work by Agam, the viewer must intervene.) Agam has also been classified as an “op art” artist because he excels in playing with our visual sensitivities. Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. Josef Albers, Richard Anuszkiewicz. The show confirmed Vasarely's international reputation as the father of Op art. Agam has sought to express his ideas in a non-static form of art. In his abstract Kinetic works, which range from paintings and graphics to sculptural installations and building facades. Agam continually seeks to explore new possibilities in form and color and to involve the viewer in all aspects of the artistic process. Thus, for the past 40 years, Yaacov Agam’s pioneering ideas have impacted developments in art, (painting, monoprint, lithograph and agamograph) architecture, theatre, and public sculpture. Reflecting both his Israeli Jewish...

Hommage a Bach I. Original etching and aquatint, cca. 1980. Edition of 200 signed and numbered impressions on Arches paper. Victor Vasarely was a French painter of Hungarian origin. ...

Hommage a Bach II. Original etching and aquatint, cca. 1980. Victor Vasarely was a French painter of Hungarian origin. Influenced by Bauhaus design principles, Kandinsky's and Malev...

Blue Composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. Numbered o...