Abstract Prints

Original etching and aquatint, cca. 1980. Edition of 150 signed and numbered impressions on Arches paper. Victor Vasarely was a French painter of Hungarian origin. Influenced by Bauh...

Signed and numbered art print by Julio Le Parc from the series "ALCHIMIES" containing a poem by Julio Le Parc. Very Limited edition Print of only 12 copies ! Technic : Pigment print on pure Cotton paper 270gr. Format :30x42 cm Edition Size : 12 signed and numbered copies. This is number 4 from an edition of 12. OPTIONAL Frame : 32x44 cm white painted oak, plexiglass U.V. Proof for 200€. Julio Le Parc (born September 23, 1928) is an Argentina-born artist who focuses on both modern op art and kinetic art. He is a precursor of Kinetic Art and Op Art, founding member of Groupe de Recherche d’Art Visuel and recipient of the Grand Prize for Painting at the 33rd Venice Biennale in 1966, Julio Le Parc is a major figure in modern art history. Upon arriving in Paris in 1958 he connected with Jesús Rafael Soto and Carlos Cruz-Diez who were already in Paris. There they met Victor Vasarely, Georges...

Original color silkscreen, cca. 1980. Edition of 250 signed and numbered impressions on Arches paper. Victor Vasarely was a French painter of Hungarian origin. Influenced by Bauhaus ...

Technical Information: Julian Stanczak Median with Circles, from Variants 1970 Screenprint 28 3/4 x 28 3/4 in. Edition of 125 Pencil signed and numbered Accompanied with COA by Gre...

TECHNICAL INFORMATION: Victor Vasarely Koskota 1976 Silkscreen 24 1/2 x 24 1/2 in. 28/250 Pencil signed and numbered Condition: This work is in excellent condition. It has never be...

Step into the mesmerizing world of Bridget Riley's artistic brilliance with "Going Across," a captivating screenprint crafted as part of her renowned Lozenges series in 2001. Measuri...

This artwork titled "Thunder Bay" 1986 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 14/95 in penci...

An screen print poster by Josef Albers that advertises his 1972 Exhibition at the Metropolitan Museum of Art in New York City. The print features a minimalist, op art design made up...

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 24/100 Handsigned in pencil on the right lower margin. Excellent conditions.

This is a large hand signed serigraph silkscreen, pencil numbered in Roman numerals. biographical info: The son of a rabbi, Agam can trace his ancestry back six generations to the f...

Bridget Riley Print for The Chicago 8, from Conspiracy: The Artist as Witness (Schubert, 15), 1971 Silkscreen on 100% handmade rag paper Signed and numbered 110/150 and dated i1971 n graphite on the front also bears the printer's distinctive blind stamp Frame included: Work is elegantly floated and framed in a handmade white wood museum frame with Tru-vue Optium acrylic glazed plexi (the highest quality). Measurements: Framed: 25.75 inches vertical by 19.75 inches horizontal by 2 inches Artwork: 24 inches vertical by 18 inches horizontal This is one of the most celebrated and coveted silkscreens Bridget Riley ever made. Not too many Bridget Riley graphic works from this period are on the market. Original Op Art three color silkscreen on 100% handmade rag paper from the early 1970s -- the most desirable and collectible era -- by internationally renowned British abstract Op artist Bridget Riley, one of the leading artists of her generation - and one of the most bankable living female artists in the world. Hand signed, numbered and dated on the lower recto from the limited edition of 150. Also, the verso lower left features printed copyright stamp of the artist, with date: Copyright © 1971 and Bridget Riley Printer's distinctive blindstamp (Kelpra Studios London)with unique inventory number, verso lower right. Riley burst onto the international art scene in the mid Sixties, after being chosen to participate in the groundbreaking “Responsive Eye” exhibition at the Museum of Modern Art, alongside artists like Richard Anuszkiewicz, Yaacov Agam and Victor Vasarely - announcing the the ‘arrival’ of Op Art to the world. This stunning work was proofed under the supervision of the artist and printed by hand at Kelpra Studio Ltd., London, England. "Print for Chicago 8" was created for the legendary portfolio "CONSPIRACY: the Artist as Witness", to raise money for the legal defense of the Chicago 8 (who later became the Chicago 7) a group of anti...

Victor Vasarely Granat (Garnet) Negatif, 1967 3-D color painted and carved wood relief Hand signed in black ink on the Denise Rene label on the back (see photos), Edition 8/50 Catalo...

Felipe Pantone CHROMADYNA MICAP #1 Date of creation: 2020 Medium: Lithograph on paper Edition number: 24/30 Size: 75.5 x 55.5 cm Condition: New, in mint condition and never framed Li...

Yaacov Agam, Israeli (b. 1928) Hand signed, and numbered. Limited edition lenticular lens kinetic Agamograph Titled 'Sea Fathom'. Hand-signed and numbered edition 24/99, size of w...

Victor Vasarely Vega-Tuz Year: 1981 Medium: Color Lithograph Size: 23.0 x 16.0 in. Signed in in the stone COA provided Victor Vasarely (Hungarian-French, 1906-1997) is one of the founding fathers of the Op-Art movement in Europe. His brightly colored optical patterns introduced a visually kinetic aspect to the traditionally flat paintings of his generation. Vasarely originally planned on becoming a doctor, however he abandoned medicine to follow his passion in the arts and enrolled at Sandor Bortnyik's private art school called Muhely, at the time widely recognized as Budapest's centre of Bauhaus studies...

A colorful OP Art silkscreen by Poland-born American OP Artist, Julian Stanczak. Artist: Julian Stanczak, American (1928 - 2017) Title: Compounded Red Year: 1981 Medium: Screenpri...

Felipe Pantone - SUBTRACTIVE VARIABILITY P 4 Date of creation: 2020 Medium: Lithograph on paper Edition: 30 Size: 100 x 70 cm Condition: New, in mint condition and never framed Litho...

Artist: Jurgen Peters, German (1936 - ) Title: Rainbow Waves Year: 1981 Medium: Screenprint, signed and numbered in pencil Edition: 250, AP 30 Image Size: 18.5 x 34 inches Size...

Screen print. Produced in 2007. Edition of 75. Hand signed, titled, dated and numbered in pencil by Bridget Riley. Printed by Artizan Editions, Hove. Schubert 65.

Felipe Pantone - CHROMADYNAMICA30P Date of creation: 2022 Medium: Giclée on Archival cold press cotton rag 300gsm Edition: 200 Size: 70 x 50 cm Condition: In mint conditions, brand n...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Homage to the Cross II Year: circa 1970 Medium: Serigraph, signed and numbered in pencil Edition: 100 Image Size: 17 x 17 inches Si...

Günter Fruhtrunk (German, 1923-1982) Quadrat und Kreis, 1959 Medium: Screenprint on card Dimensions: 57 x 85.5 cm Edition of 25: Hand-signed in pencil (on verso), not numbered Catalo...

Artist: James Norman, American (1927 - 2011) Title: Fall Year: 1981 Medium: Screenprint, signed and numbered in pencil Edition: 34/50 Image Size: 22 x 32 inches Size: 25 x 38 in. (63...

Artist: James Norman, American (1927 - 2011) Title: Winter Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 40/50 Image Size: 22 x 32 inches Size: 25 x 38 in. (...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Thermal Inversion Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 140 Image Size: 18 x 25 inches Size: 22 x 29...

Artist: Kyohei Inukai, American (1913 - 1985) Title: Spiral Year: circa 1970 Medium: Silkscreen, signed and numbered in pencil Edition: 50 Image Size: 21.5 x 25.5 inches Size: 23 x 2...

Harlequin by Victor Vasarely, Hungarian (1908–1997) Date: circa 1980 Screenprint, signed and numbered in pencil Edition of 78/250 Image Size: 25.75 x 16 inches Size: 30.5 x 19.75 in....

Artist: James Norman, American (1927 - 2011) Title: Oscillation I Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 35/95 Image Size: 10 x 33 inches Size: 25 x 3...

Felipe Pantone CHROMADYNA MICAP #4 Date of creation: 2020 Medium: Lithograph on paper Edition number: 24/30 Size: 75.5 x 55.5 cm Condition: New, in mint condition and never framed Li...

Original Edition Heliogravure on archival paper. Excellent condition; never framed or matted. Notes: Extracted from the folio, Progressions III, 1972. Published and printed by Éditi...

After Bridget Riley Bridget Riley Works 1959-1978: A Major Retrospective Exhibition, 1978 in collaboration with five international museums Published by the Fine Arts Council UK Offs...

Artist: James Norman, American (1927 - 2011) Title: Oscillation II Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 38/95 Image Size: 10 x 32 inches Size: 25 x ...

Artist: James Norman, American (1927 - 2011) Title: Summer Year: 1981 Medium: Screenprint, signed and numbered in pencil Edition: 39/50 Image Size: 22 x 32 inches Size: 25 x 38 in. (...

Artist: James Norman, American (1927 - 2011) Title: Spectral Image IV Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 67/95 Image Size: 7 x 36 inches Size: 25 ...

Henry Pearson FACE, from Portfolio 9, 1964 Color lithograph with deckled edges Signed, titled, and numbered 84/100 in graphite pencil on the front; with publishers' blind stamp 17 1/2 × 22 1/10 inches Publisher Irwin Hollander, with blindstamp Hand Signed and Numbered 84/100 with Irwin Hollander (printer) Blindstamp Unframed Henry Pearson's iconic Pop Art lithograph "Face" from the mid-Sixties is in the permanent Collection of the Museum of Modern Art as well as other public institutions. This Classic Sixties psychedelic designed Op Art lithograph was created as part of the legendary 'Portfolio 9' in 1967 - one of the most influential eras in 20th century art. It was housed in a gray cloth-colored box with maroon paper inner panels and a large maroon "9" designed by Richard Lindner on the cover. Portfolio 9 featured nine of the most important artists of the era, representative of the three major trends: Pop Art, Minimalism and Abstract Expressionism: Roy Lichtenstein, Saul Steinberg, Richard Lindner, Robert Motherwell, Henry Pearson, Louise Nevelson, Sam Francis, Willem de Kooning- and Ellsworth Kelly. The Introduction to the portfolio was written by Una E. Johnson, Curator of Prints & Drawings, The Brooklyn Museum. Johnson wrote in 1967 for the colophon page: "The artists were selected to demonstrate the great diversity and character of lithography in the United States today... the dialogue of diverse forms and many faceted idioms that compose this graphic journal mirror the eloquence and delight the strengths and caprices of a period. Furthermore, they reflect in fine measure the creative achievements of artists attuned to their time." The lithograph offered here has superb provenance: it comes directly from 'Portfolio 9', numbered 84/100. This is the very first time since 1967 that this hand signed & numbered print will be separated from the original portfolio presentation box. According to the description of this print in the catalogue raisonne, "Organized as a celebration of Irwin Hollander's collaboration with American artists working in the medium of lithography, the Portfolio 9 is a compendium of images by nine of Hollander's artist collaborators. Henry Pearson Biography: Henry Pearson was born in Kinston, North Carolina in 1914. He studied art at the University of North Carolina where he received his B. A. and later at Yale University where he received an M. F. A. Pearson spent over eleven years in the army during and after WWII. On one tour of duty in Japan he was assigned to interpret topographical maps due to his past training in Theatrical Set Design. He returned to Japan on another tour after the war in order to immerse himself more fully in the culture. Pearson returned to the United States in 1953 and enrolled at the Art Students League in New York where he studied with Reginald Marsh. The Op-Art Movement was beginning to gain popularity and Pearson...

Introducing a stunning Op-Art tapestry titled C.T.A 102, meticulously designed by the visionary artist Victor Vasarely (1908-1987) and expertly crafted at the esteemed Atelier Tabar...

Fold, 2004 Bridget Riley Screenprint in colours, plus white under print on Fabriano 5 paper Signed, titled, dated and numbered from the edition of 250 Published by Ridinghouse, Lond...

Artist: Richard Anuszkiewicz, American (1930 - ) Title: Sun Keyed Year: 1972 Medium: Screenprint (unsigned) Edition: 3000 Image Size: 12 x 14 inches Size:...

Original Edition Heliogravure on mylar and paperboard. Excellent condition with publisher’s text on verso, as issued; never framed or matted. Unsigned and unnumbered, as issued. Not...

This dynamic work was realized by the esteemed 20th Century modern artist Mon Levinson in 1964. The work was realized in 1964, and printed in 1965 by Chiron Press in New York- the same year that Levinson was included in the seminal Op-Art exhibition "The Responsive Eye", alongside contemporary luminaries such as Bridget Riley. An identical work from this edition resides in the permanent collection of the New York MoMA. This mixed media work consists of an translucent vinyl sheet layered over a print- part etching, part lithograph. The clear vinyl sheet is embossed with a tight pattern of sinuously curved repeating black lines and is subtly raised in places- creating a subtle three dimensionality and dynamic sense of movement. The paper is inscribed with the same recurring pattern of snaking black lines, like a fine filigree, with two weighty black geometric forms that appear to crowd the composition. Smaller geometric forms reside within creating the apparition of negative space in the bone hued paper. The juxtaposition of the delicate texture and colossal feeling forms imbues the piece with a stunning dynamism and tension, helping to explain why Levinson is among the most influential and important artist to come out of the Op Art movement. His work is in the permanent collections of important institutions around the world including the Museum of Modern Art as well as the Whitney Museum of American Art in New York. Signed by the artist and marked 18/200. The work comes presented in a custom walnut and white gilt frame...

Original Edition Heliogravure on mylar and paperboard. Excellent condition with publisher’s text on verso, as issued; never framed or matted. Unsigned and unnumbered, as issued. Not...

Richard Anuszkiewicz The Paris Review, 1965 Silkscreen on Beckett 90 lb. Hi-White paper with vellum finish 31 × 26 inches Edition 23/150 Signed lower left; dated and numbered lower r...

Original Edition Gelatin Print on archival paper. Excellent condition with publisher’s text on verso, as issued; never framed or matted. Unsigned and unnumbered, as issued. Referenc...

Victor Vasarely Saeule HK (Detail), 1967 Silkscreen on thick glazed paper (after a painting from 1964) Image Size: 10.4 x 4.7 in. Sheet size: 10.6 x 10.6 in. Unsigned as issued Print...

Screen print of Victor Vasarely edited in 1968

A limited edition serigraph from the Inward Eye portfolio. The work bears the publishers stamp verso and is unsigned from the edition of 500. Artist: Richard Anuszkiewicz, American ...

Carlos Cruz Diez "Untitled", 1994 Serigraph on paper. Framed Ed. AP Signed, numbered, and dated by the artist at the bottom of the paper 39 x 27 in

TallerOr Screen print printed on "card board" (cream poster board), 1968 Signed and numbered in pencil Edition: 150 (54/150), plus 11 for the Vasarely Fou...

Original Edition Heliogravure on archival paper. Excellent condition with publisher’s text on verso, as issued; never framed or matted. Unsigned and unnumbered, as issued. Notes: Fr...

A limited edition serigraph from the Inward Eye portfolio. The work bears the publishers stamp verso and is unsigned from the edition of 500. Artist: Richard Anuszkiewicz, American ...

Original Edition Heliogravure on archival paper. Excellent condition; never framed or matted. Notes: Extracted from the folio, Progressions II, 1972. Published and printed by Éditio...

Original Edition Heliogravure on archival paper. Excellent condition; never framed or matted. Notes: Extracted from the folio, Progressions I, 1972. Published and printed by Édition...

Original Edition Heliogravure on archival paper. Excellent condition; never framed or matted. Notes: Extracted from the folio, Progressions II, 1972. Published and printed by Éditio...

Original Edition Heliogravure on archival paper. Excellent condition; never framed or matted. Notes: Extracted from the folio, Progressions I, 1972. Published and printed by Édition...

Original Edition Heliogravure on archival paper. Excellent condition; never framed or matted. Notes: Extracted from the folio, Progressions III, 1972. Published and printed by Éditi...

Original Edition Gelatin Print on archival paper. Excellent condition with publisher’s text on verso, as issued; never framed or matted. Unsigned and unnumbered, as issued. Referenc...

Screen print of victor vasarely edited in 1983

Fleditwerk Serigraph, 1970 Signed, titled, dated and numbered in pencil by the artist. Publisher: Kunstverein Braunschweig blindstamp lower left Edition: 100 (66/100) Condition: Excellent Image: 22 x 22...