Derriere Le Miroir No. 201 (page 11)
View Similar Items
Alexander CalderDerriere Le Miroir No. 201 (page 11)1973
1973
About the Item
- Creator:Alexander Calder (1898 - 1976, American)
- Creation Year:1973
- Dimensions:Height: 15 in (38.1 cm)Width: 11 in (27.94 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Saint Augustine, FL
- Reference Number:1stDibs: LU12122804073
Alexander Calder
The American sculptor Alexander Calder is known as the father of the mobile, a moving artwork composed of delicately balanced sculptural forms suspended from the ceiling.
Because Calder's parents, both artists themselves, did not want him to suffer the hardships of trying to make a living in art, they encouraged the young Calder to study mechanical engineering at the Stevens Institute of Technology, in Hoboken, New Jersey. He worked a number of jobs, including as a hydraulic engineer and draftsman for the New York Edison Company, before deciding to pursue an artistic career. He never abandoned his engineering background, however, applying his understanding of gears and moving parts in all his artworks, from mechanical toys like the Cirque Calder (1931) and his revered prints to his free-standing abstract sculptures, called stabiles.
In 1926, Calder moved to Paris and established a studio in the Montparnasse quarter. He began creating the many parts of his famous miniature circus from found materials, such as wire, string, cloth, rubber and cork. Designed to be transportable, Cirque grew to fill five suitcases over the years. Always interested in putting forms in motion, Calder also pioneered a new art form called wire sculptures, which he described as “drawings in space.” Like his famous mobiles, the wire sculptures were suspended so that they turned with any movement of the air, presenting different forms when viewed from different angles.
In the 1950s, Calder returned to his roots in mechanical engineering, creating monumental abstract sculptures that verged on the architectural. He worked from loose gestural drawings like this preparatory sketch for his Man Stabile, from 1966. Throughout his career, he also worked as a set designer for the theater, as well as an illustrator and printmaker, producing vibrant, whimsical drawings for books and journals.
Find original Alexander Calder art today on 1stDibs.
- Flag I /// Pop Art Jasper Johns Abstract Lithograph Black Modern American ULAEBy (After) Jasper JohnsLocated in Saint Augustine, FLArtist: (after) Jasper Johns (American, 1930-) Title: "Flag I" Series: Facsimile Catalogue of Jasper Johns Prints *Issued unsigned Year: 1975 Mediu...Category
1970s Pop Art Abstract Prints
MaterialsLithograph, Offset
- Altitudes /// Abstract Expressionism Helen Frankenthaler Female Post-War ModernBy Helen FrankenthalerLocated in Saint Augustine, FLArtist: Helen Frankenthaler (American, 1928-2011) Title: "Altitudes" *Signed, dated, and numbered by Frankenthaler in pencil lower right Year: 1978 Medium: Original Lithograph on light yellow-pink J.B. Green Hayle Mill Bodleian handmade paper Limited edition: 29/42 Printer: Bill Goldston and John A. Lund of Universal Limited Art Editions, West Islip, NY Publisher: Universal Limited Art Editions, West Islip, NY Reference: "Frankenthaler: A Catalogue Raisonné - Prints 1961-1994" - Harrison No. 72, page 264, 268-270; "ULAE" - Sparks No. 33, page 88, 323; Clark No. 67; Williams No. 67 Sheet size (irregular margins): 22.25" x 30.88" Condition: Remnants of previous mounting tape on verso. In excellent condition with strong colors Very rare Notes: Provenance: private collection - New York, NY; private collection - notable fashion illustrator Jay Hyde, Crawford, New York, NY; acquired from an art gallery in New York, NY; likely acquired directly from the publisher Universal Limited Art Editions, West Islip, NY. Lithograph drawn with tusche wash. Printed in two colors from two stones: red and green. Universal Limited Art Editions chop mark/blind stamp lower right. "Frankenthaler: A Catalogue Raisonné - Prints 1961-1994" - Harrison - "Frankenthaler carefully chose a European handmade paper that would add another color and texture to the print" ... "By contrast, in "Altitudes", the artist created a bleed image so that the sheet of paper is smaller than the stone's image and the large red tusche wash sweeps across the surface of the yellow-pink J.B. Green Hayle Mill Bodleian paper, becoming warmed and enhanced by its color and texture." "Universal Limited Art Editions - A History and Catalogue: The First Twenty-Five Years" - Sparks - "In "Bronze Smoke" (cat. no. 32), "Altitudes" (cat. no. 33), and "Door" (cat. no. 34), minimal compositions were replaced by fields of drifting, multilayered color, as rich and satisfying as her work on a much grander scale." Biography: Frankenthaler was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting...Category
1970s Abstract Expressionist Abstract Prints
MaterialsHandmade Paper, Lithograph
- Painting with Two Balls I /// Pop Art Jasper Johns Minimalism Colorful ModernBy Jasper JohnsLocated in Saint Augustine, FLArtist: (after) Jasper Johns (American, 1930-) Title: "Painting with Two Balls I" Series: Facsimile Catalogue of Jasper Johns Prints *Issued unsign...Category
1970s Abstract Abstract Prints
MaterialsLaid Paper, Lithograph, Offset
- Red and Black II /// Abstract Expressionist Lynn Chadwick British Minimalism ArtBy Lynn ChadwickLocated in Saint Augustine, FLArtist: Lynn Chadwick (English, 1914-2003) Title: "Red and Black II" Series: Red and Black *Signed and dated by Chadwick in pencil lower right Year: 1963 Medium: Original Lithograph ...Category
1960s Abstract Expressionist Abstract Prints
MaterialsLithograph, Handmade Paper
- Casino Knokke Poster (Signed) /// Contemporary Abstract Sculpture Frank StellaBy Frank StellaLocated in Saint Augustine, FLArtist: (after) Frank Stella (American, 1936-) Title: "Casino Knokke" Series: Casino Knokke Posters *Signed by Stella in black marker lower center Year: 1991 Medium: Original Offset-Lithograph, Exhibition Poster on glossy wove paper Limited edition: Unknown Printer: Unknown Publisher: Casino Knokke, Knokke, Belgium Sheet size: 24.5" x 16.63" Condition: Some minor handling creases. In excellent condition Very rare Notes: Provenance: private collection - Paris, France; acquired directly from the exhibition at Casino Knokke, Knokke, Belgium. Poster produced for a special exhibition of Stella's work at Casino Knokke, Knokke, Belgium from June 23 - September 1, 1991. The artwork featured on this poster is Stella's 1991, 133" x 87" x 75" stainless steel, bronze, copper, aluminum and carbon steel sculpture "Raft of the Medusa, Part IV". Comes with its rare 56 page softcover exhibition catalogue "Frank Stella: Casino Knokke" featuring 18 artworks. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: Frank Stella (1936-) is an American artist best known for his use of geometric patterns and shapes in creating both paintings and sculptures. Arguably one of the most influential living American artists, Stella’s works utilize the formal properties of shape, color, and composition to explore non-literary narratives, as seen in his work Harrar II (1967) from the Protractor series. “Abstraction didn't have to be limited to a kind of rectilinear geometry or even a simple curve geometry. It could have a geometry that had a narrative impact. In other words, you could tell a story with the shapes,” he explained. “It wouldn't be a literal story, but the shapes and the interaction of the shapes and colors would give you a narrative sense. You could have a sense of an abstract piece flowing along and being part of an action or activity.” Born on May 12, 1936 in Malden, MA, Stella went on to study history at Princeton University before moving to New York in 1958. Having moved to the city, Stella was immersed in the heyday Abstract Expressionism, but it was the work of Jasper Johns that inspired Stella’s Black...Category
1990s Abstract Expressionist Abstract Prints
MaterialsLithograph, Offset, Permanent Marker
- Josef Albers: 25 Years of Graphic Work (Midnight and Noon VII) Poster /// SquareBy Josef AlbersLocated in Saint Augustine, FLArtist: (after) Josef Albers (German-American, 1888-1976) Title: "Josef Albers: 25 Years of Graphic Work (Midnight and Noon VII)" Year: 1968 Medium: Original Lithograph, Exhibition P...Category
1960s Abstract Geometric Abstract Prints
MaterialsLithograph
- 'Tree Root' . Hand colored lithogarph circa 1959.By Jack CoutuLocated in Frome, SomersetA fine Raymond John 'Jack' Coutu (1924-2017) ARE, ARCA. color lithograph/ engraving. 'Tree Root'. 6th of a 50 handmade edition by the artist.. circa 1959. Well listed Modern Artist. Signed and presented in the original framing. Raymond John "Jack" Coutu ARE ARCA (13 September 1924 – 17 May 2017) was an English printmaker, sculptor, etcher, engraver, carver, watercolourist and teacher. He was influenced by Oriental art.Jack Coutu was born Raymond John Coutu at Farnham, Surrey, England, and was educated at Farnham Grammar School.[ On leaving school in 1940, he worked at Abbott of Farnham, a coachbuilding company in Farnham, where his father Bert Coutu was also employed painting coats of arms and heraldic shields. In 1942, at the age of 18 during World War II, he joined the Royal Corps of Signals, where after training he served in Ceylon (now Sri Lanka), India, and Singapore. At the end of WWII, he was in Kure, Japan, in the Hiroshima Prefecture. From 1947 to 1951, Coutu studied at the Farnham School of Art, followed by the Royal College of Art in London from 1951 to 1954 and the Central School of Art from 1951 to 1955. At the Central School of Art, Merlin Evans was an influence on Coutu's printmaking. Coutu taught printmaking at the Central School of Art from 1957 to 1965 and then at the West Surrey College of Art and Design in Farnham from 1965 to 1985. In 1968, he started to carve netsuke (as practised in Japan) and he joined the Netsuke Kenkyukai Society, based in the United StatesHe is also a member of the Royal Society of Painter-Etchers and Engravers and the Printmakers Council. Jack Coutu has exhibited at the Royal Academy in London, netsuke conventions, jointly with Michael Rothenstein...Category
1950s Modern Landscape Prints
MaterialsLithograph
$665 Sale Price20% Off - SeascapeBy Alexander CalderLocated in ZEIST, UTAlexander Calder- Seascape Color lithograph on creme Arches paper, 1974 Edition of 150 Signed in pencil, lower right Numbered (105/ 150) in pencil, lower left With blindstamp, lower ...Category
1970s American Modern Abstract Prints
MaterialsLithograph
- Reclining Figure Idea for Metal SculptureBy Henry MooreLocated in London, GBA striking piece by Moore also presented in the Tate collection. Lithograph in colours, on Rives paper. A Printer’s Proof outside of a limited edition of 50, initialed in pencil. Ye...Category
1980s Modern Abstract Prints
MaterialsPaper, Lithograph
- Le Reve de ParisBy Marc ChagallLocated in New York, NYMarc Chagall Le Rêve de Paris (Paris Dream), 1969-70 Color lithograph on Arches wove paper 35 3/8 in x 25 1/4 in (90 cm x 64 cm) 40 1/8 in x 28 1/8 in (101.8 cm x 71.5 cm) Numbered f...Category
1960s Modern Figurative Prints
MaterialsLithograph
- Some People TogetherBy Karel AppelLocated in New York, NYSome People Together, 1974 Hand-signed and dated in pencil Color lithograph and screenprint Sheet 22 x 29 3/4 inches; 559 x 756 mm. Edition 110Category
1970s Modern Abstract Prints
MaterialsLithograph, Screen
- Le Corsage RayeBy Pablo PicassoLocated in New York, NYPablo Picasso (1881-1873) Le Corsage Raye, 1978 Initialed FM in pencil by Fernand Mourlot Lithograph on Arches paper 36 × 30 in 91.4 × 76.2 cm 42/300Category
1970s Modern Abstract Prints
MaterialsLithograph
$2,800 Sale Price20% Off
Recently Viewed
View AllRead More
Renowned for His Mobiles, Alexander Calder Was Also Adept at Crafting Modernist Jewelry
There are no sparkling gemstones on this necklace, but its value far exceeds the cost of its materials.
10 Must-Visit American Public Sculptures
Get your dose of Vitamin D while surveying works by the likes of Alexander Calder, Keith Haring and Pablo Picasso.