Alexander Calder

"Orange Ciel" framed signed lithograph by Alexander Calder. Edition EA.

1974

Collage by Eduardo Chillida is a limited edition lithograph, expertly printed on Stonehenge Super White mat finish paper and published by ARTE in Paris in 1995. This print features a...

This is an original poster designed by Jean Dubuffet for his 1968 exhibition Painted Sculptures at Pace Gallery, held from April 13th to May 18th. Created by the artist specifically ...

Printed by Mourlot for an Maurice Esteve exhibition held at the Neue Galerie. Esteve is well-known for his rich colors similar to the fauvist mouvement of the early 20th century. The...

Miro Sculptures. Illustrated by Miro, EXCLUDING 5 color lithographs, all printed by Mourlot (4 are double-page, including the cover). Includes an additional booklet with photographs ...

This original poster was created for a Georges Braque exhibition at the Maeght Gallery in Zurich. The artwork prominently features two birds in flight, with one outlined in white and...

The L Square Under Construction by Paul Klee, painted in 1923, is a fascinating exploration of geometric abstraction and architectural elements. This high-quality reproduction, publi...

Nebula is an exciting intellectual piece that blends the artistic and scientific sensibilities of Miró. Composed of red, blue, yellow and green circles floating along a black ring, t...

Georges Braque Frontispiece, from La Nuit, La Faim (The Night, The Hunger), 1960 is an abstract work which takes inspiration from a poem by Georges Riebmont-Dessaignes. Georges Riebm...

Then Came a Stick and Beat the Dog, 1984 is a stellar example of his use of incredibly bright colors and a plethora of irregular shapes. The first thing you notice about this piece besides its colossal size is the color palette. The colors are highly saturated and vibrant; they carry a certain narrative, heavy quality that speaks to you. To name a few, Stella uses electrifying colors of magenta, pink, silver, brown, green, lavender, and aquamarine. These hues dazzle in plain sight but also accentuate the disorderly shapes of cones and cylinders. The outlines of these forms spill over the edge of the paper while the magical swirls of lines occupy your vision. The diversity in texture and layering of color on top of each other heightens the sense of mass and weight incorporated into this work. The rhythmic lines and experimental quality of irregular shapes compose a kind of poetic allure. Inspired by gouaches done by the Russian avant-garde artist, El Lissitsky, Stella takes on a fresh new rendition. El Lissitzky’s works that Stella had seen in Tel Aviv were based on a song called “Had Gadya.” Stella designated titles for each variant in the series that becomes very much a part of his style as an artist. This piece is an example that highlights Stella as an artist who fuses inspiration from his well-traveled life into an aesthetically and culturally pleasing work of art. In all of this work’s interwoven structures, layered colors, and historic background, lies the mastery of Frank Stella, as a distinct artist in his ability to combine a vast array of elements. Created in 1984, Then Came a Stick and Beat the Dog, 1984 from Illustrations After El Lissitzky's Had Gadya is a hand-coloring and collage with lithograph, linocut, and silkscreen on T. H. Saunders paper (background) and shaped, hand-cut Somerset paper (collage). Hand-signed and dated by Frank Stella (Massachusetts, 1936 - ) in pencil in the lower left: ‘F. Stella ‘84’, this work is numbered from the edition of 60 in pencil in the left; published by Waddington Graphics, London. Catalogue Raisonné & COA: Frank Stella Then Came...

Created in 1974, this color lithograph on Richard de Bas paper is hand-signed by Jasper Johns (Augusta, 1930 - ) in pencil in the lower right margin. Numbered from the edition of 47 ...