Medium Abstract Prints

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró XV Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 71 cm Condition: In ver...

Silksreen, 1969 Handsigned by the artist in pencil Edition : 120/250 Publisher : Fondation Vasarely, Château de Gordes Printer : Arcay, Paris Catalog : Benavides 165 72.00 cm. x 62....

Lithograph on vélin d’Arches paper. Inscription: Signed in the plate, embossed with the official Braniff Flying Colors Collection seal, and unnumbered, as issued. Good condition. Not...

This special Limited canvas Edition ( #8 of 20 ) is made to the highest Museum archival quality , hand painted on Giclée printed Canvas Edition. It's hand painted finishing by the ar...

Gerhard Richter Seestück (bewölkt), 1969-2023 Hybrid print in five colours on 260g Rives handmade paper 70 x 70 cm unsigned edition of 500 Accompanied by the publisher's certificate...

Artist: Josef Albers (German-American, 1888-1976) Title: "DR-a" Series: DR (Denise René) *Monogram signed and dated by Albers in pencil lower right Year: 1968 Medium: Original Screen...

Pablo Ruiz Picasso (Spain, 1881-1973) 'Dibujos. Sala Gaspar', 1961 lithograph on paper 27.6 x 19.7 in. (70 x 50 cm.) Unframed Ref: PIC2001-P004 Conservation: Not previously owned, an...

This is an original poster designed by Jean Dubuffet for his 1968 exhibition Painted Sculptures at Pace Gallery, held from April 13th to May 18th. Created by the artist specifically ...

Artist: Salvador Dali Medium: Heliogravure Title: The Queen's Croquet Ground Portfolio: 1969 Alice in Wonderland Year: 1969 Edition: 2430/2500 Frame Size: 24 1/4" x 19 1/2" Sheet Siz...

Sean Scully Munich 1996 (Hand Signed), 2001 Offset Lithograph print Hand signed and dated by Sean Scully in 2018 Boldly signed in black marker on the recto. Hand signed by Sean Scull...

David Shrigley Ignore the Ghosts, 2022 Screenprint in eleven colours with varnish overlay on Somerset Satin Tub Sized 410gsm paper Signed by the artist and numbered, on verso 76 x 56...

This is an original exhibition poster for the show titled Observatory Earthwork – Project for Sonsbeek 71, Arnhem, held at the Tate Gallery from April 28 to June 6, 1971. The poster ...

The work was conceived as a poster for the exhibition "Miró el tapís de Tarragona". Technical details of the work Category: Engravings and Prints Graphic Work Date: 1970 Technique: ...

Set of offset lithographs printed on 200g Arctic Volume paper Edition of 250 70 x 50 cm (27.5 x 19.6 in) each Not signed or numbered Mint. Minor imperfections may appear due to the p...

John Hoyland (1934-2011) Brown, Beige, Pink Screen print 52 x 70 cm Signed and dated to lower right, numbered 95/100 'Brown, Beige, Pink' is an intriguing composition, featuring an...

Title: Doughlah G.E.P., 1968-71 Year made: 2023 Material: Giclée print on 330gsm Somerset Velvet cotton rag paper with an embossed publisher stamp Edition of 250 It comes with COA f...

Lithograph on vélin papel Guarro con filigrana paper. Unsigned and unnumbered, as issued. Good condition. Notes: published in 1970 to promote the folio, Tapís De Tarragona, il·lustra...

Tracey Emin Love is What You Want, 2015 250 gsm silk finish paper. Hand signed on the front by Tracey Emin in white grease pen/sharpie 27 1/2 × 19 7/10 inches Edition of 500 (unnumbe...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

Limited edition of 150 pieces, hand signed and numbered. Excellent conditions.

Mr. Brainwash Secret Admirer (Red), 2013 4-color screenprint on hand-torn archival art paper 22 1/2 × 22 1/2 in 57.2 × 57.2 cm Edition of 70 Hand-signed by the artist on the fromt,...

Edition of 300. Murakami signed and numbered in silver marker pen along the lower right edge. Offset lithograph with cold foil stamp and high gloss varnishing on UV paper—diameter si...

Robert Rauschenberg - OVERDRIVE Date of creation: 2017 Medium: Digital print on Canadian maple wood Edition: 300 Size: 80 x 20 cm (each skate) Condition: In mint conditions and never...

Sean Scully Roland Garros French Open tennis tournament, Paris, France (Hand signed by Sean Scully), 2001 Offset lithograph poster (hand signed by Sean Scully) 29 3/4 inches (vertica...

Helen Frankenthaler Variation II on Mauve Corner (Harrison, 17), 1969 Lithograph in colors on Chatham British paper Signed, dated and numbered 14/21 in graphite pencil on the front Published by ULAE, West Islip, NY, with their blind stamp Frame included Accompanied by gallery issued Certificate of Guarantee Lithograph in colors on Chatham British paper Signed, dated and numbered 14/21 in graphite pencil on the front Published and printed by ULAE, West Islip, NY, with their blind stamp Literature: Frankenthaler, A Catalogue Raisonné: Prints 1961-1994, Harrison, no. 17, ppg. 106-109 Accompanied by gallery issued Certificate of Guarantee Elegantly floated and framed in a museum quality wood frame under UV plexiglass Measurements: Framed: 23.75 (vertical) x 28.75 (horizontal) x 2 inches Artwork: 20 inches (vertical) x 25 inches (horizontal) “What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961) Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide. Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Joan Miro und Katalonien Year: 1969 Medium: Lithograph on Arches, signed in the plate Size: 20 in. x 26 in. (50.8 cm x 66.04 cm) Frame...

Picasso made prints throughout his career, creating around 2,400 works until his death in 1973. Pablo Picasso may be best known for pioneering Cubism and fracturing the two-dimension...

This Limited Edition abstract print, "A Summer Day in Nantucket," by Sofie Swann measures 30" x 24" and is an edition of 95. Printed on canvas,...

Richard Anuszkiewicz Sequential Prints: Sequential I - X 1972 Screenprint on paper, Edition of 200 71.1 x 53.3 cms (28 x 21 ins)

Theodore Waddell Osage Sheep State II Year: 1994 Color Lithograph Edition: 30 Papers: Arches Cover, Black Paper Size: 22.5 x 30 inches Image Size: Same Signed and numbered by hand CO...

Offset lithograph Edition of 300 71 x 71 cm (28.1 x 28.1 in) Signed and numbered on the front Mint

Kerry James Marshall Keeping the Culture, 2011 Silkscreen and linocut in colors with full margins and deckled edges on Arches paper with full margins and deckled edges 20-1/4 x 30-1/4 inches Hand signed, titled and numbered 79/100 by Kerry James Marshall in graphite pencil on the front Published by Africa House International, Chicago Unframed Kerry James Marshall's 2011 "Keeping the Culture" is based upon the artist's eponymous painting done the year earlier. Marshall, along with his dealer, were voted by ArtReview the top two of the 100 most influential people in the art world of 2018 - even ahead of the #MeToo movement, and ahead of figures like Jeff Koons, Larry Gagosian and Eli Broad! His paintings now sell for tens of millions of dollars - after P. Diddy paid $21 million for a painting. The present work "Keeping the Culture" is an extremely desirable work of art and exemplifies Marshall's style. For a feature profile/article written for Marshall's first retrospective - a blockbuster show entitled "MASRY" at the Museum of Contemporary Art, LA, the Museum of Contemporary Art Chicago and the Met Breuer in New York, Barbara Isenberg of the LA Times wrote: ." The New York Times called the show “smashing” and its subject “one of the great history painters of our time.” The New York Review of Books and Artforum magazine put large images from the show on their January covers. “I’ve been acutely aware that museums are behind their academic colleagues in terms of thinking of representation and people of color,” MOCA chief curator Helen Molesworth says. “I find Kerry’s paintings ravishing — they are drop dead, great paintings — and they have an extra level of reward for people who hold in their heads a history of Western painting.” Marshall is a compelling storyteller, whether on canvas or in conversation. Talking at length during a visit to MOCA, he is easygoing but eloquent, recalling his neighborhood in Birmingham, Ala., where he was born in 1955, or about growing up black there and in Los Angeles. He remembers the names of teachers who encouraged him. Asked when he first began to notice a lack of black subjects...

Artist: Salvador Dali Medium: Heliogravure Title: Down the Rabbit Hole Portfolio: 1969 Alice in Wonderland Year: 1969 Edition: 2430/2500 Frame Size: 24 1/4" x 19 1/2" Sheet Size: 16 ...

Kenneth Noland Untitled Target, 2004 Lithograph on hand made paper with deckled edges Signed and numbered in pencil from the limited edition of 75 on the lower front; bears the artis...

A Hahnemuehle Fine Art Print, attributed to Roy Lichtenstein. Editioned 25.

Gabor Peterdi (1915-2001). Dark Landscape, 1958. Etching, engraving and aquatint with five stenciled colors. Image measures 20 x 24 inches. Signed, date...

Lithograph, 1990 Handsigned by the artist in pencil and numbered 30/150 Catalog : [Sorlier 524] 76.00 cm. x 58.00 cm. 29.92 in. x 22.83 in. (paper) 67.00 cm. x 50.00 cm. 26.38 in. ...

Jean Sariano, Algerian/American (1943 - ) - Working Proof, Year: 1979, Medium: Intaglio Etching and Aquatint, signed and numbered in pencil, Edition: 300, Image Size: 18.5 x 16.5 i...

Limited edition of 10, fine art print. Signed by the author.

Piero Dorazio Untitled Mid Century Modern Geometric Abstraction, 1967 Color Lithograph on Rives BFK wove paper Hand signed, numbered 68/80 and dated on the front 29 1/4 × 21 inches U...

Joan Miro Surrealist Bird, 1971 Lithograph in colors signed in the plate Printed in Arte workshop, Paris On vellum size 78 x 55 cm (c. 31 x 21.5 in) Very good condition REFERENCE :...

Edition of 300. Murakami signed and numbered in silver marker pen along the lower right edge. Offset lithograph with cold foil stamp and high gloss varnishing on UV paper. 70 x 52.8 ...

Etching and aquatint on zinc, 3 plates, 5 colors, 1961 Handsigned by the artist in pencil and numbered 27/50 Printer : Jean Signovert (Paris) Catalog : [Schneider VII, page 206] Publ...

Rare exhibition poster by Puerto Rican artist Carlos Osario. Una Gota de Sangre, 1963. Screen print on paper, 17.5 x 25 inches. Some wear and crea...

Screeh print with holes on BFK Rives. Realized in occasion of the exhibition at Galleria Il Quadro Biella. Published by Silvio Zamorani Editore.

Color Lithograph on Arches paper realized by Sonia Delaunay in 1972. Hand signed in pencil, dated 72 and numbered 43/90. Prov. Private Collection, Milan. Very good condition.

Roy Lichtenstein at Modern Art Pavilion, Seattle Art Museum Limited Edition poster, 1976 Offset lithograph Limited Edition of 1000 22 1/2 × 28 inches Unframed Publisher Seattle Art ...

Alexander Calder (American, 1898-1976) Fiesta, c. 1973 Lithograph in colors Signed lower right Edition: E. A. 20 x 28 inches 35.5 x 37.75 inches, framed One of America's best known ...

Peter Beard The End of the Game (Hand Signed by Peter Beard), 1977 Offset Lithograph Poster (hand signed by Peter Beard and inscribed with a heart) Han...

This is from the suite by Jean Paul Sartre and Andre Masson, Limited edition of 175. published by Fernand Mourlot, 1961. The portfolio is numbered #29/175 and hand signed by Andre Ma...

Artist: Pablo Picasso (1881-1973) Title: Femme Assise a la Robe Bleu Year: 1981 Medium: Lithograph on Arches paper Size: 29 x 22 inches Edition: 1000, plus proofs Condition: Good Ins...

Amaranth Ehrenhalt (American, 1928 - )," Aventurine", Edition D'Artiste, Abstract Expressionist Colored Lithograph signed in Pencil , 30 x 22, Late 20th Century, ca. 1970 Colors: Red, Blue, Purple, Green, Blue Amaranth Roslyn Ehrenhalt is an American painter, sculptor, and writer, who spent the majority of her career living and working in Paris, France. Ehrenhalt is one of the few abstract expressionists from the New York School of the 1950s who is still active today. She now lives and works in New York City. Born in Newark, New Jersey, Amaranth was raised in Philadelphia, Pennsylvania. As a child, she expressed a passion for art, and by the age of twelve, Amaranth was enrolled in a Saturday morning program for artistically gifted children at the Philadelphia Museum of Art, followed a few years later by art classes at Fleisher Art Memorial. Amaranth Ehrenhalt graduated from Olney High School in 1945, and went on to study for one year at the Philadelphia Museum School of Industrial Arts (now known as the University of Arts, Philadelphia), after which, she was awarded an Honors Scholarship to the Pennsylvania Academy of the Fine Arts. While attending PAFA, she simultaneously earned a bachelor's degree from the University of Pennsylvania studying French, English, Psychology, and Art History. From 1949-1951, Amaranth completed additional studies in Art Appreciation via the Barnes Foundation, attending classes afternoon per week. Amaranth Ehrenhalt lived in New York City during the heyday of the New York School of Abstract Expressionism. She is officially recognized as part of the second wave of American Abstract Expressionists. She socialized with Willem de Kooning and Franz Kline, among others. Her social life revolved around the Cedar Tavern on University Place. Describing life in her fourth floor Greenwich Village walk-up, Amaranth states: “I painted on the floor, not by choice a la Jackson Pollock but for lack of a table. The painter Al Held and sculptor Ronnie Bladen worked at the Door Store and, upon hearing of my predicament, carried a wooden door up four flights of stairs and plopped it on top of the bathtub. From then on, I could work at a more comfortable height.” Amaranth Ehrenhalt traveled to Paris for the first time in the early 1950s, one of many moves between Paris, Philadelphia, and New York. (Amaranth has also lived in Los Angeles, Rome, and Pietrasanta, Italy). Amaranth lived and worked in France and Italy for over 30 years. “I have lived many years in Italy and France and was privileged to know, and sometimes exhibit with many writers and artists who have greatly contributed to modern art, i.e. Giacometti, Sonia Delaunay, who invited me to choose my paint supplies...

Original poster: Chopstix Sequences. Printed on woven paper. Horizontal print of a hand holding a chop stix or both in various positions. Behii...

Karel Appel Sitting in a Landscape Animals and monsters series Year 1979 Print - Lithograph 22.0'' x 30'' inches Edition: signed in pencil and marked 160/160 Karel Appel is one of t...

Alexander CALDER (1898-1976) Red, blue and black balloons Original lithograph, 1973 Signed in the plate On Arches vellum size 78 x 59 cm (c. 29 x 23 in) Very good condition

Artist: John Plumb Title: 'Colour Ladder A' Year 1971 Medium Type: Screen Print Size-Width Size-Height: 22'' x 30'' Signed Edition Size: Signed in pencil, titled and marked Arti...

color lithograph , Edited in 1976 Limited edition , numbered as 20/100 in lower left corner.
 Hand-signed by artist in pencil in the lower right Paper size: 52 x 72 cm Excellent cond...

Screenprint in 11 colours on paper Edition of 125 Signed, numbered, dated and titled on the front Condition on request Images of edition numbering are for illustrative purposes only....