Medium Abstract Prints

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró XIII Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 71 cm Condition: In v...

Artist: Alexander Calder (after) (American, 1898-1976) Title: Convection, Flying Colors for Braniff Airlines Year: 1974 Medium: Lithograph, signed in the plate Size: 20 in. x 26 in. ...

ARTIST: Salvador Dali TITLE: Portrait of Autumn MEDIUM: Lithograph SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: HC 49/65 MEASUREMENTS: 21.23" x 29.1" YEAR: 1980 FRAMED...

Etching and aquatint, 1970 Edition : 103/125 Publisher : Galerie de Varenne (Paris) 66.00 cm. x 50.00 cm. 25.98 in. x 19.69 in. (paper) 49.00 cm. x 39.00 cm. 19.29 in. x 15.35 in. ...

This is an original poster created for Jasper Johns’ exhibition at Leo Castelli Gallery, held from January 10 to February 7, 1981—a significant presentation by one of the most influe...

Color lithograph on cream wove paper, 1956. Edition of 200. Printed by Mourlout, Paris.

Artist: Salvador Dali (1904-1989) Title: Téléphone-homard cybernétique (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Cybernetic lobster phone, Imaginatio...

Kerry James Marshall Keeping the Culture, 2011 Silkscreen and linocut in colors with full margins and deckled edges on Arches paper with full margins and deckled edges 20-1/4 x 30-1/...

Etching and aquatint with embossing on laid paper. Sheet dimension: 65x46 ca.; Image dimension 30.4x18.6. Edition of 95/100. Hand signed and numbered in pencil. Slight foxing, pa...

Alexander CALDER (1898-1976) Red, blue and black balloons Original lithograph, 1973 Signed in the plate On Arches vellum size 78 x 59 cm (c. 29 x 23 in) Very good condition

Kyohei Inukai Life Forces - 1978 Print - Silkscreen   30'' x 22½'' in Edition: signed in pencil and marked 128/200 Since the 1940s, Kyohei Inukai has created his own brand of illusi...

Yayoi Kusama, Everyday I Pray For Love, 2016 Vivid inkjet colours on synthetic paper. Stamped by Yayoi Kusama Foundation 59.4 x 74.1 cm Unknown edition size The first art poste...

’Les Oiseaux De Feu’ By Lars Bo Medium - Etching on BFK Rives paper Signed - Yes Edition - 61/120 Date - 1964 Size - 650mm x 500mm Condition - 9 Colour of print may not be ac...

Guided by Starlight is a mixed-media print created by Bik Chuen Ha in 1993. Using a geometric and abstract visual language, Ha constructs a composition where black and gray-green sha...

Artist: Salvador Dali (1904-1989) Title: Antiombrelle à atomiseurs de liquides (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Liquid atomizer anti-shade, ...

Joan Miro Surrealist Garden (Sculptures), c. 1974 Original lithograph Signed in the plate On Arches vellum, size 54 x 76 cm (c. 21 x 30 inch) REFERENCE : catalog raisonne "Miro lit...

Hank Laventhol, American (1927 - 2001) - Plum, Year: Circa 1980, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 300, AP XXXV, Image Size: 20 x 15.5 inches, Siz...

Through The Ages by Toko Shinoda, black and white signed lithograph calligraphy 11/35 obituary published by CNN March 2021 Celebra...

This Artist's Proof is 90% hand-painted with original oil and gesso by artist Shizico Yi on Giclee made on canvas from her original oil painting. Each Proof is unique and hand paint...

Letter P, from the Alphabet series,  is a lithograph, realized by Rafael Alberti in 1972. Hand-signed and dated on the lower right margin.  Numbered in pencil on the lower, from an...

This original poster, designed by Roy Lichtenstein for his first solo exhibition at the Guggenheim Museum in New York (September 19–November 16, 1969), is a screen print on white glo...

Untitled, from ‘The International Association of Art Portfolio’ By Max Bill Medium - Screen print Edition - 3/25 Signed - Yes Size - 640mm x 460mm Date...

Peter Halley Peter Halley, Imago Galleries, Palm Desert, CA (Hand Signed), 2006 Offset lithograph poster (hand signed by Peter Halley) 25 1/2 × 18 1/4 inches Provenance; Acquired directly from the artist Unframed Alpha 137 Gallery is honored to offer this offset lithograph, published on the occasion of legendary American artist Peter Halley's 2006 one-man exhibition at Imago Galleries, Palm Desert, California which the artist hand signed in black marker. Scroll images for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney. PETER HALLEY BIOGRAPHY Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era. Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured. In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali, New York (2019); Venice Biennale (2019); Lever House, New York (2018); Schirn Kunsthalle, Frankfurt (2016); Disjecta, Portland (2012); the Gallatin School, New York University, (2008, 2017); the Museum of Modern Art, New York (1997); and the Dallas Museum of Art (1995). In 2005, Halley was also commissioned to create a monumental painting for Terminal D at the Dallas/Fort Worth International Airport, Texas. Halley served as professor and director of the MFA painting program at the Yale School of Art from 2002 to 2011. From 1996 to 2005, Halley published INDEX Magazine, which featured interviews with figures working in a variety of creative fields. Halley is also known for his essays on art and culture, written in the 1980s and 1990s, in which he explores themes from French critical theory and the impact of burgeoning digital technology. His Selected Essays, 1981 – 2001, was published by Edgewise Press, New York, in 2013.Halley’s writings have been translated into Spanish, French, and Italian. A catalogue raisonné, PETER HALLEY: Paintings of the 1980s, was published in 2018 by JRP Ringier. Halley’s work can be found in the collections of the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; Broad Art Foundation, Los Angeles; Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art; Boston Museum of Fine Arts; Dallas Museum of Art; Albright-Knox Art Gallery, Buffalo; Tate Modern, London; Stedelijk Museum, Amsterdam; Sammlung Marx, Berlin; Museo Nacional Centro de Arte Reina Sofia, Madrid; Museum of Contemporary Art, Tokyo; Seoul Museum of Art, among others. More about Peter Halley Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

-Pedro Friedeberg signed print featuring a collection of various dogs. Includes whimsical figures, optical art elements, and surreal details. framed in a hand-painted black and gold ...

For over thirty years, Nozkowski has practiced his own form of idiosyncratic abstraction, foregoing a signature style or subject matter in favor of seemingly limitless variations in ...

Artist: Arthur Secunda Title: Night Bird Year: 1974 Paper Size: 26 x 23 inches Edition: Signed in pencil and marked 151/250 Arthur Secunda (b. 1927 – d. 2022) was an American painte...

      Bullfight No. 5 is a signed limited edition ( 4/300 ) original lithograph by Salvador Dali from the Taureaumachie Suite of five original lithographs. Published by Phyllis Lucas...

Helen of Troy (  is an original signed lithograph by Salvador Dali from the French limited edition suite Hommage a H...

Alexander Calder The original Los Angeles County Museum of Art poster, 1965 Limited Edition vintage Offset Lithograph 32 × 24 3/4 inches 81.3 × 62.9 cm Edition of 300 This is the OR...

WE WILL SHIP THIS ARTWORK WORK TO YOU WITH A COURTESY PEDRO FRIEDEBERG STYLE BLACK AND GOLD STRIPED FRAME . . . . Pedro Friedeberg is an Italian-born Mexican artist and designer kn...

Helen Frankenthaler Untitled, from the estate of Stephen Poleskie (Berggruen 11, Clark 12, Harrison and Boorsch 11), 1967 Color silkscreen on wove paper Unframed A unique unsigned pr...

Two silkscreen prints by Steven Gagnon from 2011. Political commentary in pop art style imagery with a farcical tone. Unframed, hand signed in lower right corner. Artist: Steven Ga...

Françoise Gilot Window on Another Dimension, 1981 Lithograph on Arches mould made Johannot paper Signed and numbered in graphite pencil; also bears artist's monogram with date, edition of 60 Unframed 27.25 inches by 19.75 inches Francoise Gilot was not just Picasso's muse; she was an accomplished artist in her own right, and at age 100, the New York Times dubbed her the art world's latest "It Girl".! Signed and numbered in graphite pencil; also bears artist's personal monograph with date. Held in original vintage frame under plexiglass. Charmingly, there is a sticker label on the back of the frame, from the "Picasso Gallery Custom Framing" in D.C. This silkscreen is based upon Gilot's eponymous painting, also done in 1981 Excerpt from Alan Riding's 2023 New York Times obituary on Gilot: " Françoise Gilot, an accomplished painter whose art was eclipsed by her long and stormy romantic relationship with a much older Pablo Picasso, and who alone among his many mistresses walked out on him, died on Tuesday at a hospital in Manhattan. She was 101...But unlike his two wives and other mistresses, Ms. Gilot rebuilt her life after she ended the relationship, in 1953, almost a decade after it had begun despite an age difference of 40 years. She continued painting and exhibiting her work and wrote books. In 1970, she married Jonas Salk, the American medical researcher who developed the first safe polio vaccine, and lived part of the time in California. Still, it was for her romance with Picasso that the public knew her best, particularly after her memoir, “Life with Picasso,” written with Carlton Lake, was published in 1964. It became an international best seller, and so infuriated Picasso that he broke off all contact with Ms. Gilot and their two children, Claude and Paloma Picasso. Ms. Gilot’s frank and often-sympathetic account of their relationship — she dedicated the book “to Pablo” — provided much of the material for the 1996 Merchant-Ivory movie, “Surviving Picasso,” in which she was played by Natascha McElhone, with Anthony Hopkins as Picasso. If Ms. Gilot’s book sold well, so has her art. With her work in more than a dozen museums, including the Metropolitan Museum of Art and the Museum of Modern Art in New York and the Centre Pompidou in Paris, her paintings fetched increasingly higher prices well into her later years. As recently as June 2021, her painting “Paloma à la Guitare” (1965), a blue-toned portrait of her daughter, sold for $1.3 million in an online auction by Sotheby’s. That surpassed her previous record price, $695,000, paid for “Étude bleue,” a 1953 portrait of a seated woman, at a Sotheby’s auction in 2014.. And in November 2021, her abstract 1977 canvas “Living Forest” sold for $1.3 million as part of a retrospective of her work at Christie’s in Hong Kong. Lisa Stevenson, the head of curated sales for Sotheby’s in London, told ARTnews after the 2021 auction, “It isn’t commonly known that Gilot’s commitment to art was present long before her relationship with Pablo Picasso, and she was sadly often left in his shadow.”.. Marie Françoise Gilot was born into a prosperous family on Nov. 26, 1921, in Neuilly-sur-Seine, a suburb of Paris, the only child of Emile Gilot, an agronomist and chemical manufacturer, and Madeleine Renoult-Gilot. Her 19th-century ancestors had owned a couturier house of fashion whose clientele included Eugenia, the wife of Emperor Napoleon III. Marie Françoise was drawn to art from an early age, tutored by her mother, who had studied art history, ceramics and watercolor painting. Her father, however — recalled by Ms. Gilot as an authoritarian who had forced her to write with her right hand, though she was left-handed — had other ideas. Envisioning a career in science or the law for his daughter, he persuaded her to enroll at the University of Paris, where she received her bachelor’s degree in 1938 at age 17. She went on to study at the Sorbonne and the British Institute in Paris and receive a degree in English literature from Cambridge University. As war crept closer to France in 1939, her father sent her to the city of Rennes, northwest of Paris, to enroll in law school. All the while she continued working on her paintings. Then came the German occupation of Paris, in June 1940, and she joined other students in an anti-German protest march at the Arc de Triomphe. In a clash with the French and German authorities, Ms. Gilot was arrested, briefly detained and put under watch. “From day one, we were not the kind of people who would become collaborators,” she said of her family. She continued her law studies at the University of Paris, but after taking her second-year examinations, in June 1941, she lost interest and abandoned the field, deciding to devote herself to art. She began private lessons with a fugitive Hungarian Jewish painter, Endre Rozsda...

Silkscreen on paper. with some sort of experimental poured stuff on it. there is some loss to the margin but the image is strong. edition 2/6. During the 1930s, Lawrence Edward Kupfe...

Engraving Handsigned by the artist in pencil Edition : 13/95 76.00 cm. x 56.50 cm. 29.92 in. x 22.24 in. (paper) 76.00 cm. x 56.50 cm. 29.92 in. x 22.24 in. (image) Arches paper A...

Lithograph on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: Published by The Collector's Guild Ltd., New York in association with Th...

Another example of this iconic Frank Stella print can be found at the Poster House Museum in Manhattan. For inspiration only are photographs from their display. "The concentric squ...

Screenprint Edition 16 of 120 75.8 x 62.3 cm (29.8 x 24.5 in) Signed, numbered, and dated on the front Condition Upon Request Publisher Okabe Tokuzo, Japan Kusama 182. 2

"Orange Tondo" by Ilya Bolotowsky is a quintessential example of geometric abstraction, featuring a bold circular composition dominated by vibrant orange hues and precise geometric ...

Larry Zox (1937-2006) Three Square Composition, 1978 Print, Silkscreen, on Arches archival paper - 1978 52 " x 25 " inches Signed in pencil and marked VIII/LV Unframed.  Larry Zox i...

LUDWIG SANDER Untitled geometric abstraction Artists Proof, aside from the regular edition of 90 Hand signed and annotated AP on the front Elegantly matted and framed in white wood m...

Pedro Friedeberg signed lithograph featuring a fantastical architectural scene inspired by “Struwwelpeter.” includes whimsical figures, optical art elements, and surreal details. fra...

Letter C, from the Alphabet series,  is a lithograph, realized by Rafael Alberti in 1972. Hand-signed and dated on the lower right margin.  Numbered in pencil on the lower, from an...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró XV Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 71 cm Condition: In ver...

Color Lithograph on Arches paper realized by Sonia Delaunay in 1972. Hand signed in pencil, dated 72 and numbered 43/90. Prov. Private Collection, Milan. Very good condition.

Joan MIRO The Surrealist Animal, King Ubu, 1966 Original lithograph (Atelier Mourlot, Paris) Unsigned Numbered / 75 copies On Arches vellum 54 x 75 cm (c. 21.2 x 29.5 in) REFERENCE...

Keith Haring (after) Champions / The Contemporary Art Center of Cleveland Poster, 1984 (Hand signed by Keith Haring), 1988 Offset lithograph (Hand sig...

Yayoi Kusama Offset lithograph poster, 2017 Published by David Zwirner Unframed, with original folds as issued (see photo) Gorgeous Yayoi Kusama offset lithograph poster published b...

Lithograph, 1964 Edition : 19/150 Publisher : Hochschule St. Gallen (St. Gallen) Printer : Maeght (Paris) Catalog : [Cramer 111] 65.00 cm. x 50.00 cm. 25.59 in. x 19.69 in. (...

This striking print is quintessentially Pedro Friedeberg, blending Surrealism, Op Art, and architecture. Its uniqueness comes from the dizzying one-point perspective—a hallmark of hi...

Gerhard Richter Seestück (bewölkt), 1969-2023 Hybrid print in five colours on 260g Rives handmade paper 70 x 70 cm unsigned edition of 500 Accompanied by the publisher's certificate...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Maravillas con Variaciones Acrosticas en el jardin de Miro (Number 16) Year: 1975 Medium: Lithograph, signed in the plate Edition: 150...

A Op Art abstract color screenprint, "Planetary Folklore" 1968, by Victor Vasarely (1906-1997). This very striking work by Vasarely is comprised of various colorful geometric shapes, the work is signed lower right "Vasarely" and numbered lower left "2/250. This is an early and crisp impression in excellent condition and housed under glass in a gilt & silvered hardwood frame. This very eye-catching work by one of the 20th century's leading Op artists is ready to hang on your wall. 14" x 14.50" at sight without frame Numered 2/250 A Franco-Hungarian painter, Victor Vasarely (1906-1997) first studied medicine before turning to art. In Budapest, he frequented artists from the Hungarian Bauhaus...

JACKSON POLLOCK (American, 1912-1956) Untitled, CR1093 (after painting Number 9, CR340), 1951–printed 1964 Screenprint, on Strathmore wove paper, numbered in pencil lower left, and with the Estate of Jackson Pollock 1964 blindstamp lower left(?) From the second posthumous printing of 50 authorized by his widow, Lee Krasner in 1964 (there was also a lifetime edition of 25) Published by Bernard Steffen...

Hand Signed. Artist's Proofs in Arabic and Roman Numbers.

Richard Anuszkiewicz (American, 1930-2020) 6 Seritypien, 1965 Medium: Screenprint on Schoellers Hammer card Dimensions: 24 2/5 × 24 2/5 in (62 × 62 cm) Edition of 125: Each print is ...

Elizabeth Catlett - THERE IS A WOMAN IN EVERY COLOR Rare vintage fine art lithograph poster reproduced after Catlett's original 1975 woodcut print entitled THERE IS A WOMAN IN EVERY...

Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...

Edition of 300. Murakami signed and numbered in silver marker pen along the lower right edge. Offset lithograph with cold foil stamp and high gloss varnishing on UV paper—diameter si...

Marc Chagall (Russian/French, 1887-1985), "Temple et Histoire de Bacchus", from the "Daphnis et Chloe" series, Lithograph in Colors, 1961, from an edition of 250, published by Teria...