Items Similar to Italian Abstract Aquatint Collage Lithograph Print Eugenio Carmi 80s Memphis Era
Want more images or videos?
Request additional images or videos from the seller
1 of 9
Eugenio CarmiItalian Abstract Aquatint Collage Lithograph Print Eugenio Carmi 80s Memphis Era1988
1988
$650
£493.34
€568.62
CA$910.93
A$1,016.67
CHF 534.89
MX$12,349.75
NOK 6,780.92
SEK 6,346.09
DKK 4,243.78
About the Item
Genre: Modern, Modernist
Subject: Abstract
Medium: Print, Aquatint with metal foil
Hand signed dated 1988, limited edition
Surface: Paper
Country: Italy
Dimensions: 26" x 20" approximately
Eugenio Carmi is an Italian painter born in 1920 in Genoa. He studied in Turin in Felice Casorati studio. His experience as a graphic designer in the ‘50s, is decisive for his pictorial research, based on a rigorous geometrical structure and on a fine analysis of the perception of colors.
He participated in the Venice Biennale in 1966.
In 1967 he showed some electronic works in the Superlund exhibition organized by Pierre Restany in Lund, Sweden.
In 1968, he introduced the “Carm-o-matic”, during the Cybernetic Serendipity show at the Institute of Contemporary Art in London.
In 1973, he produced an entirely abstract 25-minute show for RAI’s Experimental Programs Service. The same year, he taught visual art seminars at the Rhode Island Institute of Design in the United States.
In the ‘70s, he gave courses at the Accademia of Macerata and at the Accademia of Ravenna (Italy).
He produced illustrations for three of Umberto Eco’s stories, published in Italy by Bompiani and in many other countries. The French Ministry of Education has selected them for libraries and schools in France.
He collaborated with famed comic book graphic novel artist Guido Crepax.The most important retrospective of his work was organized by the Milan town hall in 1990, followed by a prestigious exhibition in Budapest, in the halls of the Royal Palace, in 1992.
In 1991 he exhibited at the San Francisco Italian American Museum.
In 1996 the “Carmi” book is published by Umberto Eco and Duncan Macmillan and presented at the Milan Triennial: a synthesis of his life.
From 1957 to 1965 he will play the role of artistic director of Corigliano's corporate magazine.
During this time iron and steel are materials that Carmi meets every day and become a strong creative stimulus for him. In his first solo exhibition - presented by Gillo Dorfles in 1958 at the Galleria Numero di Firenze - the protagonists are the enamels on steel and since 1960 he made various iron and steel works welded and lithographed milk.
Iron and steel is the work that in 1962 presented at Spoleto Sculpture exhibition in the city , organized by Giovanni Carandente under the V Festival of the Two Worlds .
In this period, he is involved not only in the cultural politics of the Istallier (Victor Vasarely, Umberto Eco, Max Bill, Konrad Wachsmann, Furio Colombo, Ugo Mulas, Kurt Blum, Emanuele Luzzati, Flavio Costantini), But also in the cultural activity of the Warehouse Gallery , which Carmi founded in Boccadasse in 1963. The Warehouse Gallery with multiples intends to propose a serial art accessible to a wider audience and is placed in international discussions on 'Multiplied Art, representing one of the most important examples.
The friendship and mutual esteem that binds him to Umberto Eco has two very important fruits at this time: Children's Fables and Stripsody . In 1966 for the publishing house Bompiani came three Eco fables illustrated by Carmi and then re-introduced in 1988 with new Carmi illustrations and a fable more. Stripsody is a musical project on cartoon sound, designed and then interpreted by the genius singer Cathy Berberian, with Eco texts and illustrations by Carmi.
Eugenio Carmi, who is always fascinated by the new technological post modern possibilities in the 1960s and 1970s, is the author of experimental cinematic and audiovisual artwork and also realizes those who will call electrical imagery signals that will also be at the center of a provocative installation on the streets of the city of Caorle .
It is at this stage that in 1966 he was at the XXXIII edition of the Venice Biennale with the electronic work SPCE (electronically controlled polycyclic structure), which is also the invitation of Pierre Restany to participate with electronic works at the SuperLund exhibition in Sweden.
In 1971, he moved to Milan with his family, where he established his study.
At this point, though with incursions in other parallel fields such as the realization of mirrors and stained glass, painting, and sporadically sculpture - which had approached the Istal period - is at the center of its activity. It is at the beginning of the seventies that it deepens the geometric language, already open with some previous experiences (accident prevention signs for the Italsider, some multiples for the Deposit and electrical imagery signals), replacing it with the informal one.
In 1979 he produced a magazine - which will remain the same number - by the name of Res Publica, for which he receives the contributions of intellectuals and artists, including Umberto Eco, Antonio Porta, Gillo Dorfles, Richard Paul Lohse, Arnaldo Pomodoro Civilization of the image.
He has shown with Enrico Baj and Valerio Adami. Many exhibitions and retrospectives are organized all over the world. He took part in the most important international biennials of graphic arts, receiving prestigious awards.
- Creator:Eugenio Carmi (1920, Italian)
- Creation Year:1988
- Dimensions:Height: 26 in (66.04 cm)Width: 20 in (50.8 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38214299702
Eugenio Carmi
Eugenio Carmi was born in 1920 in Genoa, Italy. At age fifteen he began painting lessons, which came to a halt during the Second World War during which he graduated with a degree in chemistry from Swiss Federal Institute of Technology. In 1946, Carmi was living in Italy and became a student of the painter Felice Casorati, whose work remained an inspiration for his own in the next decade. In the late 1950s, Carmi was tasked with promoting Cornigliano Steelworks and used steel and iron to create contemporary art to enhance the company’s image. This led to his first solo exhibition in 1958 at the Galleria Numero in Florence, where he presented enamel paintings on steel. During the 1960s and 1970s, Carmi focused on creating work inspired by the combination of industry and culture, leading to lithographs on tin plates and linking kinetic and audiovisual art. It was in the 1970s that he developed his signature geometric style, a contrast from the Art Informel style of the previous decades. He often used mathematical laws such as the Pythagoras theorem to create his precise geometric shapes, a nod to his training at the Swiss Federal Institute of Technology.
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1995
1stDibs seller since 2014
1,792 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: Surfside, FL
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllItalian Abstract Aquatint Collage Lithograph Print Eugenio Carmi 80s Memphis Era
By Eugenio Carmi
Located in Surfside, FL
Genre: Modern, Modernist
Subject: Abstract
Medium: Print, Aquatint
Hand signed dated 1988, limited edition
Surface: Paper
Country: Italy
Dimensions: 26" x 20" approximately
Eugenio ...
Category
1980s Post-Modern Abstract Prints
Materials
Aquatint
Italian Abstract Aquatint Collage Lithograph Print Eugenio Carmi 80s Memphis Era
By Eugenio Carmi
Located in Surfside, FL
Genre: Modern, Modernist
Subject: Abstract
Medium: Print, Aquatint
Hand signed dated 1988, limited edition
Surface: Paper
Country: Italy
Dimensions: 26" x 20" approximately
Eugenio ...
Category
1980s Post-Modern Abstract Prints
Materials
Aquatint
Italian Abstract Aquatint Collage Lithograph Print Eugenio Carmi 80s Memphis Era
By Eugenio Carmi
Located in Surfside, FL
Genre: Modern, Modernist
Subject: Abstract
Medium: Print, Aquatint
Hand signed dated 1988, limited edition
Surface: Paper
Country: Italy
Dimensions: 26" x 20" approximately
Eugenio ...
Category
1980s Post-Modern Abstract Prints
Materials
Aquatint
Italian Abstract Aquatint Collage Lithograph Print Eugenio Carmi 80s Memphis Era
By Eugenio Carmi
Located in Surfside, FL
Genre: Modern, Modernist
Subject: Abstract
Medium: Print, Aquatint
Hand signed dated 1988, limited edition
Surface: Paper
Country: Italy
Dimensions: 26" x 20" approximately
Eugenio ...
Category
1980s Post-Modern Abstract Prints
Materials
Aquatint
Italian Abstract Aquatint Collage Lithograph Print Eugenio Carmi 80s Memphis Era
By Eugenio Carmi
Located in Surfside, FL
Genre: Modern, Modernist
Subject: Abstract
Medium: Print, Aquatint with metal foil
Hand signed dated 1988, limited edition
Surface: Paper
Country: Italy
Dimensions: 26" x 20" approxi...
Category
1980s Post-Modern Abstract Prints
Materials
Aquatint
Monoprint Lithograph American Modernist Gregory Amenoff Abstract Expressionist
By Gregory Amenoff
Located in Surfside, FL
Gregory Amenoff (Contemporary American abstract painter, b. 1948),
Monotype Monoprint (1990)
Hand signed in pencil lower right
plate: 16 x 16 inches
frame dimensions: 35 1/8 x 29 1/8 x 1 5/8 inches, wood frame with glazing
Provenance: Corporate Collection of Bank BNP Paribas
Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person painting exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. His work has the influence of both Abstract Expressionism and Pop Art in it, biomorphic forms in rich hues and thick textures with heightened colors and abstracted, organic forms, late American Modernism. He moved to New York in 1979, the artist rose to critical acclaim in the 1980s alongside Terry Winters, Bill Jensen, and Katherine Porter. The artist lives and works between New York, NY and his Hudson Valley residence.
He was a collaborating artist illustrating Bradford Morrow, Bestiary along with Joe Andoe, James Brown, Vija Celmins, Louisa Chase, Eric Fischl, Jan Hashey, Michael Hurson, Mel Kendrick, James Nares, Ellen Phelan, Joel Shapiro,
Kiki Smith, David Storey, Michelle Stuart, Richard Tuttle, Trevor Winkfield, Robin Winters. Linoleum cuts with
pochoir and woodcuts for the Grenfell Press, New York. Amenoff served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation in New York City and serves as the CUE Art Foundation's Curator Governor. Amenoff has taught at Columbia for the last eighteen years, where he holds the Eve and Herman Gelman Chair of Visual Arts and is currently the Chair of the Visual Arts Division in the School of the Arts. He is currently the Vice-President of the National Academy.
In 2011 he received the John Solomon Guggenheim Fellowship.
Museum Collections
Albright-Knox Art Gallery; Buffalo, NY
Art Institute of Chicago; IL
Baltimore Museum of Art;
Brooklyn Museum of Art; Brooklyn, NY
Butler Institute of American Art; Youngstown, OH
Cleveland Museum of Art; Cleveland, OH
Currier Gallery of Art; Manchester, NH
Frances and Sidney Lewis Foundation; Richmond, VA
Hood Museum of Art; Hanover, NH
Honolulu Academy of Art; Honolulu, HW
Kemper Museum of Contemporary Art; Kansas City, MO
Maier Museum of Art; Lynchburg, VA
Metropolitan Museum of Art; New York, NY
Milwaukee Museum of Art; Milwaukee, WI
Minneapolis Institute of Art; MN
Muscarelle Museum of Art, College of William and Mary; Williamsburg, VA
Museum of Fine Arts; Boston, MA
Museum of Modern Art; New York, NY
National Museum of American Art; Washington, DC
Neuberger Museum, State University of New York at Purchase; NY
New York Public Library, Spencer Collection...
Category
1980s American Modern Abstract Prints
Materials
Lithograph, Monoprint, Monotype
You May Also Like
Untitled - Original Lithograph by Luigi Veronesi - 1976
By Luigi Veronesi
Located in Roma, IT
Image dimensions: 32.3x46 cm.
Untitled is a beautiful colored lithograph on paper, realized in 1976 by the Italian artist, Luigi Veronesi. Hand-signed, dated and numbered in pencil ...
Category
1970s Contemporary Abstract Prints
Materials
Lithograph
Composition - Original Lithograph by Giuseppe Santomaso - 1983
By Giuseppe Santomaso
Located in Roma, IT
Composition is an abstract color lithograph realized by Giuseppe Santomaso.
Hand-signed and dated on the lower right 1983.
Artist's proof
This splendid artwork is preserved in goo...
Category
1980s Abstract Abstract Prints
Materials
Lithograph
CONRAD MARCA-RELLI Limited ed. Etching & Aquatint American Modern, Contemporary
By Conrad Marca-Relli 1
Located in Madrid, Madrid
Conrad Marca-Relli - COMPOSITION IV
Date of creation: 1977
Medium: Etching and aquatint on Gvarro paper
Edition: 75 + AP + HC
Size: 56 x 76 cm
Observations: Etching and aquatint on G...
Category
1970s Abstract Abstract Prints
Materials
Etching, Aquatint
Untitled - Aquatint by Carla Accardi - 1990s
By Carla Accardi
Located in Roma, IT
Aquatint made on zinc plate on Magnani-Pescia paper 310 gr/m2, paper size 75cm x 55cm, work size 55cm x 40.5 cm. Excellent condition, slight signs of use, no defects.
Grafica Lombardi guarantee stamp...
Category
1990s Abstract Abstract Prints
Materials
Etching, Aquatint
Untitled - Etching and Aquatint by Carla Accardi - 1990s
By Carla Accardi
Located in Roma, IT
Etching and Aquatint made on zinc plate on Magnani-Pescia paper 310 gr/m2, paper size 75cm x 55cm, work size 55cm x 40.5 cm. Excellent condition, slight signs of use, no defects.
Gr...
Category
1990s Abstract Abstract Prints
Materials
Etching, Aquatint
Untitled - Aquatint by Carla Accardi - 1990s
By Carla Accardi
Located in Roma, IT
Aquatint made on zinc plate on Magnani-Pescia paper 310 gr/m2, paper size 75cm x 55cm, work size 55cm x 40.5 cm. Excellent condition, slight signs of use, no defects.
Grafica Lombar...
Category
1990s Abstract Abstract Prints
Materials
Etching, Aquatint
