Trial Premonition I/III
View Similar Items
Helen FrankenthalerTrial Premonition I/III1974-75
1974-75
About the Item
- Creator:Helen Frankenthaler (1928, American)
- Creation Year:1974-75
- Dimensions:Height: 32 in (81.28 cm)Width: 27 in (68.58 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU794529422
Helen Frankenthaler
Prolific and pioneering painter Helen Frankenthaler said it was “a combination of impatience, laziness and innovation” that drove her to thin her paints with turpentine so that they would seep into the fabric of an unprimed canvas. Her breakthrough in the early 1950s led the way for a spellbinding new style of painting that would come to be known as Color Field.
Although Color Field is often considered a strain of Abstract Expressionism, Frankenthaler’s work differed from the gestural “Action Painting” that typified the paintings of artists like Willem de Kooning and Lee Krasner. Her vast and immersive expanses of color created at a fearless scale captivated art critics and greatly influenced her peers including Morris Louis and Kenneth Noland.
Frankenthaler knew from an early age that she wanted to be a painter. The youngest daughter of a New York State Supreme Court justice, she grew up on Manhattan’s Park Avenue and as a child delighted in the little ways color and form revealed themselves, whether dribbling red nail polish in a sink full of water or drawing her steps from the Metropolitan Museum of Art to her family’s apartment. As a student at Bennington College, her rare vision was enriched by the mentorship of painter Paul Feeley, who gave her lessons in Cubism. After dabbling in art history at Columbia University, she rented a studio downtown and befriended rising New York art stars like Jackson Pollock and Robert Motherwell, whom she later married.
Characterized by “direct, exuberant gestures,” the Abstract Expressionist technique was all about gusto, and Frankenthaler had it in spades. One of the few women of this era to garner widespread critical acclaim, Frankenthaler had a significant impact on the mid-20th-century art world. She exhibited in the high-profile 1951 Ninth Street Show and, in 1957, she appeared in a Life magazine spread on women artists photographed by Gordon Parks. In 1960, the Jewish Museum held her first major museum show, a retrospective of her 1950s work. A 1969 solo exhibition at the Whitney Museum of American Art further introduced Frankenthaler to the broader art world.
While Frankenthaler remains best known for bold, expressive “soak-stain” paintings such as Mountains and Sea (1952), she worked across diverse media for decades, with forays into woodcutting, drawing and printmaking that also pushed boundaries. She also taught at Harvard, Yale and Princeton, fostering generations of artists. She died in 2011.
Find original Helen Frankenthaler art on 1stDibs.
- Colored Paper Image XVIII (Green Square with Dark Gray)By Ellsworth KellyLocated in New York, NYMedium: Colored and pressed paper pulp Printer: Tyler Graphics Ltd., Mt. Kisco, New York Publisher: Tyler Graphics, Mt. Kisco, New York Edition size: 22, plus proofs Catalogue ra...Category
1970s Post-War Abstract Prints
MaterialsPaper
- East and BeyondBy Helen FrankenthalerLocated in New York, NYPrinter and Publisher: ULAE, West Islip, New York Catalogue raisonne: Abrams 41 Edition size: 18 Signed, dated, and numbered, lower marginCategory
1970s Abstract Expressionist Abstract Prints
MaterialsWoodcut
Price Upon Request - Woman with Corset and Long HairBy Willem de KooningLocated in New York, NYPrinter: Hollanders Workshop, New York Publisher: Knoedler, New York Edition size: 61, plus proofs Catalogue Raisonné: Graham 17 Signed, dated, and numbered inpencil, lower marginCategory
1970s Abstract Expressionist Abstract Prints
MaterialsLithograph
Price Upon Request - Orange over GreenBy Ellsworth KellyLocated in New York, NYFrame size: 43 1/2 x 31 3/4 inches Printer: Imprimerie Maeght, Levallois-Perret, France Publisher: Maeght Editeur, Paris Edition size: 75, plus proofs Signed and annotated in pencil,...Category
1960s Contemporary Abstract Prints
MaterialsLithograph
- Blue over GreenBy Ellsworth KellyLocated in New York, NYFrame size: 43 1/4 x 32 inches Printer: Imprimerie Maeght, Levallois-Perret, France Publisher: Maeght Editeur, Paris Edition size: 75, plus proofs Catalogue Raisonné: Axsom 26 Signe...Category
1960s Contemporary Abstract Prints
MaterialsLithograph
- Lana 2By Brice MardenLocated in New York, NYFrame size: 28 1/2 x 24 3/4 inches Printer: Chiron Press, New York Publisher: The Artist Signed, titled, and numbered, lower marginCategory
1960s Minimalist Abstract Prints
MaterialsScreen
$19,000
- Ten Works X Ten PaintersBy George Earl OrtmanLocated in Palm Desert, CAAn abstract screen print executed in bright yellow & chartreuse by Post War artist George Ortman.Category
1960s Post-War Abstract Prints
MaterialsScreen
- Formulation: Articulation (Diptych)By Josef AlbersLocated in Palm Desert, CAAn abstract screen print diptych by Post War artist Josef Albers. This work is two prints framed together.Category
1970s Post-War Abstract Prints
MaterialsScreen
- Joseph Beuys, Parteiendiktatur - Signed Shopping Bag, 1971, FluxusBy Joseph BeuysLocated in Hamburg, DEJoseph Beuys (German, 1921-1986) So kann die Parteiendiktatur überwunden werden (How the dictatorship of the parties can be overcome), 1971 Medium: Printed polyethylene shopping bag ...Category
20th Century Post-War Abstract Prints
MaterialsPlastic
- Concert Hall Set IIIBy Sam FrancisLocated in San Francisco, CAOriginal lithograph printed in 6 colors (yellow, yellow-green, light blue, magenta, turquoise, dark blue) from 6 aluminum plates on BFK Rive wove paper Hand-signed in pencil lower r...Category
1970s Post-War Abstract Prints
MaterialsLithograph
Price Upon Request - Untitled (SFE-071)By Sam FrancisLocated in San Francisco, CAOriginal aquatint/monoprint printed in 7 colors from 3 runs from 3 steel-faced copper plates, with pure permanent powdered pigment added to the plate prior to printing the third run ...Category
1980s Post-War Abstract Prints
MaterialsAquatint
Price Upon Request - Untitled (from Club/Spade Group ’81-82)By Richard DiebenkornLocated in San Francisco, CAOriginal lithograph printed in 6 colors on Arches Cover wove paper Hand-signed with the artist’s monogram and dated in pencil at the lower right sheet tip RD82. A superb impression of the definitive state, from the edition of 250, numbered in pencil at the lower left sheet tip. One of 8 plates by various artists from the portfolio Eight by Eight to Celebrate the Temporary Contemporary, published by The Museum of Contemporary Art, Los Angeles; printed by Krystine Graziano, Kenneth Farley, Alan Holoubek, James Reid...Category
1980s Post-War Abstract Prints
MaterialsLithograph
Price Upon Request